Figurative Sketches and Etchings

A series of expressive figurative sketches and etchings, depicting various subjects including farmers, women, and dramatic figures in diverse styles and techniques.

Dernier thème de R. Schumann , Composers, Angels, Fictitious characters, Schumann, Robert, 1810-1856. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Une femme revêtue du Soleil (A woman clothed with the sun). Dated: 1899. Dimensions: overall: 28.9 x 23 cm (11 3/8 x 9 1/16 in.). Medium: lithograph in black on chine coll. Museum: National Gallery of Art, Washington DC. Author: Odilon Redon.

Théophile-Victor Desclaux (Engraver) (Author of the original work: Zurbarán, Francisco de) / 'Saint Francis in Meditation'. 1839. Etching, Manière noire, Printing on japon on wove paper. Museum: Museo del Prado, Madrid, España.

Le Tocsin. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1895. Dimensions: 571 × 453 mm (image); 636 × 498 mm (sheet). Color lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Glass cliché on chinapapier by Jean-Baptiste Camille Corot depicting Magdalena kneeling, created in 1858.

Jean Louis Forain, The Good Samaritan, 1909 The Good Samaritan

The third oriental head; Heads of Oosterlingen, 3 (4).

Odilon Redon, L'Art Celeste (The Celestial Art), 1894 L'Art Celeste (The Celestial Art)

Paar im Grase-Umarmung in einer Landschaft (A Couple on the Grass-An Embrace in a Landscape) 1879 Max Klinger Max Klinger was a painter, printer, sculptor and writer, but he was best known as a graphic artist. This early work is drawn in a looser, more fully elaborated style than his later work, in feathery strokes that tie the couple to the grass on which they recline. The erotic subject matter, however, is characteristic of Klinger's work throughout his career.. Paar im Grase-Umarmung in einer Landschaft (A Couple on the Grass-An Embrace in a Landscape). Max Klinger (German, Leipzig 1857-1920 Großjena). 1879. Pen and brown ink and pale brown wash. Drawings

The Chatelaine or the Tocsin, 1895. Henri de Toulouse-Lautrec (French, 1864-1901), printed by Cassan Fils, Toulouse. Color lithograph; sheet: 56.7 x 45.3 cm (22 5/16 x 17 13/16 in.).

The Two Small Horsemen. Odilon Redon; French, 1840-1916. Date: 1865. Dimensions: 99 × 80 mm (image); 121 × 102 mm (plate); 315 × 219 mm (sheet). Etching on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Roma Rome SS. Giovanni e Paolo6. Hutzel, Max 1960-1990 Views of basement level christian tomb (confessio) with frescoes and of oratory with altar. Views of apse frescoes in current, ground level basilica, paintings from cappella di S. Paolo alla Croce, and collection of papal portraits from the octagonal vestibule preceding sacristy. Views of sculpture in cloister garden. Antiquities: Views of basement level remains of roman palazzo with second and third century frescoes decorating former triclinium, tablinium, ninfeo, and oratorium. Sarcophagus and fragments in cloister garden. Object Notes: Church museum has separate file and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Me

A pencil and chalk drawing by Cecil van Haanen depicting the biblical story of Cain and Abel, focusing on the figures, gestures, and narrative composition.

Albert Besnard, A Martyr, 1883 A Martyr

Baigneuse debout (3e planche) , Bathing, Nudes. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Design for illustration in De Amsterdammer: Doux pays (...). Draughtsman: Johan Braakensiek. Dating: 1911. Measurements: h 510 mm × w 380 mm. Museum: Rijksmuseum, Amsterdam.

Girl with a cigarette II , Cigarettes, Smoking

La source dans les bois , Nudes, Leisure. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Poppy in a Vase 1890-1895 England. Soft ground etching, aquatint, and drypoint in black on ivory wove paper . Theodore Roussel

The log jam , Lumber industry, Logs, Loggers. Frank W. Benson (1862-1951). Prints and Drawings

Peasant woman gathering sticks 1884-1908 Giovanni Fattori. Peasant woman gathering sticks. Giovanni Fattori (Italian, Livorno 1825-1908 Florence). 1884-1908. Etching. Prints

Holmqvist, Anders Gunnar, work, Bad conscience, 1931, aquatint and drypoint, graphics, plate width 7.2 cm, plate height 9.6 cm, leaf width 16.2 cm, leaf height 21.6 cm, image width 6.7 cm, image height 9.4 cm

On Stage III. Edgar Degas; French, 1834-1917. Date: 1876-1877. Dimensions: 99 × 127 mm (image/plate); 109 × 131 mm (sheet). Soft ground etching, drypoint and roulette on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Edgar Degas, Leaving the Bath (La sortie du bain), French, 1834-1917, c. 1879-1880, electric crayon, etching, drypoint, and aquatint

Le Droit au repos. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

Edgar Degas, Leaving the Bath, 1879 1880 Leaving the Bath

Windmill..

Little Red Riding Hood, Lucien Pissarro, 1895 - 1899 print Scene from the story of Little Red Riding Hood: Little Red Riding Hood and the Wolf in the forest. print maker: Englandprinter: Hammersmith paper tales and fairy tales: Little Red Riding-hood

Holy Cow 1887-1908 Italy. Etching on cream wove paper . Giovanni Fattori

Odilon Redon (French, 1840 - 1916), Et celui qui était monté dessus se nommait la Mort (And his name that sat on him was Death), 1899, lithograph in black on chine collé

Liberty. Henri Fantin-Latour; French, 1836-1904. Date: 1890. Dimensions: 222 × 153 mm (image); 282 × 216 mm (sheet). Lithograph in black on gray laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Portrait of comedian Caudieux Dancing in Petit Casino, Henri de Toulouse-Lautrec, 1893 print paper portrait of cabaret-artiste

Edouard Vuillard (French, 1868-1940), Folding the Linen (Le pliage du linge), 1893, lithograph

Caudieux at the Petit Casino (from Le Café Concert) 1893 Henri de Toulouse-Lautrec French. Caudieux at the Petit Casino (from Le Café Concert) 333861

Man Pouring Himself a Drink, print maker: Gerrit Konsé, (mentioned on object), Jan Havicksz. Steen, (mentioned on object), Amsterdam, 1761 - 1826, paper, engraving, h 75 mm × w 67 mm

Sara the Bather. Henri Fantin-Latour; French, 1836-1904. Date: 1883-1893. Dimensions: 234 × 150 mm (image); 315 × 215 mm (sheet). Lithograph in black on white China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Te faruru (Here We Make Love), from the Noa Noa Suite 1894 France. Wood-block print, printed twice in brown and black inks, with selective wiping, and a transferred twill impression, touches of brush and red and green watercolors, and traces of brush and black ink, on pale-pink wove paper (faded to tan) . Paul Gauguin

Original drawing titled 'The Ghosts Walk' by Hablot Knight Browne (1815-1882) for Charles Dickens' Bleak House. Created approximately between 1835 and 1882. The piece features illustrations in watercolor and is one item in extent

Below, I saw the vaporous contours of a human form. Artist: Odilon Redon (French, Bordeaux 1840-1916 Paris). Dimensions: sheet: 17 9/16 x 12 3/8 in. (44.6 x 31.4 cm)image: 9 15/16 x 7 1/16 in. (25.3 x 18 cm). Date: 1896. Museum: Metropolitan Museum of Art, New York, USA.

An Irish Girl orAnnie. Artist: Anders Zorn, Swedish, 1860-1920

Through an Opening in the Wall, a Skull Appeared, plate 1 from Edmond Picard's Le Jure. Odilon Redon; French, 1840-1916. Date: 1887. Dimensions: 239 × 185 mm (image); 390 × 264 mm (sheet). Lithograph in black on cream Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Paul Gauguin, Te Po (The Long Night), 1894 1895 Te Po (The Long Night)

Anders Zorn, Dagmar, 1912 Dagmar

Dead and Bats, plate twelve from Oda a Lorca. Antonio Frasconi (Uruguayan, born Argentina, 1919-2013); printed by Bohuslav Horák; published by Tamarind Lithography Workshop (American, founded 1960). Date: 1962. Dimensions: 572 x 768 mm (sight). Lithograph on white nacre Japanese paper. Origin: Uruguay. Museum: The Chicago Art Institute, Chicago, USA.

Bather Standing Among Grasses at the Shore. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: sheet: 6 5/8 x 8 1/4 in. (16.8 x 20.9 cm)plate: 4 15/16 x 6 7/8 in. (12.6 x 17.4 cm). Date: ca. 1894. Museum: Metropolitan Museum of Art, New York, USA.

Elegy; Kotarbi Ski, Mieczys AW (1890-1943), Cotty, Jan (Warsaw; printing and lithographic insole; 1863-1939); 1922 (1922-00-00-1922-00-00);

Paris, Porcabeuf, Alfred, Fort, Louis, Redon, Odilon, France, Femme à l'oursin, Baigneuse, Bathing woman, top right, A woman seen from the side, standing in a landscape, her head bowed. By her legs a sea urchin or a peacock., print, prints, verso lower left - stamped, verso lower right - stamped, height 145 mm, width 77 mm, French, 1840-04-22 - 1916-07-06, print maker, printmaker, 1904 - 1904, first quarter 20th century, paper, papier, etching, etchings, drypoint, dry needle, Work conception, after own design of, printer

Emile Bernard (1868-1941). "The end of Satan. Lilith". Etching and aquatint. 1935. Paris, house of Victor Hugo. 101108-4 Annies thirty 1930 30, aquatinte, baton, nail, drawing, etching, illustration, dismal, morbid, death, litterrais work, silhouette

Stankiewicz, Zofia (1862-1955); 1911-1913 (1911-00-00-1913-00-00);Dominik (1862-1944), Dominik (1862-1944)-collection, young Poland (style), Witke-Jeżewski, Dar (provenance), trees, Polish graphics, Poland (culture), birds, ponds (geogr.), Swan (Zool.)

Dead Mouse, Sandal and figurehead of a ship, Philip Zilcken, 1867 - 1890 print paper etching / drypoint rodents: mouse. shoes, sandals. parts of ship's exterior: figure-head

A drawing by Felix Ivo Leicher titled 'The Angelness,' executed with traditional chalk techniques, showing angelic figure study.

Olympia (large plate) January-May 1867 Edouard Manet French. Olympia (large plate) 337540

Two Pigs Eating from a Trough. Charles Émile Jacque; French, 1813-1894. Date: 1844. Dimensions: 35 × 62 mm (image); 55 × 95 mm (plate, partially trimmed); 57 × 105 mm (sheet). Etching on cream chine. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Time, the 'Grim Reaper', sits with his scythe atop the globe

Turkish man with balanced head with turban; Collection of heads; Raccolta Di Teste ..

Alphonse Legros, The Reapers, 1907 The Reapers

Head of a young man with turban, Giovanni Benedetto Castiglione, 1645 - 1650 print A young man with a turban, bent his head forward. Print from a series of sixteen. paper etching head (human). head-gear: turban

Enchanted spring. Łopieński, Ignacy (1865-1941), graphic artist, Kamieński, Antoni (1860-1933), draughtsman, cartoonist

Patroklos erscheint Achill, chart 14, Gesang XXIII Vers 65, `Achill`. Slevogt, Max (1868-1932), graphic artist, Albert Langen-Verlag (Monachium ; wydawnictwo ; 1894-1932), publishing house, Langen, Albert (1869-1909), publisher

St. Christoffel, Bernard Essers, 1922 print paper the giant and martyr Christophorus; possible attributes: palm-tree (with bunches of dates, or withered), infant Christ

Primitive Man. Odilon Redon; French, 1840-1916. Date: 1872. Dimensions: 393 × 338 mm. Various charcoals, with touches of black chalk, stumping, wiping and erasing, heightened with touches of white and ocher gouache, on cream wove paper altered to a pale, golden tone. Origin: France. Museum: The Chicago Art Institute, USA.

Si resucitará (Will She Rise Again), pl. 80 from the series Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828

Mineure, board 6; Erler, Erich (1870-1935), Verlag von P.H. Beyer & Sohn (Leipzig; Publisher; 1897-), Wetteroth, Heinrich (Munich; Graphic Zak 1860-1925); 1918 (1900-00-00-1950-00-00);World War I (1914-1918), Schlesisches Museum der Bildenden Künste (Wrocław-1880-1945)-collection, cycles, front (war), German graphics, German (culture), sappers, war, World War (1914-1918) , team, soldiers

Tristes presentimientos de lo que ha de acontecer, Francisco Goya (1746-1828), 1810 - 1820, 1863, Peninsular War (1807-1814), Atrocities, First edition; state noted with standard reference number

Two bathers in rough water , Seas, Swimmers, Wading. Charles H. Woodbury (1864-1940). Prints

Study of an old man with vast arm, Auguste Danse, 1839 - 1909 print Possibly Sisyphus is depicted here. paper etching anonymous historical person portrayed alone

Subway scene. 1935 - 1945. Lurie, Nan (American engraver, 1910-1985). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Subways, Passengers

La mort de Matamore (sujet tiré du Capitaine Fracasse), 1852 - 1882, Etching and drypoint; state noted with standard reference number., Night, Death

Disparate volante (Flying Folly), pl. 5 from the series Losproverbios. Artist: Francisco Goya, Spanish, 1746-1828

A UFO abduction in New Hampshire, USA. Betty and Barney Hill, driving at night, see a UFO. Later they are stopped by the aliens, Barney tries to escape, but they are both taken on board the flying saucer and subjected to a medical examination. Date: 19 September 1961

Et celui qui était monté dessus se nommait la Mort (And his name that sat on him was Death). Dated: 1899. Dimensions: overall: 31 x 22.4 cm (12 3/16 x 8 13/16 in.). Medium: lithograph in black on chine coll. Museum: National Gallery of Art, Washington DC. Author: Odilon Redon.

Sleeping Woman and Child (Schlafende mit Kind), 1929. Käthe Kollwitz (German, 1867-1945). Woodcut; paper: 40.6 x 50.2 cm (16 x 19 3/4 in.).

Games and Reading. Pablo Picasso; Spanish, 1881-1973. Date: 1953. Dimensions: 480 x 627 mm (image); 505 x 664 mm (sheet). Lithograph on ivory wove paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Mother and Child (Mutter und Kind). Dated: probably 1920. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Otto Müller.

Que valor! (What Courage!), pl. 7 from Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Évocation d'Erda (1re planche) , Gods, Goddesses, Odin Norse deity, Wagner, Richard, 1813-1883. Ring des Nibelungen. Siegfried. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Francisco de Goya (1746-1828), the men in seed (who hides something under the saucer / you can't dose a man on his clique), 1815-1824

The Ballet Master (Le maître de ballet). Dated: c. 1874. Dimensions: plate: 56.5 x 70 cm (22 1/4 x 27 9/16 in.) sheet: 62 x 85 cm (24 7/16 x 33 7/16 in.). Medium: monotype heightened and corrected with white chalk or wash. Museum: National Gallery of Art, Washington DC. Author: executed in collaboration with Vicomte Lepic Edgar Degas.

Hemulå II , Nudes, Wading, Bodies of water

The Mill, 1848. Charles-Émile Jacque (French, 1813-1894). Etching;

Mill in a dune landscape, Arnoud Schaepkens, 1855 - 1904 print paper. etching / drypoint watermill in landscape. dunes (sea not visible); in the dunes

THE EVIL FLOWERS Odilon Redon (1840-1916). If by a heavy and dark night, according to the flowers of the evil of Charles Baudelaire. Paris, Museum of Fine Arts in the city of Paris, small palace.

Woman with trumpet, floating on the clouds. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 210 mm × w 255 mm. Museum: Rijksmuseum, Amsterdam.

La Perle Charvot, Eugene(1847-1924 French) Engraving Cummer Museum of Art & Gardens, Jacksonville, FL

Student at a Table by the Light of an Oil Lamp, Rembrandt van Rijn, c. 1642 print paper etching

Woman in water, woman on rock , Seas, Wading. Charles H. Woodbury (1864-1940). Prints

Lying woman and child, Richard Nicolaüs Roland Holst, 1917 print Three birds fly in the air. paper mother and child(ren), woman and child(ren) (family group). lying figure. birds

Albert Besnard, Bathing at Talloires (La baignade à Talloires), 1888 Bathing at Talloires (La baignade à Talloires)

The Buddha, by Odilon Redon, 1895, French Symbolist print, lithograph. The inscription below the image translates, 'I was led unto the schools; and it was found that I knew more than the teachers'. It is from Gustave Flaubert's, 'Temptation of Saint Antho (BSLOC_2017_5_132)

Print made by William Blake, 1757-1827, British, The First Book of Urizen, Plate 23 (Bentley 9), 1794. Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper.

Exodus (L'exode). Dated: 1916. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: TEOPHILE STEINLEN.

Les bottines. 1870 - 1887. Guérard, Henri-Charles, 1846-1897. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Shoes

Madame Seurat, the Artist's Mother. Date/Period: Ca. 1882 - 1883. Drawing. Conté crayon on Michallet paper. Height: 305 mm (12 in); Width: 233 mm (9.17 in). Author: GEORGES SEURAT.

Kiss in the Field, Munch, Edvard (1863-1944)

William Langson Lathrop, Boat on the Delaware River, 1889, etching and lavis on wove paper.

Francisco de Goya, Fiero monstruo! (Fierce Monster!), 1810 1820 Fiero monstruo! (Fierce Monster!)

Gallen-Kallela, Jorma, work, Fantasia, etching, graphics, plate width 11.6 cm, plate height 9.2 cm, leaf width 34.6 cm, leaf height 21.7 cm, image width 11.2 cm, image height 9 cm

Isadora Duncan (Angela Isadora Duncan) (1877-1927). American dancer. Isadora Duncan dancing. Etching by John Sloan (1871-1951), 1915.

Bather II , Seas, Wading. Charles H. Woodbury (1864-1940). Prints

AMERICAN SKETCHES

Une élégante (Woman Strolling); Georges Seurat, French, 1859 - 1891; about 1884; Conté crayon on Michallet paper; 31.8 x 24 cm (12 1/2 x 9 7/16 in.)

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