Etchings and Studies of Figures

A collection of etchings and sketches depicting various figures, including a chiffonnier, a woman with a fan, and studies of legs, showcasing different styles and expressive lines.

Marine divinity in a conch Ary Ernest Renan (1858-1900). Marine divinity in a conch. Study of a marine divinity sitting in a conch. Feather and black ink. Paris, museum of romantic life.

Sitting man. A man is in a niche. He supports his head with his one hand. He holds his hat in his other hand.

Bust of man with beard and beret with feathers, anonymous, 1700 - 1799 print Germany paper etching old man

Woman in front of the mirror

The cross reduction: first plate.

Tête d'homme , Alphonse Legros (1837-1911)

Hanno's Death. Horst Janssen, (German, 1929-1995); printed by Kupferdruckerei Schneider & Co., Berlin; published by Pantheon Presse, Agno, Switzerland. Date: 1973. Dimensions: 220 x 146 mm (image); 223 x 149 mm (plate); 394 x 280 mm (sheet). Etching on gray wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Fontainebleau Forest: Serpent Merchant (La Forêt de Fontainebleau: Marchande de Serpents), 1890. Auguste Louis Lepère (French, 1849-1918), A. Desmoulins, Published in Revue Illustrée, 1887-90. Wood engraving from bound volume of 34 ; image: 7 x 4.6 cm (2 3/4 x 1 13/16 in.).

Portrait of girl in traditional costume of Marken, Carel Adolph Lion Cachet, 1874 - 1945 drawing paper. chalk folk costume, regional costume The ground

Study of a Female Dancer. Artist: Otto Greiner (German, Leipzig 1869-1916 Munich). Dimensions: sheet: 12 3/16 x 9 11/16 in. (30.9 x 24.6 cm). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Boer and Boerin; The Compleat Work of Etchings by John Chalon / Oeuvre Complette des Eaux Fortes Par Jean Chalon. The print is part of an album.

Walter Sickert Made 1895 United States. Transfer lithograph in black on cream laid Japanese vellum . James McNeill Whistler

Andreas Weissgaerber, 1919. Lovis Corinth (German, 1858-1925). Drypoint;

Figures with Horse. Date: May-July 1890. Dimensions: 13.4 cm x 8.5 cm. Museum: Van Gogh Museum, Amsterdam.

Dancer by the Stove 1889-1890 France. Lithograph in brown on paper . Georges-William Thornley

Factory boy at work, draughtsman: Anthon Gerhard Alexander van Rappard, 1868 - 1892, paper, h 333 mm × w 214 mm

Sleeping man in a cabin. Through the ship's window is a view of an open sea with a sailing boat. Page 31 From a sketchbook with 78 pages.

The Third Oriental Head, Rembrandt van Rijn, After Jan Lievens, 1635 print paper etching

Tuning the Samisen. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

FANTASMA BAILANDO CON CASTAÑUELAS - ALBUM H, 61 - HACIA 1824-28 - CARBONCILLO - 189x139 mm. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN.

Beggar Woman With a Gourd, Rembrandt van Rijn, c. 1629 print paper etching

Malresl Working in the Kitchen. Dated: c. 1898. Dimensions: sheet: 40.7 x 31.3 cm (16 x 12 5/16 in.). Medium: graphite with stumping on polished wove paper. Museum: National Gallery of Art, Washington DC. Author: Wilhelm Leibl.

Sketchbook with two studies of a face of a giant for an illustration from Franois Rabelais' Gargantua and Pantagruel. Draughtsman: Henk Henriët. Dating: c. 1936 - c. 1940. Measurements: h 331 mm × w 192 mm. Museum: Rijksmuseum, Amsterdam.

Sketch for a shadow of hussar

Standing Man in a Turban, Holding a Sword. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 9-7/16 x 5-13/16 in. (23.9 x 14.7 cm). Date: 1696-1770. Museum: Metropolitan Museum of Art, New York, USA.

Study sheet with three heads ..

Sitting child. Draughtsman: August Allebé. Dating: 1848 - 1927. Measurements: h 155 mm × w 126 mm. Museum: Rijksmuseum, Amsterdam.

After-dinner Coffee. Artist: Mary Cassatt (American, Pittsburgh, Pennsylvania 1844-1926 Le Mesnil-Théribus, Oise). Dimensions: plate: 7 7/8 x 5 7/8 in. (19.9 x 14.9 cm)sheet: 12 3/4 x 9 in. (32.4 x 22.9 cm). Date: ca. 1889. Museum: Metropolitan Museum of Art, New York, USA.

Man with a big nose (comedian), Talking to another man. Draughtsman: Harmen ter Borch. Draughtsman: Moses ter Borch. Intermediary draughtsman: Harmen ter Borch. Dating: 9-Feb-1653. Place: Zwolle. Measurements: h 86 mm × w 61 mm. Museum: Rijksmuseum, Amsterdam.

It's Over! (large plate). Dated: 1910. Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Worker, Unknown, c. 1965 - before 2009 print Worker with hat and sad look, depicted in half. paper

A lampshade design by Moritz von Schwind from around 1865 showing two grotesque putti, executed in ink and brush on oiled paper.

Sculpture from Niobe; Niobe - Coridore Chiamonti. Sculpture of Niobe running with troubling robe, in the collection of the Vatican in Rome

Edvard Munch (1863-1944). Norwegian painter. Self-portrait facing right, 1912-1913. Woodcut. Munch Museum. Oslo. Norway.

Chimera Van de Notre -Dame, Etha Fles, 1867 - 1910 print An image of a monster with horns and wings on Notre-Dame of Paris. In the background the city. paper drypoint ornament ~ grotesque. city-view in general; 'veduta' Our Lady

Study Sheet with a woman with head scarf, Louis Bernard Coclers, 1756-1817

DIBUJO PREPARATORIO PARA EL CAPRICHO 75 - NO HAY QUIEN NOS DESATE - SIGLO XVIII. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN.

Kriegszeit, no. 28 (1915)

Leaving the Theater. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1896. Dimensions: 315 × 263 mm (image); 472 × 351 mm (sheet). Lithograph in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Walter Ricard Sickert, Visions, Volumes and Recession, 1929, etching on laid paper.

Kneeled potato slots. Behind her a basket and a spade. On the right a group of trees. Loose drawing, found between page 44 and page 45 in a sketchbook with 44 sheets.

Portrait of the wife of Carel Adolph Lion Cachet, hand working. Draughtsman: Carel Adolph Lion Cachet. Dating: May-1934. Measurements: h 260 mm × w 212 mm. Museum: Rijksmuseum, Amsterdam.

This late 15th-early 16th-century copper engraving by Girolamo Mocetto depicts Bacchus, highlighting mythological figure, composition, and Northern Italian Renaissance engraving technique.

Man Searching for Fleas, c. 1862. Mariano Fortuny (Spanish, 1838-1874). Etching;

Stone -lugging workers, Johannes Josephus Aarts, 1881 - 1934 print Two men in work clothes and with cap lug stones. The man on the left stirs up a stone, while the man on the right wears a stone on his shoulder. Water in the background. Japanese paper (handmade paper) working class, labourers. boulder, stone

Portrait sketch of A. Grandmont, diagonally from behind. .

Two sketches of a young woman and a crying old woman at a door. Draughtsman: Hendrik Valkenburg. Dating: 1836 - 1896. Measurements: h 190 mm × w 96 mm. Museum: Rijksmuseum, Amsterdam.

CAPRICHO 21 - CUAL LA DESCAÑONAN! - SIGLO XVIII - DIBUJO PREPARATORIO - SANGUINA. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN.

Head of a woman ca. 1758 After Pietro Testa. Head of a woman. After Pietro Testa (Italian, Lucca 1612-1650 Rome). ca. 1758. Etching printed in blue ink. Prints-Facsimiles

Woman with Folded Arms, 1905. Käthe Kollwitz (German, 1867-1945). Lithograph; This lithograph is one of several Käthe Kollwitz made of working-class women while she was living in a poor section of Berlin. She drew the body and face with a crayon on the lithographic stone and covered the background with a waxy, uneven tone that contributes to the isolation and cold conveyed in the womans posture. Although Kollwitz did not formally join an Expressionist group, her work strongly reflects their directive to use empathy and emotion for social or political impact. She considered prints, with their reproducibility and relative affordability, as crucial to creating widescale compassion for the struggles and ills of the oppressed.

Bearded Man in Soldier's Cap (from Sketches on the Coast Survey Plate) 1854-55 James McNeill Whistler American Whistler made his first etchings while employed as a draftsman at the U.S. Coast and Geodetic Survey in Washington, D.C., between 1854 and 1855. A staff member taught him the technique and supplied him with a copper plate, on which he etched topographic renderings of coastlines, then sketched freely drawing figures. This fragment was trimmed from a printed proof and given to Thomas Winans who financed Whistler's move to Paris, allowing him to pursue an artistic career. Winans mounted the fragment in an album of Whistler's early work that his descendants gave to the Museum.. Bearded Man in Soldier's Cap (from Sketches on the Coast Survey Plate) 372454

La belle Anglaise prints, etchings, works on paper

Vagabond': Georges Pierre Seurat (1859-1891) French artist. Conte crayon.

Gentleman Rider 1866-1870 France. Brush and black gouache, with touches of white and brown oil paint, over graphite, on pink wove paper, laid down on cream board . Hilaire Germain Edgar Degas

The Wanderer. Dated: 1922. Dimensions: image: 18.2 x 30.2 cm (7 3/16 x 11 7/8 in.) sheet: 28.6 x 43.1 cm (11 1/4 x 16 15/16 in.). Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: ERNST LUDWIG KIRCHNER.

Récolte de l'avoine , Harvesting, Oats, Alphonse Legros (1837-1911)

Roses in a Glass of Water (Rosen in einem Wasserglas). Dated: 1916. Medium: drypoint in black on white wove paper. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

. The carved head of an upward man. To a classic sculpture.

Anonymous / 'Man in Prayer'. XVIII century. Red chalk on laid paper. Museum: Museo del Prado, Madrid, España.

The face of a bearded man, looking down At top a hand, Face of a man with beard and a hand, print maker: Monogrammist TB (graveur), (mentioned on object), 1800 - 1907, paper, engraving, h 202 mm × w 153 mm

Happiness in Crime / Szczęęcie W Zbrodni Il. Do: Jules Barbey d'Aurevilly, Les Diaboliques (Pl. 5) Rops, Félicien (1833 1898)

Sketch of a man. Draughtsman: Jan Havicksz. Steen (possibly). Draughtsman: Salomon de Bray (rejected attribution). Dating: 1636 - 1679. Measurements: h 292 mm × w 174 mm. Museum: Rijksmuseum, Amsterdam.

Evening. Dated: c. 1820/1825. Dimensions: overall: 91.8 x 29.7 cm (36 1/8 x 11 11/16 in.) framed: 101.1 x 38.7 x 5.7 cm (39 13/16 x 15 1/4 x 2 1/4 in.). Medium: watercolor and chalk on wood. Museum: National Gallery of Art, Washington DC. Author: William Blake.

Christ as a man of SMARTEN, sitting, Albrecht Dürer, 1515 print Christ, sitting on a couch or stone, showing the stigmata, a scourge and a branch forest on the lap. Nuremberg paper etching whole figure, sitting or standing of the Man of Sorrows

Self-Portrait with Striped Armlets by Schiele, Egon (1890_1918)/ Leopold Museum, Vienna/ 1915/ Austria/ Gouache on paper/ Expressionism/ 49x31,5/ Portrait

Writing woman at the table. Draughtsman: Jozef Israëls. Dating: 1834 - 1911. Measurements: h 256 mm × w 165 mm. Museum: Rijksmuseum, Amsterdam.

The designer and his model Harmensz van Rijn Rembrandt (1606-1669). The draftsman and his model (B 192 - 2nd state), around 1639.

Study for a Panel. Dated: 1890/1897. Dimensions: sheet: 8.4 × 6.1 cm (3 5/16 × 2 3/8 in.) mount: 46.1 × 30.2 cm (18 1/8 × 11 7/8 in.). Medium: watercolor with red and black conté crayons on tan wove paper. Museum: National Gallery of Art, Washington DC. Author: Charles Sprague Pearce.

The Empty Bottle (from McGuire Scrapbook) Probably John McLenan American. The Empty Bottle (from McGuire Scrapbook). Probably John McLenan (American, Pennsylvania 1827-1865 New York). American. Graphite on off-white wove paper

Auguste Rodin. Anders Zorn; Swedish, 1860-1920. Date: 1905-1906. Dimensions: 212 x 155 mm (image/plate); 326 x 253 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, Chicago, USA.

Sheet with studies of heads and tranquility on the flight to Egypt; Études.links a sketch of a group of three men's heads with headwear and also a greater study of men's head with a beret. The right half of the print is filled with a study for a break on the flight to Egypt. In sketchy lines, the small figures of Mary with child and Joseph are displayed between trees.

Study From The Nude With One Leg Extended, 1646. Artist: Rembrandt

George Romney, 1734-1802, British, Small Sketchbook, 1784. Various media on laid paper, including: brown ink over graphite; graphite; brown and gray wash over graphite; gray wash over graphite on medium, slightly textured, cream laid paper.

The custody of a criminal does not require torture. Date/Period: 1810 - 1814. Print. Height: 114 mm (4.48 in); Width: 88 mm (3.46 in). Author: FRANCISCO DE GOYA Y LUCIENTES.

Roses in a Vase. Georges Seurat; French, 1859-1891. Date: 1881-1883. Dimensions: 311 × 240 mm. Black Conté crayon on ivory laid paper, discolored to tan, edge mounted on tan wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: GEORGES SEURAT.

Reproduction of: Portrait of an unknown man, Anonymous, Lodewijk Schelfhout, 1921 Hilversum paper printing anonymous historical person portrayed

Seated Woman with Her Head Resting on Her Right Hand. Dated: 1897. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

The Horoscope James Abbott McNeill Whistler (American, 1834-1903). The Horoscope, 1890. Lithograph on paper, Sheet: 12 7/8 x 8 in. (32.7 x 20.3 cm). American Art 1890

Walter Gramatté, Tired Woman, Sonia Gramatté (Müder Mädchenkopf, Sonia Gramatté), 1923 Tired Woman, Sonia Gramatté (Müder Mädchenkopf, Sonia Gramatté)

Drawing, Figure; Harriet Blackstone (American, 1864 - 1939); USA; graphite on paper; 30 × 23 cm (11 13/16 × 9 1/16 in.)

A Seated Italian Shepherd with a Small Child on his lap; verso: A Southern Landscape with a Woman Carrying a Jar on her Head. Artist: Franz Theobald Horny (German, Weimar 1798-1824 Rome). Dimensions: Sheet: 8 7/16 × 6 3/8 in. (21.5 × 16.2 cm). Date: ca. 1820. Museum: Metropolitan Museum of Art, New York, USA.

Accordionist and flautist. Dating: 1875 - 1934. Place: Paris. Museum: Rijksmuseum, Amsterdam. Author: ISAAC ISRAELS.

Emile Bernard (1868-1941). Following original etchings, in the 1st state on Japan, for "the end of Satan. First state of etchings. N ° 41." Barabbas, or Jesus named Christ ". Etching and aquatint. 1935. Paris, house of Victor Hugo. 101109-21 Analyzes thirty 1930 30, aquatinte, drawing, etching, man, illustration, litterian work, portrait, face

Caricature of Stanisław Czachórski. Czachórski, Władysław (1850-1911), draughtsman, cartoonist

Mandenmaker, Carel Adolph Lion Cachet, 1874 - 1945 drawing paper. handicrafts ~ other plant material. container made of plant material other than wood: basket

Couple in Front of a Carriage. Dated: 1914. Dimensions: image: 24.7 x 21 cm (9 3/4 x 8 1/4 in.) sheet: 30.3 x 27.6 cm (11 15/16 x 10 7/8 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ERNST LUDWIG KIRCHNER.

a woman who is bent over. Draughtsman: Leo Gestel. Dating: 1903. Measurements: h 318 mm × w 178 mm. Museum: Rijksmuseum, Amsterdam.

Young naked woman getting up

Bliżej Kultury Wyczółkowski, Leon (1852 1936)

Study of a Seated Bishop, Pen and brown ink; verso: red chalk on cream laid paper, Vertically oriented; in pontifical attire, turned toward left. Above is a cross which leads to the assumption that this project was chosen to be executed. At the reverse is part of a red crayon drawing. 'g 60' written horizontally, above at the right edge., Italy, 17th century, figures, Drawing, Drawing

A Workman's Meal Break. Date: November 1882, The Hague. Dimensions: 48 cm x 31.5 cm, 80 cm x 65 cm. Museum: Van Gogh Museum, Amsterdam. Author: VINCENT VAN GOGH.

Smiling man with hat. .

A man in a state of grief. Drawing, c. 1794.

Christ, 1887. Odilon Redon (French, 1840-1916), printed by Lemercier & Cie.. Lithograph; sheet: 42.9 x 36.1 cm (16 7/8 x 14 3/16 in.); image: 33.4 x 27.3 cm (13 1/8 x 10 3/4 in.).

Wall carving of Krishna holding Goverdhana Mountain, Krishna Mandapa, Mamallapuram, India

Writing man at a table, Simon Andreas Krausz, 1770 - 1825 drawing paper. chalk handwriting, writing as activity

Hand with three playing cards. Draughtsman: Simon Andreas Krausz. Dating: 1770 - 1825. Measurements: h 225 mm × w 242 mm. Museum: Rijksmuseum, Amsterdam.

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