Equestrian Portraits

Engravings of notable historical leaders on horseback, emphasizing their power and status through detailed representations and dynamic poses.

Johann IV., King of Portugal.

Marochetti, Charles (n.1805-01-14-D.1867-12-29), Equestrian statue of Napoleon. (Dummy title). Pencil and charcoal on blue paper. Carnavalet museum, history of Paris.

Copper engraving and etching by Michel Aubert from 1744-1757 depicting Louis de Bourbon on horseback, showing equestrian pose, attire, facial features, and 18th-century military dress.

Etching by Johann Elias Ridinger from 1734 titled 'Going Back on the Wall', depicting a detailed study of an animal climbing or retreating along a wall, illustrating anatomy and movement.

Don Quixotte on horseback, next to him Sancho on a donkey, Caspar Luyken, 1696 print Amsterdam paper etching riding a horse, ass, or mule; rider, horseman. Don Quixote. Sancho Panza

A woodcut by Hans Burgkmair the Elder depicting a pig hunter in the triumphal procession of Emperor Maximilian I, illustrating figures, attire, and early 16th-century German printmaking techniques.

Ruiter portret van Generaal Pablo Morillo, Manuel Elbows, After Antonio Guerrero, 1814 print Name of the portrayed and two -line Spanish text in the lower margin. Spain paper etching historical persons. equestrian state-portrait

Napoleon and Prince Józef Poniatowski after the Battle of Leipzig. Fleischmann, Andreas (1811-1878), graphic artist, Carlsruhe im Kunst-Verlag W. Creuzbauer (fl. ca 1830-1850), publisher, Langlois, Jean-Charles (1789-1870), painter

Two mounted knights in armor in a tournament duel with a hook 232. Swords and lances (one broken) litter the ground, as one knight uses a long metal hook to snag his opponent's neck armor (gorge). Copied from a woodcut by Jost Amman in Ritterliche Reutter Kunst, 1584. Handcolored copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and Middle Ages, Vienna, 1802.

Jan III Sobieski (1629 Oleko 1696 Wilanów) King of Poland in 1674 1696 Styfi, Jan (1841 1921), La Haye, Charles de (1641 1707)

Portrait of Josephine (Empress of the French) on horseback, here referred to as Anna Paulowna Romanowa. The representation is framed in an ornamental frame, with a balustrade at the top. Below the image a verse in two columns. Numbered lower right: No. 229., Her Royal Highness, Anna, Paulowna, Grand Princess of / Russia, Gemalinne of the Crown Prince of the Netherlands , publisher: Johan Noman, (mentioned on object), print maker: anonymous, publisher: Zaltbommel, print maker: Netherlands, 1806 - 1830, paper, letterpress printing, h 420 mm × w 335 mm

Dido, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by Queen Dido from Cartago on horseback. Text in STUDMARGE. Paris paper etching (story of) Dido. ruler, sovereign - BB - female ruler

Pierre Daret de Cazeneuve, Louis XIII, 1643 Louis XIII

The prince that rules the whole people to the country's law, / earns that every opregt swears to him. / Him presses our burden; But the noblest queen, / lends his worries through the room hugs, 1806 - 1830 print Leaf with 2 shows. On the left a bridle portrait of Lodewijk Napoleon Bonaparte, intended here as Willem I Frederik. On the right a bridle portrait of Hortense Eugénie de Beauharnais, intended here as Wilhelmina van Pruisen. The performances are caught in a decorative frame. A caption under both images. Numbered at the top right: No. 72. Print Maker: Netherlands Publisher: Zaltbommel paper letterpress printing equestrian state-portrait

Portrait de Charles 1er, state III; Jasi Ski, Feliks Stanis Aw (1862-1901), Dyck, Anthony Van (1599-1641), Wittmann ch., Imprimérie (Paris; Printing house; Ca 1886-1908); 1886-1887 (1886-00-00-1887-00-00);Dyck, Anthony Van (1599-1641)-iconography, Karol and Stuart (King of England-1600-1649), Wellisz, Leopold (1882-1972), Wellisz, Leopold (1882-1972)-collection, French (culture), graphics French, Polish graphics, reproductive graphics, horses, state prints, Poland (culture), horse portraits, swords, purchase (provenance), armor

Les Pendus, Print made by Richard Parkes Bonington, 1802-1828, British, Print formerly attributed to François le Villain, active 1824-1835, French, Printed by François le Villain, active 1824-1835, French, ca. 1826, Lithograph on medium, smooth, cream wove paper, Sheet: 6 3/4 x 8 3/8 inches (17.2 x 21.2 cm) and Image: 5 3/8 x 6 1/2 inches (13.7 x 16.5 cm), armor, castle, city, criminals, crying, dead, executioner, genre subject, grief, grieving, hanging (execution), hangman, horse (animal), men, sadness, sobbing, soldier, tartan, town, watching, weeping, women

Copper engraving by Meister PW of Cologne, circa 1500, depicting a male figure associated with carnations in a decorative composition.

Wilhelm III., Prince of Orania, King of England Wilhelm's happy escape on the day before the battle at Boyne 10. July 1690: On an exploration he had fallen into a danger of death, as enemy shots took his companion and wounded him on the shoulder. Two nobles followers ensure the rescue of the rising king: Lord Coningsby is still the wound with his handkerchief over Wilhelm's Rock, the Earl Portland and a flag carrier on horseback look for; left in the picture a fallen horse, before a hat on the floor; Powder vapor in the background; At the bottom of the edge of three personal names, designations on both sides; below the representation single-line English. Legend and two-line dedication to the (1829 living) Earl of Essex, in whose possessions were the handkerchief and part of the rock; Sustained dated publishing note. Taper of William Gilller after painting by Abraham Cooper, Publ. At Moon, Boys & Graves, London 2.Nov.1829.

Rantzau, Josias Graf .

Equestrian portrait of Willem III, Prince of Orange, Adriaen Possemiers, c. 1676 - c. 1685 print Equestrian portrait of Willem III. A fortress in the background. In the middle of his weapon with a crown, decorated with the garter. In the lower margin there are name and titles in French. Antwerp paper engraving / etching knighthood order (GARTER) - insignia of a knighthood order, e.g.: badge, chain

Saint Martin of Tours. Coloured etching.

Ulrich, Prince of Württemberg-Neuenbürg.

Friedrich IV., Elector of the Palatinate.

Horse portrait of Józef Poniatowski's book; Unknown, Begerschen Buch und Kunsthandlung (Dresden; Publisher; Fl. 18 ..); after 1812 (1813-00-00-1820-00-00);Poniatowski, Józef (1763-1813), Poniatowski, Józef (1763-1813)-iconography, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, battles, gift (Przednja) , Napoleonic era (1799-1815), German graphics, marshals of France, Poland (culture), portraits, horse portraits, male portraits, army

Equestrian statue of Marcus Aurelius, Cornelis Bos, after Nicolas Beatrizet, after Marco Dente, c. 1538 - c. 1555 print paper engraving equestrian statue. (story of) Marcus Aurelius, the Roman emperor

GRABADO-FRANCISCO I S XVI. Location: PRIVATE COLLECTION. MADRID. SPAIN. FRANCIS I OF FRANCE.

The coat of arms of the city of Paris / the provost of merchants in ceremonial costume. ... (IT)

fine arts, D™rer, Albrecht, (1471 - 1528), painting, ""Paar zu Pferde"", (""couple on horse""), 1495, watercolour and ink on paper, Albertina Graphics Collection, Vienna,

Moncey, Ex-colonel of the 3rd Hussar Regiment. Eugène L. Lami; French, 1800-1890. Date: 1818. Dimensions: 259 × 194 mm (image); 353 × 257 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA. Author: EUGENE LOUIS LAMI.

Frederick II, 1712 - 1786. King in Prussia, 1740 - 1772, and King of Prussia, 1772 - 1786. From Cassell's Illustrated History of England, published c.1890.

Ceremony in 1766, for the inauguration of Louis XV's statue created by the sculptor Edme Bouchardon. France, 18th century.

John, Lord Ligonier.

"DRAWING ROOM DAY" A SKETCH IN ST. JAMES'S PARK, LONDON, UK, 1881

Reiterstatue von Wilhelm der Eroberer, 1027/28-1087, Herzog der Normandie und ab 1066 König von England, in seinem Geburtsort Falaise in der Normandie, 1888, Frankreich, digital verbesserte Reproduktion von einer Vorlage aus dem 19.Jahrhundert, Historisch, genaues Datum unbekannt 1f-4999701

The Knight on a fine horse Date: First published: circa 1387

Armin Vambery checking the compass in the desert, from Travels in central Asia 1863 by Armin Vambery. Old engraving El Mundo en la Mano 1878

Richard Newton, 1777-1798, British, The Ins and Outs or the Jesuits treatment of his friends, 1797. Etching.

A Head of francs of after Montfaucon, vintage engraved illustration. Magasin Pittoresque 1842.

Allegorical performance with Minerva between books and painting and engraving material, Claude Mellan, 1608 - 1688 print France paper engraving specific aspects, allegorical aspects of Minerva; Minerva as patroness. palette. tools, implements of graphic artist (BURIN)

Napoleon crosses the Alps at St. Bernard pass; Napoleon Il Grande Al Monte S. Bernardo. Equestrian portrait of Napoleon Bonaparte crossing the Alps on horseback at the St. Bernard pass.

A Polish Groom Bathing Horses. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Plate: 3 1/16 × 5 1/16 in. (7.7 × 12.8 cm)Sheet: 5 13/16 × 9 1/16 in. (14.8 × 23 cm). Date: ca. 1662. Museum: Metropolitan Museum of Art, New York, USA.

Equestrian Statue, Memorial of Frederick William, Elector of Brandenburg and Duke of Prussia, the Great Elector, Germany, Historical, digitally restored reproduction of a 19th century original, Europe

Watercolor painting of Herzog Albert von Sachsen-Teschen depicted riding to the left, showing posture, attire, and horse in detail.

Lodewijk van Montfoort

Who will he catch, from 'News of the day,' published in Le Charivari, April 19, 1867. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 7/8 × 8 1/4 in. (25.1 × 20.9 cm)Sheet: 11 3/4 × 11 5/16 in. (29.8 × 28.7 cm). Printer: Destouches (Paris). Publisher: Arnaud de Vresse. Series/Portfolio: 'News of the day' (Actualités). Date: April 19, 1867. Museum: Metropolitan Museum of Art, New York, USA.

Knight on Horseback ca. 1520 Anonymous, German, 16th century German. Knight on Horseback 344987

Majel G Claflin, Saint George & the Dragon, Carved Out of Section of Plank Painted, c 1938 Saint George & the Dragon, Carved Out of Section of Plank - Painted

Willem V, 1848 - 1881 print Leaf with a bridle portrait of Willem V. under the show a four -line verse. Numbered at the top right: No. 99. PRINT MAKER: Nonherland PunlIlisher: The Booter paper letterpress printing equestrian state-portrait

The Ins and Outs or the Jesuits treatment of his friends, Richard Newton, 1777-1798, British, 1797, Etching

Statue of Prince Eugen in Vienna, Prince Eugene of Savoy, woodcut from 1880

A Tournament Contest. Unknown

Carolina, Princesse of Nassau Weilburg, & C. & c., 1761 - 1765 print Equestrian portrait of Carolina (princess of Oranje-Nassau). The show is caught in a decorative frame of flower vines. paper letterpress printing equestrian state-portrait

Wenzel Hollar etching of the equestrian statue of Charles I of England, created 1627-1677, showing the mounted figure, horse, and pedestal with architectural detail.

Abu Amir al-Mansur (ca. 939-1002). Muslim Arab Andalusi military leader and statesman. Ruler of the Umayyad Caliphate of Cordoba (978-1002). Equestrian portrait. Engraving by Serra Pausas. "Glorias Españolas" (Glories of Spain). Volume II. Published in Barcelona, 1890. Author: Joan Serra Pausas (active 1861-1902).

France - Centre - Beauregard Castle. Interior, equestrian portrait of Henry IV (17th century)

Record of the Duke of York and the k, Generals of Ferraris in Valenciennes , Abraham Wolfgang Küffner -, Copper Engraver, After, Daniel Nikolaus Chodowiecki -, drawer

The Diet of Hungary, in assembly, deliberating in the open field. Engraving by Janet-Lange. "Los Heroes y las Grandezas de la Tierra" (The Heroes and the Grandeurs of the Earth). Volume VI. 1856. Author: Janet-Lange (pseudonym of Ange-Louis Janet 1815-1872). French artist.

JUANA DE ARCO A CABALLO CON ARMADURA. Location: PRIVATE COLLECTION. France.

Red chalk drawing with white heightening by François Verdier on brownish paper, depicting the biblical scene of the Escape to Egypt.

Peter III of Aragon (c. 1239-1285). King of Aragon, King of Valencia (as Peter I) and Count of Barcelona (as Peter II). Engraving. Museo Militar, 1883. Later colouration.

Stephen, King of England, c.1092-1154. Stephen of Blois, Count of Boulogne and Duke of Normandy. In plumed helmet, suit of plate armour, fur cape, holding a battle axe. King Stephen of England. From William Faithorne's set of Kings. Stephanus DG Rex Ang Com Bon et Mor etc. Copperplate engraving from Samuel Woodburns Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martins Lane, London, 1816.

RETRATO DEL GENERAL HARRISON EN LA BATALLA DE TIPPECANOE - SIGLO XIX. Author: CURRIER AND IVES. Location: YALE UNIVERSITY ARY GALLERY, NEW HAVEN-CONNECTICUT, USA.

Prince Frederick Henry on Horseback in front of the s Hertogenbosch Fortress, 1629, The Netherlands, Pauwels van Hillegaert, c. 1632 - c. 1635

Toy Bank: "I Always Did 'Spise a Mule". Dated: c. 1937. Dimensions: overall: 22.6 x 30.5 cm (8 7/8 x 12 in.) Original IAD Object: 8 3/16" high; 10 1/4" long; 2 7/8" wide. Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Florian Rokita.

ALFONSO XII (1857-1885). King of Spain (1874-1886). Alfonso XII on horseback. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Museo de Historia.

La lidia. A la suerte. El picador se dirige con su caballo hacia el toro para ejecutar la suerte de varas. Año 1886.

French cavalry in the reign of Louis XIII, 17th century. From a painting by Sebastien Bourdon. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessis's "Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard and Paul Mercuri from 1830. Georges Duplessis (1834-1899) was curator of the Prints department at the Bibliotheque nationale. Edmond Lechevallier-Chevignard (1825-1902) was an artist, book illustrator, and interior designer for many public buildings and churches. He was named professor at the National School of Decorative Arts in 1874.

Lazio Roma Monterotondo S. Maria delle Grazie. Hutzel, Max 1960-1990 Post-medieval: Architecture 15th century; sculpture, Orsini tomb 15th century; painting 14th century; frescoes. Two exterior views, of facade and flank; interior views of nave, altars, sculpture, and painting; comprehensive coverage of the Orsini tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

El cardenal-infante Fernando de Austria. Date/Period: 1639. Painting. Oil on canvas. Height: 209 cm (82.2 in); Width: 166 cm (65.3 in). Author: CASPAR DE CRAYER.

Depiction of the Beritener Triton by Giulio Parigi, executed in brown Feder with lavated and watercolored techniques, squared, around 1616.

'Equestrian Portrait of Empress Elizabeth'. Russia, 18th century. Dimensions: 330x290 xm. Museum: State Hermitage, St. Petersburg. Author: Georg Cristoph Grooth (after).

Peter II of Rohan-Gié (1523). In suit of plate armour, plumed helmet with sword, on a horse caparisoned with his coat of arms. Pierre Vicomte de Rohan, Seigneur de Gie, Marechal de France. After a contemporary tapestry. Handcolored lithograph after an illustration by Edmond Lechevallier-Chevignard from Georges Duplessis's Costumes historiques des XVIe, XVIIe et XVIIIe siecles (Historical costumes of the 16th, 17th and 18th centuries), Paris, 1867. Edmond Lechevallier-Chevignard was an artist, book illustrator, and interior designer.

Queen Elizabeth entering London, Illustration from the Book, "John Cassels Illustrated History of England, Volume II", text by William Howitt, Cassell, Petter, and Galpin, London, 1858

René-Antoine Houasse (1645-1710). Transport on Place Louis-le-Grand of the Statue of Louis XIV de Girardon, July 16, 1699. Oil on canvas. Paris, Carnavalet museum. 25259-1 Arrondissement I, rider, horse, displacement, 1st 1, place Louis-le-Grand, king France, statue, transport

Żołnierze regularnej i nieregularnej kawalerii angielskiej w Indiach. Kretzschmer, Hermann (1811-1890), draughtsman, cartoonist, Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Portrait of Grand Prince Vasili III Ivanovich of Moscow (1479-1533) by Schoen, Erhard (1491-1592) / Albertina, Vienna / ca 1530 / Germany / Woodcut / Portrait / 27,8x20 / Renaissance

Louis XVI, Equestrian Portrait 1791 Jean-Baptiste Carteaux (1751-1813 French) Chateau de Versailles, France

Netherlands, 's-Hertogenbosch, Lutkie & Cranenburg, French cavalry in the Crimea, s Hertogenbosch, verso - stamped, Sheet with 9 representations of French soldiers on horseback. Numbered top right: 87., print, prent, volksprent, prints, prenten, volksprenten, height 390 mm, width 310 mm, Publication (Event), Publicatie, Nederlands, publisher, uitgever, 1848 - 1881, paper, papier, houtcut, kleuren, letterpress printing, boekdruk, print maker, prentmaker

Officers of the table of the chambert of the Imperial Court of Maximilian I (1486-1519). (cup bearer,cook,barber,tailor). Engraving.

Roman mosaic. Charioteer from Baccano. 2nd-3rd cent. AD.

Théodore Gericault, Cheveaux des Ardennes, 1822 Cheveaux des Ardennes

Charles V of Spain, Holy Roman Emperor, painted by Titian in 1548.

Equestrian Henry IV. 16th c. Parchment on wood. Renaissance art. Gouache. FRANCE. PICARDY. OISE. Chantilly. Mus_e Cond_ (Cond_ Museum).

The death of Zapata who has fallen from his horse ca. 1910 José Guadalupe Posada Mexican An inscription in pencil on the mount sheet suggests that this represents the death of Emilio Zapata. This is not possibly, for Zapata died in 1919, years years after Posada died.. The death of Zapata who has fallen from his horse. José Guadalupe Posada (Mexican, 1851-1913). ca. 1910. Etching on zinc. Prints

CARLOMAGNO EMPERADOR DE OCCIDENTE. Location: PRIVATE COLLECTION. France.

RETRATO ECUESTRE DEL GENERAL PRIM - GRABADO 1868. Author: REGNAULT H. Location: MUSEO DEL ROMANTICISMO-GRABADOS. MADRID. SPAIN. CONDE DE REUS. GENERAL PRIM. GENERAL JUAN PRIM Y PRATS (1814-1870).

Théodore Chassériau, Arab Mounting, 1849 Arab Mounting

Jean Jacques François Lebarbier the Elder's drawing depicts Hippolyte leaving the city of Troizen, created with black and brown pen, brown laved, and white highlights in 1798.

Jousting. Renaissance. Jousters with lance and sword. Engraving by Jost Amman, 16th century. Later colouration.

Captain of the archers in Paris and a cavalier, 15th century, (1887). Artist: A Lemercier

1880 The Dragon Slayer. (Hans von Marees; Elberfeld 1837-1887 Rom)

A Tournament Contest. Unknown

Equestrian Combat with Lance and Sword; Fiore Furlan dei Liberi da Premariacco (Italian, about 1340,1350 - before 1450); Venice, Italy; about 1410; Tempera colors, gold leaf, silver leaf, and ink on parchment; Leaf: 27.9 x 20.6 cm (11 x 8 1,8 in.)

Costumes de Différents Pays, 'Moluquois'. L. F. Labrousse (France, Bordeaux, active late 18th century)Jacques Grasset de Saint-Sauveur (France, 1757-1810). France, circa 1797. Prints; engravings. Hand-tinted engraving on paper

Equestrian Combat with Sword. Date/Period: Ca. 1410. Folio. Tempera colors, gold leaf, silver leaf, and ink on parchment. Height: 279 mm (10.98 in); Width: 206 mm (8.11 in). Author: Fiore Furlan dei Liberi da Premariacco.

Friedrich der Große, Friedrich II. 1712-1786 Ankunft in Breslau am 3. Januar 1741, Erster Schlesischer Krieg, 1740-1742, Historisch, digitale Reproduk...

Holy Barbara, Cornelis of North, After Jan van Eyck, 1769 print Saint Barbara, sitting, seen from the front, with palm branch in the left hand and prayer book on your lap. Behind her the construction of the tower of a cathedral. Print to Jan van Eyck's painting. The show is glued on a separate sheet with the etched list. At the bottom of the list the signature of Jan van Eyck and the year 1437. Haarlem paper etching the virgin martyr Barbara; possible attributes: book, cannon(ball), crown, cross, chalice with wafer, Dioscuros (her father), peacock feather, sword, torches, mason's tools, tower. building of church

Saint George and the Dragon. Circle of Jaime Huguet (1415-1492). Oil on panel, shaped top. 187 x 65.7cm.

Portrait of Mohammed Ali, governor of Egypt, Edouard Vermorcken, after Henri Hendrickx, 1830 - 1905 print Numbered in the bottom right: 10. paper historical persons. ranks ~ rulers, sovereigns

Two drovers walking with their packed mules trough a forest at night. Line engraving by J. Couché after a design attributed to A. Allegri, il Correggio.

Sultan Suleyman I (1494-1566), also known as 'Suleyman the Magnificent' and 'Suleyman the Lawmaker', was the 10th and longest reigning sultan of the Ottoman empire. He personally led his armies to conquer Transylvania, the Caspian, much of the Middle East and the Maghreb. He intoduced sweeping reforms in Turkish legislation, education, taxation and criminal law, and was highly respected as a poet and a goldsmith. Suleyman also oversaw a golden age in the development of arts, literature and architecture in the Ottoman empire.

of 3