Decorative Weapon Trophies

Prints of ornamental weapon trophies featuring flags, shields, and musical instruments, reflecting a blend of military and artistic design elements.

Simberg, Hugo, work, Sketch book (154 pp.+covers), 1906, drawing, 21.5 cm x 14.5 cm, Simberg, Hugo, 1906

Drawing, Bough; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 16.6 × 10 cm (6 9/16 × 3 15/16 in.)

Trophy, Gabriel Huquier, French, 1695-1772, Antoine Watteau, (French, 1684-1721), Etching on paper, France, Europe, 18th century, Print, Print

Järnefelt, Eero, work, Sketch book, 1910s, pencil, charcoal and pastel, drawing, 36.5 cm x 30 cm, artist : Järnefelt, Eero, 1910s, pencil, charcoal and pastel, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Letter C, anonymous, c. 1600 - c. 1699 print Netherlands (possibly) paper engraving

Design for Hat Tree 'A' with Brass Feet, A.N. Davenport Co., Graphite on thin cream laid paper, 1900-05, furniture, Drawing, Drawing

Deraisme, Pierre -Georges (n.1859 - D.1932), gusset watches (main title), 1900. Graphite, ink and gouache on the front, gouache on the back on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Detail of decorated bamboo stalls, Tondano, Minahasalanden, North Celebes, Adrianus Johannes Bik, c. 1821 - c. 1824 drawing North Celebes paper. pencil

N.N., Window (from: Ornamental glass paintings d. Middle Ages and the Renaissance, Berlin 1885.) (1885-1885): Views Window. Ink, pencil, coal watercolor on paper, 52.3 x 41.9 cm (including scan edges)

Notes for New Justine, from Petit Traite de Morale. Hans Bellmer; German, born Poland, 1902-1975. Date: 1967-1968. Dimensions: 277 x 212 mm (plate); 375 x 280 mm (sheet). Etching on white Japanese paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Un mendiant , Beggars, Alphonse Legros (1837-1911)

Lutma, Johannes (1584-1669), Various serpents useful for goldsmiths, sculptors, stonemasons and all who love art. Published by Jacobus Lutma de O., 1654, print, engraving, ornamental print, prints, engravings, Northern Netherlands, 1584 - 1669-01

Geoffrey Holt, Cross over Main Entrance to Mission, c 1937 Cross over Main Entrance to Mission

Roos (in circle, with wavy edge). White rose in circle with wavy edge.

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Unidentified decorativedetails, Graphite, Wove, 36 × 52.8 cm (14 3/16 × 20 13/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Diverse teste dal naturale.. Denon, Vivant, 1747-1825. Denon, Vivant (1747-1825). Prints, Illustrations. 1808. General Research Division. Egypt , Description and travel

Diebitsch Carl von (1819-1869), ornamentation (without date): Detail. Pencil on cardboard, 19.1 x 19.7 cm (including scan edges) Diebitsch Carl von (1819-1869): Ornamentik

Schmalz Otto (1861-1906), travel sketches from Bavaria, Austria and Italy (February 24, 1887): Naples: Table foot in the museum (perspective view). Pencil on paper, 42.6 x 30.9 cm (including scan edges) Schmalz Otto (1861-1906): Reiseskizzen aus Bayern, Österreich und Italien

Artist: Sébastien Le Clerc the Younger, French, 1637-1714, LElement de lEau: Devise pour la Magnanimite, ca. 1668, Engraving, platemark: 18.9 × 17.9 cm (7 7/16 × 7 1/16 in.), French, 17th century, Works on Paper - Prints

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358565

Rocaille Motives, 1731 - 1775 print Publishing number 169. Augsburg paper etching Rocaille Ornament

Deraisme, Pierre -Georges (N.1859 - D.1932), Pharaoh hat Epingle (main title), 1899. Graphite, ink and gouache on the front, graphite on the back on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Lehmmübner Paul (1855-1916), Cathedral in Cologne (October 21, 1893): Dragon ornament. Pencil on the box, 35.2 x 25.2 cm (including scan edges) Lehmgrübner Paul (1855-1916): Dom, Köln

Spanish counselor and rider; Equestrian series. Two prints on a leaf, with German caption and Latin inscription. Left: horse and rider to the left. The horse is in step. The rider is dressed as a Spanish counselor and has a driving sweep in hand. Right: Fragments from horse and rider to the right. The horse is in step. The rider carries Spanish clothing and stuck a gun.

Plaque. Culture: American. Designer: Designed by Louis Comfort Tiffany (American, New York 1848-1933 New York). Dimensions: Diam. 13 1/16 in. (33.2 cm). Maker: Tiffany Glass and Decorating Company (American, 1892-1902). Date: 1893. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Designs for Embroidery; France; black crayon on tracing paper

Diebitsch Carl von (1819-1869), Alhambra, Granada (without dat.): Details vault with color information, arched. Pencil on cardboard, 41 x 26.8 cm (including scan edges) Diebitsch Carl von (1819-1869): Alhambra, Granada

Waverly : Flora Mac-Ivor.. 1844. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Scott, Walter, Sir, 1771-1832. Waverley

Design for a brooch with a bird motif. Artist: Anonymous, French, 19th century. Dimensions: sheet: 10 5/8 x 8 7/8 in. (27 x 22.6 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Deraisme, Pierre -Georges (n.1859 - D.1932), brooch (main title), 1910. Graphite on the front, gouache on the back on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Etching by Stefano della Bella showing an imperial festival with horse ballet, created around 1652.

Cercle. Gérard Titus-Carmel; French, born 1942. Date: 1973. Dimensions: 400 × 285 mm (image); 478 × 375 mm (plate); 761 × 562 mm (sheet). Etching and drypoint in blue and black on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Loose fragments of a print of the judgment of Paris, Zacharias Dolendo (attributed to), 1580 - 1596 print Amsterdam paper engraving the Judgement of Paris (Mercury present)

Roche, Pierre (n.1855-D.1922-01-18), Femmes-Cygnes (flying): IV. The leak (main title), 1916. Gypsography, draw in brown and red .. Petit Palais, Museum of Fine Arts of the City of Paris.

Designs for Ornaments, Gerrit Willem Dijsselhof, 1876 - 1924 drawing paper. chalk ornaments ~ art

X. Initial K L with precious chestnut and fig - seed flower, sparrow and quince. State state plan Hamburg, collection of the history of photography

Sketchbook 2: Ornament studies, from the Baptistry to Flory

Study of a plaster model of a leaf ornament, draughtsman: Johannes Abraham Mondt, George Henry Boughton, 1869 - 1941, paper, brush, h 266 mm × w 171 mm

Sitting young man, with a range for the face. .

Banknote motifs: circular lobed lathe work design, its interior composed of repeated stars, missing a pie shaped wedge (recto); Two pie-shaped wedges of lathe work ornament resembling cut glass (verso). Artist: Associated with Cyrus Durand (American, 1787-1868). Dimensions: sheet: 5 11/16 x 4 5/16 in. (14.5 x 11 cm). Printer: Printed by A. B. & C. Durand & Company (American, active 1824-27); Printed by Durand, Perkins, and Company (New York). Date: ca. 1824-42. Museum: Metropolitan Museum of Art, New York, USA.

Untitled. Sigmar Polke; German, 1941-2010. Date: 1967. Dimensions: 686 x 563 mm. Watercolor with ballpoint pen on newsprint. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Deraisme, Pierre -Georges (n.1859 - D.1932), Epingles with hat shell (main title), 1900. Graphite and watercolor gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Study of Cupid (from Sketchbook) ca. 1860 John Quincy Adams Ward American Ward, a student of Henry Kirke Brown, became known as the "Dean of American Sculpture." This page is from a sketchbook, which provides an intimate look at the artists working methods. Wards sketches include several classically influenced figures mingled with American Indians on horseback as well as a number of bison.. Study of Cupid (from Sketchbook). John Quincy Adams Ward (American, Urbana, Ohio 1830-1910 New York). American. ca. 1860. Graphite on paper

Design for a tile with palmette motifs. .

Print (France)

Edward Goodall, 1795-1870, British, Ludlow Castle - Rising of the Water - Nymphs, 1835. Line engraving, first published state.

Abklatsch of the pencil drawing on page 10 recto.leaf 9 verso from a sketchbook with 37 sheets.

Design for inlaid decoration, 1818-30. Ink on wove paper. Designer: George Bullock

Edelfelt, Albert, work, Sketch book, drawing, 22 cm x 30 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Chalice, c. 1890 - c. 1922 Page 11 Recto from a sketchbook with 49 sheets. paper. pencil. ink pen chalice

Edelfelt, Albert, work, Sketch book, drawing, 16 cm x 10 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Boot, 1839 - 1872 Page 14 Recto from a sketchbook with 73 sheets. paper. pencil traffic on the water

Design for a flower vase. .

Sketch of Breaking Waves (from Sketchbook VII). Artist: William Trost Richards (American, Philadelphia, Pennsylvania 1833-1905 Newport, Rhode Island). Dimensions: 5 x 7 1/2 in. (12.7 x 19.1 cm). Date: 1886.This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum's collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist's graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard's tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist's uncanny facility in his better

Yolande Delasser, Crock, c 1937 Crock

Deux hirondelles, branche d'arbre.. 1866 - 1878. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Decorative arts , France, Porcelain, French, Porcelain, European , Japanese influences, Birds, Swallows

Quast Ferdinand von (1807-1877), fountain with snake yeast (without dat.): View (draft). Pencil on paper, 20.1 x 20.6 cm (including scan edges) Quast Ferdinand von (1807-1877): Fontäne mit Schlangenspeier

Untitled (Loplop Presents). Max Ernst; American and French, born Germany, 1891-1976. Date: 1932. Dimensions: 634 × 496 mm. Collage composed of botanical lithograph and graphite on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Tools for catching birds, Bernard Picart (workshop or), After Bernard Picart, 1730 print Three performances on a leaf. Above: A man disguised as a cow with hunting gun. Another man hidden between the bushes. Middle: bait for birds. Below: just with a fish. Amsterdam paper etching catching animals

Six Japanese motives, possibly fans, Henri Charles Guérard, 1856 - 1897 print paper etching fan

Drawing, Pen and black ink, brush and gray wash on paper, Some architectural elements, the head of a woman, and some accounts., Italy, 1750-86, ornament, Drawing

Randolph F Miller, Painted Ceiling Decorations, c 1940 Painted Ceiling Decorations

Byron Dingman, Woven Textile, 1935 1942 Woven Textile

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Both sides of a Coin, showing Man's Head with Oak Leaf Wreath and a Fruit and Knife, undated. Engraving.

Pine tree. Pruszyński, Aureliusz (Kraków ; zakład artystyczny ; 1873-post 1930), printing house, Jasieński, Feliks (1861-1929), merchant employer, Wyczółkowski, Leon (1852-1936), graphic artist

Et que des yeux sans tete flottaient comme des mollusques, plate XIII of Tentation de St. Antoine. Odilon Redon; French, 1840-1916. Date: 1896. Dimensions: 311 × 225 mm (image/chine); 453 × 349 mm (sheet). Lithograph in black on pinkish-cream China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Égoiste, page 19. Picabia, Francis, 1879-1953. Picabia, Francis, 1879-1953. Drawings. 1918. Spencer Collection. Dadaism

Studies of a sterlet, with color notes, draughtsman: Gerrit Willem Dijsselhof, 1876 - 1924, paper, h 428 mm × w 348 mm

Edward Goodall, 1795-1870, British, Gertrude of Wyomimg - The Valley (Vignette), 1837. Line engraving, Engraver's proof.

Tantallon Castle, Edward Alfred Goodall, 1819-1908, British, after Joseph Mallord William Turner, 1775-1851, British, 1822, Line engraving, engraver's proof on moderately thick, slightly textured, cream, laid paper, Sheet: 11 3/16 × 17 inches (28.4 × 43.2 cm), Plate: 10 × 12 1/4 inches (25.4 × 31.1 cm), and Image: 6 7/16 × 9 1/2 inches (16.4 × 24.1 cm)

Three round shapes, closed, Simon Frisius, After Jan van de Velde (I), 1608 print From left to right: a standing oval, circle and standing oval. The print is part of an album. Print Maker: Haarlem Publisher: Amsterdam paper engraving calligraphy

Klomp Johannes Franziskus (1865-1946), Holy Family Church, Lünen (November 14, 1903): Detail of an ornamental anchor 1: 1. Pencil on transparent, 106.7 x 76.1 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Heilige Familie-Kirche, Lünen

Dak, George Hendrik Breitner, 1886 - 1903 Page 34 from a sketchbook with 27 magazines. Amsterdam paper. chalk roof (of house or building)

One of Miscellaneous Sketches in Wrapper, Luigi Balugani, 1737-1770, Italian, 1770, Graphite on Medium, slightly textured, cream wove paper, Sheet: 12 1/4 x 9 inches (31.1 x 22.9 cm)

Alfred Koehn, Trivet, c 1939 Trivet

Besah, copperplate engraving by Hendrik Adriaan van Rheede tot Draakenstein, from the botanical work Hortus Malabaricus, 1678

Luigi Valadier, A Salver with Two Bases, 1755 1760 A Salver with Two Bases

Drawing, Design for a Trophy; Italy; pencil, pen and ink on paper

Trapezoidal flat decoration, at the bottom underneath is a man with a pans flute, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, c. 1564 - c. 1565 print In the middle are a man with a pans flute and a horny satin between a child with a fish (left) and a child with a large mask (right). There are two women on the cartouche with the quote, each with a dog. Quote in Cartouche: Pleri Que / Famam, / Panci / Conscientiam / Vertentnr. Leaf from series of 4 sheets. Netherlands (possibly) paper etching ornament ~ grotesque. panpipes

Nine Japanese motives, possibly fans, Henri Charles Guérard, 1856 - 1897 print paper etching fan. song-birds: swallow

Harlekijn and a Clown (Piro) are on their heads, Anonymous, After Gerardus Josephus Xavery, 1728 print Amsterdam paper etching / engraving clown. types in 'commedia dell'arte': Harlequin. standing on the head or on the hands

Gladys Cook, Bonnet, 1935 1942 Bonnet

Sketchbook 3: Ornament studies, temple of the Vesta to Tivoli. Decay

Drawing, Design for comb; Italy; 1940-86-346

Mildred E Bent, Border Designs from Proposed Portfolio Maine Wall Stencils, 1935 1942 Border Designs from Proposed Portfolio Maine Wall Stencils

Ship's Billethead from Richard S. Leaming. Dated: c. 1939. Dimensions: overall: 38.2 x 27.5 cm (15 1/16 x 10 13/16 in.) Original IAD Object: 18 1/2" long. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Frances Cohen.

"Campanula pusilla Haenke". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist

Deformed mushroom (cryptogama); Le Malingre Cryptogame ..

Vierentwintig Koppen, Daniel Nikolaus Chodowiecki, 1774 print Upstairs numbered: 1. Nach Chodowiecki. paper etching

Arp to the Left Smoking a Pipe Arp foneant la pipe a gauche. (Max Ernst; Bruhl 1891-1976 Paris; 1920; Collage; auf Karton montiert)

Design for a Vessel with Two Griffons 18th century Attributed to Anonymous, French, 18th century French. Design for a Vessel with Two Griffons 388084

Without title (rose); Vignette for biography of Gestel by PORF. W. van der Pluym. Rose

Wright, Ferdinand von, work, Sketchbook, pencil, drawing, 16.5 cm x 25.8 cm, Wright, Ferdinand von, pencil

Study for The Rock. Peter Blume; American, born Russia, 1906-1992. Date: 1941. Dimensions: 212 x 217 mm. Graphite on tan wove paper, tipped on dark red wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Yolande Delasser, Jug, c 1938 Jug

Ornement symbolique attenant au timon d'un char. Étendard figurant dans un bas-relief de la salle II.. Flandin, Eugène, 1809-1876. Botta, Paul Emile. Prints, Illustrations. 1849. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Figure Study for a Relief Design, Henri Gaudier-Brzeska, 1891-1915, French, between 1910 and 1915, Pen and black ink on medium, smooth, cream wove paper, Sheet: 7 x 4 1/2 inches (17.8 x 11.5 cm), abstract art, design, figure, figure study, relief, study (visual work), Vorticism

Victor Hugo (1802-1885). Album that belonged to Juliette Drouet: Horace Vernet (folio.30). Paris, Hugo Victro house. 34663-2 Album, drawing, French painter, caricature

White embroidery project for a napkin VOGTTYNA, H.

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