Floral and Animal Patterns

Decorative patterns featuring floral designs and animal motifs, displayed in brocade papers and textiles, reflecting intricate craftsmanship and aesthetic beauty.

Textile, Medium: cotton Technique: block printed on plain weave, Regular arrangement of 'paisley' style motifs in bright colors. The red color was printed using the 'lapis' technique, which combines both a mordant and a discharging agent., England, ca. 1800, printed, dyed & painted textiles, Textile

Pompeian ornament

Panel, 19th century, 28 1/2 x 23 1/2 in. (72.39 x 59.69 cm), Cotton; copperplate print, France, 19th century

Kantontwerp van een schulprand voor reticella-techniek in wit op beige karton.Lace design of a sculpture for reticella technique with three large buts. Thanks to smaller tubs, in white ink on brown cardboard. On lace designs and a sketch with inventory numbers: BK-1979-33-A-1 to BK-1979-33-A-6-b.

Spiral marble in blue, red and yellow, anonymous, 1700 - 1850 marbled paper paper. paint (coating) snail marbled paper

William Kieckhofel, Quilt (Corner), c 1940 Quilt (Corner)

Textile, Medium: silk Technique: woven brocatelle; combination of two structures, 7&1 satin and twill, Design of aqua flowers and scrolls on cream., Europe, 19th century, woven textiles, Textile

Bull gustav (1807-1880), vegetable ornaments (without dat.): View. Pencil watercolor on the box, 53.2 x 21.5 cm (including scan edges) Stier Gustav (1807-1880): Grabmal für Schinkel, Berlin

Tapestry. unknown, author

Piece 18th century Japan. Piece 71831

Panel, 17th-18th century, 43 x 9 5/8 in. (109.22 x 24.43 cm), Linen, silk; embroidery, Greek Islands, 17th-18th century

Border (France); machine-printed paper, gilt, flocked; 54.5 x 31 cm (21 7/16 x 12 3/16 in.)

Design for a Silk Damask, Graphite, brush and white opaque paint (recto design); brush and red, rose, black, and green opaque paint partly applied (verso); white for the frame along the left edge, The right half of a floral palmette is shown following the early Louis XV style and consisting of a central leaf motif which is surrounded by flower boughs. Lace motifs occur., France, 1815-1840, drawing, drawing

Echarpe or runner from Queen Wilhelmina, Isidore de Rudder, 1918 Echarpe or runner of natural -colored needle side, Brussels mesh side. A rectangular centerpiece with mesh soil is filled with rising hyacinths and flowering tulip bulbs, turned to the middle, while the edges are filled with lilies of valleys that are composed in cross shape. At the ends is the Dutch royal weapon, within a wreath of oak branches. Around this is a second shield shape, crowned with the inscription Je Maintiendrai, which is hung with ribbons and bows on a circle arch, which surrounds a wide edge, on which ten putti move in reid dance, scattering orphans of baskets and horns of abundance. This edge is accompanied by an edge with coats of arms of the nine Belgian provinces (Brabant, Liège, Hainaut, Antwerp, West Flanders, East Flanders, Limburg, Namur and Luxembourg), which are, as it were, fascinated in a heavy chain. At the ends, a Schulprand runs, in which a reserve surrounded with orange branches with insc

Album

Sheet with red floral pattern Anonymous 18th century View more. Sheet with red floral pattern. Anonymous , 18th century. 18th century. Relief print (wood or metal). Prints

woven pattern, Medium: silk Technique: plain compound satin, Green satin ground with horizontal pattern of flowers and butterflies in purple, blue and yellow silk., China, 19th century, woven textiles, woven pattern

Fragment (Japan)

Panel Made 1752-1775 England. Silk, plain weave with supplementary patterning warps, supplementary patterning wefts, and self-patterned by three-color complementary ground wefts .

. Napkin of Linnendamast with Chris Lebeau Dessin 512).

Fragment. Nazca or Wari; Peru, south coast, Nazca Valley, Tunga. Date: 200 AD-900 AD. Dimensions: 55.9 × 68.6 cm (22 × 27 in.). Wool (camelid), plain weave of discontinuous warps and wefts; embroidered in double running stitches; edged with cross-knit loop stitches. Origin: Peru. Museum: The Chicago Art Institute, Chicago, USA.

Kesa. Japan. Date: 1801-1825. Dimensions: . Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Piece Japan. Piece. Japan. Indigo-dyed cotton. Meiji (1868-1912) or Taish (1912-26) period. Textiles-Painted and Printed

Pompeian ornament

Wallpaper Sheet from a Set of Ten Wallpaper Sheets, c. 1864-1892, William Morris, British, 1834 - 1896, 41 x 22 in. (104.1 x 55.88 cm) (sheet)46 x 27 in. (116.84 x 68.58 cm) (outer frame), Color lithograph, England, 19th century

Border, Block-printed, Six full lengths of borders with two shorter sections. Greek key design with three-dimension effect. Beading along one edge. Printed in blue and orange on black ground., France, 1830-50, Wallcoverings, Border

Shawl Made 1850-1870 France. Silk and wool, twill weave with supplementary patterning wefts bound in twill interlacings; main warp fringe; woven on a loom with a Jacquard attachment . Anthony Berrus (Designer)

Sidewall And Border (France); block-printed, handmade paper; 82.5 x 48.5 cm (32 1/2 x 19 1/8 in.)

Hanging 1300-1470 Chimú This large Chimú hanging may have once graced an interior space at Chan Chan. The geometric pattern on the textile is composed of stylized pelicans, favored motifs at this seaside city. Similar designs were also depicted in the adobe reliefs that adorned the interiors of Chan Chan palaces.. Hanging 312796

Untitled, Anni Albers, 1941, rayon, linen, cotton, wool, jute, Bauhaus.

Panel, 19th century, L.93 x W.47-3/4 in., satin, ikat, Uzbekistan, 19th century

William Blake, 1757-1827, British, For the Sexes: The Gates of Paradise, London, 1826, 1826. 20 engravings on india proof paper.

Decoration of the dome of the tomb of Soliman (Suleymaniye), Constantinople (Istanbul). Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.

Steel Spanning material to the design of Theo Nieuwenhuis in Passe-Partout, Theo Nieuwenhuis, c. 1910 Steel Spanning fabric from Jacquard-Woven Cotton designed by Theo Nieuwenhuis, in original Passe-Partout. The pattern consists of an aster, leaves and butterflies in a rush-hour, surrounded by wide tires with small stylized leaf, flower shapes, butterflies and dragonflies. Olive -green impact on dark green chain. Netherlandsmaker: Helmond Staal: Cotton (Textile). PASE-PARTOUT: Cardboard jacquard Steel Spanning fabric from Jacquard-Woven Cotton designed by Theo Nieuwenhuis, in original Passe-Partout. The pattern consists of an aster, leaves and butterflies in a rush-hour, surrounded by wide tires with small stylized leaf, flower shapes, butterflies and dragonflies. Olive -green impact on dark green chain. Netherlandsmaker: Helmond Staal: Cotton (Textile). PASE-PARTOUT: Cardboard jacquard

Stencil 19th century Japan. Stencil 70683

Textile. Dated: 1935/1942. Dimensions: overall: 64.2 x 39.3 cm (25 1/4 x 15 1/2 in.) Original IAD Object: 86" high; 41" wide. Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Sidewall (France); Designed by René Crevel (French, 1900-1935); Printed by Geffroy, C.H.H., for Nancy McClelland; Distributed by Nancy McClelland, Inc.; block-printed paper; 69 x 49.5 cm (27 3/16 x 19 1/2 in.)

Silk fabric from a IIturgical cape unknown

Spiral marble in red, gray and black, anonymous, 1900 - 2000 marbled paper paper. paint (coating). lacquer (coating) snail marbled paper

Greek Ornament

Schweifwerk with animals; Schweifwerk Ornaments for goldsmiths. From series of 6 sheets.

Fragment of printed silk Unknown, Wiener Werkstätte

Border. Italy, Aquila. Date: 1601-1750. Dimensions: 12.1 x 140.4 cm (4 3/4 x 45 1/8 in.). Linen, bobbin straight lace. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Photo album with 65 photos with cityscapes and sculptures from Italy, Anonymous, 1870 - 1890 Photo album with 65 stuck albumin prints on 65 pages. Displayed are cityscapes in Rome, Tivoli, Naples, Sorrutte, Pompeii and Genoa, and sculptures from various museums in Italy. Italy paper. cardboard albumen print / decorated paper Rome. Vaticaanstad. Tivoli. Florence. Naples. Capri, island of. Sorrento. Amalfi. Pompeii. Genua Photo album with 65 stuck albumin prints on 65 pages. Displayed are cityscapes in Rome, Tivoli, Naples, Sorrutte, Pompeii and Genoa, and sculptures from various museums in Italy. Italy paper. cardboard albumen print / decorated paper Rome. Vaticaanstad. Tivoli. Florence. Naples. Capri, island of. Sorrento. Amalfi. Pompeii. Genua

Fragment Made 1301-1400 Lucca. Silk and gilt-animal-substrate-wrapped linen, warp-float faced 3 1 twill weave with supplementary patterning wefts bound by secondary binding warps in a weft-float faced 3 1 twill weave .

Stencil 19th century Japan. Stencil 69237

Lluís Domènech i Montaner / Mosaico hidráulico, del álbum-catálogo n.6 Escofet y Tejera, 1900.

Sheet with overall dot and floral pattern late 18th-mid-19th century Anonymous. Sheet with overall dot and floral pattern. Anonymous , Italian, late 18th-mid 19th century. late 18th-mid-19th century. Relief print (wood or metal). Prints

Sidewall, Block-printed, Circular medallion with a six-pointed rosette in center. Medallion is enwreathed with scrolls. Star motifs are scattered over field. The blending is vertical and done by hand. From the home of Horace Loomis, built 1800 in Burlington, Vermont. Printed on unbleached paper. Blended background: pink,gold, green, blue. Design in gray., USA, 1820-30, Wallcoverings, Sidewall

Red No. 2. Sam Francis; American, 1923-1994. Date: 1954. Dimensions: 195.6 × 99.1 cm (77 × 39 in.), without frame. Oil on linen. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Leaf with windscreen pattern (one of eight identical sheets), Anonymous, 1850 - 1950 decorated paper Japan China paper. Japanese paper. paint (coating). block printing (relief printing process) ornament ~ geometric motifs

Panel Made 1690-1699 France. Silk, 4 1 satin damask weave .

Feathered Star Quilt. Dated: c. 1936. Dimensions: overall: 55.9 x 48.6 cm (22 x 19 1/8 in.) Original IAD Object: 91" long, 93" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Katherine Hastings.

ALICATADOS DE ALICERES CURVOS DEL PORTICO SEPTENTRIONAL DEL PATIO DE LOS ARRAYANES - SIGLO XIV. Location: ALHAMBRA-PATIO DE ARRAYANES. GRANADA. SPAIN.

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A row of obliquely shown lace disks between horizontal borders of hanging and small upright plants growing from lines., France, 1805-1815, Drawing, Drawing

Strip application side with emperor crown and iris, anonymous, c. 1800 - c. 1809 Strip of natural -colored application side: needle side - Brussels mesh side - Applicated on mechanical tulle. Two edges run on the bottom. The inner and widest consists of a running, flat S-rank, which is cut over by a stem-oriented stem with a raised emperor crown, two hanging irises and two hyacinthen. The outer, ornamental edge consists of palms, under pointed arches, interspersed with a standing twig. The outside is right by an eye list. A stray pattern of hanging bell flowers fills the machine tuler floor above the edges. Brussels linen (material) Brussels Gaze Point Strip of natural -colored application side: needle side - Brussels mesh side - Applicated on mechanical tulle. Two edges run on the bottom. The inner and widest consists of a running, flat S-rank, which is cut over by a stem-oriented stem with a raised emperor crown, two hanging irises and two hyacinthen. The outer, ornamental edge consi

Textile, Medium: cotton Technique: printed by engraved copper plate on plain weave, Textile printed in red on white background showing four vignettes of country scenes with people and their virtues., England, 18th century, printed, dyed & painted textiles, Textile

Drawing, Floral field and border; France; white on glazed paper; 1931-93-387

Boetticher Carl (1806-1889), various decorations, fabrics, wallpaper (without date): Detail. Ink colored and gold heighted on paper, 24 x 32.7 cm (including scan edges) Boetticher Carl (1806-1889): Verschiedene Dekorationen, Stoffe, Tapeten

Stencil 19th century Japan. Stencil. Japan. 19th century. Paper, silk. Stencils

Frieze or dado, Block-printed on handmade paper, Two circular designs in pink, yellow, black with marbleized lozenge shape in center of each; stylized floral motif and shell motif borders, on dark olive ground., France, 1800-1850, Wallcoverings, Frieze or dado

Elevator Surround from the Chicago Stock Exchange Building. Louis Henri Sullivan (United States, 1856-1924)Winslow Brothers Co. (United States, Illinois, Chicago, 1887-1921)Adler & Sullivan (United States, active 1883-1895). United States, 1892-1894. Sculpture. Electroplated copper finish over cast iron, wrought iron

Piece. Culture: Japan (Shiga). Dimensions: 13 1/4 x 12 1/4 in. (33.66 x 31.11 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Abstract Landscape and Lanterns, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), This asymmetrical landscape is created with two sets of circles created by the hole punching technique. One side is jagged and unrefined while the other side creates a smooth geometric shape. Between the landscapes is a negative space that is lit up with lanterns, big and small, and two crests decorated with flowers and a third crest with a little chicken., Japan, late 18th - mid 19th century, textile designs, Katagami, Katagami

Chinese ornament

Field of seventy tiles with animals and shepherds, anonymous, c. 1625 - c. 1650 Field of seventy tiles (10 x 7) each with a blue painted animal or shepherd on a ground. On both sides, a column with lily. Netherlands earthenware. tin glaze majolica Field of seventy tiles (10 x 7) each with a blue painted animal or shepherd on a ground. On both sides, a column with lily. Netherlands earthenware. tin glaze majolica

Endleaves of Art. Goût. Beauté.. In November 1921 a new fashion magazine appeared under the name Art. Goût. Beauté. Its initials were taken from Albert Godde Beddin et Cie, a prestigious textile manufacturer and publisher established in Lyon in 1867. Textile designs of the companys own manufacture were used for the magazines decorative endleaves, with the name and number of the pattern noted in a small inset.

Deraisme, Pierre -Georges (n.1859 - D.1932), box (main title), 1910. Graphite, gouache on the front, gouache on the back on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Pavés en fayence sic incrustés en mastic de couleur, ouvrages du XVIe. siècle.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Bliej Kultury unknown

Greek Ornament and Etruscan Ornament

Tulip and Willow, 1875. By William Morris

Willow, Jeffrey & Company, 1836-1930 London, England, William Morris, (British, 1834-1896), Block-printed on paper, Willow leaves in a seemingly random pattern. Printed green on cream ground., London, England, 1874, Wallcoverings, Sidewall, Sidewall

Album

Field of forty-eight tiles. Field of 48 tiles (8 x 6) each with a blue painted landscape with building, figure or bird. In the corners, a spider.

Mosaic Beadwork 664 B.C. From Akhmim

Patchwork Quilt and Detail. Dated: c. 1936. Dimensions: overall: 34.5 x 24.4 cm (13 9/16 x 9 5/8 in.) Original IAD Object: 72" wide; 84" high. Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Ellen Duncan.

Piece 18th-19th century Japan. Piece 65808

Insertion 16th century Italian, Venice. Insertion 221041

Panel, 19th century, 42 7/8 x 33 1/2 in. (108.89 x 85.09 cm), Cotton; copperplate print, France, 19th century

Panel of printed camlet. Culture: British. Dimensions: Overall (confirmed): 28 3/4 × 28 1/2 in. (73 × 72.4 cm). Date: late 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Piece. Culture: French or British. Dimensions: Overall: 21 x 20 1/4 in. (53.3 x 51.4 cm). Date: 1760-70. Museum: Metropolitan Museum of Art, New York, USA.

Mosquée d'El Bordeyny : détails de mosaïques murales (XVIIe. siècle) : 2. Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Decoration and ornament, Islamic, Arabesques, Mosaics, Islamic

Design for the decoration of a beamed ceiling 1840-97 Jules-Edmond-Charles Lachaise French. Design for the decoration of a beamed ceiling 385284

Stencil 19th century Japan. Stencil. Japan. 19th century. Paper, silk. Stencils

Banknote motif: oval of lathe work ornament with a wavy edge. Artist: Associated with Cyrus Durand (American, 1787-1868). Dimensions: sheet: 1 3/4 x 1 7/16 in. (4.5 x 3.6 cm). Printer: Printed by A. B. & C. Durand & Company (American, active 1824-27); Printed by Durand, Perkins, and Company (New York). Date: ca. 1824-42. Museum: Metropolitan Museum of Art, New York, USA.

Replica Ancient Egyptian Mat work hanging. Copied from woven mats made of reeds; they were in use as wall decorations in official dwellings and official buildings as well as tombs throughout ancient Egypt. Recreated in 2011

Design for the ex Libris by Carel Lion Cachet, Carel Adolph Lion Cachet, 1874 - 1945 drawing Design for the ex-libris by Carel Lion Cachet, the son of the artist. deck paint. pencil brush ex-libris. ornament derived from animal forms. beasts of prey, predatory animals: lion

Sample of Calico. Dated: c. 1941. Dimensions: overall: 27.6 x 22.7 cm (10 7/8 x 8 15/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Genevieve Sherlock.

Chinese Coromandel lacquered screen manufactured for a European market 1600-1700

Steel with printed silk, Dessin Seville. Steel with printed side. Dessin Seville, WW No. 00086. Stripe design in black, blue and gray, with stylized flower branches in pink. The steel is glued to cardboard on which the vignette of the Wiener Werkstätte. At the rear two color variants in green with black and in red with black.

Vector illustration of Ukrainian ornament in ethnic style, identity, vyshyvanka, embroidery for print clothes, websites, banners

Decorative Panel from Rail Car Interior. Dated: c. 1936. Dimensions: overall: 33.7 x 25.2 cm (13 1/4 x 9 15/16 in.). Medium: watercolor, gouache, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Wellington Blewett.

Textile, "Rhythmics Series" Henriette Reiss (American, born England, 1889-1992). 1928. Silk, blockprinted or screenprinted, 52 x 24 in. (132.1 x 60.9 cm). 1928

Textile, Medium: cotton Technique: e-gasuri (warp and weft ikat) on plain weave, Narrow vertical panel with a design of mounded pine trees (matsu) and a tortoise in weft ikat alternating with overlapping squares in warp and weft ikat., Japan, 1850-1900, printed, dyed & painted textiles, Textile

Fukusa (Gift Cover). Japan. Date: 1775-1800. Dimensions: 70.1 x 65.3 cm (27 5/8 x 25 3/4 in.). Silk, satin weave (shusu); embroidered with silk and gold-leaf-over-lacquered-paper-strip wrapped cotton in knot, satin, single satin, surface satin and stem stitches; laidwork and couching; relined. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Animal gods (). Tapestry by a Tibetan artist.

Design detail of a grandstand at Freudenau, Vienna II, by Carl von Hasenauer, executed in ink with spring on paper and watercolor.

Textile Jacinto López Ramírez (Mexican, Huichol (Wixárika)). , ca. 2006. Cotton, 36 x 30 in. (91.4 x 76.2 cm). Arts of the Americas ca. 2006

Edging 17th century Italian, Genoa. Edging 221115

GustavMarmer in Bruin op Geel, Anonymous, 1900 - 2000 sprinkled paper paper. paint (coating). lacquer (coating) cocoa marbled paper

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