Decorative Pendant Designs

Collection of intricate designs for pendants and chandeliers, showcasing elegant floral motifs, figurative elements, and elaborate craftsmanship.

Ceiling with sunken rectangle and bustes, Daniël Marot (I), 1712 print The rectangle has bent corners. From series of 6 magazines with designs for ceilings. print maker: Netherlands (possibly)after own design by: Netherlands (possibly)publisher: Amsterdam paper etching

Bladranken met twee maskes en twee dolfijnen.Flat decoration with a candelabra of leaf raft. Legumes hang down at the turns. At the top, the out in masks and in dolphins.

Bound Print, AVIS AUX AMATEURS DU DESSEIN (Before Lettering); Designed by Gilles-Marie Oppenord (French, 1672-1742); Print Maker: Gabriel Huquier (French, 1695-1772); Published by Chez Huquier; France; etching and engraving on paper

Cartouche placed in front of a Pedestal, Pierre Edme Babel, French, ca. 1720-1775, Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688-1776, Etching on off-white paper, Cartouche design in front of a pedestal, France, 1700-1775, ornament, Print, Print

Design for a Clock in the Form of a Lyre ca. 1775-85 Anonymous, French, 18th century French. Design for a Clock in the Form of a Lyre 345619

Messenheft with grotesken, at the bottom a squatted satar blows on a pan flute, Johann Theodor de Bry, after Jan Saenredam, c. 1598 print At the top an allegory on marriage from Kuise Love. One of 4 sheets, each with one design for the front of a handle flanked by two half designs for the rear. The texts on the back relate to the performances at the front. Germany paper engraving ornament ~ grotesque. Chastity. "Castití marriage ',' Fed Maritale ',' married '(Ripa). Satyr (s) (in general). PANPIPES

Print, Page Four from "Second Licre Contenant Differens Desseins de Pendules Inventés par G. M. Oppenort Architecte du Roi et Gravés par Huquier"; Designed by Gilles-Marie Oppenord (French, 1672-1742); Etched by Gabriel Huquier (French, 1695-1772); France; etching on paper; 41.5 × 28 cm (16 5/16 in. × 11 in.); 1959-85-10

Ornamental parts of clocks, two ornamental circles on top. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Man in boat; Petits Ornements Chinois. In a water landscape a man is in a boat with a shelter. On the bottom Rocaille elements.

Earth element as a young woman with cornucopia and rose bush in picture frame with ornaments; Four elements. Element earth as a young woman standing with cornucopia at rose bush. In oval list inside rectangular picture frame with ornaments derived from plants and animals.

Two ornamental chimney designs. Draughtsman: Vittorio Maria Bigari. Draughtsman: Alessandro Vittorio (rejected attribution). Dating: 1702 - 1776. Measurements: h 308 mm × w 202 mm. Museum: Rijksmuseum, Amsterdam.

Plate 7, from Monilium Bullarum Inauriumque Artificiocissimae Icones, Ioannis Collaert Opus Postremum (Designs for Necklaces, Pendants and Earrings of the Highest Skill, the Final Work by Joannis Collaert), Hans Collaert the Elder, Flemish, ca. 1530 - 1581, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, laid and gilded, A cruciform pendant suspended by a jeweled string from a small ornament tied to a bow knot. Strapwork forms a cartouche with three drop pearls. At top, Apollo and his lyre flanked by two seated women and griffins., Antwerp, Belgium, 1581, ornament, Print, Print

Thracia; Thrace; F Vases and Hautur; Nouvelle iconology Historique Ou Attributs Hierogliphyques (...). An ornamented vase with feminine winged attachment figures. Below it a round medallion with a torch, snakes, a helmet, shields and weapons. Print number 50.

Large Pendant, Lower Left and Right Two Bunches of Grass and Fruit. Dated: 1596. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Daniel Mignot.

Print, Design for Cartouche, from "Cartouches Nouvellement Inventez"; Designed by Jean Bernard Honoré Toro (French, 1661 - 1731); Etched by Charles Nicolas Cochin the younger (1715 - 1790); France; etching on paper; 29 x 19.7 cm (11 7/16 x 7 3/4 in.)

Curgot Met Vaas, Fedht, Afterher Charles deport deporttond, 1771 print An ornamented firebok with a vase with figures and a garland. paper etching / engraving andiron, fire-dog. vase ~ ornament

Framework for five signatures, Reinier Willem Petrus de Vries (1874-1953), 1900 print. drawing paper. watercolor (paint) brush flowers ~ ornament

Frame with Rocaille Cartouche, Laurel Branches, and Turkish Bonnets, Troisième Livre de Cadres (Third Book of Frames), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on paper, Upright frame design for a mirror or painting, topped by two rocaille cartouches, laurel branches, and Turkish bonnets. Weapons and vegetal ornamentation complete the decorative scheme., Munich, Germany, 1740-68, albums (bound) & books, Bound print, Bound print

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Design scheme similar to 1938-88-847, disk above and three drops below connected by a round diamond at center above a knotted bow with blossoming stems at left and right. Bevelled corners., probably Naples, South Italy, Italy, late 18th century, jewelry, Drawing, Drawing

Weapon template with helmet and curtain, Johann Theodor de Bry, After Anonymous, 1596 print Frankfurt am Main paper engraving armorial bearing, heraldry

Design for the Decoration of the Barrel Tang Surround of a Firearm. Culture: French, Versailles. Designer: Workshop of Nicolas Noël Boutet (French, Versailles and Paris, 1761-1833). Dimensions: 3 7/8 x 1 7/8 in. (9.8 x 4.8 cm). Date: ca. 1797-1805. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Design for a Window Case; Possibly by Carlo Marchionni (Italian, 1702-1786), Filippo Marchionni (Italian, 1732-1805); Italy; brush and gray watercolor, black chalk on paper; 25.6 x 14.9 cm (10 1/16 x 5 7/8 in.)

Standing and sitting woman with smoking cabinet; D 4th Suite des Arabesques.twee sitting women on either side of a smoke vessel, the whole supported by a standing woman with floral basket on the head.

Tripod and Panels of Ornament, nos. CCIV-CCXVII ("Designs for Various Ornaments," pl. 39) February 29, 1782 Michelangelo Pergolesi These designs, numbered CCIV to CCXVII, center on a tripod topped with a snake hovering before a sun. The print comes from a group that Pergolesi made and published serially in London between 1777 and 1792. There is no title page, but a prospectus of ca. 1786 described the group as: "A great variety of original designs of vases, figures, medallions, friezes, pilasters, panels and other ornaments, in the Etruscan and grotesque style." The complete set contains 67 plates numbered 1-66 (two are numbered 56), with designs within the plates irregularly numbered 1-435 (in Roman numerals at first, then with Arabic numbers). In 1801, after Pergolesi's death, four additional plates of designs were published by a bookseller Dulouchamp (or Dulonchamp).. Tripod and Panels of Ornament, nos. CCIV-CCXVII ("Designs for Various Ornaments," pl. 39). February 29, 1782. Etchin

Oval Cartouche with text from Solon, 1558 - 1630 print There are a man and a woman on the cartouche. At the top left and top right are Hermen, bottom left and bottom right are weapon trophies. One of 4 magazines from a series of 6. Second edition of a series of flat decorations designed by Cornelis Floris (Orn Cat I-77.1 to 77.6). Netherlands (possibly) paper etching

Rear View of an Elaborate Design for a Carved Wooden Carriage with Acanthus Leaves and Putti. Artist: Anonymous, Italian, late 17th to early 18th century. Dimensions: Sheet: 10 7/8 x 8 3/4 in. (27.6 x 22.2 cm). Museum: Metropolitan Museum of Art, New York, USA.

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 53e Cahier, Wall candlesticks, Bras de Cheminée a la moderne, Candlestick with garlands and wreath, verso - stamped, A three-armed wall candlestick with garlands and a wreath. Print number 315., print, ornamental print, prints, ornamental prints, height 328 mm, width 204 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Wish letter with twelve months, c. 1700 - c. 1899 print Wish letter with unwritten cartouche within a decorative framework with personifications of the twelve months of the year. Netherlands paper etching the twelve months (especially personifications); 'Mese in generale' (Ripa)

Design for a Candelabra. Artist: Anonymous, Italian, 19th century. Dimensions: sheet: 15 x 6 1/4 in. (38.1 x 15.9 cm). Date: 1800-1900. Museum: Metropolitan Museum of Art, New York, USA.

Lectern. Reading in Rococo style, awarded by an eagle who trambles a globe a globe, with a triangular field inscription in a triangular field, presumably intended as Javeh in Hebrew.

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Wall layouts, Wall layout with panel, verso - stamped, Wall layout with panel with rocaille frame and table decorated with rocailles. Publisher number 137., print, ornamental print, prints, ornamental prints, height 302 mm, width 206 mm, print maker, printmaker, 1748 - 1753, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Drawing, Project for a framing; Italy

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 23) 1773 After Georges Reverdy Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point.. Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 23). After Georges Reverdy (French, active Lyon, 1529-57). 1773. Etching and engraving. Carlo Losi (Italian, 1757- after 1805)

Window frame, anonymous, 1600 - 1800, An ornamental window frame, crowned with a putto and a dove symbolizing the Holy Spirit., draughtsman: anonymous, 1600 - 1800, paper, pen, brush, h 299 mm × w 120 mm

Coat of arms of Minema, Michiel le Blon, 1597-1656

Plate 2, Livre de vases (Book of Vases), François Boucher, French, 1703 - 1770, Gabriel Huquier, French, 1695-1772, Chez Le Pere et Avaulez, Paris, France, Etching on cream laid paper, Folio 2, plate 2 of a series of 12. Design for a vase to be executed in metal with curving fluted forms, placed on a pedestal. Sacrificial lamb (pascal lamb) at top, head and wings of putto at either side. At front, a plaque in the form of an escutcheon with a figural scene featuring a bishop and supplicant. In the background, a frieze carved in relief near bottom. Above, an open sky with sunlight radiating beyond the lamb's body between groups of clouds., Paris, France, 1738-72, metalwork, Bound print, Bound print

Kandelaar puts Masker, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print An ornamented three -armed candlestick with a mask. Print number 328. Paris paper etching / engraving Chandelier, a candlestick. Mask, Mascaron ~ Ornament

Cartouche in a frame of scroll work with grotesques, Johannes or Lucas van Doetechum, Hans Vredeman de Vries, Hieronymus Cock, c. 1555 - c. 1560.

Keychain, leaf from the episode "of the pendants de Cleffs pour les femmes". A key chain with white tail gretches on black background and in the middle of medallion with Judith with the head of holofern. Leaf with the FUNCK number 1, from the episode "of the pendants de Cleffs pour les femmes, propre pour les Argentiers. Etigcherley Schluesel walking for the women ... Ioan Theodor de Bry F. et Excu.

Three terms on a pedestal, Anonymous, After Rutger Kasemann, 1622 print Terms with fantasy decorations, the middle one ends in a woman who has fruit. print maker: Germany (possibly)after design by: Germany (possibly)publisher: Paris paper etching

Design for a tail clock, Gabriel Huquier, Juste Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching clock. sconce, wall lamp

Anonymous. Collection of ornamental patterns - Industrial drawing by Javet. "Untitled". Draw on albumin paper laminated on cardboard. 1880-1920. Museum of Fine Arts of the City of Paris, Petit Palais. 72896-60 Cardboard, industrial drawing, flower, ornamental motif, ornament, albumin paper, collection, draw

Plate 12, from XX Stuck zum (ornamental designs for goblets and beakers). Master A.P.; German, active early 17th century. Date: 1601. Dimensions: 155 x 105 mm (image/plate); 167 x 111 mm (sheet). Punch engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Church candlestick. Draughtsman: anonymous. Dating: c. 1770 - c. 1780. Place: Paris. Measurements: h 710 mm × w 331 mm. Museum: Rijksmuseum, Amsterdam.

Drawing, Design for a pendant; Made by Salvatori (Italian, active 19th century); Italy

Schäffer Theodor (born 1839), clock housing (fireplace clock). Monthly competition November 1870 (11,1870): Rissing front view. Pencil on cardboard, 39.4 x 28.7 cm (including scan edges) Schäffer Theodor (geb. 1839): Uhrgehäuse (Kamin-Stutzuhr). Monatskonkurrenz November 1870

Schmalz Otto (1861-1915), commemorative publication for the 100th anniversary of the Technical University of Berlin-Charlottenburg. Dilment designs (1899): Book decoration. Ink, pencil on paper, 31.4 x 21.6 cm (including scan edges)

Drawing, Design for a brooch; Italy; 1940-86-916

Ornament, Michiel le Blon, Anonymous, Balthasar Caymox, after 1611 - 1635

Ceiling with angels and lions, Jean Berain (Le Vieux), 1670 - 1678 print An ornamented ceiling with a rosette with laurel wreath in the middle. On the lower and top two angels and two lions on either side of a feathers helmet. In the four corners of Acanthus vranks with masks. paper engraving (decorated) ceiling. angels. beasts of prey, predatory animals: lion Louvre Museum

Cartouche with lion's head, two shields and two trumpet -blowing angels who support a helmet, Stefano della Bella, 1646 print print maker: Franceafter own design by: Francepublisher: ParisFrance paper etching ornament ~ cartouche. angels. lion's head ~ ornament. helmet

Design for a Clock Case. Date/Period: Ca. 1715. Drawing. Black chalk, pen and black ink, brush and watercolor on off-white laid paper, framing lines in black ink. Author: GILLES-MARIE OPPENORD.

Cartouche with lobe ornament, at the top a shell shape, Michiel Mosijn, after Gerbrand van den Eeckhout, 1640 - 1655 print Two bulges in the form of horns on either side of the shell shape. Amsterdam paper engraving / etching

Frisian with two children and a cherub. Frisian with a cherub between two volutes. On either side thereof a leaf rank where a child is over.

Design for Brooch with Apollo, Pen and ink, brush and sepia wash, gray watercolor on paper, Jewelry design for a brooch. An oval diamond is framed by an escutcheon, with one volute in the upper half, scrollwork in the lower half, with a ram's head below. From the sides are hanging two chains with three round diamonds each. Below, a larger one. Above, seated figure of Apollo reclining with a lyre., Italy, 16th century, jewelry, Drawing, Drawing

Coat of arms with cornucopia and masks, Giacomo Rossi, Italian, 1751 - 1817, pen and ink, brush and green, gray wash on laid paper, Italy, 18th century, Drawing, Drawing

Print, Plate 19, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers); Engraved by René Boyvin (French, 1525 - 1625); After Léonard Thiry (Flemish, 1550), Rosso Fiorentino (Italian,1494 - 1540); Published by Paul de la Houve (French, 1575 - 1643); France; engraving on paper

Framing with coats of arms. Framing with white tastes on black background with inserted coat of arms in the field, leaf out of "Stam and Wapenbuchlein, cloudy and artificial figurn, Sampt whose poetic explanation, also to nobility accommodation both for nobility persons, and allems stabbed by Newem in Kupffer, through Dieterich by Bry Leodiense.

Design for a Wall Fountain 1550-1620 Anonymous, Italian, Lombard, 16th century Italian. Design for a Wall Fountain 340695

Torciates, Jean Charles deptussen, 1768 - 1771 print An ornamented vase with feminine winged semi -figures. Below that a round medallion with a torch, snakes, a helmet, shields and weapons. Print number 50. Paris paper etching / engraving vase ~ ornament. Thracië

printmaker, 1613 - 1657, first quarter 17th century, second quarter 17th century, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, Italian, 1541 - 1609-07-20, after a design by, Publication (Event), Publication, French, 1596 - 1657, publisher

An ornamented two-armed girandole with tendrils and flowers, Girandole with tendrils A Cahier de six Girandoles a l'usage des Orf, print maker: A. Colinet, (mentioned on object), intermediary draughtsman: Jean François Forty, (mentioned on object), publisher: Jacques-François Chéreau, (mentioned on object), Paris, 1775 - 1790, paper, etching, engraving, h 265 mm × w 195 mm

Print (France)

Drawing, Candlestick; Designed by Giuseppe Valadier (Italian, 1762-1839); Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, brush and brown wash on off-white laid paper, lined; Image: 26.2 x 15.1 cm (10 5/16 x 5 15/16 in.)

Print (England)

Zaar Carl (1849-1924), mailbox of the AIV for etched forge, Berlin. (From: Architectural sketchbook, H. 158/5, 1879.) (1879-1879): View. Stitch on paper, 35 x 25.2 cm (including scan edges)

Daniel Mignot, Large Pendant, Flora Standing, Holding a Fruit Garland, 1596 Large Pendant, Flora Standing, Holding a Fruit Garland

Knocker from Stara Warsaw streets according to the drawing of Adrian Głębocki Must

Cartouche with winged mask and two fish, Anonymous, After Agostino Mitelli, After 1619 - Before 1642 print From series of 12 magazines. after design by: Italy (possibly)publisher: Bologna paper engraving

Ornamental sword hilt 1642 Wenceslaus Hollar Bohemian. Ornamental sword hilt 361632

Drawing, Design for a brooch; Designed by Giovanni Sebastiano Meyandi (Italian, active 1762 - 1794); Italy; pen and ink, brush and watercolor on paper

Design for a Panel. Artist: Style of Robert Adam (British, Kirkcaldy, Scotland 1728-1792 London). Dimensions: sheet: 11 1/8 x 4 9/16 in. (28.2 x 11.6 cm). Date: 1748-92. Museum: Metropolitan Museum of Art, New York, USA.

Frame with Putti, Deuxième Livre de Cadres (Second Book of Frames), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on paper, Upright frame design for a mirror or painting, topped with wings and figures of putti holding a garland. At left and right, armorial trophies. Below, a mask of a dog or lion., Munich, Germany, 1740-68, albums (bound) & books, Bound print, Bound print

Two saters, each bound with one arm on the trunk of a jar; Grotesque flat decorations with candelabels, mythological figures, fabulous arteries, leaf refrences and trophies. The lid of the jar is formed by a temple where a woman is capable. Sheet from series of 9 sheets.

Drawing, Design for a Candlestick; Designed by Italian (Italian, possibly Roman); Italy; pen and brown ink, brush and wash, gray wash, yellow watercolor, graphite on cream laid paper; 34.6 x 23.9 cm (13 5/8 x 9 7/16 in. )

Design for flat filling. Design for flat filling, perhaps to perform in metal or embroidery.

Drawing, Project for a candelabrum; France; pen and ink, brush and wash on paper; 25.6 x 17 cm (10 1/16 x 6 11/16 in.)

Two knife lifting; Knife lifts. At the bottom of the left lift, a hunter blows on a horn, down the right lift a dog hunts a deer.

Two trophies of religious emblems, bas-reliefs for the detour of the choir of Notre-Dame

Study of a Capital and Base, Arnold William Brunner, American, 1857-1925, Graphite and white heightening on beige paper, Corinthian Capital, rounded base, fluted column., USA, 1879, architecture, Drawing, Drawing

Franse kroon, Parijs, Chéreau, Jacques-François, Lalonde, Richard de, Foin, Augustin, 5e Cahier E Cahier de Tables et Consoles, Half-round table, Paris, verso - stamped, Front and top view of an ornamented half-round table with garlands. On top the table is a coffee or tea service., print, image, ornamental print, prints, images, ornamental prints, height 311 mm, width 210 mm, 1726 - 1759, print maker, printmaker, 1784 - 1785, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, uitgever van privilege

Aachen, Hans of.

Above are two children holding a garland of fruit and vegetables, Cartouche with lobe ornament with two children Veelderhande Niewe Compartemente (series title), print maker: Michiel Mosijn, Gerbrand van den Eeckhout, publisher: Clement de Jonghe, Amsterdam, 1640 - 1655, paper, engraving, etching, h 243 mm × w 194 mm

Design for a painted panel, Michelangelo Pergolesi, Italian, active ca. 1760-1801, Pen and ink with watercolor washes on paper, Rinceaux, grotesques and garlands set off a single figure medallion, above, and a horizontal panel below, showing figures classically dressed. Probably a decorative scheme for Robert Adam. Below, a scale, without numerical indication., Italy, ca. 1774-1801, ornament, Drawing, Drawing

Design for Wall Decoration, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Wall Decoration., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Vier pendulum in bronzen twee, André-Charles Boulle, c. 1710 - C. 1720 print Four pendules with an hourglass, a star, chicken heads, sphinxes and a putto. Left and right under two bronze with a man on a stake and Venus and Amor. With French captions. Paris paper etching clock. sculpture

Two Tables, Pieter Hendricksz. Schut, after Gerbrand van den Eeckhout, 1655 print print maker: Netherlandspublisher: Amsterdam (possibly) paper etching

Wapentrophe with Mermaids, a fish and shellfish; Secunda pars praecipuarum (...) / The second part of the precursor stods and cieraten (...). Leaf civ.n.3. Leaf F 3 in the editions from 1663 & 1668. Sheet from third edition.

Cartouche with garlands down; Cartouches in role frames with grotesken, garlands and mascarons. In the middle above a mascaron with a button on the head and ribbons hangs behind.

Drawing, Design for a Candelabrum; Designed by Joseph Anton Seethaler II (German, 1799-1868); Germany; pen and black ink, brush and gray wash on paper; 52.8 × 35.8 cm (20 13/16 × 14 1/8 in.)

Decorative design with lions. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 284 mm × w 219 mm. Museum: Rijksmuseum, Amsterdam.

Four Studies of Consoles and a Mask. Artist: Anonymous, Italian, 16th century. Dimensions: sheet: 11 x 8 1/2 in. (27.9 x 21.6 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Pendant with Moses, Pen and ink, brush and wash on paper, Figure of the seated Moses, after Michelangelo, within an arch-like colonnade. Many pending drop-like diamonds. Above, a ring., Italy, 16th century, jewelry, Drawing, Drawing

Drawing, Design for the Decoration of an Oblong Octagonal Ceiling; Henri Salembier (French, 1753 - 1820); France; pen and black ink with brush and ink wash on paper; Sheet: 25.1 x 42.4 cm (9 7/8 x 16 11/16 in.)

Wood relief sculpture of fish. Unknown maker, French

Book illustration with passion show; Book illustrations. At the top of a cartouche with the last supper, bottom left of the letter A in a square frame.

Martin Schongauer, A Bishop's Crosier, c 1475 1480 A Bishop's Crosier

Drawing (Italy); pen and brown ink with brown wash and traces of graphite support: off-white laid paper

Girandole with standing woman; A Cahier de Six Girandoles à l'Usage des Orfévres et des Freds; Oeuvres The Sculptures and Bronze, Contenant Girandoles, Flambeaux, Feux (...). An oramic three-armed girandole with a standing woman, grape drinks and a pine cone.

Medaillon, c. 1830 - c. 1850 Paris tracing paper. graphite (mineral) Paris tracing paper. graphite (mineral)

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