Ecclesiastical Artwork

Artistic renderings of tabernacles, pulpits, and relic holders, featuring elaborate designs with religious motifs, created in classic engraving styles.

The altar of Saint John the Baptist in the church of St. Floriana in Krakow; Dudrak, Andrzej Jan (1835-Ante 1873), Brzostowski, Józef (1826-1900), university printing (Kraków; printing house); 1870 (print); 1867 (Klocek) (1870-00-00-1870-00-00);Jan Baptist (Saint), Kraków (Lesser Poland Voivodeship), Angels (iconogr.), Gothic (sculpture), church of St. Floriana (Kraków), altars

Tabernacle of the Sint-Laurentius church in Nuremberg with at the bottom of Adam Kraft. Part of photo album from a journey through Switzerland, Austria and Germany by the Dutch Derkinderen family.

Pull's pulpit with Trinity, Unknown, After Franz Xaver Habermann, 1740 - 1745 print Pulpit with rocaille ornaments between two windows. Putti and triangle with three flames in jet wreath on top. Publishing number 166. Augsburg paper etching / engraving pulpit, ambo, chancel. symbols of the Trinity ~ circular and/or triangular forms or arrangements. rocaille ornament

Christ on the Cross. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, unknown, graphic artist

Trophies with shield and medallion; Attributs d'Eglise; 37th Cahier NN Livre de Trophées; Iie Volume de l'oeuvre de J. Ch. Delafosse (...). On the left a trophy with weapons, a shield with pigeon as a symbol of the Holy Spirit, a crucifix, a monstrans and chalks. On the right a trophy with a lantern, grape vines, a medallion with an elephant, a smoke vessel, a candlestick and stoles.

Copper engraving by Adriaen Collaert from 1584-1587 depicting the Passion, death, and Resurrection of Jesus Christ, showing figures, gestures, and biblical narrative.

Lüdecke Carl Johann Bogislaw (1826-1894), St. Maria Magdalena church in Wroclaw. Restoration draft: Altar (November 24, 1890): View altar (with niche), scale strip 1:20. Tusche watercolor on paper, 64.8 x 48.8 cm (including scan edges) Lüdecke Carl Johann Bogislaw (1826-1894): Kirche St. Maria Magdalena, Breslau. Wiederherstellungsentwurf: Altar

Monument for the Roman Catholic Church, 1792, 1792 print Allegory on the Roman worship. Centrally the interior of (probably) the church our rather Lord in Zolder in Amsterdam, where Cesare Brancadoro, Archbishop of Nisibi, administers the formal to the churchgoers, June 1792. There are four scenes from the New Testament around it. On the outside on the left the seven sacraments, on the right the seven works of mercy. In the open dome Christ who transfers the keys to Peter. Amsterdam paper etching / engraving the seven Sacraments of the Roman Catholic Church. Holy Mass (divine service, especially of Roman Catholic Church). the (seven) Acts of Mercy. Christ gives the keys of heaven to Peter Our dear Lord on solder

Huilende Maria met kruis voor kerkgebouw; Titelpagina voor: John Gauden, Ecclesia Anglicana, 1659.Maria Crying is located in a black robe with a cross with Greek inscription for a church building. Her tears are taken care of in a bowl that overflows. Left is a fallen crown. The title flanked by a king and a priest in the church, above an image of a pelican who feeds his boy.

Book binding from the Bethlehem monastery near Doetinchem, Tiemen Hooberg, 1855 - 1857 print Richly decorated book binding from the Bethlehem monastery near Doetinchem. On the front: Christ on the cross, evangelist symbols in the corners. paper book-cover, binding Clock tower of Ivan the Great **

Fireworks at the celebration of the Peace of Utrecht, 1713; Figure of the theater with his ornaments and the Convytrigh Vuurvert, founded by ordere from her possibly. The Lord States General der Kerende Nederlanden (...) in S 'Gravenhage, in the Vyver (...) / La Figure du Theater Avec Ses Orgenens et Le Beau Artifice de Feu, Fait Par l'Ordre de Leurs Hautes Puissances Les Estats Gex. Des Prov's. Unions ... a la Haye, dance le vivre .... Stellage with fireworks set up commissioned by the States General at the Hofvijver in The Hague at the celebration of the Peace of Utrecht, 14 June 1713. A temple has been established in the pond with a painting on which peace and abundance thrones on clouds and Mercury brings good time. At the bottom of the title and legend 1-19 in Dutch and French.

St Nicholas Game, c. 1885 print. gameboard Spiral -shaped pot game, numbered with boxes from 1 to 63. At number 63: the Saint sitting on a gift table, while his servant opens the door for the children. In the four corners of the game Sinterklaas scenes. In midfield the title and the rules. Amsterdam paper letterpress printing board-games. board-games of chance. festivities on St. Nicholas (Eve) (December 5)

Spitta Max (1842-1902), Evangelical Gnadenkirche (Augusta Church) in Berlin-Mitte. Execution project (1890): View of the altar blanket 1:10. Tusche watercolor, gold heighted on the cardboard, 18.8 x 27.2 cm (including scan edges) Spitta Max (1842-1902): Evangelische Gnadenkirche (Augustakirche), Berlin-Mitte. Ausführungsprojekt

Two relic cabinets of Saint Gertrudis in the Sint-Gertrudiskerk in Nivelles, Belgium, Anonymous, c. 1882 - in or before 1887 photomechanical print Sint-Gertrudiskerkantwerp paper collotype / photolithography relics (and reliquaries). the abbess Gertrude of Nivelles; possible attributes: book, pastoral staff, crown, cup, demon, mouse or mice, model of church or hospital, palm, (healing) well Sint-Gertrudiskerk

Project for an altar: intended to be executed with colored marble and gilded bronze, Pencil, pen, black ink, brush and various water colors on light creamy paper, Vertical composition showing the elevation of an altar with one step leading up. The front is decorated with a cross in a circle in an octagonal panel. The center of the ledge has a tabernacle flanked by six candelabra with three on each side., Italy, 1780-1800, religion, Drawing, Drawing

Altarpiece of gilded and polychrome wood, depicted scenes from the life of Saint Dimpna van Geel, in the St. Dimpnakerk in Geel, Belgium, Anonymous, c. 1882 - in or before 1887 photomechanical print Saint Dimmerkkurk Stink paper collotype / photolithography altar with altar-piece. the virgin martyr Dympna of Gheel; possible attributes: crown, devil under foot or on chain, sceptre, sword Sint-Dimpnakerk

Lithograph by Michael Bielz depicting a ceremonial fundle for Emperor Franz I of Austria in the parish church of Hermannstadt, Transylvania, on March 18, 1835, printed on paper.

Nehalennia altar and fragment with text, pl. XI, Tiemen Hooberg, 1843 - 1845 print Altar of the Roman goddess Nehalennia and a fragment with text. Leiden paper altar ~ Roman religion. other foreign deities included in the classical Pantheon (with NAME) Zeeland

Funeral of Queen Marie-Thérèse in Notre-Dame Main Engraving (TF)

Ruin of a temple: second dream, Karel Petrus Cornelis de Bazel, 1894 print Woman with hands folded in front of her chest with two images in the background. Japanese paper (handmade paper) hands folded. monument, statue. stars. specific forms of the cross: swastika. star forms ~ magic mathematical figures

Spitta Max (1842-1902), Evangelical Gnadenkirche (Augusta Church) in Berlin-Mitte. Execution project (12.1894): Lion with a candlestick in the imperial lodge 1: 7. Pencil on paper, 69.3 x 49.6 cm (including scan edges) Spitta Max (1842-1902): Evangelische Gnadenkirche (Augustakirche), Berlin-Mitte. Ausführungsprojekt

Shrine of Saint Thomas of Canterbury. Engraving.

Back and side pieces of the church bench; Bolsward's big church. Shown are the seat and backrest of a sofa with two side pieces. On the left side piece, the Sacred Christoffel is depicted with Jesus Christ on his back.

Lauenburg Heinrich (1832-1890), altar with crucifix. Monthly competition in January 1860 (01.1860): Riss front view with partial enlargement, view candlestick, floor plan (sketch); Scale bar. Pencil on cardboard, 44 x 50.9 cm (including scan edges)

Pen drawing in light brown on parchment by an anonymous artist showing Zacharias interacting with an angel, leaving the temple, while neighbors observe, early 12th century.

Chalice adorned with Saints, BIshops and Kings second half 19th century Anonymous, British, 19th century British. Chalice adorned with Saints, BIshops and Kings 386708

Chalice adorned with Saints, BIshops and Kings. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 9/16 x 4 3/4 in. (21.8 x 12 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Patriarch

Royal health house: elevation of a confessional and the altar of the chapel Charles Rohault de Fleury (1801-1875). Royal health house: elevation of a confessional and the altar of the chapel. Drawing from a connected album, made up of drawings mounted, and unmounted. Pencil, feather and black ink, brown and gray lavis.

Buddhist temple, Mongolia. Asia. Trip to Mongolia by Nikolai Mijailovich Przewalski in 1870-1873, Le Tour du Monde 1877

Manuel G Runyan, Cross, c 1937 Cross

JAZOWISKO - church of the Nativity of the Blessed Virgin Mary - Mannerist altar reredos before conservation unknown

Luther, Martin .

Two Reliekrijnen, Pieter Balthasar Bouttats, 1676 - 1755 print An image from a book. The upper shrine from the side and the lower shrine slanted frontal. The upper shrine contains gothic architecture and five portals with saints. The lower shrine has six portals with saints. The roof has five round portraits of saints. paper etching / engraving relics (and reliquaries). saints. ornaments ~ art (+ Gothic ornament style)

Lying monk in a church, Jan Poortenaar, 1896 - 1922 print paper etching interior of church. lying face downwards

Ritual Sami Noaidi Drommels, Bernard Picart (workshop of), 1727 print Different ritual noidi drums, which are used by the Sami from Sápmi (Lapland). Left and right in the middle of the hammers with which one hits the drums (C) and "magic rings" (D). At the bottom of the margin an explanatory legend. Amsterdam paper etching / engraving magic signs and objects (numbers, words, etc.). drum (musical instrument). Europeans: Sami Sápmi

Two medallions with arabesque; Small ornaments, decorated with arabesque and geometric motifs; Black ornaments for goldsmith work. Left - and at the top right a medallion with Arabesken. Middle under a speckled trapezoidal ornament. The decorations are white on a black fond. One of 3 sheets, each with six ornaments.

Liturgical cross; Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);

Klomp Johannes Franziskus (1865-1946), St. Francis (and expansion Franciscan monastery), Dortmund (December 19, 1900): View of the altar 1:20. Ink over blueprint on paper, 47.2 x 34.2 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): St. Franziskus (und Erweiterung Franziskanerkloster), Dortmund

Mount Calvary Altar, Franciscan Monastery, Washington, D. C. , Religious facilities, Tichnor Brothers Collection, postcards of the United States

Part of the crown of Charlemagne, Anonymous, 1850 - 1880 print Germany paper etching crown (symbol of sovereignty) Dom

Medallion with Christ Monogram. .

Saint Mary Magdalen. Reproduction of engraving.

Memorial for Jakob Böhme, Joseph Mulder, After Jan Luyken, 1686 print On a walled cemetery the grave of Jakob Böhme. The sign has the shape of a cross and consists of different cartouches with the saying: 'Veni Vidi Vici'. Jakob Böhme became known as mystic and theosoof. Amsterdam paper engraving / etching churchyard, cemetery. ornament ~ cartouche

Tetova, Polog, North Macedonia. September 7, 2024. Interior view of the Colorful Mosque in Tetova.

Saint. Wojciech (956 Libice 997 Saint Gaj Near Pasłęka) Cup of St. Wojciech unknown

Boisseree Sulpiz (1783-1854), view, cracks and individual parts of the cathedral of Cologne (1842-1842): Views Capital, cantilever, tomb of the builder, main altar. Stitch on paper, 86.8 x 55.9 cm (including scan edges)

Crucifix and candlelabra. Lithograph from a catalog of metal products manufactured by Wuerttemberg Metalware Factory, Geislingen, Germany, 1896.

Altar with a burning fire on it, flanked by two goats and two women. .

Crucifixion of Jesus Christ Oleszczyczki, Antoni (1794-1879)

Maria crowned two angels, Anonymous, After Nicolò Da Venezia, c. 1750 - c. 1850 print Possibly to an image of Maria in the church of Monte Berico. paper coronation of Mary by one or more angels Monte Berico. Vicenza

James Jones, Mision Nuestra Senora la Reina de Los Angeles, 1935 1942 Mision Nuestra Senora la Reina de Los Angeles

Golden Table for holy bread, in the Temple in Jerusalem; From Physique sacree, ou Histoire-naturelle de la Bible, 1732-1737, by Johann Jakob Scheuchzer (1672 - 1733), a Swiss scholar born at Zurich

Grid used as entrance to the chorus of the Church of S. Roch

Fireworks given in the Roy by S.A.S Monsignor The Duke in his castle of Vanvre, Lundy September 8, 1721. (IT)

Drawing, Design for pendant cross with square diamonds; Italy

Copper engraving by Alart Du Hamel depicting a monstrance, created in the late 15th century, showing the religious object and ornamental details.

Litanie to O.L.V. / Van Lauretten, 1790 print Leaf with 2 large performances. Above: Saint Mary Lauretia in a grid. Below: The cross of Lorraine. Around 51 small representations of figures and objects. A caption in the lower margin. paper letterpress printing specific forms of the cross: Lorraine cross. Madonna: i.e. Mary with the Christ-child. saints

Proof of reception of the form of Cesare Brancadoro, Archbishop of Nisibi, 1792, Jan Gerritsz. Visser, 1792 print Proof of receiving the Vormel of Cesare Brancadoro, Archbishop of Nisibi, in Amsterdam in June 1792. The exact date, the name of the recipient and the church have not been filled. print maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper etching / engraving confirmation ~ the second of the seven sacraments Amsterdam

Interior of the San Lorenzo in Florence; Catafalco; Funeral of Emperor Ferdinand II. View from the ship in the Choir of the San Lorenzo in Florence. The church is decorated in honor of the funeral of Emperor Ferdinand II. At the top of the transept hangs the arm of the emperor. Title in undermarge.

Sculpture of Radha Krishna at Shrinath Mhaskoba Temple, Kodit, Sasvad, Maharashtra, India. Radha Krishna are collectively known within Hinduism as the combination of both the feminine as well as the masculine aspects of God. Krishna is referred as svayam bhagavan in Gaudiya Vaishnavism theology and Radha is Krishna’s supreme beloved.

Design for Gas? Lights for a Church ca. 1880 Richardson Ellson & Co.. Design for Gas? Lights for a Church 386656

Klomp Johannes Franziskus (1865-1946), St. Francis (and expansion Franciscan monastery), Dortmund (December 19, 1900): View of the altar 1:20. Blueprint on paper, 48.3 x 35.2 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): St. Franziskus (und Erweiterung Franziskanerkloster), Dortmund

Zon en maan / Vier kaarsen; Redibo Plenior / Déus Dabit; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Above a sun with moon. Among four candles. The second candle fire. Above a Turkish text: Déus Dabit. The inventions of Sultan Selim I and Suleiman I.

Christ in the Wijnpers, Hieronymus Wierix, 1563 - Before 1619 print Christ is burdened by a wine press, with the cross on his back. The blood flows from its cross wounds. Various passion tools around the press. In the margin a two -way Bible quote from Jes. 63 in Latin. Antwerp paper engraving Christ in the Wine-Press, 'Christ in the Kelter' (Is. 63: 3)

Gorham Silver. Design drawing for metalwork: 'Design for Chalice, Plan of Foot.' Gothic treasure/reliquary style, jeweled, with architecture, niche figures, crucifix, and putti, watercolor and ink drawing by William Codman, ca. 1900

Cross Old with a church. Franciscans in Krakow from the peak of the Night Nave of the Cross, according to the drawing of Jan Sas-Zubrzycki, il. Z: Jan Sas-Zubrzycki, Treasure of architecture in Poland, vol. 3, Kraków 1910-1911, tabl. 254; Sas-Zubrzycki, Jan (1860-1935); 1910-1911 (1910-00-00-1911-00-00);

Crucifix, 1837 - 1921 Also studies of a crucifix on a foot and an illustrated magazine. Page 12 recto from a sketchbook with 23 sheets. paper. pencil specific forms of the cross

Cross Kotarbi, Mieczys Aw (1890-1943); 1919 (1919-00-00-1919-00-00);

Burial monument in memory of Sebaldus van Nuremberg, c. 1865 photograph Part of photo album of a trip through Switzerland, Austria and Germany by the Dutch Derkinderen family. Nuremberg paper. photographic support albumen print travelling; tourism. grave-building, monumental tomb. parts of church interior Nuremberg

Częstochowa. Treasury of the monastery in Jasna Góra - a set of artistic craftsmanship (Votive Picture of August III, plaque with the stage of adoration of the Holy Cross, two rolls, decorative vessel in the shape of shells, crucifix and others); Trzciński, Stanisław (1867-1939); around 1896 (1890-00-00-1900-00-00);

Greek priestess, Benigno Bossi, After Ennemond Alexandre Petitot, 1771 print A standing woman with an upper body like a canalized column and around her hips a round base on which garlands hang. On her head she wears a headgear of cloths. paper etching priest ~ Greek religion - EE - priestess. Europeans

Project of transformation of the Madeleine church in expiatory monument in memory of Bourbon.

Mitra of Patriarch Nikon, gifted by Boyar Nikita Ivanovich Romanov. Chromolithography by F. Dreher, 1849 - 1853. Moscow. Publisher, Tip. A. Semena. Russian, Chromolithographs

Blessed Mother Altar, Franciscan Monastery, Washington, D. C. , Religious facilities, Tichnor Brothers Collection, postcards of the United States

Last. The Nativity Last. The Nativity. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz.

Frontispiece from the Book of Common Prayer. Dated 17th Century

Monument to Johannes Calvin, 1509-1564; Monument to the salvation Reformateur Joannes Calvinus. Monument to Johannes Calvijn, 1509-1564. Above a small portrait of the church reformer, left and right scenes of ceremonies in the Calvinist church around the year 1791: Supper, consistory, baptism and adoption to limb. In the middle Calvin on the Reichstag and an image of the Dordtse Synod from 1618-1619. Proof. Sinneeprent on the reform.

Cowley, St. John's Church Oxon.: communion plate, altar furnishings, 1871. Butterfield, William 1871 A broadly representative selection of drawings for building and manufacture of designs, representing the various types of commissions Butterfield received and illustrating his work in promoting Gothic Revival. Also included are estimates as well as record drawings (measured drawings) of buildings not designed by Butterfield. William Butterfield (1814-1900) was a British architect known for the Gothic revival style he championed. He studied with E. L. Blackburne and set up his own practice in 1840. A member of the Cambridge Camden Society, later the Ecclesiastical Society, he contributed designs to their journal The Ecclesiologist. Most of his work was for church designs, apart from that for schools and colleges (Rugby School and Keble College Oxford), and the Winchester County Hospital. Perhaps his best-known building is the All Saints Church, Margaret Street, London (1849-1859). The Ro

Eight Groups of Designs for Gothic holy Objects, Print made by Augustus Welby Northmore Pugin, 1812-1852, British, after Augustus Charles Pugin, 1762-1832, French, undated, Black ink on moderately thick, smooth, cream wove paper, Sheet: 9 7/8 × 16 1/8 inches (25.1 × 41 cm), altar, architectural subject, candle branches, candlesticks, chalices, designs, Gothic (Medieval), pitchers, sacred objects, thurible

View of the Ronde Lutheran Church in Amsterdam, Pieter Rodingh, 1680 print View of the Ronde Lutheran Church, also known as the new Lutheran church or the Koepelkerk, on the Singel in Amsterdam. Seen from the other side of the water. A number of figures on the street in front of the church. At the top in the middle a swan like Luther's symbol. Below that a banderole with the title. Under a cartouche with a portrait of Martin Luther and the names of (and assignment to) important people of this church (pastors, sitting elders, former elders, sitting deacons, former deacons, construction masters and layers of the first six stones). Amsterdam paper etching / engraving church (exterior). street (+ city(-scape) with figures, staffage). canals, waters (in city) Round Lutheran Church. New Lutheran church. Dome church. Gay

Fireworks on the occasion of the coronation of Anna Ioannovna on April 30, 1730, Anonymous

Dimm Ludwig (1849-1928), church, Demnitz/Mark. Conversion (01/10/1906): Organ brochure. Tusche watercolor on paper, 69.9 x 52.2 cm (including scan edges)

Gerald Transpota, Altar Tabernacle, c 1940 Altar Tabernacle

Müller, John of.

Kuyper as Pope, Patricq Kroon, 1900 - 1920 drawing Abraham Kuyper sitting as a pope on the throne. Design for a political cartoon. Netherlands paper. pencil political caricatures and satires. pope

THE LATE DR. DALTON, LYING IN STATE

View of the altar of the Church of the Temple Church

Frame with the seven gifts of the Holy Spirit, Anonymous, 1650 - 1750 print A frame with a temple containing the seven gifts of the Holy Spirit. In the middle of the pigeon of the Holy Spirit. Left, right and under the seven gifts of the Holy Spirit in flames. At the bottom two putti, one with a cross of the faith and the other with the anchor of hope. Southern Netherlands paper engraving the seven gifts of the Holy Ghost represented as seven flames. Holy Ghost represented otherwise, e.g. ray(s) of light

American 20th Century, Plate 47 Crosses of Tin From Portfolio Spanish Colonial Designs of New Mexico, 1935 1942 Plate 47: Crosses of Tin: From Portfolio Spanish Colonial Designs of New Mexico

Meer, Noach van der (II), Netherlands, The Liberty Tree in Zaandijk: consecrated on 14 July MDCCXCV, Liberty Tree in Zaandijk, 1795, verso - stamped, The tree of liberty erected in the Dubbele Buurt behind the Old Reformed Church in Zaandijk and consecrated on July 14, 1795. Some bystanders look at the tree. Only the tree and bystanders, without the houses and church in Zaandijk. Above the tree the All-Seeing Eye., print, prints, Frederik Muller Historieplaten, height 431 mm, width 308 mm, 1741-04-16 - 1822-02-20, print maker, printmaker, 1795 - 1795, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Grafstede van Adriaen Pauw in the Dutch Reformed Church in Heemstede.

Antimakassar decorated with a crown and flower motifs, 1887 photograph Europeprinter: Karlsruhe paper. printing ink collotype textile fabric, cloth. flowers ~ ornament. crown (symbol of sovereignty) Europe

The woodcut by Lucas Cranach the Elder in 1520 depicts Halle's sanctuary, showing architecture, interior, figures, altars, decoration, and surrounding elements in early 16th-century European religious art.

Church interior. Church interior with three figures and a dog in the foreground.

Rey van Klaerissen, Antoon Derkinderen, After Tresling & Comp., 1894 - 1901 print A horizontal, decorative title band in which the REI of Clares is announced. To the left of the title band a vertical decorative edge containing the images of two clares. paper Nun(s)

Church interior. Jabłczyński, Feliks (1865-1928), graphic artist

Howard H Sherman, Pilaster and Sidewall in Church San Luis Rey Mission, c 1936 Pilaster and Sidewall in Church San Luis Rey Mission

Altars. Also a study of a weapon. Leaf 17 Verso from a sketchbook with 23 sheets.

Buddhist temple in a cave in Ellora, Matthew Urlwin Sears, 1837 print paper letterpress printing cave-dwelling Ellora

Wish letter with the descendant of the Holy Spirit, 1774 print Wish letter with described cartouche within a decorative framework with a representation of the descent of the Holy Spirit (Pentecost). Handwritten message in calligraphy (fairwens) by Gerrit Harmensz Bakker to his grandfather. Netherlands paper. ink etching / pen Pentecost, Whitsunday

of 3