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Elegant 18th Century Women's Fashion

Stylish women in 18th century dresses with various accessories. Features soft colors, flowing fabrics, and detailed headgear, highlighting the fashion trends of the era.

Journal of the ladies and fashions, Parisian costume, January 21, 1804, year 12, (527): hat of satin (...), 1804 Woman with a hat of satin on the head, decorated with flowers. She wears a dress with long sleeves. Half wide with flat folds. Sleep. Accessories: earring in the right ear, scarf, belt, bracelets around both wrists, flat shoes with contrasting piping. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). sleeves (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). shoes, sandals (+ women's clothes). head-gear (+ women's clothes)
Journal of the ladies and fashions, Parisian costume, January 21, 1804, year 12, (527): hat of satin (...), 1804 Woman with a hat of satin on the head, decorated with flowers. She wears a dress with long sleeves. Half wide with flat folds. Sleep. Accessories: earring in the right ear, scarf, belt, bracelets around both wrists, flat shoes with contrasting piping. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). sleeves (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). shoes, sandals (+ women's clothes). head-gear (+ women's clothes)
359 assets in this story
The morning of the morning in Caracot and skirt in La Suzanne, c. 1785 Woman in a caraco and skirt 'à la Suzanne'. 'Chapeau au Cherubin'. She walks to the Palais Royal in the morning; To distract, she gets a pastille from her chocolate box. Accessories: earrings, flower corsage, bracelets, chatelaine, shoes. Print G 45 from the Series Collection d'Habillements Modernes et Galants, AVEC Les Habillements des Princes et Seigneurs. paper engraving fashion plates. head-gear: hat (+ women's clothes). clothing for the upper part of the body (CARACO) (+ women's clothes). skirt (+ women's clothes). sleeves (+ women's clothes). drugs. corsage (+ women's clothes)Fashion image, Parisian with Chinese hairstyle and mousseelinevolants on the dress, UnknownGallerie des modes et costumes français, 1785, CCC 296, 1785 Woman in a dotted pelisse with hood decorated with fur. Stopped skirt, decorated with bontrand in golf motif at the hem. Decorative apron with draping at the bottom. Accessories: hat or hat decorated with striped ribbons and feathers, pie made of fur with two bows, shoes with heels. The print has no caption. Print from the CCC series. 47th Cahier des Costumes Français, 42nd Suite d'Habillemens à la Mode and 1785, Gallerie des Modes et Costumes Français. paper engraving fashion plates. head-gear: cap (+ women's clothes). clothing for the upper part of the body (+ women's clothes). sleeves (+ women's clothes). skirt (+ women's clothes). muff (+ fur used for clothes). border, ribbon, braid (+ fur used for clothes). apron (+ women's clothes). bow (ornamental part of clothing) (+ women's clothes). cape (PELISSE) (+ women's clothes). shoes, sandals (+ women's clothes)Fashion image, Lady with a subject, UnknownA woman in a long dress from the 1st of the 17th century; Lesser, Aleksander (1814-1884); around 1840 (1830-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, lesser, Wiktor Stanisław Zygmunt - collections of Aleksander Lesser - Dar, XVII century, gift (provenance), women, dresses, clothing, womenMagazine of Female Fashions of London and Paris, No.21. London Walking Dress, 1798 - 1806 Woman in London's hiking costume, with a big sleeve in hand paper. printing ink. watercolor (paint) etching fashion plates. dress, gown: walking dress (+ women's clothes). muff (+ women's clothes). head-gear: hat (+ women's clothes)Magasin des Modes Nouvelles Françaises et Anglaises, kopie naar 10 février 1787, Pl. 1.Standing woman dressed in a satin caraco and a skirt deposited with a wrinkled strip of fabric, decorated with flowers. FICHU. The tapped hair is decorated with feathers, a bow and a wreath of flowers. Accessories: earrings, flower corsage, gloves, shoes with heels and rosettes (). The print is a copy by publisher Merché in Lille, to the 9th Cahier, 2nd Année, from the Magasin des Modes Nouvelles Françaises et anglaises series. The series consists of 172 fashion prints, published by BuisSon, Paris, 20 Novembre 1786 - 21 Décembre 1789.Lady with hat and mof, to the left, 1700 - 1799 print Standing lady, dressed in a dress with a wide collar, a hat on the head, the hands in front of the belly in a sleeve. In the background a dancing couple and a group of spectators. Late copy of No. 9 from La Noblesse de Lorraine: series of 12 prints with noblemen in costumes that were worn in Lorraine in the first quarter of the 17th century. paper etching clothes, costume (+ women's clothes). dress, gown (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). neck-gear: collar (+ women's clothes). skirt (UNDERSKIRT) (+ women's clothes). skirt (+ women's clothes). sleeves (+ women's clothes). head-gear: cap (+ women's clothes). muff (+ women's clothes). nobility and patriciate; chivalry, knighthoodLady facing the left, in a hat with a wide brim and a glitter bottom dress.; Hollar, Wenceslaus (1607-1677); 1640 (1640-00-00-1640-00-00);England (Great Britain), Rehdigeran (collection), Schlesisches Museum der Bilden Künste (Wrocław - 1880-1945) - collection, 17th century (costume), women, women, headgear, historical costumesJournal of the ladies and fashions, Parisian costumes, 1914, no. 139: evening coat (...), 1914 Evening mantle of pressed velvet decorated with browed side with silver (wire). Print from the fashion magazine Journal des Dames et des Modes (1912-1914). paper engraving fashion plates. coat (EVENING COAT) (+ women's clothes). diadem, tiara (+ women's clothes). necklace (+ women's clothes)Trading Female Woman Van Zuid -Beveland, Anonymous, 1790 - 1792 print Traditional costume of a woman from South Beveland. Plate III in a series of four illustrations of traditional costumes in the Netherlands in 1792. Netherlands paper etching folk costume, regional costume South BevelandTableau Général du Goût, 1797-1799, AN 7, No. 1 (Sept. 22 1798): Deux Femmes Vêtues à la Romaine. Two sitting women, one of whom seen on the back, dressed in shapes 'à la romaine' with short sleeves, high waist and drag. Further accessories: earring, necklace, folding impeller (left), scarf (right), flat shoes with pointed noses. The print is part of a series of 20 fashion prints, published by Gide, Paris, AN VII, 1797-1799.Fashion image, Young lady in winter promenade, UnknownNoblewoman of Venice, 1581. She wears a large veil over her head and holds an axe-shaped fan. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Vienna, 1811. Illustration from Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern, After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757:.fashion 19th century ladies fashion France Paris 1808 wood engraving,Max Max Furs. "Model drawing". pencil and ink on paper. 1911. Galliera, fashion museum of the city of Paris. 146139-8 Fashion drawing, haute couture, female modeJournal des Dames et des Modes, Costume Parisien, 1 décembre 1800, An 9, (262) : Chapeau de Velours (...).Standing woman leaning against a base, with a hat of velvet with ostrich. Around the shoulders a checkered fichu, trimmed with fringes. She is wearing a wrap with wrap, closed with cords with brushes. Flat shoe. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.Gallery des Modes et Costumes Français, 1778, L. 62: Bourgeoise and Robe de Satin .... civilian woman in a junior of satin, about which a pelisse with bontrand. Hands in a large muff from white fur. High hairstyle with three large pipe curls on each side. Print from series L. Gallerie des Modes et Costumes Français. 11th Cahier de Costumes Français, 5th Suite d'Habillemens à la Mode and 1778Woman in walking costume, straw hat, long coat with capelet collar, dress with crimped collar, fan, Paris, 1804. Costume pour la Promenade. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, An 12, May 1804. Illustrations by Carle Vernet, Jean-Francois Bosio, Dominique Bosio and Philibert Louis Debucourt, engraved by Pierre-Charles Baquoy.Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth "Stealth correspondence Louis-Philibert Debucourt (1755-1832). Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century. Stealth correspondence (ancient hairstyle and shawl in scarf). Engraving (color-water). 1806.Gazette du Bon Ton, 1922 - No. 10, pl. VI: minimal monk / from St. François de Paule, David (Possible), 1922 Standing woman in a dress with wide sleeves; Inspired by the order of the Order of the Miniemen, founded by the Holy Francis of Paola. A necklace around the neck. Croquis No. VI from Gazette du Bon Ton 1922, No. 10. Explanation about the clothing on page "description et explaction des planches horstexte et pages de Croquis. paper letterpress printing fashion plates. dress, gown (+ women's clothes). necklace (+ women's clothes)Lady in a hat with a wide brim and ruff, turned slightly to the left, arms positioned along the body. Hollar, Wenceslaus (1607-1677), graphic artistMerchant Francofurtensis Vxor, Wenceslaus Hollar, 1643 Koopmanswoman from Frankfurt, seeing diagonally on the back, a fur hat on the head, dressed in a body with skirt with ..... on the hips. Above the body a wide -ranging collar of lace. Around the means a belt on which a knife. Shoes with heels, decorated with a rosette. paper etching head-gear: cap (+ women's clothes). head-gear: cap (+ fur used for clothes). neck-gear: collar (+ women's clothes). neck-gear: collar (+ lace used for clothes). table-knife. shoes, sandals (+ women's clothes). Europeans: Germans (+ women). merchant, salesman - BB - women engaged in trade and commerce FrankfurtColour illustration of a lady wearing a pink dress by Liberty and Co., Paris.Habit of a noble woman of Swabia in 1581. Demoiselle de Souable.. Boissard, Jean Jacques, 1528-1602. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Germany , Swabia , 1500-1599Fashion Plate, 'Evening Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, September 1, 1813. Prints; engravings. Hand-colored engraving on paperRegency woman in walking dress. In puce erminette pelisse with wide white lace border, full lace ruff, velvet Spanish hat trimmed with quilled lace, half boots and tan gloves. Vol. 12, Plate 30, December 1, 1814. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London.Journal of the ladies and fashions, Parisian costume, June 2, 1798, year 6, (23): young elegant returning (...), 1798 'Négligé' for the morning. Dotted hat trimmed with a transparent strip of fabric. Long scarf around the shoulders, handkerchief, flat shoes with ribbons (Cothurnes). According to the caption, the young elegant woman has just returned from her walk and this performance is drawn to life on the 'Rue Vivienne'. The print is part of the fashion magazine Journal des Dames et des Modes, published by Sellèque, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: cap (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). shoes, sandals. book. handkerchief (+ women's clothes)Silesian bride on her way to church. Gold-decorated hat, long full dress and cloak made up of squares of fur. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.Magazine of Female Fashion of London and Paris, London jan. 1801: Full Dress. Walking Dress., 1801 'Full dress' with sleep, trimmed with band. Hat with feathers. 'Walking Dress' or Walking Japon with Sleep. Veil. Big sleek of fur. Shoe with pointed nose. Print from the fashion magazine Magazine or Female Fashion of London and Paris (1798-1806). paper etching fashion plates. dress, gown: walking dress (+ women's clothes). head-gear (+ women's clothes). coat (+ women's clothes). veil (+ women's clothes). muff (+ fur used for clothes). shoes, sandals (+ women's clothes)Regency women in promenade dresses. Cambric petticoat, Egyptian vest, French lace tucker, provincial bonnet, blue Austrian scarf, matching shoes and parasol. Cambric petticoat with Vandyke lace, Andalusian casaque of shot sarsnet, convent veil of French lace. Opera glass with gold Venetian chain. Plate 12, August 1809. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, London.Fashion, France, 18th century - Polonaise, women's fashion plate from Pierre Thomas Le Clerc, Galeries des Modes, 1778The famous woman French / Noble Woman of France, Wenceslaus Hollar, 1643 French noble woman, in profile to the left, with her that along the forehead is stretched tight backwards, but on, on the shirt along the face, curled to the shoulders. Double Wrong on the back of the head. Klangon with wide, low neck cutting, open pointed body, half -length opened sleeves and foot -long open, pleated skirt that drags somewhat. In the neck cut a neck cloth with a scalloped strip side. The body closes in the middle front with nine horizontal tires over a light-colored breastpiece on which a bow on the top and bottom. In and under the open sleeves, the shirt or submerged are visible. The sleeves are trimmed with a scalloped strip of black lace and closed with a bow. Returned cuffs above and below the wrist with lace. At the waist a mirror and an oval pendant (watch) Are attached to the waist. The bottom skirt has a floral pattern. Long solid gloves. A folding range in the left hand. paper etching Journal des Dames et des Modes, Costume Parisien, 2 août 1798, An 6, (53) : Chapeau garni de deux Fichus (...).Hat decorated with two fichu's. Japon with trail, the back, sleeves and zoom are symmetrically decorated with rosettes. Further accessories: glove, flat shoe with pointed nose. According to the caption, this performance is drawn to life in 'Tivoli'. The print is part of the fashion magazine Journal des Laden et des Modes, published by Sellèque, Paris, 1797-1839.Fashion image, French lady in a white suit with frizzy and a transparent hood, UnknownLa Mode Par Fried, Février 1919, No. 6, PL. VI: Robe de Marié (...). Wedding gown of silver lamé of Mademoiselle Audoy, with veil. Design of Lelong and Fried. Print from the fashion magazine Mode Par Fried (September 1918-May 1919).Fashion Plate, 'Morning Dress' for 'Lady's Monthly Museum'. England, London, September 1798. Prints; etchings. Hand-colored etching on paperServant woman wearing the bonnet of ordinary women in Yvetot, in striped apron and full skirt. Hand-colored fashion plate illustration by Benoit Pecheux engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.Petit Courrier des Dames, 1824, No. 209 : Habit d'amazone en drap (...).Standing woman, with the back to a fitting mirror, in an amazon costume (riseum) of Laeken. The bodice is decorated with 'Olives' from the Languillet studios. According to the caption, the Amazon dock must fall over the feet and be more than half a tall. Accessories: Top hat with veil, earring in the right ear, knotted neckerchief, gloves, handkerchief, whip, shoe. Print from the fashion magazine Petit Courier des Ladies (1821-1868).German Lady in 1520, Fashion History, Costume History, Historical, Digitally restored reproduction of an original 19th century patternFashionable lady picking flowers in a garden, Paris, 1832. She wears a bonnet tied with ribbons, gown with fitted bodice, skirt with frilled hem, holds a parasol. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Feminine Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer.Fashionable woman with lily flowers, 1814. She wears a hat decorated with Madonna lilies, a simple percale-cotton dress and long gloves. Chapeau orne de lis, robe de perkale. Handcoloured copperplate engraving by Jean Charles Baquoy after a fashion plate by Horace Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, 1814.Max Max Furs. "Model drawing". Ink on paper. 1911. Galliera, fashion museum of the city of Paris. 146137-11 Fashion drawing, haute couture, feminine mode, feminine model female model mannequinTaglioni & Elssler's dances Lituana.. Prints. 1841 - 1845. Jerome Robbins Dance Division. Lituana (Choreographic work), Ballet , 19th century, Elssler, Fanny, 1810-1884Costume of a Roman woman, circa 1000. She wears a bonnet covered in plumes of cut silk moire, long dress with fringe, necklace of large gold chain that wraps around the waist. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.Regency woman in walking dress in white Scotia washing silk. Bishop's mantle of sage-green striped and plain silks, made entirely without seams by Mrs James, New Bridge Street, Blackfriars. Hat decorated with artificial flowers, matching shoes. Plate 24. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, London, May, 1809.Journal of ladies and fashions: Ladies Fashion, 1798 Woman, seen on the back, walking to the right, with the hair 'à la Titus'. A long scarf with 'mouches', trimmed with fur around the shoulders. She wears a gray dress with long sleeves, which she holds with the right hand. Stockings with colored sounds and 'Cothurnes' with crossed ribbons. Further accessories: earring, glove, handkerchief. According to the caption, this performance is drawn to life on the 'boulevart (!) Des Capucines'. The print is part of the fashion magazine Journal des Dames et des Modes, published by Sellèque, Paris, 1797-1839. paper engraving dress, gown (+ women's clothes). fashion plates. stockings, socks (+ women's clothes). shoes, sandals. clothing for the upper part of the body (SHAWL) (+ women's clothes). ear-rings (+ women's clothes)Fashion image, A lady in the evening suit - Evening Dress, UnknownFashionable woman in Florentine coat, 1800. She wears a velvet hat and a loose-fitting coat from Florence. She holds a drawstring ridicule bag and handkerchief. Chapeau de Velours. Douillette de Florence. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1800. The illustrations in volume 4 were by Carle Vernet, Bosio, Dutailly and Philibert Louis Debucourt.Gallery des Modes et Costumes Français, 1785, No. 6, no. 11, copy to N 78: Jeune Lady and CircassiN (...). Young woman dressed in a circasienne from 'Gaze d'Italie' on a skirt from the same fabric; The Falbala is decorated with colored ribbon. The tipped hair is decorated with a 'pouf au fichu' decorated with pearls and a feather on the left, 'à la fashion aziatique'. A sheet of paper in the right hand and a range in the left hand. Copy to N 78 from Series N. 13th Cahier De Modes Françaises, 7th Suite d'Habillemens à la Mode, Gallery des Modes et Costumes Français.Journal des Dames et des Modes, Costume Parisien, 15 novembre 1817 (1690) : Bonnet de tull (...).Standing woman with a cap of tulle on the head. She is wearing a lined rescueote of muslin. High pleated collar consisting of several layers. Flat shoes with square noses with bows. Test pressure of a print from the fashion magazine Journal des Laden et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839.Fashionable woman in velvet hat, worsted frock coat, fringed shawl. Chapeau de velours, redingote de casimir. Handcoloured copperplate engraving by Jean Charles Baquoy after a fashion plate by Horace Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, 1814.Elias Martin, 1739-1818, Swedish, Young Woman Sewing, 1778.Seated full-length woman in Greek dress. With her elbows she leans on the richly decorated cushions behind and beside her. Print marked top right: Tab. XXIV. Woman in Greek Clothing Clothing of Greek Women at Alexandria, Habillement des Femmes Grecques a Alexandrie , print maker: Christian Friedrich Fritzsch, (mentioned on object), intermediary draughtsman: Georg Wilhelm Baurenfeind, (mentioned on object), 1729 - 1774, paper, etching, h 201 mm × w 146 mmFashion, Switzerland, 16th century. Women's dress of the Genevan middle class. Engraving, 1577.Woman with unusual angled parasol. She is in half dress or semi-formal wear, with frilly pink tunic over a white dress. Demi-Parure. Handcoloured copperplate engraving by Pierre-Charles Baquoy after Carle Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, An 11, 1803. Handcoloured copperplate engraving by Pierre-Charles Baquoy after Carle Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, An 11, 1803.L'Artiste, Toilette de Campagne, Septembre 1840: Physionomy des Modes .. Woman walking in the wind, with parasol or umbrella in the hands. She is wearing a gray hiking gown with V-shaped neck, long puff sleeves and wide skirt decorated with ruffles. On the head a pink canopy hat with stretch ribbons. It shoulders a long striped scarf with the tips of fringes. Print from the magazine 'L'Artiste' (Paris, 1831- ...).Young French woman in morning dress, era of King Louis XV. She wears a tight bonnet, short black cape, long velvet gown. Jeune Dame en neglige du matin. Regne de Louis XV. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.France, Burgundy, Lady in court costume with high hat and veil on wire frame, c. 1450, Fashion History, Costume History, Historical, digitally restored reproduction of an original 19th century pattern, EuropeDoll. Dated: c. 1937. Dimensions: overall: 27.7 x 22.9 cm (10 7/8 x 9 in.) Original IAD Object: 12" high. Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Francis Law Durand.Costume de Melle. Pauline Leroux, rôle de Marie, dans La tentation, ballet opéra, Académie royale de musique, acte 1er Tentation. Prints. 1832. Jerome Robbins Dance Division. Tentation (Choreographic work : Coralli), Ballet, Ballet , 19th century, Leroux, Pauline, 1809-1891Small ladies' mail 1826 (425); Small ladies 'mail, or new newspaper of modes, theater, literature and arts.Prent uit Het modetijdschrift Small ladies' mail (1821-1868).Portret Van Catherine -Josephine Duchesnois in the Alzire in Tragedie Alzire, Alexandre Marie Colin, 1823 - 1824 print Paris paper portrait of actor, actress. stage costumeYoung woman with turban, cleavage and a mask, James Wilson, after Henry Robert Morland, 1745 - 1794 print London paper adolescent, young woman, maiden. mask. head-gear: turbanHabit of a countrywoman of Dalecarlia in Sweden. Paysanne de la Dalécarlie.. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Sweden , DalecarliaWoman seen on the back and dressed according to the fashion of approx. 1710; Figures the modes. Woman seen on the back, walking next to the wall of a house, dressed according to the French fashion of approx. 1710. She holds up her chon of behind with her left hand. On her head a hat with two 'Barbes'. From a series of eight prints with figures in different costumes.Hans Mangelsdorf, Doll, c 1938 DollNapoleon 1er / Proccier Emperure Des franchise direct n'tonkeatuitgite English1814, Women's fashion in nineteenth-century Paris, Boutet, Henri (1851-1919), (Artist), 1902.Maja with the light background. A young woman, seen from the front, against a light background.The Lutheran orphan girl of 's-Gravenhage, 1840-1841, 1841 The Lutheran orphan girl of The Hague. Girl walking on the street. Numbered: 15. Illustration in the book 'The Netherlands: Character sketches, clothes, attitude and prevention of different positions', a book with character sketches, professions and traditional costumes of Dutch allotments from 1841. print maker: Netherlandspublisher: The Hague paper letterpress printing Netherlands The Lutheran orphan girl of The Hague. Girl walking on the street. Numbered: 15. Illustration in the book 'The Netherlands: Character sketches, clothes, attitude and prevention of different positions', a book with character sketches, professions and traditional costumes of Dutch allotments from 1841. print maker: Netherlandspublisher: The Hague paper letterpress printing NetherlandsFashionable woman walking on the Rive Gauche of the River Seine, opposite Notre Dame, Paris, 1830. In large bonnet, coat with capelet over the shoulders, hands in a fur muff. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Female Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer.Standing young woman, Simon Henri Thomassin, After Jean Antoine Watteau, 1735 print Standing woman, elegantly dressed according to the fashion of approx. 1720, half turned to the left. France paper etching / engraving clothes, costume (+ women's clothes). dress, gown (+ women's clothes). styles of hairdress - AA - ~ womenFashionable woman at an art exhibition, Paris, 1895. Behind her, an artist copies a painting on a canvas on an easel. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Female Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer.Young girl of Varengeville, near Dieppe. The bonnet is of cotton toile. Varengeville is a league and a half from Dieppe. The town gate and main square can be seen in the background. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.Busts of fashionable women in bonnets and fichu, woman's leg in garter, embroidered stocking and slipper. Handcoloured copperplate engraving from Jean-Antoine le Brun or Lebrun-Tossas Journal de la Mode et du Gout, previously Cabinet des Modes, Chez Buisson, Paris, and Joseph le Boffe, London, 17me Cahier, 5 August 1790.The North Brabant girl, 1840-1841. The Noord-Brabant girl. Girl on the way to the church. Solve copy of an illustration from: a book with character sketches, professions and traditional pendants of Dutch people from 1841. Unnumbered.Woman looking at a portfolio of engravings, 1800. She wears a plain dress with laced sleeves and a gold and enamel chain. Manches lacées. Chaîne en Or et émail. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1800. The illustrations in volume 4 were by Carle Vernet, Bosio, Dutailly and Philibert Louis Debucourt.Journal des Dames et des Modes, Costume Parisien, 1 décembre 1799, An 8 (175) : Chapeau - Capot (...).'Chapeau-Capote' with a long-transparent veil with floral pattern for the face. To the neck a long scarf from 'Casimir'. Japon with long sleeves and trail. Flat shoes with pointed noses. The print is part of the fashion magazine Journal des Laden et of the Moldes, published by the print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.Waardin from Bacharach on the Rhine and Burgergirl from Frankfurt, Bernard Picart, 1728 print Uncuted leaf with two prints with performances of figures in traditional costumes. The prints have a title in French and in Dutch. Amsterdam paper etching / engraving folk costume, regional costume Bacharach. FrankfurtMagazine of Female Fashions of London and Paris. Fashions October 1798. London Dresses, 1798 A standing and a sitting woman in English dresses, 1798. paper. printing ink. watercolor (paint) etching / engraving fashion plates. dress, gown (+ women's clothes). head-gear: cap (+ women's clothes).Jeanne la Flammande, Joanna of Flanders, c.1295-1374. She wears a tall conical hat (henin) with veil, white blouse, a blue robe trimmed with fur, brown robe, cracows or poulaines. From a miniature in a Froissart manuscript in the Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from "French Costumes from King Clovis to Our Days," Massard, Mifliez, Paris, 1834.Journal des Luxus und der Moden, 1796, T 23.Standing woman dressed in a short-sleeved dress, high waist and drag. Knotted neckerchief. To the waist a ribbon (belt), stretched on the back. To the shoulder a long scarf, deposited with a flower and leaf motif. Further accessories: hat, long gloves, impeller. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.Merveilleuse in lace veil and tunic dress. This early Empire style was named after the Vestal Virgins. Voile et Tunique à la Vestale. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, An 11, November, 1802. Illustrations by Carle Vernet, Jean-Francois Bosio, Dominique Bosio and Philibert Louis Debucourt, engraved by Pierre-Charles Baquoy.Fashion Plate, 'Walking Costume' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, early 19th century. Prints; engravings. Hand-colored engraving on paperFashion image, Women with French hat and percalkal dress, UnknownCostume of Granville. The same bonnet as in Plate 99, with the tails of chiffon folded and tied. She has knotted her shawl in the same fashion. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.Costume Design: Poetry for a Ballet, Lead pencil, pen and ink on paper, Vertical rectangle. A woman is shown, standing, with a trumpet in her right hand, the left hand holds the neck of a violin-cello. Her coat is decorated with rows of stars. Written on top, in pencil: 'La siga Cecilia,' in the upper left corner: 'Nobilta/o Poesia,' in the upper part of the bodice, and in the left sleeve: 'Biancho,' in the lwoer part of the bodeice, and in the skirt: 'Turchino.' Written above, in ink (over pencil): 'La poesia vestita di azurro celeste sopra ivi saranno/molte stelle coronate di alloro.', Modena, Italy, ca. 1720, theater, Drawing, Drawing1813, Women's fashion in nineteenth-century Paris, Boutet, Henri (1851-1919), (Artist), 1902.Woman from Zaandam, Jean Baptiste Madou, 1825 - 1835 print Brussels paper folk costume, regional costume. adult woman ZaandamRôle de La péri. (Melle Carlotta Grisi).: Opéra (ballet) La péri Péri. Prints. 1843. Jerome Robbins Dance Division. Péri (Choreographic work : Coralli), Ballet , 19th century, Grisi, Carlotta, 1819-1899Young woman with a cloak with hood, Jean Baptiste Madou, 1827 - 1851 print Brussels paper adolescent, young woman, maiden. mantle, gown, dress (symbol of sovereignty). dress, gownGallerie of French modes and costumes, 1785, CCC. 298: the beautiful and tender Lyonnois (...), 1782 Sitting woman, thinking of her loved one. She wears a mantleet of satin, trimmed with fur. Below a morning gown whose skirt is fell with a wide edge of fur. Accessories: pleated hat ('chapeau à l'Almaviva') decorated with flowers and spring, long gloves, shoes with heels and bows. Print from the CCC series. 47th Cahier des Costumes Français, 42nd Suite d'Habillemens à la Mode and 1785, Gallerie des Modes et Costumes Français. paper. printing ink. watercolor (paint) etching fashion plates. clothing for the upper part of the body (MANTELET) (+ women's clothes). dress, gown: morning dress (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). head-gear: cap (+ women's clothes). neck-gear ~ clothing (+ women's clothes). shoes, sandals (+ women's clothes)Journal des Dames and Modes, Paris Costume, August 17, 1798, An 6, (56): Hair at Caracall (...).Woman with girl going on, both with hairstyle "à la caracalla." The woman wears a dress with a cord to the high waist, to which an embroidered bag, called 'balantine'. Further accessories: sandals, earrings and matching necklace, brooch (). Girl: Jap with short puff sleeves, the zoom decorated with a meander motif. Sandals. The print is part of the fashion magazine Journal des Laden et des Modes, published by Sellèque, Paris, 1797-1839.Saxon Costumes published by H. Rittner.Fashionable woman of the Directory era, Paris. Greek wig. High necklace, corded bodice, small kerchief. Dress raised up to the calf. Perruque Grecque. Collier montant gances sur le Corsage, petit fichu. Robe Troussee jusqu'au Molet. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1797.A hand-colored engraving depicting the habit of a Turkish dancer from 1700, titled 'Danceur Turc.' The artwork was created by Charles Ferriol, Marquis d'Argental. It was published in London by T. Jefferys between 1757 and 1772. The image illustrates the clothing and dress of women dancers in Turkey during the 1700s, highlighting aspects of their costume and cultural historyGallery des Modes et Costumes Français, 1785, No. 29, no. 57, Copy to JJ 198: Jeune Lady and Robe à la Polonnois (...). Young woman in a 'robe à la polonaise' topped with mesh. Manches and Sabot. Accessories: Hat with flowers, ribbon and feathers, necklace with hanger, range, bracelet, shoes with heels and buckles. On the hand a boy in a sailor suit with rolled up sleeves. Accessories: Hat with feathers, walking stick with golden button and ribbon, shoes with bows. Copy to JJ 198 from series JJ. 33rd Cahier de Costumes Français, 26th Suite d'Habillemens à la Mode and 1780, Gallery des Modes et Costumes Français.Woman with dress around her waist, Anonymous, After Frederick Bloemaert, After Abraham Bloemaert, c. 1679 - c. 1750 print A standing woman with bare upper body, wrapped a widely draped dress around her waist. Copy to a performance from the drawing book by Abraham Bloemaert, in the edition of Nicolaas Visscher. Numbered 54. Netherlands (possibly) paper etching adult womanWoman with rug around her waist. A standing woman with bare upper body, wrapped around her waisted rug. Copy to a representation from the drawing book of Abraham Bloemaert, in the edition of Nicolaas Visscher. Legal under numbered 54.