Figure Studies and Drapery

Drawings focusing on human figures and clothing, demonstrating mastery of form and movement in various poses and styles.

Kneeling Woman with a book in Hands, Anonymous, After Rafaël, 1500 - 1620 drawing paper. ink pen

Landscape with a reading man, Leendert van der Cooghen, 1654 drawing paper. chalk

Draperie study and a hand, 1584 - 1669 drawing paper. chalk

The Young Milton, 1874 Ford Madox Brown, Book, Reading, Drawing, Chalk, Stained Glass, Sketch, Pre-Raphaelite, Design, Male, Literature, Full-length, Costume, Fashion

A lead pencil drawing by Daniel Nikolaus Chodowiecki from 1758-1759 depicting two men standing next to a bin.

Allegory of Malice, print maker: Christian Bernhard Rode, 1788, paper, etching, h 140 mm - w 116 mm

A Poorly Dressed Peasant. François Boucher; French, 1703-1770. Date: 1755-1770. Dimensions: 113 × 71 mm (plate); 136 × 93 mm (sheet). Etching on tan laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Francois Boucher.

. Bust of woman with headscarf, right.

Bliżej Kultury Verlag of Ferdinand Schenk in Vienna

Charles Parrocel, Mounted Soldier, 1701-50, pen and ink on blue laid paper.

Alexander Cozens, 1717-1786, British, Page 3, A Lady Playing a Viol, 1746. Graphite on medium, slightly textured, cream laid paper, bound in vellum.

Melchior, from the Three Magi Artist's working dates 1614-1638 France. Etching on ivory laid paper . Jacques Bellange

Drawing, Mnemosyne, Mother of the Muses; Felice Giani (Italian, 1758-1823); Italy; black chalk on laid paper

Standing figure with extended right arm.

Manner of Ferdinand-Victor-Eugène Delacroix, Marocain, 1808-1955, Sepia on paper.

Saint Remi (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858). Artist: Isidore Pils (French, Paris 1813/15-1875 Douarnenez). Dimensions: 18 3/16 x 11 5/8 in. (46.2 x 29.6 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

A black chalk drawing by Pietro Antonio Novelli depicting the Holy Family with the child John, showing religious figures in a compositional arrangement.

Sitting allegorical female figure, anonymous, c. 1700 - c. 1800 drawing paper. ink. pencil. chalk pen sitting figure - AA - female human figure

Florentine 17th Century, Two Male Figures A Youth and an Old Man Two Male Figures: A Youth and an Old Man

Kneeling man, to the right, Louis Fabritius Dubourg, 1719, draughtsman: Louis Fabritius Dubourg, 1719, paper, h 465 mm × w 317 mm

VELAZQUEZ , DIEGO DE. PINTOR ESPAÑOL. SEVILLA 1599 - 1660. DIBUJO. MUSEO BELLAS ARTES SAN FERNANDO. MADRID. DEIGO DE VELAZQUEZ.

Project to the figure of King Gambrinus; Thoma, Hans (1839-1924); 1886 (1886-00-00-1886-00-00);

Urania ca. 1542-45 Léon Davent French. Urania 337121

Cleric (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858). Artist: Isidore Pils (French, Paris 1813/15-1875 Douarnenez). Dimensions: 18 7/8 x 12 1/4 in. (48.0 x 31.1 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Seated Child, drawing or writing, three-quarters to the right, Harmen ter Borch, 1650, Child, drawing or writing, seated on a box. On reverse a fragment of a seated child (cut off)., draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 20-Jan-1650, paper, h 122 mm × w 105 mm

Standing man hand in front of the belly, 1710 - 1772 Leaf 101 Verso from a sketchbook with 105 sheets. paper. chalk standing figure. hand not visible

Artist: Benedetto Luti, Italian, 1666-1724, Isaiah, Black with red and white chalk, graphite and white lead (oxidized) on antique laid paper (black chalk appears to be a later addition), 38.7 × 28.9 cm (15 1/4 × 11 3/8in.), Made in Italy, Italian, 17th-18thcentury, Works on Paper - Drawings andWatercolors

Standing young sailor.

Seated Man Wearing a Flat Cap 1635-40 Rembrandt (Rembrandt van Rijn) Dutch. Seated Man Wearing a Flat Cap 347894

Worksheet with a reading woman and some sketches, draughtsman: Gabriel Jacques de Saint-Aubin, anonymous, 1734 - 1780, paper, counterproof, pen, h 226 mm × w 179 mm

Christ as Salvator Mundi with Lamb. Jacopo Carucci, called Jacopo da Pontormo; Italian, 1494-1557. Date: 1514-1557. Dimensions: 351 x 253 mm. Red chalk and black chalk on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Baddling girl, Johan Antoni Kauclitz Colizzi, c. 1774 - 1808 print Netherlands paper etching (other forms of) needlework, e.g.: crocheting, knitting, embroidering

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Cards of the Kings of France. Louis VIII. Twenty-fourth issue of a suite of 40 pieces. (A. de Vesme 655; Dutuit 119) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Sitting woman in a grieving attitude. The woman is wearing a tunic and sits up slightly bent light. Possibly the grieving penelope. Probably signed to classical example. Leaf 40 recto from a sketchbook with 94 sheets.

Man in 17th century clothing with hat, apron and knife. Draughtsman: Hendrik van Velthoven (attributed to). Dating: 1738 - 1770. Measurements: h 287 mm × w 197 mm. Museum: Rijksmuseum, Amsterdam.

Study for Saint Louis Healing the Sick 1649-1659 France. Black chalk, heightened with white chalk, on brown laid paper, laid down on cream laid card . Eustache Le Sueur

Kneeling Female Figure. Artist: Matthäus Zasinger (German, Munich, ca. 1477-1525). Dimensions: 7 15/16 x 5 3/16 in. (20.2 x 13.2 cm). Date: late 15th-early 16th century. Museum: Metropolitan Museum of Art, New York, USA.

'Two Witches with a Cat'. Holland, Between 1600 and 1610. Dimensions: 24,4x15,3 cm. Museum: State Hermitage, St. Petersburg. Author: Jacob de Gheyn II.

George Romney, 1734-1802, British, Standing Figure and Seated Figure, undated. Graphite with pen and brown ink on thick, moderately textured, cream laid paper.

Head of a Man inProfile. Artist, attributed to: Pier Leone Ghezzi, Italian, 1674-1755

A Beggar. Alphonse Legros (French, 1837-1911). Drypoint;

Seated writing man. Draughtsman: Leendert van der Cooghen. After Salomon de Bray. Dating: 1642 - 1681. Measurements: h 262 mm × w 181 mm. Museum: Rijksmuseum, Amsterdam.

Seated Young Man. Unknown maker, Florentine School

Study of a woman (Clytia); preparatory study for ''Apollo and Clytia'', the ninth piece of tapestry from the series ''Les Amours des Dieux" (1747-1750). Draughtsman: François Boucher (workshop of). Dating: c. 1740 - c. 1750. Measurements: h 416 mm × w 303 mm. Museum: Rijksmuseum, Amsterdam.

Étude pour 'L'enfant prodigue' , Biblical events, Prodigal son Parable, Alphonse Legros (1837-1911)

An anonymous artist depicted a richly dressed young torchbearer in red and black chalk with signs of wear, folds, and spots on the paper.

The Morse Code, Study for 'Electricity as Applied to Commerce,' Manufactures and Liberal Arts Building, World's Columbian Exposition, Chicago, IL, J. Carroll Beckwith, American, 1852-1917, Black chalk and graphite on off-white paper, Draped figure of a woman seated on a stool, seen from below level of ground line, turned half-way toward left. Across knees a folio, to left corner of which hand is held, while right hand rests on a telegraph key. Center line drawn through figure., USA, 1891-92, figures, Drawing, Drawing

Maria with child with apple. Copy to woodcut and book illustration of Jörg Breu der Ältere

Saint Catharina; Speculum Pudicitiae. Design for a print.

Rijn, Rembrandt van, Beggar and beggar woman, verso bottom left - stamped, print, prints, height 122 mm, width 95 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1626 - 1630, second quarter 17th century, paper, etching, etchings, plate tone, Work conception, after own design by

Smell, anonymous, 1600 - 1699 drawing paper. chalk brush adult woman. flowers. smell, smelling (one of the five senses)

Sitting muse (). Draughtsman: Francesco Salviati. Dating: 1520 - 1563. Measurements: h 72 mm × w 55 mm. Museum: Rijksmuseum, Amsterdam.

Drawing (Italy)

Etching by Rembrandt Harmensz. van Rijn around 1630 showing a ragged man with hands on his back, viewed from the front, executed with pinnate technique, emphasizing details and form.

Study of a sitting woman with heavily pleated cloak, anonymous, 1700 - 1800 drawing paper. chalk

The Virgin kneels upon her left knee, her hands invitingly outstretched. The Child, recumbent, extends his arms toward her. Behind the Child is an urn. The scenery is that of ruined classical structure. Framing line. Date: 1820-1850. Graphite, impressed lines on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Angel (upper register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 19th century Isidore Pils French. Angel (upper register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 339640

Depiction of Saint Peter by an anonymous artist, executed with pen and brush on violet-primed paper with white highlights and a plant ornament.

Mary Magdalena with an ointment pot. Leaf 35 Recto from a sketchbook with 91 sheets.

Sketches of Figures of the Virgin Kneeling, Saint Peter Standing, Seated Allegorical Figures of Faith and Charity, and Child Standing on a Corbel () (recto); Sketches of Figures of Saint Sebastian Standing and the Virgin and Child with Angels (verso) 1487-88 Attributed to Francesco di Simone Ferrucci Italian To judge from the drawing style and subject matter, Ferrucci was strongly influenced by the Florentine sculptor Andrea Verrocchio (1435-1488). Although he was trained by his father, Ferrucci may have been Verrocchio's assistant in the 1470s; Verrocchio's workshop offered a training ground for many of the brilliant draftsmen of late-fifteenth-century Florence. This drawing once formed part of the sketchbook formerly attributed to Verrocchio himself: the great nineteenth-century art historian and connoisseur Giovanni Morelli was the first to propose the name of Francesco di Simone, and this attribution has been generally accepted by later scholars.This boldly drawn double-sided shee

Studies of a farmer with a stick, draughtsman: Thomas Simon Cool, 1841 - 1870, paper, h 250 mm × w 157 mm

Maria with child in a circle, Guido Reni, 1585 - 1642 print Italy paper etching Madonna: i.e. Mary with the Christ-child

Red chalk drawing by Edme Bouchardon depicting the upper body armor of Julius Caesar, emphasizing form, design, and detail of the armor.

Kneeling man, to the right. Draughtsman: Louis Fabritius Dubourg. Dating: 1719. Measurements: h 465 mm × w 317 mm. Museum: Rijksmuseum, Amsterdam.

Mounted portrait of Aleksander Benedykt Sobieski with shield. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

A lady wearing a gown with high collar and pointed bodice, early 18th century, (1943). Creator: Giovanni Battista Tiepolo.

Northern Netherlands, Heenck, Jabes, Standing figure, verso - handwritten, Standing figure seen from the back, dressed in a long coat and with a hat on his head. In the margin below the image the head of the figure is etched a second time, as well as two figures., print, prints, verso lower left - stamped, A copy in Dresden at Frans, the 2 little men are George there, width 172 mm, height, 82 mm, 1752-10-27 - 1782-11-01, print maker, printmaker, 1781-08-28 - 1781-08-28, paper, papier, pencil, inkt, etching, etchings, drypoint, dry needle

The Hurdy-Gurdy Player, Rembrandt van Rijn, c. 1631 print paper etching barrel-organ player

Standing young woman with spread arms, draughtsman: Giovanni Battista Cipriani, 1737 - 1785, paper, h 278 mm × w 240 mm

Young clergyman sitting on a stone bench in thought, drawn in brown pen and brush over black chalk by Gerbrand van den Eeckhout, cut in an arched form with water stains.

Seated Woman Holding a Fan ca. 1717 Antoine Watteau French Watteau was most famous for his fêtes galantesscenes of aristocratic and theatrical figures at leisure in imaginary park settings. He made numerous figure studies from life that he used to prepare his paintings. In this drawing, he used three colors of chalk to create a lively, lifelike effect. The white highlights add to the luster of the sheet, especially in the sheen of the silky dress.. Seated Woman Holding a Fan 339838

Self Portrait as a Young Man ca. 1780 baron Dominique Vivant Denon French In a career spanning a tumultuous period of French history, Vivant Denon held an impressive variety of posts, including diplomat and museum director. His graphic skills would serve many purposes throughout his career, from recording condemned aristocrats on the way to the guillotine to documenting Napoleons Egyptian campaign of 1798. Here, many years before the French Revolution, he portrayed himself in a softly lit interior as a young artist working on a drawing.. Self Portrait as a Young Man 408993

Chalk drawing of Maria holding the child with John boy standing beside her, showing figures, gestures, and interaction; left lower corner missing.

Study of a Veiled Woman, Benjamin Robert Haydon, 1786-1846, British, undated, Pen and brown ink on moderatelly thick, slightly textured, beige, wove paper, Sheet: 6 7/8 × 4 1/4 inches (17.5 × 10.8 cm)

Netherlands, Schultz, Johannes Adrianus, Man with a lute, verso - stamped, A man plays the lute sitting on a bench against a wall. Next to him a sabre., print, prints, height 115 mm, width 101 mm, 1820-12-05 - 1863-12-04, print maker, printmaker, 1830 - 1863, paper, papier, chine collé, etching, etsen

Drawing, St. Nicholas of Bari from colonnade of St. Peter's; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); After Fabio Canusi; France; red chalk on paper; 1977-110-3-25

Lorenzo Pasinelli / 'The penitent Magdalene'. Ca. 1685. Red chalk on dark yellow paper. Museum: Museo del Prado, Madrid, España.

Portrait of his wife, by Francesco Hayez (1791-1882), drawing.

Bearded Old Man Seated with Left Arm Extented. Artist: Bernardino Campi (Italian, Cremona 1522-1591 Reggio Emilia). Dimensions: 5 13/16 x 4 1/2in. (14.8 x 11.4cm). Date: 1522-91. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Sketchbook page: Allegorical Figure; Attributed to Pietro da Cortona (Italian, 1596 - 1669); Italy; pen and ink on paper

Bella, Stefano della, Woman with baby sitting on a stool, verso - stamped, print, prints, height 154 mm, width 128 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings

Tatting. Dated: c. 1873. Medium: etching on old japanes paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Artist: Remigio Cantagallina, Italian, 1582/83-1656, Man Standing, seen frombehind, early to mid-17thcentury, Pen and brown ink and brown wash over sketch in black chalk, 10 × 6.5 cm (3 15/16 × 2 9/16in.), Italian, 17thcentury, Works on Paper - Drawings andWatercolors

Beggar with Pot. Dated: c. 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Metsu, Gabriël, Amsterdam, Cootwijck, Jurriaan, Reading old woman, verso cardboard and verso print - stamped, An old woman sits on a chair and reads from a sheet of paper., print, engraving, prints, height 308 mm, width 204 mm, Northern Netherlands, 1714-05-10 - 1798-01-16, print maker, printmaker, 1760 - 1760, paper, print drawing, carbon copy, 1629-01 - 1667-10-24, intermediary draughtsman

Three-plate brown clair-obscur woodcut by Antonio da Trento from 1524-1527 depicting Saint Jude with figure, drapery, and iconographic symbols.

Study of a Woman, Bust Length, Facing Slightly Left and Looking Down, Cornelis Pietersz. Bega, c. 1661 - c. 1664 drawing Bust of a woman, somewhat left to the left and looking down. Haarlem paper. chalk head (human) - AA - female human figure

A Man in 17th Century Costume 1775-1825 England. Black chalk and charcoal, with stumping, on ivory laid paper .

A Donkey. Artist: Adriaen van de Velde (Dutch, Amsterdam 1636-1672 Amsterdam); After Karel Dujardin (Dutch, Amsterdam 1622-1678 Venice). Dimensions: sheet: 6 1/8 x 4 15/16 in. (15.6 x 12.6 cm). Date: mid-17th century. Museum: Metropolitan Museum of Art, New York, USA.

Papal Saint 1676-1727 Italy. Pen and brown ink, with traces of brush and brown wash, with graphite, on tan laid paper, laid down on cream laid card . Giovanni Antonio Burrini

Study for a Portrait of a Doge. Artist: Circle of Tintoretto (sixteenth century). Dimensions: 11 9/16 x 7 1/2 in. (29.3 x 19.1 cm). Former Attribution: Jacopo Tintoretto (Jacopo Robusti) (Italian, Venice 1518/19-1594 Venice). Date: fourth quarter 16th century. Museum: Metropolitan Museum of Art, New York, USA.

The Blindness of Tobit: The Larger Plate, 1651. Rembrandt van Rijn (Dutch, 1606-1669). Etching with drypoint; sheet: 16.2 x 13.1 cm (6 3/8 x 5 3/16 in.); platemark: 16.1 x 12.9 cm (6 5/16 x 5 1/16 in.).

Study of the Virgin (recto); Study of the Virgin and of Hands (verso); Vittore Carpaccio (Italian, about 1460 - 1526); Italy; about 1505; Brush with brown wash, black chalk, heightened with white gouache, on faded blue-gray paper; 25.1 x 18.7 cm (9 7,8 x 7 3,8 in.)

Man seen on saddle on the back. Draughtsman: anonymous. Dating: c. 1600 - c. 1699. Place: Netherlands. Measurements: h 350 mm × w 185 mm. Museum: Rijksmuseum, Amsterdam.

Drawing (Italy)

Angel Seated on Clouds. Artist: Anonymous, Spanish, School of Seville, 17th century. Dimensions: 6-5/16 x 6-5/16 in. (16 x 16 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Woman on her deathbed, Jacques de Gheyn (II), 1596 - 1601 drawing Design for a miniature. paper. ink. chalk pen deathbed. historical persons not known by name - BB - woman

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