Figurative Etchings and Lithographs

This collection features expressive figurative works showcasing human forms in dynamic poses, utilizing a muted color palette and various printmaking techniques.

La messagere du diable (The devil's messenger), 1880, Paris, by Félicien Rops.

. Two naked children, each with a bird on a string.

Venus. Whistler, James McNeill (1834-1903). 1859. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Lazio Viterbo Vitorchiano Madonna di S. Nicola2. Hutzel, Max 1960-1990 Three exterior views of 16th c. church; comprehensive coverage of church interior, including altars, nave and numerous frescoes of the viterbese school. General Notes: Two sets of prints integrated into single numerical sequence that comprises all views of Vitorchiano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (n.1855-08-02-D.1922-01-18), Le Temps (main title), 1907. Gypsography, black and brown draw. Petit Palais, Museum of Fine Arts of the City of Paris.

Dying Woman (La Mourante). Dated: 1885. Dimensions: plate: 17.9 x 24 cm (7 1/16 x 9 7/16 in.) sheet: 30.6 x 38.1 cm (12 1/16 x 15 in.). Medium: etching and roulette in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.

Attributed to El Greco, Pietà, c 1570 Pietà

Lovis Corinth, Entombment, 1921 1922 Entombment

Three guest workers, Rein Dool, 1975 print Three smoking men with mustaches in a room. paper

A woman with a sickle and a horn of plenty surrounded by putti, one with a rake and a shovel, Allegory of Summer, draughtsman: Louis Gabriel Blanchet, 1715 - 1772, paper, h 340 mm × w 489 mm

Photo production of (presumably) a print to a fresco by Michelangelo on the ceiling of the Sixtine Chapel, c. 1880 - c. 1900 photograph Part of French artists' album. paper. photographic support. lacquer (coating) carbon print painting (including book-illumination, miniature-painting) (+ plaster ~ arts) Sixtine Chapel (Vatican)

Rest - Narrow Cove , Swimmers, Bays Bodies of water, Sitting. Charles H. Woodbury (1864-1940). Prints

Angel Comforting a Hermit Saint Made 1660-1669 Italy. Pen and iron-gall ink, with brush and iron-gall ink wash, over black chalk, on cream laid paper . Giovanni Battista Pace

Etching by Suzanne Valadon from 1895 depicting a girl on a bed, showing figure, posture, and domestic interior with brown ink detailing.

Enckell, Magnus, work, Lying nude model, 1908, 1908, lithography, graphics, plate width 37.2 cm, plate height 26.3 cm, leaf width 48 cm, leaf height 37.8 cm, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

To Graaf Vermelte, Francisco de Goya, 1797 - 1799 print De Graaf Vale, a quack, puts his hand in the mouth of a man. Two other men hang over and surrender. Thirty -first print from the Los Caprichos series. Spain paper etching / drypoint quack, charlatan, mountebank, 'saltimbanco'

Kneeling female nude, Jacob Merkelbach, 1913 - 1942 photograph Amsterdam photographic support gelatin silver print the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure Amsterdam

Mother and Child. Georges Rouault; French, 1871-1958. Date: 1923. Dimensions: 560 × 392 mm (image); 602 × 435 mm (plate); 650 × 501 mm (sheet). Heliogravure and aquatint on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Brothel Scene (Dans le Salon d'une Maison Close). Date/Period: 1874/1884. Monotype. Width: 6.375 in. Height: 8.4 in. Author: EDGAR DEGAS.

Icarus gets his wings from Daedalus, Jurriaan Andriessen, After Anonymous, 1800 drawing paper. graphite (mineral). ink pen / brush piece of sculpture, reproduction of a piece of sculpture. Daedalus fixes the wings on Icarus and on himself, and teaches his son how to fly

Sea pool , Nudes, Swimmers, Sunbathing, Seas. Charles H. Woodbury (1864-1940). Prints

Alexander Runciman, 1736-1785, British, Ariadne, undated. Etching.

Splash girl , Swimmers, Swimming. Charles H. Woodbury (1864-1940). Prints

Splash girl , Swimmers, Swimming. Charles H. Woodbury (1864-1940). Prints

By the Caliban. Dated: 1919-1920. Dimensions: plate: 14.92 × 22.54 cm (5 7/8 × 8 7/8 in.). Medium: softground etching with aquatint in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Arthur B. Davies.

Love in the East 1787 Thomas Rowlandson. Love in the East. Imitations of Modern Drawings. 1787. Etching. Prints

Francisco de Goya y Lucientes / 'Big Booby'. 1815 - 1819. Etching, Aquatint, Burnisher, Drypoint on wove paper. Museum: Museo del Prado, Madrid, España.

Theseus and Ariadne, 1914. Lovis Corinth (German, 1858-1925). Drypoint;

Jean Louis Forain, The Model's Rest (first plate), 1909 The Model's Rest (first plate)

Banknote Studies recto. Dated: 1840. Dimensions: sheet: 20.4 × 26.8 cm (8 1/16 × 10 9/16 in.). Medium: graphite with touches of pen and brown ink on tan wove paper. Museum: National Gallery of Art, Washington DC. Author: John William Casilear.

Neckelmann Skjold (1854-1903), female allegory (without date): View. Ink, pencil on cardboard, 19.8 x 20.4 cm (including scan edges) Neckelmann Skjold (1854-1903): Weibliche Allegorie

The old rascal , Nudes, Kissing. George Bellows (1882-1925). Prints and Drawings

The Revenge. Pruszyński, Aureliusz (Kraków ; zakład artystyczny ; 1873-post 1930), lithography atelier, Mehoffer, Józef (1869-1946), graphic artist

Woman Drying Her Arm late 1880s-early 1890s Edgar Degas French This pastel is one of eighteen variants on the composition that Degas made in the late 1880s and early 1890s, a testament to his fascination with replicating and multiplying images. He also repeated forms within the scene: the models bent left leg closely echoes the shape and line of her extended arms.. Woman Drying Her Arm 436171

Bas-relief of the fountain of the innocents carved by Jean Goujon

Classical Nudes (recto); Classical Statuary (verso); Théodore Géricault (French, 1791 - 1824); France; about 1814 - 1815; Graphite, pen and brown ink, and brown wash; 21.3 × 28.4 cm (8 3,8 × 11 3,16 in.)

Sketch sheet with female nude in the waves, which a bird lets go, in the foreground a basket of flowers. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 165 mm × w 241 mm. Museum: Rijksmuseum, Amsterdam.

The bead necklace prints, lithographs, works on paper

Pyramus and Thisbe Delobbe, François Alfred (French painter, 1835-1915). still image. Art reproductions. 1878. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Distress, Legends, Suicides, Male nude in art, Pyramus and Thisbe, Nudes

Sleeping Shepherdess (Schlafende Hirtin). Dated: 1912. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: FRANZ MARC.

Ogieie, Character study; Wyspiały, Stanis Aw (1869-1907); 1897 (1897-00-00-1897-00-00);Bondy-Glassowa, Alina (1865-1935), Glass, Jakub (1865-1942), Glassowie Alina and Jakub- collection, gift (provenance), projects, polychrome projects, symbolic scenes, stained glass windows, life (Kraków- magazine- 1897- 1900)

A man removes an arrow from a woman's chest (Cephalus and Procris). Draughtsman: anonymous. Dating: 1600 - 1699. Place: Naples. Measurements: h 97 mm × w 110 mm. Museum: Rijksmuseum, Amsterdam.

Camille Pissarro, Baigneuses luttant (Bathers Wrestling), c 1896 Baigneuses luttant (Bathers Wrestling)

Reducing, large, second stone , Sleeping, Physical fitness. George Bellows (1882-1925). Prints and Drawings

Application of Adam and Eve in Paradise; Fall; Lapsvs HVMANI generis. Naked Eva offers naked Adam an apple that she has picked from the tree of knowledge of good and evil, which is behind her. Right winds the stroke around the trunk of a tree. On the left are two rabbits on the ground between the trees.

Gladiatore moribondo Campidoglio (Roma). Edmondo Behles (Italian, born Germany, 1841 - 1921)

Venus, Cupid and Satyr 1527-85 After Luca Cambiaso Italian. Venus, Cupid and Satyr. After Luca Cambiaso (Italian, Moneglia 1527-1585 Madrid). 1527-85. Brush and ink. Drawings

Hercules in landscape. .

Prophecy (Weissagung). Dated: 1914. Dimensions: plate: 19.7 x 24.6 cm (7 3/4 x 9 11/16 in.) sheet: 29 x 39.7 cm (11 7/16 x 15 5/8 in.). Medium: drypoint in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

Le puits et le pendule (1st plate) , Punishment & torture, Poe, Edgar Allan, 1809-1849. Pit and the pendulum, Alphonse Legros (1837-1911)

Copper engraving by Ludwig Krug from the first third of the 16th century showing two nude women with a skull and hourglass, symbolizing mortality and the passage of time.

Woman (The Sphinx). Edvard Munch (Norwegian, 1863-1944); printed by Petersen and Waitz. Date: 1899. Dimensions: 461 x 593 mm (image); 494 x 645 mm (sheet). Lithograph on paper. Origin: Norway. Museum: The Chicago Art Institute, USA.

Barbari, Jacopo de', Italy, Mary with child at her breast sits at foot of tree, verso lower left - stamped, print, prints, height 174 mm, width 238 mm, 1440 - 1516, print maker, printmaker, 1498 - 1503, fourth quarter 15th century, first quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Master of the Housebook (German, active c. 1465-1500), Two Peasants Fighting, c. 1475-1480, drypoint

Study of a lying boy with a wide cloak, draughtsman: Monogrammist NVE, 1600 - 1699, paper, h 128 mm × w 190 mm

Drawing, Memorial to Sister Maria Raggi in S. Maria sopra Minerva; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); After Giovanni Lorenzo Bernini (1598 - 1680); France; red chalk on paper

After the Bath II (Après le Bain II) Edgar Degas (French, 1834-1917). After the Bath II (Après le Bain II), 1891-1892. Lithograph with black oil-based printing ink, Sheet: 11 7/8 × 8 3/4 in. (30.2 × 22.2 cm). European Art 1891-1892

Pencil, feather, black ink, and bister drawing by Jakob Gauermann depicting Rinaldo and Armida after Poussin, showing figures, composition, and landscape, created in 1798.

Achill an der Leiche des Patroklos, pl.4, Gesang XVIII, Vers 315,; Slevogt, Max (1868-1932), Langen, Albert (1869-1909), Albert Langen-Verlag (Munich; Publisher; 1894-1932); 1907 (1907-00-00-1907-00-00);Achilles (Mitol.), Homer (fl. Ca 850 A.C.). Iliad, Königliche Preußische Academies Der Künste und Mechanischen Wissenschaften (Berlin - 1696-1949). Bibliothek - collection, Partage Plus, Patroklos (Mitol.), Voss, Johann Heinrich (1751-1826), literature, modernism (style), mourning the dead, despair, funeral piles, Trojan war, death

Group Portrait, Eden Bar. Max Beckmann (German, 1884-1950); printed by Fritz Voigt (German); published by I. B. Neumann (German). Date: 1923. Dimensions: 485 x 492 mm. Woodcut on green laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Conte Antonio Maria Zanetti I, Two Children Petting a Lamb, 1725 Two Children Petting a Lamb

Two men; Images in smooth brush strokes; UMPITSU SOGA. Two men sitting at a bunch of bamboo branches together. Two pages from the Japanese book UMPITSU SOGA; On the right page The page number eight.

Drawing, Paris, Zeus visiting Callisto; Italy; pen and ink, brush and wash on paper

Naked woman lying on bed, Simon Moulijn, 1920 print Japanese paper (handmade paper) woman (showing herself) undressed, quasi-nude. lying on one side, stretched out - AA - female human figure. bed

Emile Bernard (1868-1941). Continuation of original etchings, in 1st state on Japan, for "the end of Satan. First state of etchings. N ° 31." The pagan stirred these awful dormant blocks ". Etch and aquatinte. 1935. Paris , House of Victor Hugo. 101109-11 Annies thirty 1930 30, aquatinte, bat, drawing, etching, man, illustration, litter work

Study of Leda by Leonardo da Vinci. Leonardo di ser Piero da Vinci (1452-1519) an Italian polymath of the Renaissance.

Giulio Romano, A Sleeping Child, Philip Henry Delamotte, 1855 - 1858 Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 48. paper. photographic support. cardboard albumen print Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 48. paper. photographic support. cardboard albumen print

The Lacedemonian Ambassadors, for "The Lysistrata of Aristophanes" ca. 1926 Aubrey Vincent Beardsley British This print reproduces one of eight drawing Beardsley made to illustrate the Greek erotic comic play "Lysistrata" for a privately printed edition issued by Leonard Smithers in 1896, reprinted here around 1926 either in London or Paris.. The Lacedemonian Ambassadors, for "The Lysistrata of Aristophanes". Aubrey Vincent Beardsley (British, Brighton, Sussex 1872-1898 Menton). ca. 1926. Collotype. Prints

Drawing, Ulysses and Penelope Embracing Each other; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink over traces of graphite and black chalk on cream laid paper; 20.2 x 16.4 cm (7 15/16 x 6 7/16 in.)

Henri Fantin-Latour, The Spring in the Woods, 1898, lithograph on chine collé.

Jean Louis Forain, After Douai, probably 1918 After Douai

Nude Woman by a Looking Glass (Femme Nue Auprès d'une Glace). Dated: 1889. Dimensions: plate: 10.7 x 13.3 cm (4 3/16 x 5 1/4 in.) sheet: 12.5 x 17.3 cm (4 15/16 x 6 13/16 in.). Medium: etching on green laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.

Edouard Vuillard (French, 1868 - 1940), Madame V. Sleeping, c. 1892, brush and black ink

Rebekka laver Eliezer (). Draughtsman: Jac van Looij. Dating: 1865 - 1930. Measurements: h 215 mm × w 159 mm. Museum: Rijksmuseum, Amsterdam.

Sculptures of three women, from the east facade of the Parthenon in Athens, 1896 photograph European Publisher: Munich cardboard. paper. printing ink collotype piece of sculpture, reproduction of a piece of sculpture Parthenon

Drawing - The Druid Robert Harris (1849 - 1919)

Painting allegory; Verso: Clock project with Chronos; Andrieux, Clément-Auguste (1829-1881); 2. PO. 19th century (1865-00-00-1875-00-00);Andrieux, Auguste Clément (1829-1880) - legacy, Chronos (Mitol.

Mariano José Maria Bernardo Fortuny y Carbó, Male Nude, 1874-1900, etching on laid paper.

Mapping resting in her bed.Martha Groundwood-Heshusius, The Wife of Willem Adrian Groundwood, Lying in Bed.

Old man; 15 small figures. A standing man with sized clothing.

Venus in Love, Lucas Cranach (I), 1506 print Naked Venus in the company of Amor who holds arrow and arch. In the tree on the right there are three shields, two with the Electoral and Ducal Wapen van Saxony and a third with the CRANACH HEATHER. Germany paper Venus and Cupid (Cupid not being mere attribute)

Hans Baldung's 1505 colored woodcut depicts a coronation scene, emphasizing figures, gesture, and ceremonial composition.

William Blake, Dream of Thiralatha (from America, cancelled plate d), c 1794 1796 Dream of Thiralatha from America, cancelled plate d

Three lying men. Draughtsman: Peter Paul Rubens. Draughtsman: Giulio Romano. Dating: 1510 - 1546. Measurements: h 170 mm × w 370 mm. Museum: Rijksmuseum, Amsterdam.

Portrait of A. Grandmont, reading with a lamp ..

An anti-Turkish metamorphic card made out of naked women in the shape of Sultan Abdul Hamid II (1842 - 1918). The Sultan oversaw a period of decline in the power and extent of the Empire, ruling from 31 August 1876 until he was deposed on 27 April 1909. Abdul Hamid II was the last Ottoman Sultan to rule with absolute power. circa 1909

Three Bathers; Drei Badende. Hermann Max Pechstein (1881-1955). Watercolour, black ink and pencil on Japan paper. Executed in 1917. 33.5 x 47.5cm

Exposition de Sculpture 1849 (Exhibition of Sculpture 1849), from the series Croquis du Jour published in LeCharivari. Artist: Charles Vernier, French, 1831-1887Printer and publisher: Aubert et Cie, Paris, founded 1829

Battle of theNudes. Engraver: Unknown After: Antonio del Pollaiuolo, Italian, Florence, ca.1432-1498

Discharged from Military Service. Dated: c. 1914/1919. Dimensions: overall: 31.9 x 47.8 cm (12 9/16 x 18 13/16 in.). Medium: brush and black ink and black crayon on laid paper. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Depicts 'Die Not' by Fritz Hegenbart around 1890 using etching and aquatint, showing figures in a scene of distress or hardship.

Erotic representation, c. 1680 - c. 1698 print A man sex with three women. group-sex

Small lying female naked (lying nude figure). Lying feminine nude, slightly lifted and supportive on hand and forearm.

'Danseuses', c1900. Artist: Henri Fantin-Latour.

This late 15th-early 16th-century copper engraving by Girolamo Mocetto depicts a decorative frieze with tritons and nymphs, emphasizing mythological figures, composition, and ornamentation.

Park Bench At Night. pastel on paperboard. Date: 1909. Museum: HIRSHHORN MUSEUM AND SCULPTURE GARDEN.

Jealousy , from, The Leaves , Karl Wiener -, artist

The red limb'd Angel siez'd in horror and torment. From Europe a Prophecy, first published in 1794. By English poet and artist William Blake, 1757 - 1827.

Nude Couple Embracing 1780-1827 Thomas Rowlandson British. Nude Couple Embracing. Thomas Rowlandson (British, London 1757-1827 London). 1780-1827. Watercolor. Drawings

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