Figure Sketches and Studies

A series of pencil sketches capturing male and female figures, showcasing various poses and gestural anatomy focused on artistic studies.

Study of a Male Figure, Page 129 from a book of studies, c. 1880-1890, Edward Coley Burne-Jones, British, 1833 - 1898, 9 3/8 x 6 1/4 in. (23.81 x 15.88 cm) (sheet), Charcoal on off-white laid paper with deckle edge, England, 19th century

A drawing by Peter Fendi depicting Aquileja, executed with pencil, feather, and bister on a glued sheet in June 1820, part of a sketchbook from 1820 to 1823.

"Andropogon gryllus". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist

The Diver. Pablo Picasso; Spanish, 1881-1973. Date: 1932. Dimensions: 140 x 113 mm (image/plate); 330 x 250 mm (sheet). Collage and soft-ground etching printed in relief on ivory wove paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Neckelmann Skjold (1854-1903), figurative fries (without dat.): View. Pencil on paper, 31.6 x 46.4 cm (including scan edges) Neckelmann Skjold (1854-1903): Figürlichen Fries

Title Page, from Cahier de six eaux-fortes, vues de Hollande 1862 Netherlands. Etching in brownish black on ivory laid paper . Johan Barthold Jongkind

Marie Tagioni in the sylph, according to the board 1 of the collection Remembrance of goodbye of Marie Tagioni

Design for wall arm, anonymous, c. 1820 Five designs for wall arms. Northern Italy (Possible) paper. graphite (mineral). ink pen / brush sconce, wall lamp

Disembarking, from Travel Pictures: Italy-South Seas. Max Pechstein (German, 1881-1955); published by Paul Cassirer. Date: 1919. Dimensions: 152 x 260 mm (image); 285 x 365 mm (sheet). Lithograph on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Edelfelt, Albert, work, Sketchbook, sketchbook 1874-75, drawing, 22x30; 68 pages, 2 cut out, Edelfelt, Albert, sketch book 1874-75, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Untitled. Hans Bellmer; German, born Poland, 1902-1975. Date: 1955. Dimensions: 576 x 287 mm (image); 738 x 470 mm (sheet). Lithograph in black and white ink printed on gray ink, on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Vignette with symbols for music, Henricus Wilhelmus Couwenberg, 1830 - 1845 print Amsterdam paper etching symbolic representations, allegories and emblems ~ musical drama

Horizontal view of the a cannon and a partial view of a second on the parapet of the Spanish fort, Morro Castle, dominating the foreground and the harbor of Santiago de Cuba visible in background. crayon on paper. Date: ca. 1901. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for a Crest with Drapery (the Upper Part of a Canopy or Window Treatment). Artist: Attributed to Giovanni Battista Natali III (Italian, Pontremoli, Tuscany 1698-1765 Naples). Dimensions: sheet: 7 5/16 x 10 7/8 in. (18.6 x 27.6 cm). Date: 1698-1765. Museum: Metropolitan Museum of Art, New York, USA.

Study for .1201 - illustration for Oliver Goldsmiths The Deserted Village (London and New York: 1902). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Woman and Satyr Illustration Maillol, Aristide (1861 1944)

Excludes a young Greek in Chiton unknown

Fitting for the console from the Leopold Méyet collection, in the collections of the National Museum in Warsaw since 1915; Masha, Mariusz (1888-1944); 1916 (not after 9.05.1916) (1916-00-00-1916-00-00);

Warriors fighting in chariots.. Layard, Austen Henry, Sir (1817-1894). Prints, Illustrations. 1849. General Research Division. Chariots, Bows (Archery), Bas-reliefs, Warriors , Assyria, Calah (Extinct city), Campaigns & battles , Assyria

Quast Ferdinand von (1807-1877), fragment of a crucifix figure in Wetzlar (without dat.): View abdomen with lumbar slurry and sunken feet (end of 13th century) (Requirement or tribute according to French template). Ink on transparent, 36.3 x 29 cm (including scan edges) Quast Ferdinand von (1807-1877): Fragment einer Kruzifixfigur, Wetzlar

Serpent, sketch for The Lay of theLobster. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Female nude in the waves that release a bird, in the foreground a basket with flowers, Leo Gestel, 1891 - 1941 drawing paper. pencil female sex; woman (+ nude human being). birds. container made of plant material other than wood: basket. cut flowers; nosegay, bunch of flowers. sea (seascape)

Diebitsch Carl von (1819-1869), rider with horses, Seville (without dat.): 2 men with horse in different positions, detailed sketches. Pencil on cardboard, 17.2 x 20.6 cm (including scan edges) Diebitsch Carl von (1819-1869): Reiter mit Pferden, Sevilla

Studies by Anton Hanak for a Richard Wagner monument conducted 1931-1933, illustrated in black ink (Feder) in October 1933, showing artistic concepts, sketches, and architectural planning.

A 1914 caltnadel by Carl Anton Reichel illustrates a scene inspired by Bach's motet 'Don't Be Afraid', depicting figures, musical context, and compositional details.

Demaskiert (Unmasks) 1921 Ernst Oppler German. Demaskiert (Unmasks). Ernst Oppler (German, Hannover 1867-1929 Berlin). 1921. Etching. Prints

Ornamental composition in Chinoiserie-Stijl, Jean Baptiste Pillement, 1770 drawing Design for a print. Paris paper. chalk viola, violoncello; double bass

Järnefelt, Eero, work, Sketch book, 1905-08, pencil, watercolor, drawing, 10 cm x 16 cm, Järnefelt, Eero, 1905-08, pencil, watercolor, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

The Dead Girl. Jean Louis Forain; French, 1852-1931. Date: 1884. Dimensions: 75 × 115 mm (plate); 256 × 325 mm (sheet). Etching and aquatint on cream laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Portrait heads of Joanna Lion Cachet and a man with a hat, c. 1935 - c. 1940 Page 22 Verso from a sketchbook with 25 sheets. paper. ink pen head (human)

Black ink study by Anton Hanak for a Richard Wagner monument created in October 1933, showing design studies, sketches, and compositional experimentation from 1931-1933.

Heads of Saw-Bill Duck and Two Crocodiles 1839-1900 England. Relief etching on paper . John Ruskin

A pen drawing by Paul Klee from 1915 on paper mounted on cardboard showing a girl with a ball in a compositional arrangement, emphasizing figure and gesture.

Henri de Toulouse Lautrec, The Milliner (La Modiste Renée Vert), 1893 The Milliner (La Modiste - Renée Vert)

"Gepfändet". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist

Reclining Woman. Jean Lurçat; French, 1892-1966. Date: 1925. Dimensions: 250 × 325 mm (image); 350 × 480 mm (sheet). Drypoint on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Jean Lurcat.

Untitled, from Body and Heart. André Masson; French, 1896-1987. Date: 1968. Dimensions: 295 × 240 mm (plate); 380 × 285 mm (sheet). Etching in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Sketch for Robert Herricks Hespiredes and Noble Numbers, Graphite, pen and ink, wash, Wove, 35.7 × 25.7 cm (14 1/16 × 10 1/8 in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors

Martyrdom of Saint Jakobus, 1776 print The Apostle James is lying with his head under the block. A soldier raises his hammer to behead him. Soldiers watch. Italian landscape in the background. paper etching beheading of James

Sketch 1898 France. Drypoint from a zinc plate on cream laid Japanese paper . Henri de Toulouse-Lautrec

Knotwilg, Pieter Francis Peters jr., 1828 - 1903 drawing paper. ink pen

Arabesque. Claude Lorrain; French, 1600-1682. Date: 1625-1635. Dimensions: 137 × 196 mm (plate); 142 × 198 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

DUPORT, Jean Louis.

"Mężczyzna z zaciśniętymi pięściami". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist

"Allium victorialis". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist

Munich. The cathedral of the Most Mary of the Virgin (Frauenkirche) - ornament of a bristry decoration of the equipment; Lesser, Aleksander (1814-1884); 1836-1884 (1836-00-00-1884-00-00);Cathedral of the Blessed Virgin Mary (Munich - Germany), Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847 -1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Munich (Germany), Dar (provenance), ornaments, gothic ornaments, ornaments vegetable

Two Studies of a Man (from sketchbook) ca. 1838 and after Francis William Edmonds American The execution of sketches and studies was a crucial part of Edmondss creative process. Many of his drawings exist as independent works--apparently never taken further--but many others represent an initial step in his conception for paintings. This sketchbook, which he began about 1838, includes both types of drawings of a variety of subjects.. Two Studies of a Man (from sketchbook). Francis William Edmonds (American, Hudson, New York 1806-1863 Bronxville, New York). American. ca. 1838 and after. Iron gall ink, graphite on off-white wove paper

And It is the Caress of Their Hands, plate eight from Love 1898-1899 France. These 12 prints come from Love, a series of color lithographs that form a disjointed narrative about a woman who experiences love, although it is unclear if she is falling in love with a man, nature, or her faith. Each soft and dreamlike image is paired with a caption of fragmented poetry that serves as its title, but these phrases do not directly describe their corresponding images. Maurice Denis, who was also a writer, crafted these puzzling yet evocative captions to add layers of meaning through the interplay of text and image.. Lithograph in green, peach, and yellow on light ivory wove paper . Maurice Denis

This etching by an unknown engraver, created between 1600 and 1650, includes detailed studies of the hand, arm, and foot, emphasizing anatomy and proportion in classical art practice.

Honoré Daumier, Don Quixote Don Quixote

Follows with Concern, As Both are Blind. Paul Klee; German, born Switzerland, 1879-1940. Date: 1927. Dimensions: 418 x 307 mm (sheet); 591 x 474 mm (secondary support). Pen and brown ink on tan laid paper tipped onto tan wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Preliminary study for Othello(?). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Designs for a piece of jewelry, Mathieu Lauweriks, 1874 - 1932 drawing pencil ornaments, jewels

Print made by Robert Wallis, 1794-1878, British, Hermitage Castle, 1834. Line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé.

Headdress, Robert Frederick Blum, American, 1857-1903, Graphite on wove paper, Three sketches of a figure wearing a headdress., USA, 1880-1881, figures, Drawing, Drawing

Qual, Karl Wiener , Artist

Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso) 1503-40 Parmigianino (Girolamo Francesco Maria Mazzola) Italian The stunning sketches for the figures of Moses and Eve on this celebrated double-sided sheet are preparatory for two of the four large fictive statues (frescoed in monochrome) within the oval niches that are at the base of the two narrow soffits, undersides of the supporting arches, on either side of the barrel vault of the Church of Santa Maria della Steccata in Parma. In the frescoes, Moses is paired with Aaron on the underside of the arch toward the crossing, and Eve with Adam on that toward the apse. This drawing offers an amazing glimpse into Parmigianino's sketching process, for each idea unfolds with the kind of spellbinding facility that instantly speaks of genius. He explored at least nine poses for each figure, and also fluently moved about the figure from various angles of

La lune.. 1875. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Decorative arts , France, Porcelain, French, Porcelain, European , Japanese influences, Moon, Cranes (Birds)

Unknown architect, balcony yield console. Monthly competition May 1877 (05.1877): Side view. Pencil on cardboard, 26.1 x 37.3 cm (including scan edges) N.N. : Balkontragekonsole. Monatskonkurrenz Mai 1877

"Pociecha słodka mu została". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist

Ex libris Hugo Löwy; Bayros, Franz von (1866-1924); around 1912-1914 (1912-00-00-1914-00-00);Löwy, Hugo (Fl. Ca 1912-v (ornament), guitar (musical instruments), Austrian graphics, musical instruments, women, flowers, mandoline (musical instruments), modernism (style), musicians, music, half -duties, dancers

Walking Male figure seen frombelow. Artist: Giovanni Battista Tiepolo, Italian, Venice, 1696-1770

Schmalz Otto (1861-1915), travel sketches from Pompeii, Naples and Rome (07.03.1887): Naples: balustrade around the churchyard of S. Martino (Perspective Center). Pencil on paper, 42.7 x 31 cm (including scan edges)

Swimming Zwaan, Theo van Hoytema, 1878 - 1914 print At the bottom right a swan between lily leaves. paper water-birds: swan

Angio; Koska, Ferdinand (1808-1862); 1828-1842 (1828-00-00-1842-00-00);

Drawing, Design for Three-Tiered Table with Vase and Flowers; Designed by A.N. Davenport Co.; pen and black ink on thin cream laid paper; 27.0 x 21.0 cm (10 5/8 x 8 1/4 in. )

Two Studies of a Man (from sketchbook). Artist: Francis William Edmonds (American, Hudson, New York 1806-1863 Bronxville, New York). Dimensions: 6 5/8 x 8 in. (16.8 x 20.3 cm). Date: ca. 1838 and after.The execution of sketches and studies was a crucial part of Edmonds's creative process. Many of his drawings exist as independent works--apparently never taken further--but many others represent an initial step in his conception for paintings. This sketchbook, which he began about 1838, includes both types of drawings of a variety of subjects. Museum: Metropolitan Museum of Art, New York, USA.

Two studies of a lying infant. Dressler, Hans (1869-1943), draughtsman, cartoonist

Deux lapins, la pluie, un oiseau qui vole.. 1866 - 1878. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Decorative arts , France, Porcelain, French, Porcelain, European , Japanese influences, Rabbits

Apollo riding in a quadriga drawn by horses, with Artemis and Hermes still image. 1844 - 1861. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Chariots, Horses, Mythology, Mercury (Roman deity), Caduceus, Diana (Roman deity), Artemis (Greek deity), Apollo (Greek deity), Hermes (Greek deity), Gods & goddesses, Animals in art, Cithara

Pursuit. Artist: Ernst Oppler (German, Hannover 1867-1929 Berlin). Dimensions: plate: 4 13/16 x 7 in. (12.3 x 17.8 cm)sheet: 9 3/4 x 13 11/16 in. (24.8 x 34.7 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Thomas Daniell, 1749-1840, British, active in India, Bongley, undated. Graphite on medium, slightly textured, cream laid paper.

Three Naked Women, Swimming, Leo Gestel, 1891 - 1941 drawing paper. ink. pencil pen swimming (movement in water) - AA - female human figure (+ nude human being)

An ink and feather drawing by Franz Hofer depicting a promising artist standing in front of his car, emphasizing figure and setting.

Two Dogs and a Boy Seated (from Sketchbook) ca. 1838 and after Francis William Edmonds American The execution of sketches and studies was a crucial part of Edmondss creative process. Many of his drawings exist as independent works--apparently never taken further--but many others represent an initial step in his conception for paintings. This sketchbook, which he began about 1838, includes both types of drawings of a variety of subjects.. Two Dogs and a Boy Seated (from Sketchbook). Francis William Edmonds (American, Hudson, New York 1806-1863 Bronxville, New York). American. ca. 1838 and after. Brown ink, graphite, on off-white wove paper

Satyr and goat marble sculpture from Herculaneum. Handcoloured lithograph by A. Delvaux from Cesar Famin's "Musee royal de Naples (The Royal Museum at Naples)," Abel Ledoux, Paris, 1836. This rare volume is a catalog of the collection of erotic paintings, bronzes and statues excavated in Pompeii and Herculaneum and stored in a Secret Cabinet at Naples.

Oval soup plate, created between 1866 and 1878, showcases decorative arts from France. Made of porcelain, it reflects French and European styles with Japanese influences, featuring floral designs

Study for The Rock. Peter Blume; American, born Russia, 1906-1992. Date: 1941. Dimensions: 198 x 279 mm. Graphite on tan wove paper, tipped on dark red wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Amsterdam, Claesz., Cornelis, Velde, Jan van de (I), Frisius, Simon, Spieghel der schrijfkonste, Writing example: De coninck Antigonus, verso - stamped, Writing example with eight lines of text in Dutch: De coninck Antigonus ... The text is framed with scrollwork. The print is part of an album., print, ornamental print, album page, prints, height 222 mm, width 338 mm, height 260 mm, width 370 mm, 1575 - 1628, print maker, printmaker, 1605 - 1605, paper, papier, engraving, engraving (printing process), plate tone, Work conception, Northern Netherlands, 1568 - 1623-09-10, after a design by, Publication (Event), Publication, publisher

Etching by Jules Ferdinand Jacquemart depicting glasses, created around 1865, plate 39, part of the Louvre collection.

Yvette Guilbert 1894 France. Lithograph with letterpress, on ivory laid paper . Henri de Toulouse-Lautrec

Drawings Sketch Book: Cow Silhouette and Red Stamp Sale Corot (page 23) Camille-Jean-Baptiste Corot (1796-1875). Drawings Sketch Book: Cow Silhouette and Red Stamp Sale Corot (page 23). Pencil.

A friar in the gesture of kneeling down, raising both arms and looking upwards. Date: ca. 1720. Pen and ink on paper, mounted. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design Drawing Josef Hoffmann (Austrian, 1870-1956). , ca. 1910. Graphite on grid paper, Framed: 12 1/2 x 19 3/4 in. (31.8 x 50.2 cm). Decorative Arts ca. 1910

Hoek van Inval is the corner of dropout, Pieter Holstein, c. 1960 - Before 2009 print Boy in wind rumor from which Stiplline leaves for the green parallelogram and which runs down from there in a corner of ninety degrees towards a reverse bottle of water at three tulips, arousing the suggestion that the sound of the instrument brings the water two. paper

Mariano Fortuny / 'Perfume Bottle'. 1870 - 1872. Black wash, Brush, Pencil on yellow paper. Museum: Museo del Prado, Madrid, España. Author: MARIA FORTUNY. MARIANO FORTUNY Y MARSAL.

Athena;Two Classical Figures (Possibly Venus) (from Sketchbook) ca. 1860 John Quincy Adams Ward American Ward, a student of Henry Kirke Brown, became known as the "Dean of American Sculpture." This page is from a sketchbook, which provides an intimate look at the artists working methods. Wards sketches include several classically influenced figures mingled with American Indians on horseback as well as a number of bison.. Athena;Two Classical Figures (Possibly Venus) (from Sketchbook). John Quincy Adams Ward (American, Urbana, Ohio 1830-1910 New York). American. ca. 1860. Graphite on paper

Knoblauch Julius, travel sketches from Italy (1882-1883): Dome of a Church, Details Zwickel, Perspective View. Ink on cardboard, 20.4 x 26.1 cm (including scan edges) Knoblauch Julius : Reiseskizzen aus Italien

Eh-De Eh-De, Josef Albers, 1940,dry tip, Bauhaus Copyright: xZoonar.com/Tolox 21630083

Achilles and the Shade of Patroclus. Artist: John Flaxman (British, York 1755-1826 London). Dimensions: Sheet: 8 3/8 x 11 3/8 in. (21.3 x 28.9 cm). Date: 1793. Museum: Metropolitan Museum of Art, New York, USA.

Apsar with a jewel pendant; copy of the Fresku from Dunhuang; Duan, Weijie (Fl. Ca 1900-1950); 1952 (1952-00-00-1952-00-00);Chinese (culture), Chinese art

At the Variétés Mademoiselle Lender and Brasseur 1893 France. Lithograph on cream wove paper . Henri de Toulouse-Lautrec

Schaukel, Bl. 5, Radierte Skizzen, Op .I. Bouwens, Joseph (1823-1895), printing house, Klinger, Max (1857-1920), graphic artist

Allegorical Warning against Onanie, David Pièrre Giottino Humbert de Superville, 1801 print A naked boy is lying on his stomach on a resting bed. At the top right, death reaches with his hand through a window to the boy. Death carries a scarf over his skull. Based on the Biblevers in Jer. 9:20 This is an allegorical warning against onanie or self -satisfaction. Rome paper etching masturbation, onanism (+ variant). Death as skeleton. other scenes ~ the book of Jeremiah (with BOOK CHAPTER:VERSE)

While Graham Kissed Joan Tenderly, Pieter Holstein, c. 1975 - in or before 1984 print Kissing couple and watching woman with hand on her stomach. paper. watercolor (paint) etching / brush

"Kurze Rast nach langer Wanderung". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist

Cain and Abel Made 1886 France. Etching and drypoint on cream wove paper . Odilon Redon

Sketch Van Klimop, Gerrit Willem Dijsselhof, 1876 - 1924 drawing paper. chalk plants and herbs: ivy

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