Eighteenth-Century Interiors

Scenes depicting domestic life in the 18th century, including a man and woman in conversation, and a drunken figure at an inn; features muted tones and historical elements.

Daniels Vision of Four Beasts, Léopold Flameng, After Rembrandt van Rijn, 1859 print paper etching Daniel's visions (Daniel may be shown having his visions explained, e.g. by the archangel Gabriel)

Image reproduction: Henryk Siemiradzki (1843-1902), Pie Slaves; Illustration from the magazine; around 1895 (1890-00-00-1900-00-00);Siemiradzki, Henryk (1843-1902), Siemiradzki, Henryk (1843-1902)-reproduction, painting, Polish painting, antique scenes, genre scenes, press clippings

The fisherman , Fishermen, Fishing, Rivers. Francis Seymour Haden (1818-1910). Prints and Drawings

Mier Book of Józef Poniatowski (Stan I); Couché, Francois Louis (1782-1849); around 1840 (1835-00-00-1845-00-00);Biała Elster (Czech Republic, Germany-River), Poniatowski, Józef (1763-1813), Poniatowski, Józef (1763-1813)-iconography, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-19444 ) - collection, battle of Leipzig (1813), battles, gift (provenance), Napoleonic era (1799-1815), French graphics, legend of Prince Józef Poniatowski (iconogr.), Poland (culture), portraits, horse portraits, army, army, Death, death of Prince Józef Poniatowski (iconogr.)

Man studies architectural details, a carriage in the background, Léopold Flameng, 1841 - 1910 print paper etching artist (in general) studying classical remains

Boredom in the living room. Pleasure in the attic. / No. 4. (Registered title (letter)) | Small Compensation. (Title of all)

Two beggars, Alexandre Falguière, 1877 print paper etching / drypoint Begin

Interior with woman who peels potatoes, Léopold Haeck, 1878 - 1910 print paper etching preparation of food. kitchen

Family scenes; Family register of. Different family scenes have been displayed in a floral ornament edge. From left to right: Kissing couple, Christ with staggered arms, young family, a couple giving money to a beggar, a reading woman at her husband, a reading man in an armchair, homecoming of a man at his family, a walking couple , a family at the dining table and two children offering flowers to their grandparents. A banderole is shown under the representation of Christ.

Two gardens near a tree stump, Anonymous, 1700 - 1799 print Germany paper etching cultivation of (ornamental) garden. trees

Man pulls a cart with skulls and bones, Henri Charles Guérard, 1873 print paper etching hand-cart. bones in general (human body). (human) skull

Persée et les soeurs des Gorgones. Wittmann Charles, Imprimérie, Paris (fl. ca 1886-1908), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Gazette des Beaux-Arts (Paryż ; czasopismo, wydawnictwo ; 1859-2002), publishing house, Burne-Jones, Edward (1833-1898), painter

Hose with a file. A snake tries to eat a file without a success. Illustration at the story 'The snake and the' off 'from' Fabelen for the Dutch youth '.

Jurisprudenz. Pietro Dovizielli (Italian, 1804 - 1885)

Men around a table in a basement, Karl Vaditz, after Eduard von Grützner, in or after 1883 print London paper etching basement, cellar

Fair and Circus, scene 2. Artist: Louis-Robert Antral (French, Châlon-sur-Marne 1895-1939 Paris). Dimensions: Plate: 8 11/16 × 6 5/8 in. (22 × 16.8 cm)Sheet: 14 15/16 × 11 1/8 in. (38 × 28.2 cm). Date: early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Plate 80 from 'The Disasters of War' (Los Desastres de la Guerra): 'Will she rise again' (Si resucitará) 1814-15 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 80 from 'The Disasters of War' (Los Desastres de la Guerra): 'Will she rise again' (Si resucitará) 381420 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 80 from 'The Disasters of War' (Los Desastres de la Guerra): 'Will she rise again' (Si resucitar), after 181415 (published 1863), Etching and burnisher, Plate: 6 3/4 8 9/16 in. (17.2 21.8 cm) Sheet: 9 13/16 13 1/2 in. (25 34.3 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(80))

Mourning woman with for her attributes that refer to death, Célestin François Nanteuil, 1823 - 1873 print In the background a bird and father time that a woman grabs paper. Father Time, man with wings and scythe. mourning the dead. agricultural implements: scythe. hourglass. clock. death's head, skull (symbol of Death). birds

Allegory on the birth of Willem II, 1626. Allegory at the birth of Willem II, 27 May 1626. Frederik Hendrik and Amalia van Solms standing on either side of an orange tree at the foot of which the young prince is fondle. A farmer plays on the bagpipe and a farmer's gifts. In the Mercurius tree. Under the print a verse of four lines.

Josué Dupon, Josué Dupon, 1874 - 1909 print paper etching portrait, self-portrait of graphic artist. workshop-interior

Rafaël and FRA Bartolommeo working to a self-built mannequin. Rafaël and Fra Bartolomeo work in a studio on a painting. FRA Bartolommeo is behind a donkey and is painting. Rafael leans over his chair and looks with him. On the right is a mannequin on a bodes. According to the inscription, Rafaël and Fra Bartolommeo have developed this doll itself.

Bust van Johann Kaspar Lavater with a putto, Jacob Merz, 1801 - 1807 print paper etching chest, bust. cupids: 'amores', 'amoretti', 'putti'. divination ~smoke. insects: butterfly. portrait of a writer

Woman lying on a couch in a garden, Louis le nain, 1861 - 1911 print On the left is a garden image of Cupido with his finger in front of his mouth. This image and the note on the ground next to the woman, refer to a possible (secret) love of the woman. paper etching lying figure - AA - female human figure. garden. statues, sculptures in garden

Incident at the arrival of Willem van Oranje in Utrecht, 1577, Reinier Vinkeles (I), After Jacobus Buys, 1780 - 1795 print Incident on the arrival of Willem van Oranje in Utrecht, 1577, 28 August 1577. The carriage in which Willem van Oranje is hit by a salute shot with his wife. Spectators and soldiers excited on the street. Netherlands paper etching Utrecht

Petits! Petits!. Charles Émile Jacque; French, 1813-1894. Date: 1860-1870. Dimensions: 115 × 166 mm (image); 124 × 175 mm (chine); 154 × 194 mm (plate); 286 × 416 mm (sheet). Etching, engraving and roulette on cream China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Four men and an old woman among the palm trees, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching / engraving trees: palm-tree

Bread -baking farmers, Johann Friedrich Morgenstern, After Pieter de Bare, 1799 print Dresden paper etching bread, loaf. farmers - AA - female farmer, farmer's wife

Ludwig Richter, Ponte Salaro, c 1831 Ponte Salaro

Sieste d'un ouvrier , Sleeping, Alphonse Legros (1837-1911)

This is Worse, plate 37 from The Disasters of War 1812-1815 Spain. Ever-increasing violence is on display in this horrific scene. A trial proof of this print bears the inscription, ìThe one at ChinchÛn,î suggesting that the artist witnessed this scene of human barbarity.. Etching, lavis and drypoint on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

Rafaël and Fra Bartolommeo working towards a self -built membership, Philippus Jacobus van Bree, c. 1816 - c. 1832 print Rafaël and Fra Bartolomeo work on a painting in a studio. Fra Bartolommeo is behind a donkey and is painting. Rafaël leans over his chair and looks with him. On the right is a member doll on a bodes. According to the inscription, Rafaël and Fra Bartolomme have developed this doll themselves. paper etching art (+ in workshop or studio). manikin, dummy-figure (+ in workshop or studio)

Three shepherds at an old bridge, Franz de Paula Ferg, 1699 - 1740 print paper etching landscape with ruins. dog

Foolish Virgin as personification of Portugal, Virgilius Solis, 1524 - 1562 print paper engraving / etching personifications of countries, nations, states, districts, etc.. representation of foolish virgin(s) Portugal

Anaxarete and iPhis / Death of Dido / Venus Troost Amor, monogrammist MP, 1680 - 1800 print Three performances on a leaf. Above: Iphis has hung itself in front of the woman he loved, Anaxarete. She devoted him. Anaxarete watches from the balcony. The body of iPhis is carried away in the background. Middle: Dido kills himself with Aeneas' sword. At sea the departing ships of Aeneas. Below: Amor can be toasted by Venus, after he has been stabbed by bees. paper engraving death of Iphis, a youth of Salamis: desperate for the love of Anaxarete he hangs himself at her door. death of Dido; she climbs the funeral pyre and falls upon the sword of Aeneas. crying Cupid, surrounded by bees, runs or clings to his mother Venus to be soothed

Simplicius with the soldiers, Max Klinger, 1881 print Numbered at the bottom right: IX. Print Maker: Munich publisher: Neurenberg paper. etching / drypoint forest, wood. soldiers and civilians

Woman with bird and bird cage in a peasant interior, Charles Philibert de, Comte de Lasteyrie du Salant (Possible), 1812 - 1830 print Paris paper bird-cage opened (loss of virginity symbolized). farm (building) - AA - civic architecture: inside

Hamlet en Polonius, Adolph Menzel, 1825 - 1905 print paper etching Hamlet, Prince of Denmark

Le Savetier, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 published in 1795 Jean Dambrun French. Le Savetier, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 369365

Lodewijk IX of France in prison, Jean Lubin Vauzelle, After Desmoulins, 1822 print Paris paper. prison, jail. Louis IX, king of France; possible attributes: crown of thorns, fleur-de-lis on his coat, three nails, sceptre with fleur-de-lis, model of church, hand of justice

Bulls in a sweaty with frightened figures, Jacob Ernst Marcus, 1784 - 1826 print There are very shocking figures in a flooding because there are two bulls on either side of their carriage. One of the animals is on a leash and is held by a man. Amsterdam paper etching animal-drawn sledge (Dutch: 'toeslede'). bull

Explaining the Battle. Arthur Julius Pollock, photographer (British, 1835 - 1890) 1854-1856 A man and woman sit opposite each other as they lean over a table. The man is showing the woman something from a book, she rests her chin on her hand as she listens. (Recto, mount) upper right, in pencil: "85"; Lower left, below image, in black ink: "Collodion"; Lower center, below image, in black ink: "Explaining the Battle"; Lower right, below image, in black ink: "A.J.P."; (Verso, mount) lower left, pencil: "A15.72";

Wijnoogst, Léon Augustin Lhermitte, 1877 print paper etching / drypoint vintage, grape harvest

The deadly fall of Willem III during a hunting party, 1702, 1794 print The fatal fall of King William III during a hunting party, March 4, 1702. The king falls off his horse, with shocked bystanders. Northern Netherlands paper etching hunting accidents

Personification of poverty as daughter of the war, Lambertus Suavius (attributed to), c. 1540 - c. 1560 print The female personification of poverty is dressed in antique costume and sat next to an antique -looking building. In the background is a landscape with bridge and a wooden building. paper engraving Wealth, Opulence; 'Opulenza', 'Richezza' (Ripa) (+ abstract concept represented by female figure)

Martyrdom of H. Sebastiaan, Nicolas Dorigny, After Domenichino, 1699 print print maker: Romepublisher: FranceRome paper etching / engraving martyrdom, suffering, misfortune, death of St. Sebastian

He deserved it, plate 29 from The Disasters of War 1814-1820 Spain. Etching, drypoint, burin and burnishing on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

Consultation ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Copper engraving by Nicolaes de Bruyn created between 1642 and 1665 depicting the Holy Family resting during their flight to Egypt, showing figures, landscape, and visual narrative.

Farmer sitting on a wall with pipe and can be Bier, Cornelis Danckerts (I), After Adriaen van Ostade, 1613 - 1656 print Netherlands paper etching farmers. jar, jug (used as drinking-vessel). pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)

King Nimród (on a battlefield in the battle); Busse, Michał (Poznań; Litographic Plant; Fl. 1838-Ca 1876), Czapski Hutten, Marian (1816-1875), Żupański, Jan Konstanty (Poznań; Ksiegarnia and Publisher; 1839-188.), Printing house of Józef Ignacy Kraszewski (Poznań ; Fl. 1871-Ca 1886); 1876 (1876-00-00-1876-00-00);

Woman with baskets with fruits in hand by the window, Henricus Wilhelmus Couwenberg, after Gerard Dou, 1842 print A young woman with a basket with fruits in hand hangs from a window. She holds the curtain aside so that the interior is visible behind her. In the departure, a man and a woman are making music. There is a birdhouse in the windowsill, there is a dead rooster and is a vase with flowers. paper. etching human figure at (open) window, seen from outside. shop-window, show-window. violin, fiddle. fowl (cock, hen, chicken, etc.). fruits. instrumental and vocal music together

Etcher: Orazio Borgianni, Italian, ca. 1578-1616, After: Raphael, Italian, 1483-1520, Adam and Eve Eating the Forbidden Fruit. from the LoggiaPaintings, Etching, part of set 1955-55.1-.32, platemark: 14 × 17.2 cm (5 1/2 × 63/4in.), Made in Italy, Italian, 16th-17thcentury, Works on Paper -Prints

Man on cannon on board a ship, Adolphe Mouilleron, 1830 - 1851 print Paris paper. adult man. ships (in general). firearms: cannon

Elegant lady sat with impeller on chair; L'oeuvre d'Antoine Watteau, Peintre du Roy and Son Academy Roïle de Peinture et sculpture (...). A woman sat on a chair in elegant clothes dating from approx. 1720, holds a closed range in hand. On the left a curtain.

"Owake! what ho! Brabantio! thieves! thieves!": plate 1 from Othello (Act 1, Scene 1) 1844 Théodore Chassériau French In 1844 Eugène Piot commissioned the young Chassériau to prepare fifteen illustrations to Shakespeare's Othello. Inspired by a series of ground-breaking Hamlet lithographs that Delacroix had created one year earlier, the younger artist opted for the more linear technique of etching. His expressive conception of form had been learned in Ingres's studio then developed under Delacroix. In the series, key exchanges offer a compressed summary of much of the play, with a final cluster devoted to the tragic conclusion. Here, in the opening scene, Iago and Roderigo simulate a robbery in order to wake Senator Brabantio and inform him that his daughter Desdemona has eloped with Othello.. "Owake! what ho! Brabantio! thieves! thieves!": plate 1 from Othello (Act 1, Scene 1). Suite of fifteen prints: Shakespeare's Othello / Quinze Esquisses à l'eau forte dessinées et gravées par Thé

The Last Supper, by Giotto. Caldesi & Montecchi (British, active 1850s)

Plate 25 from 'The Disasters of War' (Los Desastres de la Guerra): 'These too.' (Tambien estos.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 1/2 × 9 1/4 in. (16.5 × 23.5 cm)Sheet: 9 15/16 × 13 9/16 in. (25.2 × 34.4 cm). Series/Portfolio: The Disasters of War. Date: 1810 ( published 1863). Museum: Metropolitan Museum of Art, New York, USA.

Woman with a winch presents a woman with a branch a trumpet and mask. .

Owake! what ho! Brabantio! thieves! thieves!, plate one from Othello Made 1844 France. Etching, engraving and drypoint on ivory China paper, laid down on white wove paper . Théodore Chassériau

Beggar with wheelchair, A. Smit, after Pieter Barbiers (I), 1764 - 1792 print A former sailor begs his food together in a wheelchair. Under the print four verses in Dutch. Amsterdam paper etching / engraving beggar. wheelchair, bathchair

Saint Cecilia, Heinrich Sintzenich, After Domenichino, 1782 print paper St. Cecilia as patroness of music

st, Rathausplatz - Rathaus - municipal council meeting hall - Interior view - Detailed view - Fresco by Ludwig Mayer arts, Unknown, photographer

Monsieur Jourdain in conversation with the dance master and music master, Jean-Antoine-Valentin Foulquier, 1878-1879 print Deed I, scene II from "Le Bourgeois Gentilhomme" of Molière. Monsieur Jourdain discusses with his dance master and the music master they are working on. paper etching / drypoint nobility and patriciate; chivalry, knighthood. lackey and other lower personnel at court. musician. male dancer. theatre, theatrical performance

THE OLD MONTMATRE BAS-RELIEF Avenue des Tilleuls n ° 11 1886 - N ° 8. Bas-relief, 8 avenue des Tilleuls, 18th arrondissement, Paris Bas-relief, 8 avenue des Tilleuls. Paris (18th arrest). 1886. Anonymous Photography. Bromide Gélatini Draw, 1886.

Young man sits with a fireplace, Carel Christiaan Antony Last, Carel Vosmaer, 1843 - 1876 print A young man is sitting in his chair by a fireplace. Around scenes of his thoughts. Left below: a baby in a cradle; Central left: Bacchus on a donkey; Above left: a young couple in love; In the middle of the top: a man and woman at the table, playing their child with the dog; Boven: a frustrated man at the table with his accounting, on the right is the devil; Below: a man hangs himself up, another man is stabbed; Bottom right: children on a burial field. paper dream

Woman Bringing Her Pigs Back Home 1848 France. Etching and roulette on China paper . Charles Émile Jacque

Alchemist in his workshop, Célestin François Nanteuil, After Eugène Isabey, 1848 - 1862 print Paris paper. alchemist at work. workshop

November; The twelve months. Human activities in the month of November. Landscape with a man on the right that slaughtered. At the top left the zodiac sign of Sagittarius.

Autumn leaves, has a traveler VI

Plate 64 from 'The Disasters of War' (Los Desastres de la Guerra): 'Cartloads to the cemetery.' (Carretadas al cementerio.) 1811-12 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish This is the last in a group of prints Goya devoted to Madrids 1811-12 famine—a result of failed crops, abandoned fields, and interrupted food supply lines—during which an estimated 15 percent of the citys population died. Offsetting the generic anonymity suggested by the piling up and mass disposal of bodies, Goya sought to preserve the dignity of the individual in this print. He relied on time-honored models for representing the principal figure; the detail of her dangling arm is a common trope in the Christian tradition that recurs in scenes of the Passion of Christ.. Plate 64 from 'The Disasters of War' (Los Desastres de la Guerra): 'Cartloads to the cemetery.' (Carretadas al cementerio.) 381379

Personification and a kneeling man / kissing pair on the water / woman views two dead birds, Reinier Vinkeles (I), 1789 print Three performances of a plate. Amsterdam paper etching / engraving birds. (lovers) kissing each other. harp. clouds. garden

Scenne Uit a guy crafted van Johan krass, freezing dinger, after e. boos, 1900 - 1904 print Düsseldorf paper steel engraving the ballet, ballet performance. specific works of literature

Daphnis & Chloé. / 4. (Registered title (letter)) | The child's ball. (Title of all)

Heimkehr zur Familie (scene aus Italien.). Hess, Peter von, 1792-1871. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Horses, Family life

Soldier van Marcellus kills Archimedes, Bartolomeo Pinelli, 1819 print A soldier of Marcellus kills Archimedes, in his study. Rome paper etching death of Archimedes: the mathematician is killed by a soldier while drawing a diagram in the sand; 'Noli turbare circulos meos'

Knitting woman, Daniel Nikolaus Chodowiecki, 1764 print paper etching knitting

Woodcut by Pierre Eugène Vibert titled 'Emerging Love', circa 1890, showing figures in interaction with decorative composition and symbolic elements.

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), the fiacre economy (registered title (letter)). Colored lithography, woven paper. Balzac house.

Rovers in a cave, Paul Gavarni, 1841 - 1842 print Paris paper. robber's cave. boy (child between toddler and youth)

Etching by Johann Adam von Bartsch from 1804 showing John the Baptist kneeling in prayer in front of a rock, rendered in detailed copper engraving with puncture stitch technique.

Lady arrives in open carriage at Oriental Palace.

The Vagabonds 1896 France. Lithograph in black on buff laid paper . Camille Pissarro

Romans lying on the meal, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching / engraving eating and drinking

Photo production of a fresco in Pompeii, Anonymous, 1851 - 1900 photograph Pompeii cardboard. paper albumen print wall-covering Pompeii

To the Cemetery, plate 56 from The Disasters of War. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1812-1815. Dimensions: 135 x 183 mm (image); 154 x 206 mm (plate); 240 x 340 mm (sheet). Etching, lavis and drypoint on ivory wove paper with gilt edges. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1813-1816. Dimensions: 200 x 314 mm (image); 245 x 352 mm (plate); 323 x 446 mm (sheet). Etching, burnished aquatint, drypoint and burin on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Francisco de Goya y Lucientes, It serves you right., 1810-1820, etching and aquatint.

Vignette with mourning woman at a grave monument, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching grave-building, monumental tomb. mourning the dead

Casimir the Great's grave at the time of discovery, in the Wawel cathedral, on June 14, 1869; Styfi, Jan (1839-1921), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Hoffmann Emil (1845-1901), terracots from the museum in Pompeii (April 19, 1894): Details Wasser Spier, Überlicht. Pencil watercolored, white heighted on paper, 32.5 x 24.8 cm (including scan edges) Hoffmann Emil (1845-1901): Terrakotten aus dem Museum, Pompeji

Reading man, Lukas van Hoger, after J.F. Tommann, 1900 - 1924 print A man reading the light of a lamp. Netherlands paper etching reading. electric lamp

Beauclerk, Mary .

Landscape with coat of arms and military symbols, Reinier Vinkeles (I), 1809 - 1810 print print maker: Amsterdampublisher: Haarlem paper etching / engraving armorial bearing, heraldry. weapons. landscapes. other birds: dove

Air, Jacques de Gheyn (II), After Karel van Mander (I), 1580 - 1596 print Presentation of the element of air in the form of a naked man with wings on the head, seated on clouds. In the background a number of falconers with their dogs busy hunting. In the lower margin a two -line Latin text. Reconstructed from two fragments. Amsterdam paper engraving air (one of the four elements)

The Little Balcony Made 1894 United States. Transfer lithograph in black on cream laid Japanese vellum . James McNeill Whistler

Plate 13 from "The Disasters of War' (Los Desastres de la Guerra): 'Bitter to be Present.' (Amarga presencia.) 1810 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 13 from "The Disasters of War' (Los Desastres de la Guerra): 'Bitter to be Present.' (Amarga presencia.). The Disasters of War. Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). 1810 (published 1863). Etching, lavis, drypoint, burin and burnisher. Prints

Copper engraving by Jérôme David illustrating the Parable of the Rich Man, created in the 17th century, depicting the biblical story with multiple figures.

What More Can Be Done , plate 33 from The Disasters of War 1812-1815 Spain. The very limits of cruelty are on display in this scene, which depicts an act of sheer brutality and contempt for humanity.. Etching, lavis, drypoint, burin and burnishing on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

Gravestone of Christ; Scenes to frescoes by Pordenone in the Santo Stefano in Venice. The body of Christ is lifted by two men to put it in the grave.

The Fisherman Made 1864 England. Etching and drypoint on cream laid paper . Francis Seymour Haden

Woman Rust with her daughter in a landscape, Joseph Meganck (Attributed To), 1817 - 1891 print paper etching resting - BB - out of doors. mother and daughter(s) (family group). mountains

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