Detailed Landscape Prints

Etchings depicting lush landscapes and pastoral settings, often including figures and animals, showcasing rural life and natural scenery.

Amsterdam, Roos, Cornelis Sebille (publisher), Zuidlaren, Drielst, Egbert van, Haarlem, Schwegman, Hendrik, IX Views in and near the landscape of Drenthe, Landscape near Zuidlaren, recto - stamped, View of the landscape near Zuidlaren in Drenthe, where a woman sits on the ground with her child and a dog drinks from a puddle. In the background a farm and a church tower., print, prints, verso - stamped, height 400 mm, width 296 mm, Noord-Nederlands, 1761-05-09 - 1816-01-24, print maker, printmaker, 1771 - 1816, paper, papier, etching, etchings, engraving, engraving (printing process), 1745-03-12 - 1818-06-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Nederlands, 1754-01-10 - 1820-01-31, publisher

Landscape with a monastery on a rock, François Collignon (Possible), After Jacques Callot, 1630 - 1660 print In a landscape with trees, a monastery stands on a large, overgrown rock surrounded by water. A monk runs on the bridge that leads there. In the foreground, another monk is fishing on the bank. This print is part of a series of 19 prints (20 incl. Title print) with landscapes. print maker: France (possibly)publisher: Paris paper etching rocks. water course. landscape with other man-made constructions not mentioned above, e.g.: graveyards, playgrounds, etc.. landscape with bridge, viaduct or aqueduct. cloisters ~ monastery. fishing (sports)

Hanns Lautensack, The Gate in the Rocks, 1554 The Gate in the Rocks

Pen and brush drawing in dark gray by Salomon Gessner depicting a landscape with a freestanding column, including natural and architectural elements.

In Knole Park, Heneage Finch fourth Earl of Aylesford, 1751-1812, British, undated, Pen and black ink, gray wash, brown wash, gouache and graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, moderately textured, gray, wove paper, Mount: 13 5/16 × 16 7/16 inches (33.8 × 41.8 cm), Contemporary drawn border: 12 9/16 × 15 inches (31.9 × 38.1 cm), and Sheet: 11 1/16 × 13 7/16 inches (28.1 × 34.1 cm)

Bella, Stefano della, Landscapes and harbours, Travellers in a landscape, verso - stamped, A woman on horseback and a walking man with a knapsack in a landscape. On the left in the foreground an old chestnut tree. In the background on the right a house., print, prent, prints, prenten, height 136 mm, width 138 mm, Italian, 1610-05-18 - 1664-07-27, print maker, prentmaker, 1656 - 1656, paper, papier, etching, etchings

Claude Lorrain, Landscape with the Rest on the Flight into Egypt, c. 1660, Black chalk, pen and brown ink, brown and gray wash, with white heightening on beige laid paper.

Landschap met stenen brug; Spiegel der natuur en school der teekenkunde (...).In a hilly and treey landscape a man walks with stuff on his back and walking stick over a stone bridge. On the left, five travelers rest with an inn. A man comes out through the door. He has two glasses and a pouring gun in his hands. Numbered at the bottom right: 2. The print is part of an album.

A brook with a grotto and a boat, Rembrandt van Rijn, 1645 print paper etching / drypoint

Jacques de Favanne after Antoine Watteau, Le Galand Jardinier (The Gallant Gardener) Le Galand Jardinier (The Gallant Gardener)

Reinhart, Johann Christian, Landscape with an aqueduct, verso - stamped, print, prints, height 275 mm, width 362 mm, German, 1761-01-24 - 1847-06-09, print maker, 1802 - 1802, paper, etching, engraving, engraving (printing process)

Saint Mary Magdalen in a landscape. Engraving by J. Coelemans after J.B ("François") Forest.

Sébastien Bourdon, Landscape with a Frightened Waggoner Landscape with a Frightened Waggoner

The ancient sarcophagus (supplement 1 Dutuit p. 363) Herman van Swanevelt (1600-1655). Ancient sarcophagus (supplement 1 Dutuit 363). Floor, 17th century.

Title print with landscape and figures from fables and stories in frame with plants and hoses; Frontispice Fables et Contes. Title Print with a landscape in which various figures are placed that occur in the fables and stories in the book for which this illustration was designed. On a large stone with the text Fables is a young man with a book. Right a man runs with a beef and he finds a broken jug and their contents. On the left is a man in a boat to fish. Birds or bats fly from a cave. In the background a rock rises high and a train disappears into a tunnel. The rectangular frame is made up of braided branches and tendrils with a little leaves here and there. Five hoses are also included in a fairly natural way.

Plate Eight from Evenings in Rome Made 1763-1764 France. Etching in black on off-white laid paper, tipped onto tan laid paper . Hubert Robert

unknown, France, Langlois, François, Bella, Stefano della, Paysages et ruines de Rome, Landscapes and ruins in Rome, Two riders going against the wind, verso - stamped, A landscape with two riders on horseback on a forest path who have a strong headwind. The clothes of the figures and the branches of the trees flutter in the wind., print, prints, height 130 mm, width 134 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilege

Landscape with woman and little boy on a country road. Draughtsman: Johann Heinrich Keller (II) (possibly). Dating: 1702 - 1765. Measurements: h 178 mm × w 235 mm. Museum: Rijksmuseum, Amsterdam.

The bridge over the waterfall., Wenceslaus Hollar, etcher, 1648, Flanders, etching, Wenceslaus (or Wenzel) Hollar (1607-77) was an Anglo-Czech artist, and one of the greatest and most prolific printmakers of the 17th century. His art reveals his immensely wide subject range, and reflects the priorities of his time: religious prints, mythology, satire, landscapes, geography and maps, portraits, women, costumes, sports, natural history (including caterpillars, moths and snails), architecture, heraldry, numismatics, ornaments, title-pages and initials.

Reynard the Fox: Reynard Feigns Death, 1650-75. Allart van Everdingen (Dutch, 1621-1675). Etching;

Le Bouvier. 1636. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Fifth vision of Ezra, Nicolaes de Bruyn, 1613

Title print with wall and fountain Animals (series title), print maker: Karel du Jardin, (mentioned on object), Karel du Jardin, publisher: Karel du Jardin, (mentioned on object), Amsterdam, 1652, paper, etching, h 152 mm × w 136 mm

Heis from the sail. A river landscape with a boat on the waterfront, near two trees. Two people in the boat, one of which hits the sail. A third person is on the shore.

Landscape with Elisha Mocked. Dated: c. 1610. Dimensions: overall: 19.7 x 29.3 cm (7 3/4 x 11 9/16 in.). Medium: pen and brown ink with green, blue, brown, and pink wash over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: DAVID VINCKBOONS.

Two men in conversation, Willem von Bemmel, 1645 - 1655

Bliżej Kultury H. Kleinmann & Co Haarlem, Hackaert, Jan (1628 post 1685)

Stefano Della Bella, Landscape with Horsemen, 1646 Landscape with Horsemen

Saint Jerome. Etching by V. Denon, 1791, after Titian.

Netherlands, Everdingen, Allaert van, The inscription, Landscape with a man with a pointer, In a rocky landscape three men stand by a stone; one of them points to the inscription with a stick., print, prints, height 101 mm, width 135 mm, Noord-Nederlands, 1621-06-18 - 1675-11-08, print maker, printmaker, 1631 - 1675, paper, papier, etching, etsen

Two fishermen on a bridge, Adriaen van Ostade, after Isaac van Ostade, 1941 The print is part of a portfolio. Haarlem paper etching The print is part of a portfolio. Haarlem paper etching

The Bridge. Artist: Charles-François Daubigny (French, Paris 1817-1878 Paris). Dimensions: Image: 5 7/8 × 7 1/4 in. (14.9 × 18.4 cm)Sheet: 7 x 8 1/4 in. (17.8 x 21 cm). Publisher: Maurice Le Garrec (French, 1881-1937). Series/Portfolio: Le Garrec printing of 1921. Date: 1862 reprinted 1921. Museum: Metropolitan Museum of Art, New York, USA. Author: Charles-Francois Daubigny.

Two men at stones cartouche. A man with a dog points to a large stone cartouche between two trees. He looks at a second man who decreases his hat.

Night face with a figure in a boat. Night face with a figure in a rowing boat surrounded by water and trees. In the background a church tower and two mills.

Study of two tree groups. Draughtsman: anonymous. Draughtsman: Crescenzio Onofrij. Dating: 1600 - 1699. Place: Bologna. Measurements: h 333 mm × w 395 mm. Museum: Rijksmuseum, Amsterdam.

Francis Seymour Haden, 1818-1910, British, Nine Barrow Down, 1877. Etching and drypoint on medium, slightly textured, cream antique laid paper.

The Three Cottages Allart van Everdingen Dutch 17th century

Figures Bathing in a Stream. Dimensions: overall: 23.8 x 18.2 cm (9 3/8 x 7 3/16 in.). Medium: pen and brown ink with brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Attributed to Nicolas Poussin.

A Rustic Gate beside a Lake. Dated: 1764. Dimensions: plate: 21.8 x 19 cm (8 9/16 x 7 1/2 in.) sheet: 29.6 x 26 cm (11 5/8 x 10 1/4 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Salomon Gessner.

Latona en de lycische boer, Magdalena van de Passer, After Adam Elsheimer, 1617 - 1634 print Forestia with Latona and her children Apollo and Diana, who stopped after a long journey at a lake in Lycia to lesson. When the Lycian farmers stopped them, Latona changed them for punishment in frogs. In the margin a four -line caption, in two columns, and a caption with an assignment, in Latin. Utrecht paper engraving Lycian farmers changed into frogs: Latona changes Lycian farmers into frogs, because while they were weeding a marsh, they prevented her and her children from quenching their thirst (Ovid, Metamorphoses VI 369)

Woman with Wastobbe on a watercourse, Jean Baptiste Denis Lempereur, 1758 print Numbered in the bottom right: 8. France paper etching / engraving building or outbuilding where laundry is done. landscapes with waters, waterscapes, seascapes (in the temperate zone). adult woman

Claude Lorrains drawing depicts a group near a resting shepherd, made with pen, brush, and brown and black wash, dating to the late 1630s.

William Havell, 1782-1857, British, active in India (1820-26), Landscape with a Seated Shepherd, 1804. Lithograph on moderately thick, moderately textured, gray laid paper.

Vignette with historical events around Frederik III, Simon Fokke, 1751 print Vignette with a scene from national history. Two gentlemen stand for a pillar on which a paper with the name Frederic III is nailed. At the top a small representation of a group of men around a table with the text: Contre Les Duel. The show is framed with an ornamental edge, entitled at the bottom: Fin. Amsterdam paper etching vignette

Le villageois entreprenant. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Louis Germain and Charles Emmanuel Patas after Louis Gabriel Moreau.

Landscape with two mules for the Rocca Aquatico near Ancona, Jan Both, 1644 - 1652 print Utrecht paper etching rocks. mule

. .

Tree landscape with a well, Jan van de Velde (II), 1616 print Seating whistling shepherd in a herd in a landscape. A second figure next to him. A water well for a row of trees. Second print of part five of a series of a total of sixty prints with landscapes, spread over five parts of twelve prints each. Northern Netherlands paper etching well. trees. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. flute, aulos, tibia - CC - out of doors

A 1730 drawing by Christian Wilhelm Ernst Dietrich depicting farmers in front of their house, executed with gray brush and laved effects on yellowish paper.

Idylla: Merking playing a lira for a girl at the well; Kolbe, Carl Wilhelm (1757-1835; st.), Gessner, Salomon (1730-1788), Gessner, Henri (Zurich; Publisher; Fl. Ca 1800-Ca 1810); around 1803 (1803-00-00-1810-00-00);

after Claude Lorrain, The Rest on the Flight into Egypt, late 17th century, pen and brown ink with brown and white wash over black chalk on laid paper

Landscape with Shepherd and Shepherdess. Artist: Richard Earlom (British, London 1743-1822 London); After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5-1682 Rome). Dimensions: sheet: 7 7/8 x 10 1/16 in. (20 x 25.5 cm). Publisher: Published by John Boydell (British, Shropshire 1720-1804 London). Series/Portfolio: Liber Veritatis, no. 121. Date: 1776. Museum: Metropolitan Museum of Art, New York, USA.

Procris and Cephalus, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by George Clint, 1770-1854, British, after Joseph Mallord William Turner, 1775-1851, British, 1812, Etching and mezzotint, printed in brown ink on medium, slighty textured, cream wove paper, Sheet: 8 1/2 × 11 1/2 inches (21.6 × 29.2 cm) and Image: 7 3/8 × 10 1/2 inches (18.7 × 26.7 cm), accident, arrow, death, forest, hunting dogs, husband, religious and mythological subject, wife

Romantic Landscape with Figures and a Dog, Paul Sandby RA, 1731-1809, British, undated, Gray wash, pen and brown ink on medium, cream, moderately textured laid paper, Sheet: 18 5/8 x 22 7/8 inches (47.3 x 58.1 cm), castle, children, dogs (animals), figures, girls, landscape, mountains, Romantic, trees, women

Flight into Egypt, from The Large Landscapes Made 1555-1556 Flanders. Etching and engraving in black on ivory laid paper . Johannes van Doetecum, the elder

Thomas Gainsborough RA, 1727-1788, British, Wooded Landscape with Two Country Carts and Figures, c. 1779-1780. Soft-ground etching on blue laid paper, in gray ink, laid on eighteenth-century mount, first state.

View of a waterfall. In the water lies a stone, around which the water flows. In the background a rock with two standing figures, Landscape with waterfall, print maker: Reinierus Albertus Ludovicus baron van Isendoorn à Blois, (mentioned on object), intermediary draughtsman: F. Bosch, (mentioned on object), Vaassen, 1796 - 1856, paper, etching, h 109 mm × w 170 mm

Landscape with two sitting figures in the foreground. Draughtsman: Annibale Carracci. Draughtsman: Agostino Carracci. Dating: 1580 - 1600. Measurements: h 260 mm × w 288 mm. Museum: Rijksmuseum, Amsterdam.

The devil sows weeds between the grain, Anonymous, 1643 drawing While the farmers sleep, the devil sows weeds between the grain paper. watercolor (paint) brush while the sower and his servants slept, his enemy (the Devil) sowed tares among the wheat

Bemme, Joannes, Langendijk, Dirk, Netherlands, Six landscapes with soldiers' staff, Soldiers driving a herd of cows over a bridge, Landscape with three Napoleonic soldiers driving a herd of cows over a bridge., print, prints, Frederik Muller Historieplaten, height 135 mm, width 108 mm, Northern Netherlands, 1775-09-05 - 1841-09-15, print maker, printmaker, 1803 - 1803, first quarter 19th century, paper, etching, etchings, 1748-03-08 - 1805-12-15, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

The Little Puck. Artist: Anonymous; After Jean-Baptiste Bénard (French, 18th century). Dimensions: Sheet: 11 1/16 × 15 1/4 in. (28.1 × 38.8 cm)Plate: 8 11/16 × 11 1/2 in. (22 × 29.2 cm). Publisher: Charles-Francois Jouillan (1697-1778). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Two Boats moored under a rock, 1667. Herman Saftleven (Dutch, 1609-1685). Etching;

Levant sunlight. (Robert-Dumesnil 15; MANNOCCI 15) Claude Gell�e (said Lorrain) (around 1600-1682). The rising sun. (Robert-Dumesnil 15, Mannocci 15). Etching. 1634. Museum of Fine Arts in the city of Paris, small palace.

Rijn, Rembrandt van, Hieronymus, reading in an Italian landscape, verso lower left - stamped, print, prints, height 260 mm, width 209 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1651 - 1655, third quarter 17th century, Oriental paper, etching, etchings, plate tone, drypoint, dry needle, burin, Work conception, after own design by

Dido and Aeneas, William Woollett, 1735-1785, British, And: Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Thomas Jones, 1742-1803, British, active in Italy (1776-83), And: John Hamilton Mortimer, 1740-1779, British, 1787, Engraving and etching, Plate: 17 7/8 x 22in. (45.4 x 55.9cm), armor, city, literary theme, lovers, palace, religious and mythological subject, river, trees, waterfall

Sitting man at the foot of a tree, Wouter Johannes van Troostwijk, 1792 - 1810 print Sitting man at the foot of a tree. A dog is sleeping at his feet. Amsterdam paper etching resting - BB - out of doors. trees. dog

Numbered top left: No. 222 du Cat. de Bartsch. House hidden among trees, print maker: Louis Marvy, (mentioned on object), Rembrandt van Rijn, (mentioned on object), 1825 - 1850, paper, etching, drypoint, h 164 mm - w 255 mm

Young Anglers. Dated: published 1811. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Robert Dunkarton.

Figures in a boat during a flood. Figures in a boat during a flood. On the background other figures on a roof, protruding above the water.

Architectural Fantasy ca. 1785-90 Jean Laurent Legeay French. Architectural Fantasy 343077

Night face with a figure in a boat. Night face with a figure in a rowing boat surrounded by water and trees. In the background a church tower and two mills.

Rocky Landscape with St. Jerome. Artist: After Jan Brueghel the Elder (Netherlandish, Brussels 1568-1625 Antwerp); Aegidius Sadeler II (Netherlandish, Antwerp 1568-1629 Prague). Dimensions: Sheet: 8 1/2 x 11 in. (21.6 x 28 cm). Publisher: Aegidius Sadeler II (Netherlandish, Antwerp 1568-1629 Prague). Museum: Metropolitan Museum of Art, New York, USA.

March 1772 Hendrik Meijer Dutch. March 387474

Thomas Hearne, 1744-1817, British, A Rustic Scene, undated. Gray wash and black ink over graphite on moderately thick, slightly textured, beige wove paper.

Plate 13: ruins of an ancient temple in the background, a herd of cows in the foreground, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 5 3/16 x 5 5/16 in. (13.2 x 13.5 cm). Publisher: Pierre Mariette le fils (French, Paris 1634-1716 Paris). Series/Portfolio: 'Roman landscapes and ruins' (Paysages et ruines de Rome). Date: ca. 1643-48. Museum: Metropolitan Museum of Art, New York, USA.

Hermit in Landscape 1861-1871 France. Pen and black ink on tan card . Odilon Redon

Park Theater a group of viewers, a curtain scene, trees (R) Norblin, Jan Piotr (1745 1830)

Livestock piece, Michiel Carree, 1667 - 1727, draughtsman: Michiel Carree, 1667 - 1727, paper, brush, h 201 mm × w 280 mm

Landscape with Shepherd and Sheep, Thomas Barker, 1769-1847, British, undated, Watercolor and gouache on moderately thick, moderately textured, brown wove paper, Sheet: 6 3/4 × 10 inches (17.1 × 25.4 cm), clouds, genre subject, landscape, resting, sheep, shepherd, staff

Shepherds Following Their Flock. Dated: c. 1655. Dimensions: plate: 25 x 37.1 cm (9 13/16 x 14 5/8 in.) sheet: 25.5 x 37.4 cm (10 1/16 x 14 3/4 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Benedetto Castiglione.

Landscape with Figure in Foreground, c. 1840. Cornelius Varley (British, 1781-1873). Brown ink and brown wash with graphite; sheet: 49.1 x 38.1 cm (19 5/16 x 15 in.).

Garden with monumental entrance to a park, Johannes de Bosch, 1778 drawing Garden with monumental entrance to a park; Birds can be seen in the foreground. paper. ink pen / brush

Inhabitants of the Tijuca rainforest near the Taunay waterfall in Brazil La petite Tijuka Cette cascade appartient a Mr Taunay Landscapes and peoples seen on a world tour Promenade autour du monde , print maker: Jacques Etienne Victor Arago, (mentioned on object), printer: Pierre Langlumé, (mentioned on object), Paris, 1822, paper, h 360 mm - w 270 mm

The Stag taking Soil, Robert Sheppard, active 1730-1740, British, after Jan Wyck, ca. 1645-1700, Dutch, active in Britain (from ca. 1664), no date, Line engraving, Sheet: 11 5/8 x 17 1/2in. (29.5 x 44.5cm)

Veestuk, Michiel Carree, 1667 - 1727 drawing paper. chalk. graphite (mineral) brush

Landscape with Soldiers. John Wilhelm Nahl (Germany, Kassel, 1803-1880). Germany, 1836. Drawings. Watercolor

Chinese houses and figures. Suite of six prints. I. Pillement inv. F.A. Aveline sc. London by I. Pillement, a Paris chez Basan, print maker: François-Antoine Aveline, Jean Baptiste Pillement, publisher: Charles Leviez, France, 1728 - 1780, paper, etching, engraving

A forest landscape. In the foreground a nightingale sings in a tree. Three men listening to nightingale, Emblem: nightingale Three men listening to a nightingale, print maker: Jan Luyken, publisher: Christoph Weigel, print maker: Amsterdam, publisher: Neurenberg, 1695 - 1705, paper, etching, h 110 mm × w 124 mm

Monument in the Dutch family; Starck, Louis; 1804 (1804-00-00-1804-00-00);deciduous trees, landscapes, italian landscapes, monuments

Views of America - Curious Rock Formations William Pierie (Captain) (American, active late 18th century).. Watercolor American Art

Wooded Landscape with Two Country Carts and Figures. Artist: Thomas Gainsborough (British, Sudbury 1727-1788 London). Dimensions: plate: 12 3/4 x 15 1/2 in. (32.4 x 39.4 cm)sheet: 14 x 16 3/4 in. (35.6 x 42.5 cm). Publisher: Republished by John & Josiah Boydell (British, 1786-1804). Date: August 1, 1797. Museum: Metropolitan Museum of Art, New York, USA.

Louvre Museum, A landscape by Ruisdael , vintage engraved illustration. Magasin Pittoresque 1846.

François Boucher (French, 1703 - 1770), Landscape with a Rustic Bridge, c. 1740, black chalk heightened with white on cream laid paper

Honoré Daumier, Mon dieu, mon dieu pourvu , 19th century Mon dieu, mon dieu ... pourvu ...

Attacking Travelers on the Highway. Dated: c. 1633. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Louis XIII (king of France), Paris, Henriet, Israel, Nancy, Callot, Jacques, The prodigal son, The prodigal son prays for forgiveness of his sins, verso lower left - stamped, In the field, among the swine, the prodigal son kneels in prayer and begs for forgiveness of his sins. Below the image a two-line French verse. This print is part of a series of prints based on the parable of the prodigal son, consisting of a title print and ten narrative representations., print, prints, height 62 mm, width 82 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1635 - 1635, second quarter 17th century, paper, etching, etchings, Publication (Event), Publication, 1590 - 1661, publisher, 1601-09-27 - 1643-05-14, granter of privilege

The two sitting men (Bartsch 5) Herman van Swanevelt (1600-1655). The two sitting men (Bartsch 5). Etching. 17th century.

Cup of beef Achter Rots, Marcus de Bye, After Paulus Potter, 1657 - c. 1677 print Print Maker: The bepublisher: Amsterdam paper etching cow

Saw pit near Dubwick. From a drawing by David Cox.. Unknown

Schiff-math (Boat Yard) ca. 1629 Wenceslaus Hollar Bohemian River landscape with a figure rowing a boat at centre foreground, boat-yard behind on the wooded bank, and a town seen in background at left.. Schiff-math (Boat Yard) 361769

Karel Dujardin (1622-78). The mules (dutuit 2). Etching, 1652-1660. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

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