Floral and Ornate Wallcoverings

Decorative wallcoverings featuring intricate floral designs and formal patterns, printed in vibrant colors, capturing classic elegance.

Frieze, Machine-printed paper, Series of foliate medallions alternating between large and small, from which 'C' scrolls and acanthus leaves emerge, curving upwards. A series of 'C' scrolls runs across the botttom. Printed in white, brown, and shades of green on tan ground., USA, 1905-1915, Wallcoverings, Frieze

Renaissance ornament

Frieze, Maxwell & Co., S.A., Chicago, Illinois, USA, Machine-printed paper, A repeating design reminiscent of a hand mirror containing a three-flower group framed by four circles of dots contained within a dotted curved border. Connected by garlands and dotted curves to complementary design on an irregular striated background within bottom borders of garlands and horizontal stripes and top borders of dotted ornament. Printed in white, pale yellow, blue-green, gold, taupe and beige., USA, 1905-1915, Wallcoverings, Frieze

Sidewall, Constantin Prinz zu Hohenlohe-Langenburg, Block-printed paper, Drop repeating motif. A large symmetrical foliate and strapwork frame enclosed a symmetrical diapered medallion, the base of which is enfolded in large leaves. Trailing roses in the spaces around the frames. Printed on gray ground., France, 1840, Wallcoverings, Sidewall

Fragment, Medium: linen Technique: grid of laid cord with needle lace (reticella style), Heart shaped design with little areas of relief throughout design., Italy, 16th century, lace, Fragment

Frieze, Machine-printed paper, embossed, Gilt ground, vines and border in olive green and black; flowers and butterfly dark red. Printed on embossed paper., USA, 1880-85, Wallcoverings, Frieze

Panel Made 1550-1575 Turkey. Silk, satin weave with gilt-metal-strip-wrapped silk discontinuous supplementary facing wefts and supplementary pile warps forming cut voided velvet .

Frieze, Japanese Passion Flower; possibly England; block-printed on embossed paper; 68.5 x 57.5 cm (26 15/16 x 22 5/8 in.)

Sidewall (France); Manufactured by Zuber & Cie (France); machine-printed on machine-made paper; 77 x 56 cm (30 5/16 x 22 1/16 in.)

Sidewall (France); block printed on joined sheets; Overall: 67 x 50 cm (26 3/8 x 19 11/16 in.)

Frieze (USA); machine-printed; 72 x 21 cm (28 3/8 x 8 1/4 in.)

Frieze (USA); Distributed by Maxwell & Co., S.A. (United States); machine-printed paper; 234 x 49.5 cm (92 1/8 x 19 1/2 in.)

Frieze, Machine-printed, embossed, Large bunches of pink carnations repeat horizontally above a continuous wave. Design richly laid with gold leaf. Floral bands at bottom. Graded cream and brown ground. Gold leaf., USA, 1885-89, Wallcoverings, Frieze

Frieze, Cresswell & Washburn Ltd, Philadelphia, Pennsylvania, 1880 - 1900, Machine-printed paper, Frieze on patterned red ground, to the apearance of swagged velvet fabric or drapery gathered at the top by gold metallic fasterners; metallic gold and white torch-motif patterns bordered at the bottom by scalloped metallic gold patterned swags., Philadelphia, Pennsylvania, USA, 1875-1900, Wallcoverings, Frieze

Design for a ceiling second half 19th century Jules-Edmond-Charles Lachaise French. Design for a ceiling 388266

Frieze, W.H. Mairs & Co., 1855, Machine-printed paper, Lacy swags, ends caught in bowknots with pendent ends. Garlands of roses and leaves festooned below swags, clusters of roses secured in bowknots. Lower portion of frieze ground scattered with tiny floral and foliate motifs. Top edge of frieze has numerous narrow stripes flanking a band of 'S' pattern. Lower edge has two fine stripes; printed in white, pink, coral, rose, mauve, greens, aqua, gilt and mica. Ground is pale aqua at top of frieze, shaded to very pale tint at bottom., USA, 1905-1915, Wallcoverings, Frieze

Wallpaper, Textile Design: Klaudia; Made for Wiener Werkstätte (Austria); brush and gouache on paper; 20.3 × 13.7 cm (8 × 5 3/8 in.) Mat: 31.9 × 45.7 cm (12 9/16 × 18 in.)

Design for the decoration of a hexagonal ceiling with rinceaux 1830-97 Jules-Edmond-Charles Lachaise French. Design for the decoration of a hexagonal ceiling with rinceaux 384961

Frieze (USA); Manufactured by York Card & Paper Co.; machine-printed paper; 92 x 59.5 cm (36 1/4 x 23 7/16 in.)

Wallpaper Design, Brush and watercolor, gouache, graphite on heavy white wove paper, A dado is shown at the bottom, an entablature on top. Panel has a lilac ground, decorated with rows of spherical octagons with plant motifs in the scheme of steering wheels, alternating with motifs in the scheme of crosses of St. Andrew, composed of four palmettes around a central petal. A garland is on top, with its upper part upon a dark background., Austria, 1830-50, wallpaper designs, Drawing, Drawing

Sidewall, Tudor Rose; Designed by W. Scott Morton (ca. 1840 - 1903); Scotland; embossed canvas with backing paper

Wilkinson Tracing, Printed design for floral inlaid decoration, 1816-20. Ink on laid paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Arabesques : faïences murales de la mosquée d'Ibrahym Agha (XVIe. siècle) : 2. Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Decoration and ornament, Islamic, Arabesques, Faience tiles, Tiles, Islamic

Design for the Decoration of the Ceiling in the Vestibule (Ier étage), Hôtel de S. A. le Prince de P... Pless?}, Berlin second half 19th century Jules-Edmond-Charles Lachaise French. Design for the Decoration of the Ceiling in the Vestibule (Ier étage), Hôtel de S. A. le Prince de P... Pless?}, Berlin 384787

Portfolio, Historic Ornament; USA; watercolor, ink

Design for Bedroom Ceiling, Hôtel Hope. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 6 7/8 x 10 1/4 in. (17.5 x 26.0 cm). Date: 1867. Museum: Metropolitan Museum of Art, New York, USA.

Frieze, Machine-printed paper, Alternating stylized art nouveau-like tulips with stem and smaller tulip topped with linear gilt, geometric motif. Each large tulip motif is surrounded by snake-like branches with small flowers and leaves in gilt. Printed in gilt, cream, dark green, brown and rose-brown on a gray ground., USA, 1905-1915, Wallcoverings, Frieze

Wallpaper Attributed to J. Z. Zuber & Cie.. , ca. 1890. Paper, 19 3/4 x 24 in. (50.2 x 61.0 cm). Decorative Arts ca. 1890

Linnamast napkin with a historical scene ,, c. 1706 - c. 1725 Napkin from Linnamast with the glorification of Charles III as king of Spain after the Battle of Ruamies. Flanders (Possible) linen (material) damask Napkin from Linnamast with the glorification of Charles III as king of Spain after the Battle of Ruamies. Flanders (Possible) linen (material) damask

Painted Panel. Unknown

The Taj Mahal mausoleum interior by tombs of Shah Jahan and Mumtaz Mahal , Uttar Pradesh, India

Frieze (USA); Manufactured by Maxwell & Co., S.A. (United States); machine-printed paper; 96 x 49 cm (37 13/16 x 19 5/16 in.)

Wallpapersample. Maker: Jean Zuber & Cie, French, founded 1797Retailer: A. H. Davenport, American, late 19th-early 20th century

Frieze, York Card & Paper Co., 1891, Machine-printed paper, A repeating 'art nouveau' design of cartouches containing flower-like abstractions. Connected by horizontal bands with geometric compartments to complementary cartouches on a ground which becomes darker towards base and has a diamond-dot pattern with horizontal bands at the top and abstracted acanthus-like band at the bottom. Printed in gold, green, beige, brown cream and white., York, Pennsylvania, USA, 1905-1915, Wallcoverings, Frieze

Sidewall, Stamped and flocked paper, Stamped gold foliate motifs, with two different motifs alternating in vertical rows. Printed on deep burgundy flock ground., USA, 1860-80, Wallcoverings, Sidewall

Border, Medium: linen Technique: bobbin lace, continuous braid-like, Wide border of elaborate geometric pattern showing alternating circular motifs and X-shapes. Framed at top by rectangles and at bottom by pendants., Belgium, early 17th century, lace, Border

Frieze (USA); Distributed by Maxwell & Co., S.A. (United States); machine-printed paper; 234 x 49.5 cm (92 1/8 x 19 1/2 in.)

Frieze, W. Campbell & Co., Machine-printed and embossed, Entire field pebble embossed while the design is again embossed over the pebble field which is old ivory. Tan border at bottom with a stiff formal thistle design. Remainder of border with ivory field has a scroll design in gold with gray-blue shading. A pale scroll in all gray-blue appears in background. At top is a narrow horizontal thistle border. Top edge is marked: 'Campbell & Co., N.J. - 1996'., USA, 1880-89, Wallcoverings, Frieze

Thistle in art nouveau patterns for wallpaper, fabric, borders and carved stone capital for a column. Lithograph by M. P. Verneuil with pochoir (stencil) handcoloring from Eugene Grasset's Plants and their Application to Ornament, Paris, 1897. Eugene Grasset (1841-1917) was a Swiss artist whose innovative designs inspired the art nouveau movement at the end of the 19th century.

Frieze, Machine-printed paper, Scattered large gilt rinceaux with loose bouquets of yellow wild roses and branches at the top of the rinceaux. Row of beading across bottom. Printed in gilt, shades of green, pale yellow, brown, copper and mustard on a tan ground., USA, 1905-1915, Wallcoverings, Frieze

Design for the painted decoration of a coffered ceiling with the monogram: H 1830-97 Jules-Edmond-Charles Lachaise French. Design for the painted decoration of a coffered ceiling with the monogram: H 384875

Thankfullness (valentine). John Windsor; English, 19th century. Date: 1860-1870. Dimensions: 104 × 77 mm (folded sheet). Collaged elements on embossed (designed) and coated ivory paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Drawing, Design for a Woven or Embroidered Horizontal Border of the "Fabrique de St. Ruf"; Designed by Fabrique de Saint Ruf; France; brush and gouache on glazed tracing paper; 9.9 × 25.5 cm (3 7/8 × 10 1/16 in.)

Design for an ex libris with monogram and lions. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 404 mm × w 286 mm. Museum: Rijksmuseum, Amsterdam.

Four embroidery sampler patterns for a work basket, with frill and tassles. Handcoloured copperplate engraving by D. Sluyter after an illustration by Cornelis Borsteegh from Anna Barbara van Meertens Penelope, Or Maandwerk aan het Vrouwelijk Geslacht Toegewijd (Penelope, Monthly Magazine dedicated to the Female Sex), G.J.A. Beijerinck, Amsterdam, 1821. Van Meerten was an educator, writer and pioneer in womens rights in Holland.

Frieze (USA); Manufactured by York Card & Paper Co.; machine-printed paper; 172.5 x 49 cm (67 15/16 x 19 5/16 in.)

Skylight with ajour cutting work with a vase on pedestal, filled with fruits and flower branches., Anonymous, 1700 - 1725 Light light of cut, blue-green and gold painted pine. The openwork carving shows a vase on a pedestal filled with fruits and flower branches in relief in the middle; The vase is flanked by two parrades of parrots, standing on broken S-shaped volutes with Acanthus leaf, which are part of the pedestal decorated with Acanthus leaf. Lion claws have been installed under these volutes. Broken S-Voluten, also decorated with acanthus leaf in the left and right corner. Northern Netherlands wood (plant material). pine (wood). gilding (material) gilding Light light of cut, blue-green and gold painted pine. The openwork carving shows a vase on a pedestal filled with fruits and flower branches in relief in the middle; The vase is flanked by two parrades of parrots, standing on broken S-shaped volutes with Acanthus leaf, which are part of the pedestal decorated with Acanthus leaf

Pompeian ornament

Untitled Valentine (Two Birds). Mullord Brothers; English, 19th century. Date: 1860-1869. Dimensions: 93 × 65 mm (folded sheet). Collaged elements under cut and embossed (designed) ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Valentine - Dearest I Love but Thee

. Napkin of Linnendamast with the motif Visschen, Dessin 561.

Frescoed ceiling and stucco decorations on the walls, room in Villa Arconati, first floor (piano nobile), Castellazzo di Bollate, Lombardy, Italy, 18th century.

Frieze (France); block-printed on handmade paper; 47 x 50 cm (18 1/2 x 19 11/16 in.)

Design for a ceiling. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 10 3/8 x 14 3/4 in. (26.4 x 37.4 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Fragment (Japan)

Sidewall, Block-printed, Two widths of paper with framework of acanthus scrolls in browns, and sprays and clusters of flowers and foliage in colors. Not complete repeats. Printed in shades of periwinkle blue, pale aqua, lavenders, rose, pinks, greens, tan, brown, ochre., possibly France, 1860-70, Wallcoverings, Sidewall

ENCUADERNACION DE LA GUIA DE FORASTEROS. Location: SENADO-BIBLIOTECA-COLECCION. MADRID. SPAIN.

Toleware Tray. Dated: 1935/1942. Dimensions: overall: 36.9 x 25.2 cm (14 1/2 x 9 15/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: David S. De Vault.

Hand drawn illustration in folk style. Floral ornament. Ukrainian folk art. Petrykivka. Beautiful border with flowers in vintage style.

Architecture, wall, detail, painting

Study for the Southeast Section of the Cupola of Florence Cathedral; Giorgio Vasari (Italian, 1511 - 1574); Florence, Tuscany, Italy; about 1572; Pen and brown ink and brown wash over some traces of black chalk; 41.3 x 21.7 cm (16 1,4 x 8 9,16 in.)

Sidewall and border, Block printed on handmade paper, Vertical rectangle. Field covered with diagonally-placed white dots, leaving space for two motifs at center; one of a child offering a rose to a woman seated in a chair beside a table; the other of a rabbit crouched on a log. Above, border of drapery and daisy baskets; above this, and across the bottom, border strip of simulated architectural molding, printed in brown and yellow., France, 1810-20, Wallcoverings, Sidewall and border

Renaissance ornament

Frieze (USA); machine-printed paper; 179.5 x 49.5 cm (70 11/16 x 19 1/2 in.)

Valentine 1847-1870 Anonymous. Valentine. Anonymous. 1847-1870. Cameo-embossed, open-work lace paper, chromolithography, colored paper

Two farm couples and child. Boucher, François (French, 1703-1770) (designed after) painter Oudry, Jean-Baptiste (French, 1686-1755) (designed after) painter c. 1775-1800 Tapestry Dimensions: H 8'10" x W 6'4" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Schinasi, invoiced 5/9/1929; sold to M. Bartes Liquid (probably) 12/26/1939 SS 007. French & Co. purchased from Miss Renee Verne, received 12/26/1939; sold to Mr. Tullie Silva 9/28/1966 SS 53916. Beyond garlanded portico with ribbon-suspended trophy of musical instruments This panel, along with the others in set, has been cut down at the sides. The attribution of the weaving to Roby le Jeune (as suggested on verso of photograph) is probably based on the partial inscription ...EUNE on the plinth of the column at the left of the "Hunters & Fountain" piece (GCPA 0243016). However, this is the position usually reserved for designer's, not weaver's, name. Furthe

The Hague, Vliet, JH van der, Blommendaal, Imprimerie de C., Spanier, Elias, Le Bal Costume given at the Palais de SAR Monseigneur le Prince d'Orange on 26 February 1845, verso - stamped, Back of a decorated paper cover printed in gold and green. Standing figure of mr. Deminière, the French ballet master at the royal court, in costume, within ornamental frames. Cover of the printed description by le Comte de Guldenlew of a costume ball held at the palace of the Prince of Orange (later King William III) in The Hague on 26 February 1845., print, prints, enten, Frederik Muller Historieplaten, height 390 mm, width 303 mm, Dutch, 1821-03-03 - 1863-04-27, print maker, printmaker, 1845 - 1845, paper, papier, kleurlithografie (process), printer, drukker, Publication (Event), Publicatie, publisher

Indian No 5 bis Plate LIII bis From The Grammar of Ornament by Owen Jones published by Day & Son London 1865

The Greatest Bliss that Mortals Know (valentine) 1845-1855 England. Lithograph with hand-coloring on ivory wove paper .

Diebitsch Carl von (1819-1869), ornamentation (without dat.): Detailed detail, floral ornament, horse sketch on the back. Pencil watercolor on the box, 24.1 x 25.6 cm (including scan edges) Diebitsch Carl von (1819-1869): Ornamentik

Floor mosaic from the House of Epigrams, Regio V, Insula 1, 18. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhns Les Plus Belles Peintures de Pompei (The Most Beautiful Paintings of Pompeii), Leipzig, 1881.

Valentine 1878 Anonymous. Valentine. Anonymous. 1878. Cameo-embossed, gilded open-work lace paper, chromolithography, ink,

Dado (France); block-printed on handmade paper; 212.5 x 58.5 cm (83 11/16 x 23 1/16 in.)

Frieze (USA); machine-printed; 48 x 26 cm (18 7/8 x 10 1/4 in.)

Mosquée de Qaytbay : ornementation des portes et des armoires (XVe. siècle). Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Decoration and ornament, Islamic, Arabesques, Doors & doorways , Egypt , Cairo

Borders (France); block-printed, handmade paper; 54.5 x 47.5 cm (21 7/16 x 18 11/16 in.)

Firescreen 1884 John La Farge American According to family tradition, John La Farge composed this panel in 1884 as a tenth wedding anniversary present for his close friends Richard Watson Gilder (1844-1909) and his student, Helena de Kay (1846-1916), a painter. A wreath encircling their initials and the year 1874 inscribed in gold commemorate their marriage. It originally functioned as a window in an inglenook in the Gilders' home and his wife's studio, at 103 East Fifteenth Street. About 1890, Stanford White (1853-1906), a member of the Gilders' artistic circle, remodeled the house, removed the panel from its architectural setting, and refitted it as a freestanding fire screen. The use of opalescent glass and delicate glass jewels is characteristic of the early work of La Farge.. Firescreen 3682

Philippi, Carl, pendant frame (main title). Graphite, gouache on the front; Graphite on the back on beige cartonette. Petit Palais, Museum of Fine Arts of the City of Paris.

Cut Paper (Mexico); gold-leaf embossed on white paper; Overall: 28.7 x 21.9 cm (11 5/16 x 8 5/8 in.)

Renaissance ornament

Antique Trompe l'oeil wall painting from the House of Zephyr and Flora, or the Casa del Naviglio or Casa delle Baccanti, in Pompeii, excavated 1826. Handcoloured lithograph after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras, Ornamente aller klassischen Kunst-Epochen, Reimer, Berlin, 1834.

Valentine ca. 1850 Anonymous. Valentine. Anonymous. ca. 1850. Cameo-embossed, open-work lace paper, chromolithography, watercolor, die-cut scraps, gilt scrap

Design for a Wrought Iron Light Fixture, Anna M. de Pool, Pen and ink, watercolor on Bristol board. Red seals., Vertical rectangle. A lamp fixture, suspended from a wall bracket., USA, 1894, appliances & tools, Drawing, Drawing

Part of a folding screen, anonymous, c. 1700 - c. 1750 Part of a car screen of six strokes, stretched with painted linen on which Piedestals, vases with flowers, medallions and birds are installed in various colors. Northern NetherlandsNetherlands wood (plant material). linen (material) Part of a car screen of six strokes, stretched with painted linen on which Piedestals, vases with flowers, medallions and birds are installed in various colors. Northern NetherlandsNetherlands wood (plant material). linen (material)

There's not a Thought (valentine) 1835-1845 England. Watercolor and pen and black ink, with collaged elements on gold accented and embossed ivory wove paper .

Mainz, Scholz, firm Jos., Netherlands, Letter of greeting with a wreath of flowers and a landscape with people at a tent, verso - stamped, Letter of greeting with an unwritten cartouche within a decorative frame with representations of a wreath of flowers and a landscape with a group of people at a tent. Numbered lower left: No. 5., print, folk print, letter of greeting, prints, folk prints, height 423 mm, width 343 mm, print maker, printmaker, 1829 - 1880, paper, papier, lithografie (technique), kleuren, Publication (Event), Publicatie, Duits, publisher

18th grade cover, front GAL1916.7.1_1

Sample (France)

BIBLIOTECA CON ENCUADERNACIONES ARTISTICAS. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Valentine - My Hope in Thee

Machine made lace by Heyman & Alexander and by Birken of Nottingham.. Wyatt, M. Digby (Matthew Digby), Sir, 1820-1877. Prints. 1852. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decorative arts , Exhibitions, Great Exhibition (1851 : London, England)

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris. Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). 1830-90. Watercolor over graphite. Drawings

Wallpaper, 1930s, maker unknown. Gift of Ray and Betty Weeber, 2010.

Design elements and decorative motifs from the rococo era of Louis XIII, 17th century. 1-5 after H. Janssen, 6-12 after Michel Blondus. Chromolithograph designed and lithographed by Ernst Guillot from Elements d'Ornementation du XVIIem et XVIIIe Siecle, Elements of Ornament of the 17th and 18th century, Renouard, Paris, 1890.

Sidewall (France); machine-printed on paper; Overall: 305 x 50 cm (10 ft. 1/16 in. x 19 11/16 in.)

Sidewall (France); block-printed on satin ground; c) 76 x 48.5 cm (29 15/16 x 19 1/8 in.)

Valentine - Contentment

Floral Border #9 Diana Ong (b.1940 Chinese-American) Watercolor

Ex libris by Edouard Rahir. .

Sidewall, Block-printed on satin ground, On satin or polished green ground, two columns of alternating grisaille and green fruit and leaf clusters and grisaille floating architectural landscapes; an all-over dark green flat scrolling flower and leaf pattern surrounds them., France, ca. 1845, Wallcoverings, Sidewall

Ordres brésiliens; Couronnes, sceptres et manteaux, 1834 - 1839, by Jean Baptiste Debret (1768-1848). Published in Paris by Firmin Didot Frères. The work features themes related to Brazil's social life and customs, focusing on medals and regalia (insignia)

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