Figure Studies and Sketches

A collection of sketches featuring figure studies and various poses, showcasing pencil techniques and expressive gesture representation.

Figure Study for Mural, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of male figure with some drapery, arms uplifted. This is likely a study for a mural showing Christ's Ascension., USA, ca. 1895, figures, Drawing, Drawing

Bowcase and Quiver of Arrows. Antonio Pisano, called Pisanello; Italian, c. 1395-c. 1455. Date: 1438. Dimensions: 189 x 265 mm. Pen and brown ink on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Character study, probably for a religious stained glass. (Dummy title)

Fragment of a Hippolytus Sarcophagus, Villa Borghese and Study of Mars, Villa Ludovisi, Rome, John Flaxman, 1755-1826, British, 1787, Graphite, pen and ink, and gray wash on medium, slightly textured, cream laid paper bound in vellum, Sheet: 8 5/8 x 6 inches (21.9 x 15.2 cm) and Spine: 9 inches (22.9 cm)

Still life and a woman next to a set table, 1605 - 1678 Still life with vegetables and poultry and a study by a woman who stands at a set table. Page 6 Recto from a sketchbook with 15 sheets. paper. ink. pencil pen still life of related objects. laid table: table-ware, table-decoration, etc.

Egyptian with monkeys on the arm, 1894 Also a study of a walking Egyptian and a headgear. Page 8 from a sketchbook with 48 sheets. Egypt chalk Africans. standing figure. walking. monkeys, apes

Deraisme, Pierre -Georges (n.1859 - D.1932), Applique Dragon (main title), 1895. Graphite, ink and gouache on transparent vellum laminated on beige paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Drawing, Two Sketches of an Officer; Winslow Homer (American, 1836-1910); USA; graphite on paper; 24.7 x 17.8 cm (9 3/4 x 7 in.)

Study magazine. Study magazine. Page 13 From a sketchbook with 70 sheets.

Gate at High trees, 1896 The gate is richly decorated. Pages 72 and 73 from a sketchbook with 50 sheets. Russia chalk arch, archivolt ~ architecture. trees

Study of Horses and Peasants. Date: September 1889, Saint-Rémy-de-Provence. Dimensions: 33.0 cm x 24.7 cm. Museum: Van Gogh Museum, Amsterdam.

Figuren in historisch kostuum.Possible costumes for a theater piece. Page 103 from a sketchbook with 58 sheets.

William Sidney Mount, Sketch of a Standing Man (verso), 1827 Sketch of a Standing Man verso

A pencil drawing by Hans Makart from 1850-1860 depicting a figure positioned in front of a curtain on paper.

Study magazine. Page 3 From a sketchbook with 49 sheets.

Collection of sketches by Alexander Rothaug executed in pencil and ink around 1900 showing various subjects on paper.

George Romney, 1734-1802, British, Small Sketchbook, 1784. Various media on laid paper, including: brown ink over graphite; graphite; brown and gray wash over graphite; gray wash over graphite on medium, slightly textured, cream laid paper.

Sand pit with a figure on a horse cart in Nütterden.Leaf 68 Verso from a sketchbook with 73 sheets.

Standing Female Nude, anonymous, 1500 - 1599 drawing Lombardy paper. ink pen

Description: Quagga poort Villa Before the extensive alterations africa

A pencil drawing book by Josef von Führich created in Cratzau beginning February 2, 1806, featuring studies of figures, objects, and landscapes.

Lying woman with a belt and drapery, c. 1751 With her left hand, the woman may hold a wheel or lunar. It may be Luna, the goddess of the moon. Also studies of a knee and a foot in a sandal. Page 151 from a sketchbook with 158 pages. paper. chalk drapery, draped garment, 'Gewandgebung'. knee. shoes, sandals

Vis, 1862 - 1864 Page 29 recto from a sketchbook with 65 sheets. paper. pencil fishes

Diana. Half-naked sitting Diana as moon goddess and hunts with a crowbar on her head and her shoulder a arrow sleeve. In her hand she holds a bow. In addition to her a hunting dog. Leaf 21 Recto from a sketchbook with 63 sheets.

Drawing, Pen, brush, sepia, blue paper, Project for the decoration, probably, of the upper part of a pilaster. Vertical rectangle. Above: a molding is a tablet with a cherub, supporting the inner ends of two festoons; above: 'B'eata 'M'aria 'V'irgo. Below: an estucheon is suspended from the festoon of ribbon, whose ends are at the sides hanging down. In the center of the estucheon an oval with a figure, above and below a cherub. the latter supporting with his mouth a cord with a bunch. On the back the right part of a sketch, black crayon, see -92., Italy, ca. 1780-90, Drawing

Standing woman, George Hendrik Breitner, c. 1882 Right facial studies. Page 54 from a sketchbook with 31 sheets made in The Hague and Rotterdam. The Hague paper. chalk parts of the face. standing figure - AA - female human figure

Tiger yacht, anonymous, c. 1830 Indian miniature. drawing Sketch of a man on the roof terrace of a pavilion that aims with his gun on two in a just captive tigers; In the background a prancing antelope; right above an inscription. Verso: Jain Symbols (with wipe color) sets in boxes). Pakih paper brush

Figure Composition Study 29, George Romney, 1734-1802, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/2 x 4 1/2 inches (14 x 11.4 cm), figure study, genre subject

A collection of sketches by George Minne from 1888 using pen and pencil, featuring various human and landscape compositions.

Drawing, Winged figure with bow; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on paper

Henri Lehmann, Study of Anna for The Arrival of Sarah at the Home of Young Tobias, c.1864-1866, Graphite on paper.

Thomas Bradshaw, Born 1767, British, Album of Landscape and Figure Studies: Sketch of Two Men in Theatrical Costumes. Graphite.

A head study executed in brown ink by Rembrandt between 1632 and 1634, focusing on facial features and expression.

Studies of Male Figures 1711-1765 Italy. Graphite with touches of black chalk, on cream laid paper . Giovanni Paolo Panini

A study drawing by Poussin based on a Roman ceiling frieze, depicting two sphinxes and a female figure, executed with pen and feather.

Men who bear loads and a man with a sword, 1658 - 1728 One man carries two buckets a staircase. Another pulls an object over his shoulder. Page 5 Recto from a sketchbook with 33 sheets. paper. ink. pencil pen carrying something. hacking and thrusting weapons: sword

Red chalk sketch by an anonymous artist from the late 17th century showing a draft for a catafalque with architectural elements and figures.

Drawing, A Martyrdom; Italy; pen and ink on blue paper

Sketch of two ships. Draughtsman: Antoon Derkinderen. Dating: 1869 - 1925. Measurements: h 223 mm × w 139 mm. Museum: Rijksmuseum, Amsterdam.

Study of Hands Knitting recto. Dated: c. 1870-1890. Dimensions: sheet: 30.8 × 24.13 cm (12 1/8 × 9 1/2 in.). Medium: graphite on gray laid paper. Museum: National Gallery of Art, Washington DC. Author: Jr. Enoch Wood Perry.

Sketch for a Reliquary, Chalk, pen and ink on paper, Two female figures standing upon a pedestal, only partly shown, support an escutcheon with the receptacle. On top a broken pediment, with the Dove of the Holy Spirit in a glory of rays. Sitting between the figures, a boy holds a crozier and mitre., Italy, 1750-1775, metalwork, Drawing, Drawing

A pencil drawing book by Josef von Führich created in Cratzau starting on February 2, 1806, containing various sketches and studies of figures, objects, and compositions.

George Minnes 1888 pen and pencil studies explore multiple figure sketches, gestures, and postures with focus on composition and detail.

Hunting Scene late 16th century In the 1570s and '80s the vogue for albums made up of single-page paintings and drawings and calligraphies developed. Hunting scenes such as this one excerpted figural groupings and other details from manuscript illustrations which would have contained numerous figures and animals. In addition to painting the rocks in shades of shades of grey, blue and brown wash, the artist has included red drips denoting the blood of the goat into which the cheetah has dug its claws. The absence of a bow in the hunter's hands suggests that the drawing was not completed.. Hunting Scene. late 16th century. Ink and watercolor on paper. Attributed to Iran, Qazvin. Codices

A drawing by Stefano della Bella from around 1633-1634 depicting the interior of a building, executed with feather technique.

Pencil drawing by Carl Pischinger showing four studies of a boy in various poses, created in 1842.

Studies of Architectural Moldings, of the Virgin and Child with a Kneeling Saint, and of Two Angels Supporting Frames (recto); Studies for Architectural Mouldings (verso) 1611-89 Baldassarre Franceschini (il Volterrano) Italian. Studies of Architectural Moldings, of the Virgin and Child with a Kneeling Saint, and of Two Angels Supporting Frames (recto); Studies for Architectural Mouldings (verso) 338749

Drawing (Italy)

Seated Woman, George Romney, 1734-1802, British, undated, Pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 4 x 2 3/4 inches (10.2 x 7 cm), genre subject, seated, woman

A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl: Human Skeleton, Lateral View. Date/Period: 1795 to 1806. Drawing. Graphite on thick, slightly textured, beige wove paper; pinholes at reference points near head. Height: 543 mm (21.37 in); Width: 406 mm (15.98 in). Author: George Stubbs.

The Fire Witch (From: Bellicorum instrumentorum liber, cum figuris) by Fontana, Giovanni (1395-1455) / Bayerische Staatsbibliothek, Munich / c.1425 / Italy / Watercolour and ink on paper / Mythology, Allegory and Literature /Gothic

Monkeys in trees. Draughtsman: Gerrit Willem Dijsselhof. Dating: c. 1904 - c. 1906. Measurements: h 164 mm × w 128 mm. Museum: Rijksmuseum, Amsterdam.

Studie.Leaf 21 Verso from a sketchbook with 35 sheets.

Drawing or sculptural work by Rudolf Weyr depicting an angel within an architectural frame. The composition emphasizes structure, posture, and symbolic form.

Crouching Venus, from the Gabinetto delle Maschere, Vatican Museum, Rome, John Flaxman, 1755-1826, British, 1787, Graphite on medium, slightly textured, cream laid paper bound in vellum, Sheet: 8 5/8 x 6 inches (21.9 x 15.2 cm) and Spine: 9 inches (22.9 cm)

Anonymous 1550-1560 study sheet in ink and feather with white highlights on primed paper, showing sketches of human figures and gestures.

The Holy Family (recto); Amorous Putti (verso); Michelangelo Buonarroti (Italian, 1475 - 1564); Italy; about 1530; Black and red chalk with pen and brown ink over stylus (recto); Pen and black and brown ink (verso); 27.9 × 39.4 cm (11 × 15 1,2 in.)

Mounted Officer and Other Sketches 1818-1819 France. Graphite, on cream wove paper (upper right corner missing), perimeter mounted on cream wove paper . Jean Louis André Théodore Géricault

Three seated figures in oriental clothing. Page 3 and page 4 from sketchbook XXXIX with 51 pages.

Mother Shipton (recto); Sheet of Sketches Fleur-de-Lis and Figures (verso) 1864-1878 England. Graphite and watercolor wash (recto), and graphite with brush and gray wash (verso), on cream laid paper . George Cruikshank

Sheet of Studies. Dimensions: overall (approximate): 19.8 x 16.1 cm (7 13/16 x 6 5/16 in.). Medium: graphite. Museum: National Gallery of Art, Washington DC. Author: JOHN FLAXMAN.

Naked woman sitting three-quarter on the right, arms folded on the chest (MCB 79) Pierre Puis de Chavannes (1824-1898). Naked woman sitting three-quarter on the right, arms folded on the chest (MCB 79). Black stone on paper put to the tile glued right on cardboard.

Study magazine, among others with rowing figures. Three figure studies, for example, of figures in oriental clothing that are wearing scales on their heads. Page 4 from a sketchbook with 54 sheets

Standing woman. Draughtsman: George Hendrik Breitner. Dating: c. 1886 - 1923. Place: Amsterdam. Measurements: h 201 mm × w 126 mm. Museum: Rijksmuseum, Amsterdam.

Two soldiers extended to the ground (p.57 of the sketch book). Jean-Baptiste Carpeaux (1827-1875). Two soldiers extended to the ground (p.57 of the sketch book). Drawing, 1870.

John Robert Cozens, 1752-1797, British, Statues and Ruins, undated. Graphite and varnish on thin, slightly textured, cream laid paper.

La Chute d'un ange. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

George Minne produced multiple sketches in 1888 using pen and pencil, focusing on figures, forms, and compositional studies recorded in a sketchbook.

Fort St. Sebastiaan in Ghana, Frederik Lambertus Geerling, 1838 drawing Two faces at the Dutch Fort St. Sebastiaan in Shama, Ghana. Each on a half of the leaf. Ghana paper. pencil fortress Fort St. Sebastiaan

Benjamin West, 1738-1820, American, active in Britain (from 1763), Study of a Vase, Undated. Pen and brown ink and graphite on medium, slightly textured, cream laid paper.

Figure studies and possibly a tree, George Hendrik Breitner, 1883 - 1885 Page 16 from a sketchbook with 18 sheets. The Hague paper. chalk adult man. adult woman. trees

Album magazine with show of Hendrik van Leuven who puts his teeth in the Dutch flag, 1809 - 1869 Album magazine with a cut out performances from a Volksprent with Hendrik van Leuven who puts his teeth in the Dutch flag. Nijmegen paper snipping Belgium. Netherlands Album magazine with a cut out performances from a Volksprent with Hendrik van Leuven who puts his teeth in the Dutch flag. Nijmegen paper snipping Belgium. Netherlands

Running man's figure ..

Zeeuwse Poon, 1797 - 1838 Study of a Zeeland Poon. Also a study of a figure. Page 4 Recto from a sketchbook with 44 sheets. paper. watercolor (paint). pencil brush Study of a Zeeland Poon. Also a study of a figure. Page 4 Recto from a sketchbook with 44 sheets. paper. watercolor (paint). pencil brush

Cavalry Engagement (recto); Concert of Angels (verso) 1624-63 attributed to Francesco Allegrini Italian. Cavalry Engagement (recto); Concert of Angels (verso) 338067

Drawing, Leaning Man; Designed by Luigi Vanvitelli (Italian, 1700 - 1773); Italy; black chalk on paper

Sketch of a statue of H. Joris, Jacob Maris, 1847 - 1899, paper, pencil, h 123 mm × w 75 mm

Bliżej Kultury Stanisławski, Jan (1860 1907)

Sketches of Sculptured Decoration. Entablatures and a Frieze with Human, Animal and Floral Ornaments mid-17th century After Agostino (Stanzani) Mitelli Italian. Sketches of Sculptured Decoration. Entablatures and a Frieze with Human, Animal and Floral Ornaments 350691

Carl Pischinger depicts a rifle leaning on an armchair using pencil, showing the weapon, chair, and surface details, 1868.

George Romney, 1734-1802, British, Seated Classical Figure, ca. 1777. Pen and brown ink; verso: graphite on medium, slightly textured, cream laid paper.

Studies of pons. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 336 mm × w 282 mm. Museum: Rijksmuseum, Amsterdam.

Drawing, Study of Woman's Hair; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on tracing paper; 18.7 × 16.5 cm (7 3/8 × 6 1/2 in.); 1914-38-131

A Chinese man holding an axe. Painting by a Chinese painter.

Studies, including figure studies. Studies, including studies of women. Page 2 from a sketchbook with 46 sheets manufactured in Amsterdam and Haarlem.

A brown pen and pencil drawing by Daniel Gran titled Assitentia Dei, showing a religious composition executed in 1749, focusing on divine figures and classical style.

La Sirène. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints. Drypoint on zinc

Ladies Drinking Indian. Ladies Drinking, ca. 1670. Ink, pounced along outline for transfer, sheet: 5 7/8 x 4 1/4 in. (14.9 x 10.8 cm). Asian Art ca. 1670

Album n � 4; Stained glass project for Lyon (Serin): the good pastor Gsell-Laurent workshop. Album n � 4; Stained glass project for Lyon (Serin): the good pastor. Pencil, watercolor, photography.

Alfred Stevens, 1817-1875, British, The Woodcutter, undated. Graphite on medium, slightly textured, cream wove paper mounted on medium, smooth, cream wove paper.

Drawing, Group of Angels; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on laid paper; 22.9 × 28.3 cm (9 × 11 1/8 in.); 1914-38-236

Sketch of a woman lying on a bed and reading a book. Raynefeld, Józef (1908-1940), draughtsman, cartoonist

Recto, above: Diana and Actaeon; Recto, below: Boar hunt; Verso, above: studies of two male heads; Verso, below: Meeting of Anna and Joachim at the Golden Gate, The circumcision of the Christ-child, Jan van der Straet, called Stradanus, Flemish, 1523-1605, Pen and ink, brush and brown wash on laid paper, Recto, above: Diana and four of her maidens, bathing in a pool. are surprised by the appearance of Actaeon on the scene. Diana has dashed water into Actaeon's face, and his head has already changed into that of a stag. Bottom: Huntsmen on horseback, with dogs, hunting wild boars. Reverse: Visitation, Circumcision, two heads., Netherlands, 1589-1600, figures, Drawing, Drawing

Sitting mother with child, Pieter de Mare, after Christina Chalon, 1777 - 1779 print Leiden paper etching mother and daughter(s) (family group) (with NUMBER of daughters). (playing with) dolls

Bird's head. Draughtsman: Adolf le Comte. Dating: 1860 - 1921. Measurements: h 140 mm × w 94 mm. Museum: Rijksmuseum, Amsterdam.

Vrouwfiguur.Page 59 From a sketchbook with 58 sheets.

Studies of fins. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 280 mm × w 219 mm. Museum: Rijksmuseum, Amsterdam.

Design for Bed Alcove (recto); Studies for Statues and Carvings on Bed (verso) 1805-40 William Pitts British. Design for Bed Alcove (recto); Studies for Statues and Carvings on Bed (verso) 364447

Sheet of Sketches: Sculpture for a Banquet Honoring Queen Christian of Sweden. Artist: Giovanni Paolo (Johan Paul) Schor (Austrian, Innsbruck 1615-1674 Rome). Dimensions: sheet: 8 1/4 x 11 15/16 in. (21 x 30.4 cm). Date: early 17th-late 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for the Decoration of Firearms ca. 1797-1805 Workshop of Nicolas Noël Boutet French. Design for the Decoration of Firearms. French, Versailles. ca. 1797-1805. Pencil, ink, gray wash on paper. Versailles. Works on Paper-Drawings

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