Expressionist Woodcuts

Boldly designed woodcuts featuring human figures and abstract themes, characterized by strong contrasts and dynamic lines in black ink.

Ernst Ludwig Kirchner, Woman Tying Her Shoe (Frau, Schuh Zuknopfend), German, 1880-1938, 1912, woodcut

Le Dejeuner sur l'Herbe. Pablo Picasso (1881-1973). Ceramic Tile. Executed in 1964. 51 x 61cm.

The Well, plate 13 from Carceri dInvenzione (Imaginary Prisons). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Woman with bare torso in a bar, André Lhote, 1925 print This print is part of a cover with six prints. paper chest, bust. woman (showing herself) undressed, quasi-nude. inn, coffee-house, public house, etc.

Shoki, the Demon Queller. Okumura Masanobu; Japanese, 1686-1764. Date: 1740-1750. Dimensions: 58.9 X 25.7 cm (23 5/8 x 9 7/8 in.). Hand-colored woodblock print; habahiro hashira-e, urushi-e. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Still-Life with Lunch I. Pablo Picasso (Spanish, 1881-1973); printed by Hidalgo Arnéra (French or Spanish, 20th century). Date: 1962. Dimensions: 642 x 529 mm (block); 753 x 623 mm (sheet). Linocut in dark gray on ivory wove paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

BlackBull. Artist: Gerhard Marcks, German, 1889-1981

Luohan, after a set attributed to Guanxiu stone carved in 1757; rubbing 18th or 19th century Unidentified Of the many luohan painters throughout Chinese history, none was more influential than the Buddhist monk Guanxiu (832-912), whose wild caricatures inspired generations of artists to depict luohans as exotic, superhuman beings. Guanxiu’s paintings were already considered rare in 1757, when the Qianlong emperor encountered what he believed to be an authentic set in a monastery in Hangzhou. To preserve their appearance, the emperor commissioned copies and had them carved in stone so that rubbings like these could be made. The original paintings are now lost, making these copies some of the most important surviving evidence of Guanxiu’s style.. Luohan, after a set attributed to Guanxiu. Unidentified artist, possibly Ding Guanpeng (active 1726-71). China. stone carved in 1757; rubbing 18th or 19th century. Ink on paper. Qing dynasty (1644-1911). Rubbing

Little Red Riding Hood; Le Petit Chaperon Rouge. Scene from the story of Little Red Riding Hood: Little Red Riding Hood and the Wolf in the forest.

Sailing ships on the water and trees near a lake, Adriaan Korteweg, 1900 - 1917 print paper sailing-ship's rigging. trees. lake

Thomas Handforth, Tierra Caliente, 1930, etching on paper.

De profundis, plate 47 from Miserere. Georges Rouault; French, 1871-1958. Date: 1927. Dimensions: 430 × 600 mm (plate); 505 × 655 mm (sheet). Heliogravure, with aquatint, burnishing, and drypoint on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

River Bank at Elisabeth (Berlin). Dated: 1912-1913. Dimensions: image: 20.5 x 23 cm (8 1/16 x 9 1/16 in.) sheet: 42.8 x 34 cm (16 7/8 x 13 3/8 in.). Medium: woodcut in black. Museum: National Gallery of Art, Washington DC. Author: ERNST LUDWIG KIRCHNER.

From The Flower Book- Ladder of Heaven, 1905. Sir Edward Burne-Jones .

Andreas, Lodewijk Schelfhout, 1916 print Netherlands paper DRYPOINT / REDUSAGE the apostle Andrew; possible attributes: book, X-shaped cross, fish, fishing-net, rope, scroll. landscapes. rodents: rabbit

Composition in white, blue, orange, red and black, Pieter Holstein, 1964 print Composition in white, blue, orange, red and black. In the middle a narrow diagonally placed figure (blue). paper etching / brush

Sketch sheet with village view, two women with jars on the head and a man on a donkey, a woman who lets go of birds and a foal. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 262 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

Madonna in Zodiac; Gory, Wiktoria (1902-1945); 1926 (1926-00-00-1926-00-00);

In the Old District of Long-Suffering, plate ten from Miserere. Georges Rouault; French, 1871-1958. Date: 1945. Dimensions: 567 × 419 mm (image/plate); 650 × 507 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Nightmare; Gory, Wiktoria (1902-1945); 1926 (1926-00-00-1926-00-00);

Odilon Redon, Cheval aile (Winged Horse), 1894 Cheval aile (Winged Horse)

Boerin, you are source, 1929 print Farmer Ten Halven Lijve, Besides, in traditional costumes with a white horse and young girls behind her. Japanese paper (handmade paper). printing ink farmers - AA - female farmer, farmer's wife. folk costume, regional costume

Félix Vallotton, Entering the Water (L'entrée dans l'eau), 1893 Entering the Water (L'entrée dans l'eau)

Monk; Bigos Skki, Leon (1871-1928); 1911 (1911-00-00-1911-00-00);Sphinx (Warsaw-1908-1917)-Illustration, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, Witke-Jeżewski, Dominik (1862-1944)-stamp, illustrations, illustrations, Monks, Poland (culture), Polish drawings, vignettes (decorations), collection signs

Grazing cows, farmers and workers on land, Leo Gestel, 1927 drawing In the foreground three grazing cows, behind which a number of men and women who look at the viewer, behind it people who work and trees the country. Flanders paper. chalk cow. farmers

De Bui, Johannes Frederik Engelbert ten Klooster, c. 1925 print Three men standing in a canoe on wild wavy water during a rain shower. transparent paper rowing-boat, canoe, etc.. downpour, rain shower. storm. wave

Ornament with stylized butterfly, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing paper. paint (coating). deck paint. pencil printing block / brush ornaments ~ art. insects: butterfly

Blanche Baxter, The Yard The Yard

Vorstadtmädel , Karl Wiener -, artist

Ecce Homo. Skoczylas, Władysław (1883-1934), graphic artist

Ruiter and Begelaar, Louis Anquetin, 1893 print Paris paper Don Quixote. riding a horse, ass, or mule; rider, horseman

Circus, plate 12 from Day and Dream. Max Beckmann; German, 1884-1950. Date: 1946. Dimensions: 400 x 300 mm. Lithograph on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

The harpist. Ernst Barlach (Germany, 1870-1938). Germany, 1922. Prints; woodcuts. Woodcut on Japan paper

L'éventaire Ou La Marchande de Figues, PL.15; Gauguin, Paul (1848-1903), Séguin, Armand (1869-1903), Maison Moderne (Paris; Publisher; 1897-1903); 1894 (p Yta); 1899 (edition) (1894-00-00-1894-00-00);Bretania (France), Lewiński, Jan Piotr (1876-1939), Leykam-Lewińska, Aleksandra (1882-1927)-collection, Partage Plus, figs, trade, women, modernism (style), fruit, generic scenes, sellers, stalls , marketplaces, peasants

'Le Stryge (8th State 6 3/4 x 5 1/8 Inches)', 1853, (1927). Artist: Charles Meryon.

Noa noa (Fragrant) 1894-1895 France. Wood-block print in black ink, with red, orange, blue, mauve, light green, and green watercolor on parchment . Paul Gauguin

Don't Waste Food While Others Starve!.

Petroglyph. Dated: 1935/1942. Dimensions: Overall: 36.8 x 28 cm (14 1/2 x 11 in.) overall: 44.8 x 38.3 cm (17 5/8 x 15 1/16 in.). Medium: lithograph on paper. Museum: National Gallery of Art, Washington DC. Author: Lala Eve Rivol.

A townscape, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925). Artist: Leopoldo Cuellar (Mexican, active 1920s). Dimensions: Sheet: 11 5/8 × 9 1/8 in. (29.5 × 23.2 cm)Image: 5 7/8 × 5 3/4 in. (15 × 14.6 cm). Date: ca. 1924.See comment for 29.101.19. Museum: Metropolitan Museum of Art, New York, USA.

Bildnis eines Asiaten (Portrait of anOriental). Artist: Paul Klee, Swiss, 1879-1940

Henri Matisse / 'Jazz: Icarus', 1943. Museum: MUSEE D'ART MODERNE DE LA VILLE DE PARIS, Paris, France. ICARO.

Men from the Sea. This image depicts artwork of Coast Guardsmen at Algiers rescuing men from the sunk vessel Leedstown, drawn by Coast Guard Combat Artist John S. Gretzer.

Woman Seated Before a Mirror (Frau, sitzende vor Spiegel) Paul Kleinschmidt (German, 1883-1949). , 1921. Drypoint on wove paper, Sheet: 12 13/16 x 9 5/16 in. (32.5 x 23.7 cm). European Art 1921

High wait, Carl Karl Moll -

American 20th Century, Plate 14 From Portfolio Folk Art of Rural Pennsylvania, c 1939 Plate 14: From Portfolio Folk Art of Rural Pennsylvania

Wykrots; Skoczylas, W Adys Aw (1883-1934); 1911 (1911-00-00-1911-00-00);

Portrait of Ludwig Schames (Kopf Ludwig Schames) Ernst Ludwig Kirchner (German, 1880-1938). Portrait of Ludwig Schames (Kopf Ludwig Schames), 1918. Woodcut on wove paper, Image (irregular): 22 1/4 x 10 in. (56.5 x 25.4 cm). European Art 1918

Extreme Measure, plate six from Intimacies. Félix Edouard Vallotton (French, born Switzerland, 1865-1925); published by La Revue blanche, French, 19th-20th century. Date: 1898. Dimensions: 178 × 224 mm (image); 254 × 325 mm (sheet). Woodcut in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The beautiful sleeper. A princess, better known as Sleeping Beauty, is next to a woman who is sitting with a spinningol flax.

Portrait of the Father with the Dog; Gory, Wiktoria (1902-1945); 1936 (1936-00-00-1936-00-00);

Boy with Dog (Knabe mit Hund). Dated: 1915. Dimensions: plate: 14.7 x 8.6 cm (5 13/16 x 3 3/8 in.) sheet: 23.9 x 17.9 cm (9 7/16 x 7 1/16 in.). Medium: drypoint in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

Four stylized human figures in a row, Samuel Jessurun de Mesquita, 1930 print transparent paper caricatures (human types)

Artist: Sir Edward Burne-Jones. Engraver:Elizabeth Burden. Cupid and Psyche - Psyche is abandoned by Cupid

La Trapeze. Fernand Leger (1881-1955). Brush and black ink over pencil on paper. Drawn in 1945. 30.5 x 23.2cm

The Girls on the Bridge. Edvard Munch; Norwegian, 1863-1944. Date: 1918. Dimensions: 500 x 430 mm (image); 630 x 528 mm (sheet). Woodcut in blue and lithograph (from multiple stones) in yellow, green, orange and blue on white wove paper. Origin: Norway. Museum: The Chicago Art Institute, USA.

Three farmers, with two cows in the background. Design for a print.

Fantasie, Samuel Jessurun de Mesquita, 1921 print Japanese paper (handmade paper) surrealia, surrealistic representations. the (nude) human figure; 'Corpo humano' (Ripa) (+ standing)

Venus Vignette for book 'L'art Hollandais contemporain' by Paul Fierens; lying naked with two horses and two pigeons. Draughtsman: Leo Gestel. Dating: 1932 - 1933. Measurements: h 130 mm × w 190 mm. Museum: Rijksmuseum, Amsterdam.

Riding School (Reitschule) Franz Marc (German, 1880-1916). Riding School (Reitschule), 1913. Woodcut on thin laid paper, Image: 10 1/2 x 11 3/4 in. (26.7 x 29.8 cm). European Art 1913

Standing Girl in Water and the Other Sitting on Shore (Im Wasser stehendes und am Ufer sitzendes Madchen mit Hut). Dated: 1921/1922. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Otto Müller.

The Arch of the Bridge. Édouard Manet (French, 1832-1883); printed by Auguste Delâtre (French, 1822-1907); written by Charles Cros (French, 1842-1888). Date: 1874. Dimensions: 118 × 136 mm (image); 130 × 147 mm (plate); 170 × 250 mm (sheet). Etching and aquatint in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Noa Noa(Fragrance). Artist: Paul Gauguin, French, 1848-1903

Three Women Beneath a Tree. Diego Rivera; Mexican, 1886-1957. Date: 1936. Dimensions: 628 x 491 mm. Brush and black ink on ivory laid paper. Origin: Mexico. Museum: The Chicago Art Institute, Chicago, USA.

Dark Pool P. 189Pub.St.. Artist: Frank Weston Benson, American, 1862-1951

Beach Cleaners Hyman J. Warsager (American, 1909-1974). Beach Cleaners, n.d. Color lithograph on white wove paper, Sheet: 15 7/8 x 21 3/16 in. (40.3 x 53.8 cm). American Art n.d.

La Patineuse (Theskater). Artist: Félix Del Marle, French, 1889-1952

Pi Knights; Skoczylas, W Adys Aw (1883-1934); 1914 (1914-00-00-1914-00-00);Knights, purchase (provenance)

Bellona, Huib Luns, 1915 print Head of a woman with open eyes and mouth. Around her head snakes with pelvis opened. Japanese paper (handmade paper) Bellona (Eyo)

Swordsmen; Gory, Wiktoria (1902-1945); 1932-1935 (1932-00-00-1935-00-00);

Noa Noa (Fragrant), from the Noa Noa Suite. Paul Gauguin; French, 1848-1903. Date: 1893-1894. Dimensions: 354 × 203 mm (image); 357 × 206 mm (sheet). Wood-block print in black ink, over traces of brown ink, with hand-applied blue, light blue, several greens, pink, orange, pale-orange, yellow, pale-red, and dark-gray watercolor, on ivory Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The twelve months of the year: Brumaire, Marthe Romme, 1919 By Maand Oktober. Take a series the twelve months of the year. paper fashion plates

American 20th Century, Drawing for Plate 14 From the Portfolio Folk Art of Rural Pennsylvania, c 1939 Drawing for Plate 14: From the Portfolio Folk Art of Rural Pennsylvania

Helft dem Krüppel (Help the Cripples). Dated: 1920. Dimensions: sheet: 58.8 x 46 cm (23 1/8 x 18 1/8 in.). Medium: lithograph on pale brown paper. Museum: National Gallery of Art, Washington DC. Author: Heinrich Hoerle.

Te atua (The God), from the Noa Noa Suite. Paul Gauguin (French, 1848-1903); printed in collaboration with Louis Roy (French, 1862-1907). Date: 1894. Dimensions: 206 × 357 mm (image); 247 × 397 mm (sheet). Wood-block print in black ink, over a stenciled dark-red-ink tone block, on cream wove paper (an imitation Japanese vellum). Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Drinking; Makowski, Tadeusz (1882-1932); around 1930 (1925-00-00-1935-00-00);

Still-Life with Lunch I. Pablo Picasso (Spanish, 1881-1973); printed by Hidalgo Arnéra (French or Spanish, 20th century). Date: 1962. Dimensions: 641 x 530 mm (block); 753 x 623 mm (sheet). Linocut in black on cream wove paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Edouard Vuillard, Four Ladies with Fancy Hats, 1892 1893 Four Ladies with Fancy Hats

Soviet Propaganda Magazine Interior, Bezbozhnik u Stanka (Atheist at his Bench) Magazine, Illustration by Dmitry Moor, 1920's

The Song of Solomon - 'I Sleep, but my Heart waketh', 1862. Sir Edward Burne-Jones (d.1898). Design for St Helen's Church, Darley Dale, Derbyshire

Woodcut by Paul Gauguin depicting comic characters, showing exaggerated expressions and figures in a stylized composition, 1900.

Au moins soyez discreet. (At least be discreet) poems of love with drawings of Robert Bonfils. 1919 Illustration. The 75 poems of Lover, a hymn to the woman, are illustrated with 75 chapter headings

Mother and Child and Eiffel Tower Marc Chagall (1887-1985 Russian) Lithograph David David Gallery, Philadelphia

President Madero and his wife entering Mexico City José Guadalupe Posada Mexican Printer Jean Charlot French ca. 1910 According to note on mount sheet, this proof was printed by Jean Charlot. View more. President Madero and his wife entering Mexico City. José Guadalupe Posada (Mexican, 1851-1913). ca. 1910. Zincograph. Prints

Soviet Propaganda Magazine Interior, Bezbozhnik u Stanka (Atheist at his Bench) Magazine, Illustration by Dimitry Moor, 1920's

Lively Dance Number, Seurat, Georges, 1889

Mutter, Karl Wiener , Artist

Image of Sint Nicolaas at the port of Tréboul, Bernard Essers, 1927 print An image of Sint Nicolaas, the pattern of sailors, overlooks the sea near Tréboul, a place south of Brest in Bretagne, France,. paper the bishop Nicholas of Myra (or Bari); possible attributes: anchor, boat, three golden balls (on a book), three purses, three children in a tub, three maidens. monument, statue Tréboul

Fireplace; Makowski, Tadeusz (1882-1932); around 1931 (1925-00-00-1935-00-00);children, fire, purchase (provenance)

Félix Vallotton, Girl Lifting Her Chemise (Fillette enlevant sa chemise), 1893 Girl Lifting Her Chemise (Fillette enlevant sa chemise)

Blatt 13 of William Blake's 'The First Book of Urizen', 1794, created using relief copper engraving, ink, watercolor, and color printing.

Football Game by Edward Penfield (1866-1925) American illustrator in the era known as the 'Golden Age of American Illustration' and he is considered the father of the American Poster. Dated 1900

awakening

Andrew Goodman. Mauzey, Merritt, 1898-. 1946. Prints. Schomburg Center for Research in Black Culture, Art and Artifacts Division. African Americans

Nave nave fenua (Delightful Land), from the Noa Noa Suite. Paul Gauguin; French, 1848-1903. Date: 1893-1894. Dimensions: 359 × 207 mm (image); 392 × 250 mm (sheet). Wood-block print, printed twice in yellow ocher and black inks, over a yellow ink tone block, and stenciled red oil medium, on cream Japanese paper discolored to a grayish tone. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Untitled (Landscape) Jan Matulka (American, 1890-1972). Untitled (Landscape), 1921. Woodcut on medium (2) beige (1) laid paper, Sheet: 16 1/2 x 12 7/16 in. (41.9 x 31.6 cm). American Art 1921

Design for an ornamental letterpress stamp. Draughtsman: Samuel Jessurun de Mesquita. Dating: 1878 - 1944. Measurements: h 183 mm × w 110 mm. Museum: Rijksmuseum, Amsterdam.

Postcard of the Wiener Werkstätte No, Christmas card, Carl Krenek -, Artist, Wiener Werkstätte, Publishing House

Woman and Man in A Pond / Woman and a man in the pond Jasiński, Feliks Stanisław (1862 1901)

Dagobert Peches 'Girls Head' (1920-1921) is a color cutting on Japanese paper depicting a female head, highlighting facial features, hairstyle, and contour.

Work entitled Death match by the Norwegian artist Edvard Munch (1863-1944). This work was produced in 1896.

Goncharova, Natalia Sergeevna (1881-1962) State A. Pushkin Museum of Fine Arts, Moscow Graphic arts Mythology, Allegory and Literature,History Saint George. From the Series ""The Mystical Images of War""

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