Figural Etchings and Classical Themes

Composed of etchings illustrating classical motifs and human figures, representing scenes of mythology, allegory, and historical narratives.

(L'Or) ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Landscape with watermill. unknown c. 1650-1700 Tapestry Dimensions: H 8'6" x W 4'10" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co.

Print, Figure Under Tent, from "Recueil des Tentes Chinoises"; Designed by Jean-Baptiste Pillement (French, 1728-1808); France; etching on paper

Artist at work in nature; Five etching tests. Folder with five etching tests. In a landscape, an artist is under the protection of a parasol to work to nature. With a floral edge of boating and ivy.

Cherubines in De Wolken, Jan Punt, After Jacob de Wit, 1731 - 1779 print Amsterdam paper etching / engraving cherubs, i.e. children's heads with wings

Print (France)

Edward Alfred Goodall, 1819-1908, British, The Landing of Columbus, 1834. Line engraving, engraver's proof on moderately thick, slightly textured, cream, wove paper, mounted on thick, smooth, wove, white paper.

Etching by Thomas Major (1753) depicting a hunting scene with the death of a deer, showing hunters, dogs, deer, weapons, and forest terrain in 18th-century Europe.

Landscape with a hidden silhouette of Louis XVI 1794-1815 Anonymous. Landscape with a hidden silhouette of Louis XVI. Anonymous , French, late 18th century. 1794-1815. Pen and ink and gray wash. Drawings

Edward Alfred Goodall, 1819-1908, British, St. Anne's Hill, No. II, 1834. Line engraving, engraver's proof on thick, slightly textured, beige, wove paper, with beige, chine colle.

Copper engraving and etching by Pieter Nolpe depicting the biblical scene of Elijah and the widow of Sarepta, created around 1652.

Elijah Fed by Ravens, 1617 - 1634 print Forest landscape with Elijah that sits along the Beek Kerit. A raven brings him bread and meat. In the margin a Bible quote from 1 Kon. 17 in Latin. paper engraving Elijah fed by the raven(s): while the prophet is living by the brook, ravens bring him food

Print made by Robert Wallis, 1794-1878, British, Banditti, 1830. Etching and line engraving on medium, slightly textured, cream wove paper.

Liongraving with a fig tree; Pour jamais de nos climats (...); Brabant Review, 1787-1790. Cartoon in which the Brabant lion digs in the ground at the foot of a fig tree. Hereby the date January 11, 1790 written by hand. Part of a large group of prints related to the events of the Brabant Review and the period 1787-1790.

Face in a Laan, Willem Bastiaan Tholen, 1870 - 1931 drawing paper. chalk

Jacopo Ligozzi (artist), Raffaello Schiaminossi (etcher), Lino Moroni (author), The Temptation of Saint Francis (Tentazione di San Francesco) (plate O), 1612 The Temptation of Saint Francis (Tentazione di San Francesco) plate O

The Waterfall at Tivoli with the Villa of Maecenas. Dated: 1851. Dimensions: sheet: 43.5 × 32.5 cm (17 1/8 × 12 13/16 in.). Medium: graphite with white heightening on blue paper. Museum: National Gallery of Art, Washington DC. Author: LUDWIG THIERSCH.

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 14 3/16 x 10 11/16 in. (36.1 x 27.1 cm). Date: 1840-90. Museum: Metropolitan Museum of Art, New York, USA.

Woodcut by Leonhard Beck depicting Emperor Maximilian I learning fishing as a princely activity, showing skill and development, on wooden stick 1514-1516.

The Happy Accident of the Swing. Nicolas Delaunay (French, 1739-1792); after Jean Honoré Fragonard (French, 1732-1806). Date: 1792. Dimensions: 510 × 420 mm (image/plate); 591 × 443 mm (sheet). Engraving in black ink on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Saint Francis of Assisi tempted by the Devil on mount La Verna. Etching by R. Sciaminossi after J. Ligozzi, ca. 1612.

Carriage in an Asian landscape, Leonard Schenk, 1710 - 1746 print A carriage with two wheels drives through a mountainous, Asian landscape. The carriage is pulled by an OS and accompanied by a rider and a man. On the right three people, of whom a woman kneels. There are some buildings at the foot of the mountain. Amsterdam paper etching mountains. Asiatic races and peoples. two-wheeled vehicle drawn by one animal. riding a horse, ass, or mule; rider, horseman. ox

Woman with Hark on Akker, Jules Bastien-Lepage, 1878 print paper etching / drypoint agricultural implements: rake

Etching by Sebald Beham from 1520 depicting Joachim receiving the promise of the birth of Mary, showing two figures in dialogue with symbolic gestures.

Fig. 1. Entrance to the Great Pyramid ; Fig. 2. Central excavation in the northern front of the Great Pyramid. Perring, John Shae, 1813-1869. Perring, John Shae, 1813-1869. Prints, Illustrations. 1839 - 1842. General Research Division. Pyramids , Egypt, Pyramids of Giza (Egypt)

A pencil drawing by Franz Theobald Horny depicting the Volkserberge and Anagni viewed from Olevano, including landscape features and a rainbow in the sky.

Reverie, Henri-Emile Lefort, French, 1852 - 1916, Alfred Stevens, Belgian, 1823 - 1906, Etching on vellum, In a landscape setting at dusk, a standing woman leans on a balustrade, her head resting on her right hand, in attitude of contemplation. Swallows in the sky., France, After 1882, Print, Print

Ajaccio, Lodewijk Schelfhout, 1921 print The city of Ajaccio and the surrounding bay on the island of Corsica. Bergen in the background. paper drypoint city-view, and landscape with man-made constructions. gulf, bay. mountains Ajaccio

Weymouth, Dorset, William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1813, Etching and engraving. on thick, slightly textured, cream, wove paper, with Chine collé, Sheet: 14 7/8 × 19 5/16 inches (37.8 × 49.1 cm), Plate: 9 7/16 × 12 9/16 inches (24 × 31.9 cm), Chine collé: 8 13/16 × 12 inches (22.4 × 30.5 cm), and Image: 5 13/16 × 8 3/4 inches (14.8 × 22.2 cm)

Vilnius. "Cathedral - tapestry."; Zdanowscy, Edmund and Bolesław; Before 1939 (1930-00-00-1939-00-00);

Figure on a street with poplars and a clock. The figure bears an umbrella. In the background detached houses. Leaf 2 recto from a sketchbook with 71 sheets.

Gustave Fraipont (1849-1923). "Letrine" L "for the chapter" Rays and shadows "announced on the drawing for" the interior voices ". Illustration for the" Golden Book of Victor Hugo ". Ink on paper. 1882. Paris, Maison de Victor Hugo. 102267-19 Drawing, ink, illustration of literary work, lettrine, rose, pink, vegetation, 19th 19th 19th 19th 19th 19th century

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Za przykładem bogów According to the example of the gods; from: `Wędrowiec` 1905, no. 32 (August 12th), p. 604. unknown, photographer, Wędrowiec (Warszawa ; czasopismo ; 1863-1906), publisher

Rancho of Jalal - an Aguada. Stephens, John Lloyd, 1805-1852. Illustrations, Prints. 1843. Rare Book Division. Yucatán (Mexico : State) , Description and travel

Figure Under Tent, from 'Recueil des Tentes Chinoises', Jean-Baptiste Pillement, French, 1728-1808, Etching on paper, France, 1728-1808, Print, Print

Flowerpots, II. Waliszewski, Zygmunt (1897-1936), draughtsman, cartoonist

Bliżej Kultury Wyczółkowski, Leon (1852 1936)

Interior of the cave of Santa Rosalia, Louis Ducros, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: Louis Ducros, 1778, paper, brush, pen, h 203 mm × w 151 mm

Loading a hay wagon, Johan Jakob Biedermann, 1778 - 1830 print Numbered at the top right: 19. paper etching hay-wagon

Etching by Therese Holbein von Holbeinsberg depicting a landscape with a cave entrance and a woman praying before a cross, created in 1817, showing natural features and human figure.

Hutsuli in the forest; W Sowicz, Wac Aw (1891-1942); 1924 (1924-00-00-1924-00-00);

Veer in Rhenen, Jan Weissenbruch, 1837 - 1880 print Two landscapes on one plate. Above a landscape with a sailing ship and a figure on a riverbank. Below is a house on a road by the water. Furthermore, some figures can be seen, two of whom on a boat. paper. etching river. river bank. landscapes. housing. ferry Rhenen

Billows, 1763 - 1793 print In a landscape against a ruin a hunting trophy with shot game, guns, spears and hunting horns. paper hunting trophies

Landscape with road leading towards distance. unknown c. 1675-1700 Tapestry Dimensions: H 7'11" x W 13'2" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Dikran G. Kelekian 12/14/1917; sold to Edward A. Westfall 1/31/1949.

Family in the garden of Hotel Bellevue, Buitenzorg, Willem Witsen, c. 1921 print paper etching family group, especially parents with their child(ren). garden Outdoor care

Biske, Karol (1863-1928), First snow; excerpt from a magazine. Biske, Karol (1863-1928), draughtsman, cartoonist, unknown, publisher, Krajewski, Jan (fl.1874-1887), woodcutter

Bos landscape in Rond Kader, Adriaan Jacob Willem van Dielen, 1782 - 1812 print Netherlands paper etching forest, wood

September/Libra. Orley, Bernart van (Netherlandish (before 1600) - Flanders, ca.1492-1542) (designed after) draughtsman Tons, Jan (the elder) (Netherlandish (before 1600) - Flanders, act.1529/30) (designed after, landscape) painter c. 1650-1670 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Marquis Talhouet-Roy coll. (19th c.). Stag is trapped in river while being pursued by hounds (center, middle ground); huntsman with hound & riders watch from shore (BRD) garland of flowers & fruit with birds & rabbits; (UPR BRD, center) trophy with quiver, arrows & musical instruments This panel is based loosely on "The Hunts of Maximilian" at the Louvre, in particular a detail from the panel "September" (GCPA: 0239652, 0239654). Balis, Chasses de Maximilien (1993), fig. 20 Related Works: Panels in set (A), GCPA 0239674-0239676; other panels in series (Louvre set), GCPA 0239626-0239673

Etching by Matthäus Merian the Elder showing hunting scenes with hunters, dogs, and wildlife in forest landscapes, created between 1608 and 1650.

Landscape with grotesque vase. Landscape with grotesque vase. Part of group of prints from one of the four series of vases, ruins, tombs and fountains with a total of around 25 sheets.

Rome, Piranesi, Giovanni Battista, Le Antichità Romane, Archaeological finds in and around Rome, Veduta dell'antica Via Appia, che passa sotto le mur, Paving of the Via Appia Antica, verso - stamped, The paving of the Via Appia Antica. Numbered top right: III, VII. Title and explanatory list with letters in the bottom margin., print, prent, prints, prenten, height 351 mm, width 241 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1756 - 1757, paper, papier, etching, etchings, Work conception, after own design by

Gertrude of Wyoming - the Valley, Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1837, Line engraving, engraver's proof

Landscape with hidden silhouettes of Marie Antoinette and the Dauphin 1794-1815 Anonymous. Landscape with hidden silhouettes of Marie Antoinette and the Dauphin. Anonymous , French, late 18th century. 1794-1815. Pen and ink and gray wash. Drawings

Oust - Ourt. Zaleski, Bronisław (1820-1880), graphic artist, Beillet (Paryż ; wydawnictwo ; ca 1850-ca 1875), publishing house

Mill Near Brighton 1829 David Lucas British View of a mill in a stormy landscape. In the bottom left foreground, a woman approaches the mill.In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. Mill Near Brighton. David Lucas (British, Northamptonshire 1802-1881 London). 1829. Mezzotint; proof before published state. Prints

November, Eugen Kirchner, 1896 print paper etching street. dog

An 18th-century aquatint and etching by Claude-Joseph Vernet showing a coastal landscape with clothing depicted in the scene.

This etching by Heinrich Nauen depicts a barge on water, capturing detailed textures and reflections. The work emphasizes composition and line technique, characteristic of Nauen's style.

Design for a ceiling painting with a balustrade with putti and birds, Dionys van Nijmegen, 1715 - 1798 drawing paper. ink. pencil brush / pen (decorated) ceiling

The Breakdown, from Old English Masters. Timothy Cole (American, born England, 1852-1931); after John Sell Cotman (English, 1782-1842). Date: 1899. Dimensions: 435 x 345 mm (sheet). Wood engraving on chine paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

On the Rails, plate eight from On Death, Part I 1889 Germany. Etching and aquatint on cream wove paper . Max Klinger

Grave monument for a deceased woman. Tomb monument for a deceased woman (J.Rikkengha). A man, with a medallion with a silhouette portrait of a woman, is in front of a burial monument and is surrounded by five children. He points up.

Print, A Female Figure pointing, Two Male Figures and a Child in a Landscape of Flowers and Ruins; Designed by Alexis Peyrotte (French, 1699-1769); Engraved by Gabriel Huquier (French, 1695-1772); France; etching on paper

Gate of Theseus, Athens, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1832, Etching and engraving, third state on medium, slightly textured, beige, wove paper, with cream, chine colle, Sheet: 11 3/4 × 8 5/8 inches (29.8 × 21.9 cm), Plate: 9 1/8 × 6 15/16 inches (23.2 × 17.6 cm), Chine collé: 8 13/16 × 6 9/16 inches (22.4 × 16.7 cm), and Image: 4 1/4 × 3 1/4 inches (10.8 × 8.3 cm)

Croque-Mitaine (hobgoblin), 1892 Edition, with Illustrations by Paul Gustave Doré (1832 - 1883); French artist, engraver and illustrator. The bogeyman (croque mitaine) was a maleficent character presented to children to scare them and thus make them wiser.

James Baylis Allen, 1803-1876, British, Caudebec, 1833. Line engraving, Engraver's proof.

Imprudence./scene 2e. (Title registered (letter)) | Wisdom and imprudence. (Title of all)

Woman kneeling for a burial monument, anonymous, 1700 - 1800 drawing paper. chalk brush mourning the dead. grave-building, monumental tomb

Moulin a Alby. Adolphe Braun (French, 1812 - 1877)

Le retour à la chaumière , Laborers, Lifting & carrying, Alphonse Legros (1837-1911)

Shepherd Resting in a Clearing Made 1849 France. While most etchings are created in the intaglio process whereby the etched lines hold ink, in this print by Harpignies, the work is printed like a woodcut, a relief process. Here the surface of the plate was covered with black ink and printed as a relief so that the etched lines, which do not hold ink, appear white. This was an unusual process to be used in the nineteenth century and was likely done by the artist as a technical experiment.. Etching printed in relief on ivory wove paper . Henri Joseph Harpignies

Vestiggi d' antichi edifici. Remains of ancient buildings.. Piranesi, Giovanni Battista, 1720-1778. Charrington, John, 1856-1939. Prints. 1750 - 1751. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Architecture, Architecture , Italy , Rome, Capricci, Palms, Columns, Ruins

Jacque, Charles Emile, Goupil & Cie, Lecadre, Retour de la bergerie, Reproduction of Retour de la bergerie by Charles Emile Jacque, recto - printed, photomechanical print, reproduction, page, photos, photographically illustrated books, CH. Jaque, Galerie Contemporaine. 126, boul. Magenta. - Paris., height 248 mm, width 191 mm, photographer, 1871 - 1876, paper, Woodbury type, French, cliché maker, Work conception, 1813 - 1894-05-07

Fryderyk Chopin on Kwiatkowski, Teofil (1809-1891); 1849 (1849-00-00-1849-00-00);Chopin, Fryderyk (1810-1849) - iconography, Potoccy, Krzeszowice - collection, men's portraits, portraits on the deathbed

Illustration for an Edition of Manfred Hablot Knight (Phiz) Browne (English, 1815-1882). , 19th century. Watercolor on paper, Image (center): 4 1/2 x 4 5/16 in. (11.5 x 11 cm). European Art 19th century

Daniel Lysons, 1762-1834, British, Piece of a Tombstone from Barking Chruch, Essex, 1809. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Bliżej Kultury unknown

Slur. Castle, ruin ... "; Zdanowscy, Edmund and Boles"; 1930s (1930-00-00-1939-00-00); was downloaded from the Muse of the National Museum in Warsaw; photographic / photographic print / bromide print; products from W Dziekien / paper / photo paper / bromine paper, products from W LOKEN / PAPER / CARTON / CARDONE / CARTON / CARDONE / BLACK; Photographic Print: height 8.7 cm, width 13.9 cm, card, card in the album: height 16.7 cm, width 24.7 cm; di 67111/29 MNW; all rights reserved.

Drawing by Ferdinand Boberg. Dalarna, Leksands sn., Leksands K: a, stack Nordic

Biography. Saul Steinberg; American, born Romania, 1914-1999. Date: 1965. Dimensions: 562 x 382 mm. Pen and black ink, with watercolor, over graphite with erasing, ruled in black pencil (recto) and pen and black ink (verso) on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Henry Le Keux, 1787-1868, British, St. Herberts Chapel, 1834. Open etching.

Hospice of the Great St. Bernard (vignette), Print made by W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1830, Etching; open etching; engraver's proof on medium, slightly textured, cream wove paper with chine-collé, Sheet: 17 × 12 inches (43.2 × 30.5 cm), Plate: 10 1/8 × 5 3/4 inches (25.7 × 14.6 cm), Chine collé: 9 7/8 × 5 1/2 inches (25.1 × 14 cm), and Image: 2 1/2 × 3 inches (6.4 × 7.6 cm)

Veste Klumm in Innthale in Tyrol (Table XXX) in: Meyra universum, i.e. describing the most convenient visions and comments of objects of nature and art all over the earth , vol 1834 unknown, Martini, Johann Georg (1785 1842)

Farmer's wife, Chris van der Windt, 1887 - 1952 print paper etching farmers - AA - female farmer, farmer's wife. barn

Charles Germain de Saint-Aubin, French (1721-1786), Le Damier, in or after 1756, etching

Traitor's Gate, Edward Alfred Goodall, 1819-1908, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof (touched)

Head of an Apostle Surrounded by a Tongue of Fire and a Nimbus: Fragment of a Cartoon for a Descent of the Holy Spirit 1500-50 School of Raphael (Raffaello Sanzio or Santi) Italian. Head of an Apostle Surrounded by a Tongue of Fire and a Nimbus: Fragment of a Cartoon for a Descent of the Holy Spirit 340612

Nutmeg van de Banda Islands, 1599, 1619 print Nutmeg of the Banda Islands, 1599. Peeled loose nuts and in the skin. Copy to the original woodcut in the travel report from the second shipping to the East Indies under Jacob Cornelisz. van Nes and Wijbrant van Warwyck in 1598-1600. No. 20. Northern Netherlands paper engraving exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions. seasonings, spices (with NAME) Banda Islands

Storfors mills chronology.storforsverken.ur Carl Sahlin's mountain history collection.

Anacapa Island. James McNeill Whistler; American, 1834-1903. Date: 1854. Dimensions: 272 x 290 mm (plate); 314 x 336 mm (sheet). Etching in black ink on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Line of Beauty. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 12 3/16 × 9 1/16 in. (31 × 23 cm)Plate: 9 13/16 × 6 15/16 in. (25 × 17.6 cm). Date: 1920.Monterey, California. Museum: Metropolitan Museum of Art, New York, USA.

Man and Woman spied by death, Wijnand Otto Jan Nieuwenkamp, 1911 print A man and a woman hug each other while sitting by a hayper. In addition to the hay self, a pollard willow with death that looks down on the man and wife. paper (lovers) embracing each other, 'symplegma'. hay-stack. trees: willow. Death as skeleton

Views from Kandersteg; Entrance to the Gasternthal, Kanderthal from the Hotel Gemmi (from "Splendid Mountain Watercolours" Sketchbook). Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 10 7/8 x 16 in. (27.6 x 40.6 cm). Date: June 30, 1870. Museum: Metropolitan Museum of Art, New York, USA.

PO Oga, board 11. From "graphic portfolio Warsaw 1915"; Zaboklicki, Wac AW (1879-1959), Cotty, Jan (Warsaw; printing and lithographic infection; 1863-1939); 1915 (1915-00-00-1915-00-00);World War I (1914-1918), Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance)

Ceiling Design early 18th century Jacob de Wit Dutch. Ceiling Design. Jacob de Wit (Dutch, Amsterdam 1695-1754 Amsterdam). early 18th century. Pen and brown ink, brush and brown wash, over traces of red chalk. Quadruple framing line in pen and black ink.. Drawings

Bliżej Kultury Wyczółkowski, Leon (1852 1936)

Mourning sampler, Medium: silk Technique: embroidered and painted, Rectangular embroidered picture showing a tomb or memorial inscribed 'RMG' under the shade of a willow. Embroidered in multi-colored silk on cream silk satin. Heavy chenille yarn is used for the grass. From the Balch School in Providence()., Providence, Rhode Island, USA, ca. 1800, embroidery & stitching, Mourning sampler

THE TOILET IN THE DESERT, BY GUSTAVE DOR. Gustave Dore, 1832 - 1883, French. Engraving for Atala by Chateaubriand. 1870, Art, Artist, romanticism, colour, color engraving

A 1514-1516 woodcut by Leonhard Beck depicting the king arriving in the old white king's realm after the fire trip, showing interaction between the rulers.

Matterhorn, Zermatt (from "Splendid Mountain Watercolours" Sketchbook). Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 16 x 10 7/8 in. (40.6 x 27.6 cm). Date: 1870. Museum: Metropolitan Museum of Art, New York, USA.

Artist: Julius Friedrich Tempeltey, German, 1802-1870, Kahwah -Patua, Color lithograph, Stone: 23.6 × 37.8 cm (9 5/16 × 147/8in.), Made in Germany, German, 19thcentury, Works on Paper -Prints

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