Etchings of Everyday Life

Black and white etchings depicting intimate scenes of daily life, including family moments and contemplative figures, capturing human emotions and interactions.

Le savant endormi , Scientists, Sleeping, Alphonse Legros (1837-1911)

Male and Woman in conversation at a house, Ferdinand de Braekeleer (I), 1802 - 1883 print paper etching housing. conversation, dialogue; conversation piece

The Spanish Heidin Preciosa, Pierre François Basan, After Rembrandt van Rijn, 1807 - 1808 The print is part of an album. Paris paper etching The print is part of an album. Paris paper etching

Oude Dame is comfortable next to the stove in the kitchen, Lionel Oscar Baes, 1849 - 1909 print paper etching / drypoint old woman

Odilon Redon (French, 1867-1939), Une femme revêtue du Soleil (A woman clothed with the sun), 1899, lithograph in black on chine collé

Etoiles filantes , Meteors. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Young people with violin on their lap and the bow broken on the floor, Louis Gallait, c. 1865 print paper etching violin, fiddle. sitting figure

Three singers in an open candlelight window. Satire at the literary meetings of the Rederijkers. The diamond-shaped blazon under the window refers to this, normally this shield wore the weapon of the Rederijkers. The wine jug can also be associated with them, because the wine brought inspiration for their activities. This print is part of an album.

Parsifal. Acte II. Évocation de Kundry , Composers, Wagner, Richard, 1813-1883. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Sitting woman, 1710 - 1742 print print maker: Francepublisher: Paris paper etching adult woman. sitting on the ground - AA - female human figure. dress, gown (+ women's clothes)

Albert Besnard, Sadness (Tristesse), 1887 Sadness (Tristesse)

Rijn, Rembrandt van, A student at a table by candlelight, verso lower left - stamped, Copy after the print of the same name by Rembrandt., print, prints, height 144 mm, width 130 mm, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08, after print by, 1640 - 1645, second quarter 17th century, paper, papier, etching, etchings, print maker, prentmaker

The Great War: the effort and ideal of Great Britain represented in a series of lithographs. The furnace Sir Georges Clausen (1852-1944). "The Great War: the effort and ideal of Great Britain represented in a series of lithographs - the furnace". Lithograph, 1914-1917. Museum of Fine Arts of the city of Paris, small palace.

Mother at cradle. Draughtsman: Pieter de Josselin de Jong. Dating: 1871 - 1906. Measurements: h 410 mm × w 316 mm. Museum: Rijksmuseum, Amsterdam.

Sunday Morning. Anders Zorn; Swedish, 1860-1920. Date: 1892-1894. Dimensions: 275 x 197 mm (image/plate); 446 x 320 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA.

Carnot is Sick!. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1893. Dimensions: 248 × 187 mm (image); 325 × 252 mm (sheet). Lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

"Pencil and brown ink drawing by Carl Schuch depicting a still life with a human skull, lantern, and wine glass."

The Lost Piece of Silver (The Parables of Our Lord and Saviour Jesus Christ). Artist: After Sir John Everett Millais (British, Southampton 1829-1896 London). Dimensions: image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm)sheet: 7 5/16 x 6 1/16 in. (18.6 x 15.4 cm). Engraver: Engraved and printed by Dalziel Brothers (British, active 1839-1893). Date: 1864.It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, "I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light--each Parable I illustrate perhaps a dozen times before I fix the image." After completing a design, Millais transferred it to a woodblock coated with Chinese white for skilled engravers to carve. Finally, he reviewed proofs and final adjustments were made before the final printing.The Parable of the Lo

1893 Art Work - Carnot is Sick! - Henri de Toulouse-Lautrec.

Christ and the Samaritan Woman, from A Life 1884 Germany. Drypoint and aquatint, with etching on ivory China paper, laid down on cream laid paper . Max Klinger

Ma Tante Johanna. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1874. Prints; etchings. Etching and "pointe d'ivoire"

Portrait of Frans Meerts on his donkey, Auguste Danse, After Frans Meerts, 1881 print paper etching / drypoint painter at work, in his studio. portrait, self-portrait of artist

Johan Thomas Lundbye (1818-1848); , JusticeSraad Emanuel Bonnevie, 1847

Un petit de la pension qui disait que tetais renegat…. Artist: Paul Gavarni, French, 1804-1866

L'arbre de salut , Bowing, Trees, Alphonse Legros (1837-1911)

Rijn, Rembrandt van, Christ and the Samaritan Woman: plate with curved top edge, verso lower left - stamped, print, prints, Rembrandt f. 1658, left center, Rembrandt f. 1657, lower left, height 124 mm, width 159 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1658 - 1658, third quarter 17th century, Eastern paper, etching, etchings, drypoint, dry needle, plate tone, Work conception, after own design by

This 1879-1880 etching and aquatint by Edgar Degas shows actors in their changing rooms, highlighting gestures, costumes, and the backstage environment.

Olive Plukster, Félicien Rops, 1876 print Paris paper. etching / drypoint fruits: olive. fruit harvest Monaco

The death of Porcia, Jacques Bellange, 1602 - 1616 print Pocia sitting next to a pot with glowing coal. She reaches her hand to the coal to eat it and thus commit suicide. France paper etching death of Porcia: after her husband has killed himself Porcia stuffs her mouth with burning coal

Le Rydeack. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, circa 1875. Prints; etchings. Soft-ground etching

Laure , Alexandre Benois Collection

Woman watches with a sick, Willem Steelink (II), 1866 - 1928 print In a departure, a woman watches in a sick or dying person who lies in the box bed. The woman hides her face in a handkerchief. Next to her is an open book on a stove. Netherlands paper. etching sick-bed. deathbed. Waiting, Watching. built-in bedstead (Dutch: 'bedstee')

Writing man by candlelight.

LAccouchement (Childbirth). Artist: Albert Besnard, French, 1849-1934

Den Haag, Nijhoff, Martinus, Krauss, J., Nederland, Schmidt Crans, Johan Michaël, Crematie, Cartoon about cremation and Maastricht, 1887, The Hague, Netherlands, Cartoon about cremation and Maastricht. Plate published in the weekly De Nederlandsche Spectator, no. 7, 1887., print, cartoon, prints, cartoons, Frederik Muller Historieplaten, height 275 mm, width 215 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1887 - 1887, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1826-12-26 - 1894-09-24, publisher

Monk in a cave, David van der Kellen (II), 1814 - 1859.

Old Woman with Cats, plate 25 from The Beggars. Jacques Callot; French, 1592-1635. Date: 1617-1627. Dimensions: 137 × 87 mm (plate); 142 × 91 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Siesta of a Laborer (Sieste d'un ouvrier). Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Sleeping Woman, Gerard Valck, After Michiel Van Musscher, 1662 - 1726 print A woman, with a sewing work on your lap, is sleeping in a chair near the fireplace. A candle burns on the table next to her. Amsterdam paper sleeping in chair. needle ~ sewing. candlestick. chimney

Handicraft woman in front of a chimney. Draughtsman: Jozef Israëls. Dating: 1834 - 1911. Measurements: h 291 mm × w 190 mm. Museum: Rijksmuseum, Amsterdam.

Chagall, Marc (1887-1985) Private Collection Graphic arts 28,4x38 Mythology, Allegory and Literature Illustration for the poem The Dead Souls by N. Gogol

Girl behind the piano, Elisa Weiler, 1875 - 1913 print paper drypoint / etching one person playing keyboard instrument. clavichord, harpsichord. girl (child between toddler and youth)

Pierre Puvis de Chavannes, Portrait and Composition 1895 France. Heliogravure, reworked with drypoint, in black on cream wove paper . Marcellin Gilbert Desboutin

(LE BAROMETRE.). Artist: Paul Gavarni, French, 1804-1866

Johan and Cornelis de Witt in their room in the Gevangenpoort, 1672, Fr. Van Groeningen, 1800 - 1899 print Johan and Cornelis de Witt in their room in the prison gate in The Hague, August 20, 1672. Johan sitting on the bed next to his sick brother Cornelis. Belgium paper etching lynching Gateway

Portrait of Melchior Adam Weikard, Christian Wilhelm Ketterlin, 1776 - 1803 print Bust in medallion and profil. Text in Latin on the base at the bottom. paper engraving historical persons. physician, doctor (+ portrait of scholar, scientist). scholar, philosopher

Albert Besnard (French, 1849 - 1934). The Sick Mother (La Mère Malade). Etching. Sixth state.

Etching on copper by Edvard Munch titled 'The Sick Child I,' created in 1894, depicting a child in a domestic setting.

Man Drawing from a Cast, Rembrandt van Rijn, c. 1641 print paper etching drawing. art (+ artist studying classical remains)

bekend, Israëls, Jozef, Woman with a basket on her back, unknown, verso - stamped, Woman with a basket on her back. On the horizon the contours of a church., print, prent, prints, prenten, height 136 mm, width 96 mm, Dutch, 1824-01-27 - 1911-08-12, print maker, prentmaker, 1873 - 1873, paper, papier, etching, etsen

Francisco de Goya (Spanish, 1746-1828). Nothing. The Event Will Tell (Nada. Ello Dirá), 1810-1815, printed 1863. From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint.

Yes He Broke the Pot (Si quebró el cantaro) Francisco de Goya y Lucientes (Spanish, 1746-1828). , 1797-1798. Etching, aquatint, and drypoint on laid paper, Sheet: 11 13/16 x 7 7/8 in. (30 x 20 cm). European Art 1797-1798

La Vielle aux Loques James Abbott McNeill Whistler (American, 1834-1903). , 1858. Etching on paper, Image: 8 1/8 x 5 13/16 in. (20.6 x 14.8 cm). American Art 1858

Man browses by a book, Willem Steelink (II), 1866 - 1886 print In an interior, a gentleman is browsing in a book that is on a round table. On the right a window. On the left an open desk. In the bottom left of the margin an hourglass and a book. Netherlands paper etching book - MM - book open. interior of the house

Student; Kowalski, Leon (1870-1937); 1905 (1905-00-00-1905-00-00);Young Poland (Style), Partage Plus, Paris (France), Warsaw Artistic Society (1899-1939) - collection, French (culture), Polish graphics, writing, Poland (culture), portraits, women's portraits, students, students, residential interiors

The Infanta Marguerita (Infante Marguerite). Dated: 1861. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Edouard Manet after Diego Velázquez.

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Zuccari, Taddeo (1529 1566)

In der Küche. Zeitschrift für bildende Kunst (Lipsk-Wiedeń-Berlin ; czasopismo ; 1866-1921), publishing house, Hoberg, Reinhold (1859-1932), engraver

Rêverie. Artist: James Tissot, French, 1836-1903

Francisco de Goya y Lucientes / 'Pocas óras te faltan. Album C, 102'. 1810 - 1811. Wash, Brush, Pencil, Bistre, Grey-brown ink, Iron gall ink on laid paper. Museum: Museo del Prado, Madrid, España.

Jean Joseph Benjamin Constant, Oriental Interior with Sleeping Tiger, 1875 1885 Oriental Interior with Sleeping Tiger

Maid with burning candle, Pierre Louis Dubourcq, 1839 print Netherlands paper etching / drypoint maid ~ house personnel. chandelier, candelabrum (+ kindling a light; lit, burning light, lamp, candle)

Henri Guérard at his press. 1888. Goeneutte, Norbert, 1854-1894. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Guérard, Henri-Charles, 1846-1897, Printing presses in art

Painter and the Bourgeois. Charles Maurand (French, 19th century); after Honoré Victorin Daumier (French, 1808-1879); printed by François Louis Schmied (Swiss, 1873-1941); published by Jules Meynial (French, 20th century). Date: 1862. Dimensions: 161 × 227 mm (image); 316 × 457 mm (sheet). Wood engraving on cream Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Hundred Guilder Print, Rembrandt van Rijn, c. 1648 print Japanese paper (handmade paper). ink etching / pen / brush / drypoint Christ preaching or teaching (in general)

A Family (Une famille). Dated: 1890. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.

I saw a mysterious face in the sky in my dream; Dance Mon Rêve, your fish au ciel un visage de mystère. A long face of a man, his hand for his mouth. First print of six from the album "Hommage a goya".

Girl reads a letter at candlelight, Manuel Salvador Carmona, After Charles-Antoine Coypel, 1760 print Under the show the title and a coat of arms. Spain paper etching / engraving candle. letter, envelope

Así sucedió. (This Is How It Happened.), pl. 47 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Organist. Draughtsman: Jan Veth. Dating: 1874 - 1925. Measurements: h 200 mm × w 124 mm. Museum: Rijksmuseum, Amsterdam.

Interior with open door, David van der Kellen (1827-1895), 1837 - 1882 print Interior of a departure with open door, in which a key sticks. At the door are a man and a woman with a dog. On the left side of the departure are a bench, a jug and a bucket. paper etching / drypoint dog. key. interior of the house

Two girls at a window and a water pump, Henri de Braekeleer, 1850 - 1879 print paper etching human figure at (open) window, seen from outside - AA - feigned window. utilitarian, public pump or water fountain. girl (child between toddler and youth)

San Marco 1880-1882 United States. Etching in black on cream laid paper . Otto Henry Bacher

Reclining Youth. Van den Eeckhout was a pupil of Rembrandt from 1635 to 1641. He continued drawing in his masters style for a long time. He also made a fascinating group of figure studies in brush and wash, the finest of which is this loosely portrayed youth. Such freely drawn studies were undoubtedly the kind of work he preferred making, for at the time, artists likened working for publishers to slave labour.

Types Mauresques, 1875. Norbert Goeneutte (French, 1854-1894), A. Cadart Rue des Mathurins, 58 Paris. Etching; sheet: 28.2 x 20.2 cm (11 1/8 x 7 15/16 in.); platemark: 15.8 x 11.7 cm (6 1/4 x 4 5/8 in.).

Le penseur , Alphonse Legros (1837-1911)

Etching by Albert Besnard titled 'Lunch, Board IV of the Woman', created circa 1886, depicting a domestic scene.

Standing woman on the beach, Jozef Israëls, 1835 - 1888 print A woman standing on the beach, and profil to the right. unknown paper etching beach. standing figure - AA - female human figure

Physionomies Parisiennes (Parisian aspects). Plate 8. La marchande de citrons (The lemon seller), 1857, France, by Paul Gavarni, Lemercier et Cie. Gift of Sir John Ilott, 1969.

Torero mort (DeadToreador). Artist: Édouard Manet, French, 1832-1883

The man pressed on the bottom of his door (Bartsch 9) Adriaen van Ostade (1610-1685). The man pressed on the bottom of his door (Bartsch 9). Forte, circa 1653.

The wine farm , Farms, Wine industry. Sir David Young Cameron (1865-1945). Prints

Standing man in landscape, Gerard ter Borch (i) (attributed to), 1594 - 1662 print A man with a cloak and a big hat overlooks a landscape. He has a walking stick in his left hand. Zwolle (Possible) paper etching walking-stick, staff. mound, verge

Sad Ascent, plate nine from In Dreams Made 1879 France. Lithograph on mounted ivory China paper . Odilon Redon

C'est bien aujourd'hui, 28 juillet, Ste. Anne.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1846. Prints; lithographs. Lithograph

Drinking Trough, 2nd plate (L'abreuvoir). Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Little Arthur 1857-58 James McNeill Whistler American Early in 1858 Whistler went to London from Paris to recuperate from a bad fall and stayed with his sister Deborah and her husband Seymour Haden. A gifted etcher, the latter encouraged the artists first serious efforts in the medium. This moody image of the artist's nephew emphasizes dramatic lighting over portraiture and echoes Rembrandt whose works were collected by Haden. In November 1858, Whistler included the print in his first published set, "Douze eau-fortes d'apres Nature" ("Twelve Etchings from Nature"), known as the "French Set." This impression belonged to Thomas Winans, a Baltimore friend who financed the artist's move to Paris in 1855; Winans kept the print in an album that descendants gave to the Museum.. Little Arthur 372729

Still life, set table. Draughtsman: Thomas Cool. Dating: 1861 - 1904. Measurements: h 193 mm × w 266 mm. Museum: Rijksmuseum, Amsterdam.

Paris, Basan, Henry Louis, Rhine, Rembrandt van, Pierre François, Recueil de quatre-vingt-cinq estampes originales, Jan Six, The print is part of an album., print, album leaf, prints, height 285 mm, width 205 mm, French, 1723-10-23 - 1797-01-12, print maker, printmaker, 1750 - 1797, third quarter 18th century, fourth quarter 18th century, first quarter 19th century, paper, etching, etchings, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08, after print by, Publication (Event), Publication, publisher

Mother and Children. Dated: 1916. Dimensions: image: 28.3 x 28.6 cm (11 1/8 x 11 1/4 in.) sheet: 42.6 x 40.9 cm (16 3/4 x 16 1/8 in.). Medium: lithograph in black. Museum: National Gallery of Art, Washington DC. Author: George Bellows.

James McNeill Whistler, The Beggars, 1879 1880 The Beggars

Praying man, print maker: anonymous, Hendrick Goltzius, (possibly), 1650 - 1800, paper, h 82 mm × w 72 mm

Draftsman, Gerrit Lamberts, c. 1810 - c. 1850 print A boy is drawing on your lap with a drawing board, on the left is a sheet of paper. paper etching draughtsman at work

Boy sitting on a bench. Rembowski, Jan (1879-1923), graphic artist, Mondral, Karol (1880-1957), graphic artist

Clothing on a chair, H. Houtkamp, in Or Before 1937 print paper etching clothes, costume. chair

Ninaber van Eijben, Toon, Toorop, Jan, Potato-peeling woman, verso - stamped, print, prints, height 147 mm, width 137 mm, Dutch, 1858-12-20 - 1928-03-30, print maker, printmaker, 1897 - 1897, Japanese paper (handmade paper), Japanese paper, drypoint, dry needle, plate tone, 1896-12-21 - 1977-04-19, printer, 1928 - 1928

In the cotton industry. Draughtsman: Anthon Gerhard Alexander van Rappard. Dating: 1868 - 1892. Measurements: h 267 mm × w 348 mm. Museum: Rijksmuseum, Amsterdam.

Man by Open Raam, Cornelis Pietersz. Bega, 1642 - 1664 print paper etching male sex; man. human figure at (open) window

Paul Gavarni (aka Hippolyte-Guillaume-Sulpice Chevalier, French, 1804 - 1866). Spouse cooing next to her master, 1853. From Les Maris Me Font Toujours Rire, album 2; Masques et Visages. Lithograph.

Le jouer de viole , Musicians, Violas, Alphonse Legros (1837-1911)

Finette, 1859. James McNeill Whistler (American, 1834-1903). Etching;

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