Decorative Ornaments and Designs

A series of ornamental designs featuring intricate patterns, engravings, and motifs, ideal for decorative applications in art and architecture.

France, Delaune, Etienne, Ornament with female herm, Stephanus De Lavne inventor excidebat anno do.1573, Winged female herm, The herm stands between two vases. From a series of 8 sheets with pear-shaped surface decorations., print, ornament print, prints, ornament prints, height 44 mm, width 43 mm, French, 1519 - 1583, print maker, printmaker, 1528 - 1573, second quarter 16th century, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Design for a memorial plaque with W and a coat of arms. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 354 mm × w 253 mm. Museum: Rijksmuseum, Amsterdam.

Grotesque Decorations for Wall Panels. Dated: c. 1530. Dimensions: overall: 19.6 x 10.1 cm (7 11/16 x 4 in.). Medium: pen and brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI DA UDINE.

. At the leftmost a lobster hangs on the rightmost fish. One of four sheets with small ornaments, decorated with arabesque and geometric motifs. The decorations are white on a black fond.

Netherlands, Custos, Dominicus, France, Androuet, Jacques, Germany, Sibmacher, Hans, Iacobus Androuetius Du Cerceau inventor ante annos non paucos conscripsit, An arch decorated with diamonds supported by four herms, verso lower left - stamped, Copy after a print by Jacques Androuet Ducerceau, based on a plane decoration by Enea Vico. Sheet from series with architectural fantasies and grotesques with mythical creatures, garlands, candelabras and mascarons., print, ornament print, prints, ornament prints, height 106 mm, width 71 mm, German - 1611-03-23, print maker, 1525 - 1594, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, paper, etching, Work conception, French, 1515 - 1584, after a print by, Publication (Event), Publication, German, 1560 - 1615, publisher

Antoine Jacquard, Landscape with an Obelisk Landscape with an Obelisk

Lucidario di Recami, page 16 (recto) 1564 Iseppo Foresto Italian Designed by Iseppo Foresto, published by Jeronimo Calepino, 1564.From top to bottom, and left to right:Design composed of 3 vertical columns; each column is printed upon a grid. Left column is decorated in the center with an interlace motif formed by coiling vines at its sides. Middle column is decorated in the center with a flower that is flanked on both sides by a composite creature with a lion head, bird wings, and female human chest that forms part of the stem that coils outward at the sides and terminates with another composite creature. Right column is decorated with 2 curving vines, partially formed by a dragon, which attach to a ram's head in the center.. Lucidario di Recami, page 16 (recto) 660906

Design for coat of arms. Artist: Anonymous, 18th century. Dimensions: sheet: 13 9/16 x 8 1/4 in. (34.4 x 20.9 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

The sheet also depicts a bowl, a lid and a (partial) leaf motif. Sheet III.D.6 from the third series of 12 sheets with ornaments for goldsmiths and silversmiths. Copies after C. de Moelder and others, Three strips with leaf vines, masks and putti Verscheide Italiaense en Franse Lofwercken. Soo with and without pictures (series title), print maker: Anthonie de Winter, (mentioned on object), anonymous, publisher: Anthonie de Winter, (mentioned on object), Amsterdam, 1696, paper, engraving, h 138 mm × w 188 mm

Blackwork Print with Grotesques Fighting on Top of a Large Motif Surrounded by Ten Smaller Motifs, from a Series of Blackwork Prints for Goldsmiths' Work 1615 Etienne Carteron French Symmetrical blackwork design with a large three-pronged bezel at center on which groups of grotesques fight. Below rows of additional fillets also with Schweifwerk patterns. Plate 6 from a series of eight plates published in Chtillon-sur-Chalaronne (Ain) with blackwork designs for goldsmiths' work.. Blackwork Print with Grotesques Fighting on Top of a Large Motif Surrounded by Ten Smaller Motifs, from a Series of Blackwork Prints for Goldsmiths' Work 425499

Blackwork Print with Nine Motifs ca. 1620 Claes Jansz. Visscher Dutch. Blackwork Print with Nine Motifs 419988

Ceiling (detail); Le Pautre, Jean (1618-1682), Mariette, Pierre (1634-1716; m.); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Franz Dingelstedt.

Design by Virgil Solis; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 24.8 x 13.4 cm (9 3,4 x 5 1,4 in.)

The magical figure Dabchad, "Octagon". Chromolithograph.

Relief in the San Pietro in Perugia, C. Polozzi, After Anonymous, 1870 photograph Perugia (city) paper. cardboard albumen print door Perugia (city)

. A cartouche with a turtle in a landscape and the motto: "Sub Parvus Sed Meo". This is the print mark of Raphaël Sadeler.

Frame consisting of two vertical panels and two Frisians; Lists with leaf refrences, candlestick poles, vases with flowers and flowers. Frame printed of four logs. On the Frisian two torsos that end in leaf raft. The lists are largely variants or copies late sixteenth century French and Flemish prints. All picture frames were used to illustrate a Bible.

Opera Nova Universali intitulata Corona di racammi, page 3 (recto). Dimensions: Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm). Publisher: Giovanni Andrea Vavassore (Italian, active Venice 1530-1573) , Venice. Date: 1530.Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice.From top to bottom, and left to right:design composed of 2 circles. Top circle illustrated with intertwining vines and leaves and small 8-petaled black flower in center. Bottom circle contains grid and large 8-petaled black flower in center. There are 6 illustrations (3 on left and 3 on right) of flowers existing outside of the circles, yet remaining within the frame of the design. Museum: Metropolitan Museum of Art, New York, USA.

GSELL-Laurent workshop. Album n ° 4; stained glass project for Montfort Lamaury; Two -spanned window. Pencil, ink, watercolor and gouache. Paris, Carnavalet museum. Album number 4, pencil, ink, windows two travees, floral frieze, Montfort Lamaury, stained glass project, watercolor

Part of the crown of Charlemagne, Anonymous, 1850 - 1880 print Germany paper etching crown (symbol of sovereignty) Dom

Men's head to the right. .

Design for a funerary monument in the choir chapel of the cathedral in Metz, with the resurrection of Christ and two founders, Design for a funerary monument in the cathedral in Metz, draughtsman: anonymous, 10-Jan-1614, paper, pen, h 247 mm × w 175 mm

Title-Border with Putti Holding the Pirckheimer Arms. Dated: probably 1513. Dimensions: plate: 19.7 x 12.6 cm (7 3/4 x 4 15/16 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albrecht Dürer.

Each sheet in this series depicts two knife handles side by side, decorated with Schweifwerk and stylized tendrils in white on a black background, Two Knife handles Knife handles , print maker: Michiel le Blon, Michiel le Blon, publisher: Michiel le Blon, Amsterdam, 1597 - c. 1625, paper, etching, h 85 mm × w 23 mm

Black ornament with dense, fine leafs, a flower and a bird, monogrammist JVB, 1619 print A leaf from a series of designs for jewelry. paper engraving ornaments ~ art. foliage, tendrils, branches ~ ornament. flowers ~ ornament. birds. ornaments, jewels

Firenze (Badia) - Sezione del soffito in legno della chiesa. Giacomo Brogi (Italian, 1822 - 1881)

Print, Les parterres du Jardin de Monsieur Rendrop à Watervliet (The Garden Beds of Monsieur Rendrop in Watervliet), in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds); Designed by Daniel Marot (French, active in the Netherlands and England, 1661-1752); Netherlands; etching and engraving on white laid paper; Sheet: 35 x 23.5 cm (13 3/4 x 9 1/4 in.) Platemark: 29.6 x 20 cm (11 5/8 x 7 7/8 in.)

Canopy project representing Tobie Jean Gaspard Jules Or Johann Caspar Julius Gsell (1814-1904). Verrière Project Representing Tobie. Pencil.

Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 16 (recto) ca. 1532 Alessandro Paganino Italian Published by Alessandro Paganini, Italian, active 16th century.Embroidery design composed of 2 vertical columns. Left column is decorated with a curving grape vines. Right column is decorated with Moresque pattern.. Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 16 (recto) 659846

Letter D in a picture frame with a representation of David that is anointed by Samuel to King. .

Netherlands, Seal on the objects of trade and luxury, Seal, 1806, Separate impression of a diamond-shaped seal for objects of trade and luxury, of three stuivers, 1806. Dutch lion with a sheaf of arrows and sword, facing left., print, prints, Frederik Muller Historieplaten, height 63 mm, width 79 mm, print maker, printmaker, 1806 - 1806, first quarter 19th century, paper, woodcut

Guide for Constructing the Ligature do; Joris Hoefnagel (Flemish , Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9,16 x 4 7,8 in.)

Ornament for Knife Handle. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Theodor De Bry.

Pedestal

Strip with sun; Designs for goldsmiths. On both sides of the sun is a double award-winning L for Louis XIV, in the background leaf drinks and palm branches.

Master CR, Ornament with Grotesque, 1616 Ornament with Grotesque

Guide for Constructing the Letter P; Joris Hoefnagel (Flemish , Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9,16 x 4 7,8 in.)

Ground Plan of a Pavillion. Artist: Anonymous, French, 16th century. Dimensions: 13 9/16 x 9 9/16 in. (34.5 x 24.3 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Copper engraving by the Master of 1462 depicting St. Antonius on the lower half of the leaf, created around 1450-1460.

Emperor Tiberius seducing two male acolytes at a sacrifice in front of a statue of Priapus. Tibere assiste a un sacrifice, et senflamme pour deux jeunes hommes. Copperplate engraving from Pierre-Francois d'Hancarvilles Monumens de la Vie Privee des Douze Cesars, Chez Sabellus, Capri (Monuments of the Private Lives of 12 Caesars, Leclerc, Nancy) 1780. From imaginary Spintria, medals and cameos.

Design for knife handle to commemorate a marriage ca. 1580-1600 Johann Theodor de Bry Netherlandish. Design for knife handle to commemorate a marriage 399698

A colored woodcut by Albrecht Altdorfer created around 1500 depicting Saint Bartholomew, showing detailed religious iconography and composition typical of Northern European Renaissance printmaking.

Two oir tires with grotesken, 1538 - 1598 print Central to the left oirband is an oval with Minerva and in the right a female Herme. Belongs to series of 4 sheets. paper engraving (story of) Minerva (Pallas, Athena)

Initial letter S with garlands mid-16th century. Initial letter S with garlands 701235

Large Pendant, Three Nude Women with Twigs at Centre. Dated: 1596. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Daniel Mignot.

Ornamental depiction of man and woman on either side of a fireplace, draughtsman: Antoon Derkinderen, 1869 - 1925, paper, pen, h 233 mm × w 348 mm

Scroll- and Bandwork Escutcheon, Jacob Floris the Elder, Flemish, 1524 - 1581, Engraving on paper, Showing the date, 'LAET / DE COCK / COKEN', the monogram I and C with a stylized pendant heart between them; see cat. card for sketch, and two boys and two putti in the framing., Netherlands, 1566, Print, Print

Two Knife Heften, Michiel Le Blon, 1597 - c. 1625 print On each leaf from this series, two knife lives are depicted next to each other, decorated with Schweifwerk and stylized tiflakes in white on a black surface. Amsterdam paper etching table-knife

Scenes from the life of Christ, Stories from the New Testament, bas-reliefs by Lorenzo Maitani (before 1275-1330), third pillar, facade of Orvieto cathedral, Umbria, Italy, 13th-14th century.

flower pot, colorful inlay work in Itmad-Ud-Daulah s Tomb Itmad Ud Daulah s, agra, uttar pradesh, india Copyright: xNitinxKelvalkar/DinodiaxPhotox

Deraisme, Pierre -Georges (n.1859 - D.1932), Monogram: Félix (main title), 1895. Graphite and watercolor on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

. From series of 29 partially numbered sheets with figures.

Attributed to John Carter, 1748-1817, British, Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel, ca. 1780. Graphite and pen and black ink on slightly textured, medium thickness, white laid paper.

Cornelius Christoffels, Wall Painting, c 1941 Wall Painting

Eight Apostles in Four Roundels. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Israhel van Meckenem.

France, 1814-1815 1910. Vinkhuijzen, Hendrik Jacobus. still image. Illustrations, Prints. General Research Division. Military uniforms , History, France

Book decoration of the Roeloffzen & Hubner printing company in London, 1874 - 1924 Page 14 recto from an album with 17 sheets. paper decoration of printed matter

Vignet with a monogram. .

Fragment. Coptic; Egypt. Date: 501 AD-800 AD. Dimensions: 22.9 × 22.9 cm (9 × 9 in.). Linen and wool, tapestry weave. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA. Author: Ancient Egyptian.

Sadeler, Johannes (II), Johann (I), Munich, Raphael (I), In hoc signo vinces, Cross with the Lamb of God, verso lower left - stamped, A cross with the Lamb of God in the middle. In each corner a seraph., print, prent, prints, width 64 mm, height, 98 mm, South Netherlandish, 1560, print maker, printmaker, 1595 - 1595, paper, papier, engraving, engraving (printing process), 1550 - 1600-08, - 1665

The Baptism of Christ; Pharoah Passing th rough the Red Sea; Joshua and Caleb. Dated: c. 1465. Medium: woodcut (block book page). Museum: National Gallery of Art, Washington DC. Author: Netherlandish 15th Century.

Pair of Scissors with Sphinx-shaped Handles, Pen and brown ink, brush and gray wash on laid paper, Vertical rectangle showing a design for a pair of scissors with handles formed by half-figures of lion-headed sphinxes, facing in opposite directions., Europe, probably 17th century, metalwork, Drawing, Drawing

Tombstone unknown

Two Knife Heften, Michiel Le Blon, 1597 - c. 1625 print On each leaf from this series, two knife lives are depicted next to each other, decorated with Schweifwerk and stylized tiflakes in white on a black surface. Amsterdam paper etching table-knife

La Chelyb, in or before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) string instruments (plucked). trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament Royal Palace

Izebel in Rolwerk Omlijsting, Virgil, 1524 - 1562 print Nuremberg paper engraving / etching Jezebel (not in biblical context). scrollwork, strapwork ~ ornament

Memoranda, Thomas Stothard, 1755-1834, British, undated, Watercolor with pen and black ink on thin, smooth, cream wove paper, Sheet: 9 7/16 × 6 3/4 inches (24 × 17.1 cm), flowers (motifs), ornament, scroll (motif)

from a series of 12 'Ornaments for Goldsmiths' Grotesques, Philips Galle, Flemish, 1537 - 1612, Marcus Gerards I, 1521 - ca. 1604, Engraving on white paper, Vertical rectangular design with diamond extensions. Within the center of the design a putti stands on a flower vase and is surrounded by two deer, two monkeys, snakes, trophies, and scrolls., Netherlands, ca. 1570, graphic design, Print, Print

Album # 2; Stained glass project for the Jesuites de Monde (detail); decorative rosetry Gsell-Laurent workshop. Album # 2; stained glass project for Jesuits of Mongr� (detail); Decorative rosette. Pencil, watercolor.

Pa. German Dish. Dated: 1939. Dimensions: overall: 45 x 40.6 cm (17 11/16 x 16 in.). Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Robert Stewart.

Chinese, folded legs, with a parasol. (Title Title) | Thumbnails: Coat of Arms, Chinese etc. (title of all)

Speculum Romanae Magnificentiae: Ionic Capital 1528 Agostino Veneziano (Agostino dei Musi) Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of pri

Walther from the birdweight.

Design for a baroque list. Draughtsman: Cigoli. Dating: 1570 - 1613. Measurements: h 147 mm × w 96 mm. Museum: Rijksmuseum, Amsterdam.

Klingholz Fritz (1861-1921), Stettiner Bahnhof in Berlin (without date): View of a wall clock, 2 details on average. Ink and pencil on transparent, 48.2 x 37.8 cm (including scan edges) Klingholz Fritz (1861-1921): Stettiner Bahnhof, Berlin

Deraisme, Pierre -Georges (n.1859 - D.1932), Taulk handle (main title), 1900. Graphite on white Bristol. Petit Palais, Museum of Fine Arts of the City of Paris.

Wood engraving. Vignette., Engraving and etching., A wreath., Europe and USA, 1800-1830, Wood engraving. Vignette.

Initial letters in the Ronde (Round) script decorated with garlands, pearls, and foliage. Alphabet de Ronde. Chromolithograph designed and lithographed by Ernst Guillot from his Ornementation des Manuscrits au Moyen-Age (Ornamentation from Manuscripts of the Middle Ages), Paris, 1897.

Initial letter R on patterned background 1520 Anonymous, Italian, 16th century. Initial letter R on patterned background 700393

. Map of the gardens and the labyrinth on the estate of Castle Gunterstein, Breukelen.

Ornamento delle belle & virtuose donne, page 21 (recto). Binder: Lloyd, Wallis & Lloyd (British, active London after 1821). Dimensions: Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm). Publisher: Matteo Pagano (Italian, 1515-1588) , Venice. Date: 1554.Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821. From top to bottom, and left to right:Design composed of 4 horizontal registers. First register is decorated with 2 peacocks. Second register is decorated with 4 birds, paired in 2 groups, surrounding different floral motifs. Third register is decorated with a bird, swan, crow, and another bird in flight. Fourth register is decorated with 2 dogs, a lion, and a deer, all moving toward the right. Museum: Metropolitan Museum of Art, New York, USA.

Medallion with bust of the captain of foolishness; The Hoopman of Narheit / Le Capitaine des Follie; Dishes. Medallion with the bust of the "Hoopman of Nartheit" (portrait of Alva) in the edge with grotesken are a monkey, a woman on a monkey and a man-joeded man. Sheet from series of 4 magazines with a medallion in a wide edge of grotesken with figures, animals and leaf refrences on a dark distance. The edge around the medallion and the outer edge contain Dutch and French fresh rules.

Twee messenheften; Messenheften.On every magazine from this series, two knife lifts are depicted side by side, decorated with Schweifwerk and stylized tendrils in white on a black surface.

Boom / Twee vechtende vogels; Nostra Vel In Tumulo / Provocatus Pugno; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Above a tree with vegetation with the roots. Under two fighting birds. One bird is on top of the other. The inventions of Louise of Lorraine, Woman of Hendrik III, and Hendrik IV of France.

Flowers, inlaid with semiprecious stones in marble, Taj Mahal, UNESCO World Cultural Heritage Site, Agra, Uttar Pradesh, India, Asia

Medallion. Egypt. Date: 201 AD-400 AD. Dimensions: Diameter: 8.9 cm (3 1/2 in.). Linen and wool, tapestry weave. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA.

Minchiate (Tarot) Playing Card, Stencil-colored woodblock print, Part of a set of Italian Minchiate playing cards., Florence, Italy, 17th century, Playing card, Playing card

Medallion with putti holding a cello. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 10 13/16 x 8 9/16 in. (27.4 x 21.8 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Fresco of a coat of arms in Mezzocorona, Piana Rotaliana, Trentino-Alto Adige.

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia05. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portugal, Porto. Historic traditional hand painted azulejos tiles at the Porto Cathedral.

Ink drawing by Leonardo Corona depicting a torch bearer in a Landsknechts uniform standing to the right, executed in ink and lavated around 1580-1582.

Portrait of a Roman emperor showing facial features, hairstyle, and attire, drawn with brown pen on parchment as part of a series.

Catalan Atlas by Abraham Cresques, c. 1377. Museum: Museo Marítimo, Barcelona.

Prima Causa (First Cause). Dated: c. 1465. Dimensions: sheet: 17.8 x 9.9 cm (7 x 3 7/8 in.). Medium: engraving with light gilding. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

Sampler. Dated: c. 1942. Dimensions: overall: 60.9 x 45.7 cm (24 x 18 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Adolph Opstad.

Guide for Constructing the Letters h and i. Joris Hoefnagel (Flemish / Hungarian, 1542 - 1600)

CANTIGA STA MARIA Nº265-F24V-VIRGEN CURA A S JUAN DAMASCENO MANO QUE LE CORTA EL EMPERADOR-S XIII. Author: Alfonso X of Castile. Location: BIBLIOTECA NACIONAL COLECCIÓN. Florenz. ITALIA. DAMASCENO JUAN. Mansur. LEON III. CONSTANTINO IV.

Pa. German Fractur Designs. Dated: c. 1937. Dimensions: overall: 51.1 x 38.5 cm (20 1/8 x 15 3/16 in.) Original IAD Object: W. OM 34; H OM 209. Medium: watercolor, pen and ink, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Page Coffman.

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