Floral Textile Designs

Illustrations showcasing intricate floral patterns and designs suited for embroidery and textile prints, presented in a variety of styles.

Drawing, Unfinished Design for a Waistcoat; France; various gouaches on paper; 19.8 × 31 cm (7 13/16 × 12 3/16 in.)

Martins-pêcheurs, libellules et butome en ombrelle, bordures; papillons et oxalide, étoffe. Verneuil, M. P. (Maurice Pillard), 1869-1942. Prints. 1897. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament , Animal forms

Frieze, Maxwell & Co., S.A., Chicago, Illinois, USA, Machine-printed paper, Two bands of a repeating design which proceed in opposite directions and which are reversed. Composed of a continuous floral mountain and valley chain, interrupted by a similar but opposite chain and ground having an oriental branch-like overlay bordered on the bottom by a continuous lotus-bud abstraction and on the top by inverted v's and horizontal strips. Printed in white, mica, greens, lavendar, yellow, pink and red., USA, 1905-1915, Wallcoverings, Frieze

Design for stained glass, Alice Cordelia Morse, American, 1863-1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design of arched window with separate panels, all framed by orange and red; two vertical panels identical designs of spade-shaped pattern with purple vines, mandorlas at center of yellow ground, with C-scrolls below. Upper circular panels contains 4-lobed flower in purple and green., USA, late 19th century, architecture, interiors, Drawing, Drawing

Piece 18th-19th century Japan. Piece. Japan. 18th-19th century. Silk. Edo period (1615-1868). Textiles-Woven

Drawing, Design for an Embroidered or Woven Horizontal Border of the "Fabrique de St. Ruf"; Designed by Fabrique de Saint Ruf; France; brush and white gouache on glazed tracing paper; 19.7 × 30.5 cm (7 3/4 in. × 12 in.)

Trellis 1864 William Morris British Buy a print Custom framed to suit your space. Trellis. 1864. Block-printed in distemper colors. Wallpaper

Suite of 7 Ornamental Designs with the Judgement of Paris, Adriaen Collaert, Flemish, ca. 1560 - 1618, Adriaen Collaert, Flemish, ca. 1560 - 1618, Engravings on laid paper, Series of 6 figures from the episode of the Judgement of Paris. The three contestants for Paris apple, Juno, Minerva and Venus, are each accompanied by an identifying attribute. Also included in the series are paris, Mercury and a river god. Two prints of the latter are included. Figures are set within a medallion on a dark field (sur fond noir) decorated with intricate grotesques, sometimes relating to the central figure., Antwerpen, Belgium, ca. 1690, albums (bound) & books, Album, Album

Chair Seat. Dated: c. 1937. Dimensions: overall: 43.3 x 40.7 cm (17 1/16 x 16 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Samuel O. Klein.

Drawing, Design for a Jug; Made for Noritake; Japan; brush and watercolor, black, gold gouache, graphite on cream paper; 29.4 x 15.3 cm (11 9/16 x 6 in.) Mat: 35.7 x 45.8 cm (14 1/16 x 18 1/16 in.); 1985-14-47

Fragment, Medium: tempera on silk Technique: printed and painted on plain weave, White ground with narrow vertical stripes of pale blue. Serpentine dark green stems with light green, almond-shaped leaves and red, purple, and blue flowers., China, 18th century, printed, dyed & painted textiles, Fragment

Vine, Morris & Co., (London, England), Block-printed on machine-made paper, Willow bows intertwined with clumps of grapes and grape leaves. Prrinted in deep gray-green on gold ground., London, England, 1873, Wallcoverings, Sidewall, Sidewall

Drawing, Design for a Waistcoat; France; pencil and various gouaches on paper; 18.1 × 36.6 cm (7 1/8 × 14 7/16 in.)

Ornament with two putti, monogrammist FG, 1534 print Frisian with a tuft of leaf vines in the middle. Left and right is a putto with a horn. Germany paper engraving Cupids: 'Amores', 'Amoretti', 'Putti'

Design for a Woven or Embroidered Horizontal Border, of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, laid down on paper, The repeats, of which four are shown, consist of a rose bough rising from behind a calyx., France, 1805-1815, Drawing, Drawing

Sidewall And Border (France); block-printed on handmade paper; Overall: 87 x 60 cm (34 1/4 x 23 5/8 in.)

Silk fabric, hand-woven, Russian Applied Art

Study for a Border Design recto. Dated: 1890/1897. Dimensions: sheet: 32.7 x 31.8 cm (12 7/8 x 12 1/2 in.). Medium: watercolor, graphite, and gold paint on tan wove paper. Museum: National Gallery of Art, Washington DC. Author: Charles Sprague Pearce.

Sleeve Panel, 19th-20th century, 14 1/4 x 8 3/4 in. (36.2 x 22.2 cm), Cotton, silk(), embroidery, cotton backing, China, 19th-20th century

Drawing, Design for the Embroidery of a Man's Waistcoat of Pattern No. 579 of the "Fabrique de St. Ruf"; Designed by Fabrique de Saint Ruf; France; graphite, brush and gouache on paper; 16.3 × 25 cm (6 7/16 × 9 13/16 in.)

Arabesques études de feuilles & de fleurons peints sur faïence, Prisse d'Avennes (1807-1879), 1877, Paris, Publisher, A. Morel et Cie, Libraires-Éditeurs, Subject Areas Architecture, Islamic; Art, Egypt; Decoration and Ornament; Plant Forms, 46.5 x 33 cm

Cravat end, Medium: linen Technique: bobbin lace, Brussels style, In the center of the cravat end is a figure of Minerva below a canopy within symmetric tulip garden setting of balustrades, finials entwined by floral garlands and standing on arched trelliswork bases. Potted orange trees on bases are balanced by two long-tailed birds perching on either side of the lower balustrade. Floral sprays create allover pattern in remaining areas., Belgium, mid-18th century, lace, Cravat end

Back of cover for: Stijn Streuvels, Reinaert de Vos, 1910, Bernard Willem Wierink, 1910 print paper. cardboard. linen (material) fable of Reynard the Fox

Fragment Department of cream -colored rips side with colorful embroidery with whimsical winding ribbons with, among other things, palm trees and foliage huts (), Branches and tendrils ,, 1740 - 1760 Fragment tranquility of cream-colored rips side with colorful embroidery of symmetrical-wide and whimsical, scalloped ribbons of half light blue, half purple. At large distances there are alternating a palm tree and a overgrown pergola (foliage huts). Loose branches with nuanced colored flowers are bound in a loop of ribbons, while thinner tendrils with fine flowers swing around the ribbons. France (possibly) silk. embroidering Fragment tranquility of cream-colored rips side with colorful embroidery of symmetrical-wide and whimsical, scalloped ribbons of half light blue, half purple. At large distances there are alternating a palm tree and a overgrown pergola (foliage huts). Loose branches with nuanced colored flowers are bound in a loop of ribbons, while thinner tendrils with fine flowers

Fragment (Japan)

Leaf with flowers with fruits, anonymous, 1700 - 1850 brocade paper Leaf with flowers with fruits. With label with inscription: 'J. van Goudoever / the Objecto ... Accepto. ' At the top right inscription: '1783'. Half of a cover. paper. paint (coating) relief printing ornament derived from plant forms

Kosode (Kimono) Fragment with Chrysanthemums and Pine. Japan, mid-Edo period (1615-1868), 18th century. Costumes; principal attire (entire body). Silk figured satin (rinzu), tye-resist (shibori) dyed, with silk and gilt-paper-wrapped-silk thread embroidery

Birds and Flowers Textile, c. 1925. Charles Francis Annesley Voysey (British, 1857-1941), Foxton, Ltd. (British). Cretonne; wood roller printed; overall: 317.5 x 80 cm (125 x 31 1/2 in.). Familiar designs by Arts and Crafts architect C. F. A. Voysey were still popular in the 1920s. The Cleveland Museum of Art acquired this colorful textile in 1926 from a traveling exhibition of works from the 1925 Paris exposition.

Snowdrop, Galanthus nivalis, as design motif in wallpaper, borders and fabrics. Lithograph by Verneuil with pochoir (stencil) handcoloring from Eugene Grasset's Plants and their Application to Ornament, Paris, 1897. Grasset (1841-1917) was a Swiss artist whose innovative designs inspired the art nouveau movement at the end of the 19th century.

Elmer R Kottcamp, Pa German Fractur, 1935 1942 Pa. German Fractur

Frieze, Maxwell & Co., S.A., Chicago, Illinois, USA, Machine-printed paper, Red carnation-like flowers on stems creating appearance of floral swag. Printed between the peaks are floral motifs printed in silhouette. Printed in red, green, shades of tan on off-white ground which shades from lighter at the top to darker at the bottom., Chicago, Illinois, USA, 1905-1915, Wallcoverings, Frieze

Fragment (Japan)

Drawing, Cartoon for Silk Damask: Cornucopias with Rams' Heads; France; pen and black ink, brown wash, traces of red chalk, graphite on white laid paper; 40.6 × 47.3 cm (16 in. × 18 5/8 in.)

Fragment, Medium: silk Technique: painted on satin weave, Gold painted satin in birght colors in large floral design of flowers and birds in imitation of Chinese painted textiles. Coarsely painted., Europe, early 19th century, printed, dyed & painted textiles, Fragment

Design for Embroidered Floral Motifs of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Cards fastenedd together by bow knots form irregular lozenges. A standing bunch of feather leaves and a lilac bough, horizontally disposed, alternate in those of the first row. The lozenges of the second and fourth rows show two alternating floral designs in oblique strips. Flower garlands hang in the lozenges of the third row. Somewhat more than one repeat is shown. Squared with graphie in opposite direciton. Verso: blotter of a sketch of a design of small boughs in rows. Written in graphite, bottom left: '8 fleurs'. Part of a listing as at the left edge., France, 1785-1795, Drawing, Drawing

Designs for embroidery, Black crayon on tracing paper, Vertical rectangle. Designs of abstract floral patterns for panels and borders. Each drawing stamped at top: 'Sessin original a broderie.' Designs numbered 152 (B), France, ca. 1890, Drawing, Drawing

Francis Law Durand, Quilt (Bed Coverlet), c 1936 Quilt (Bed Coverlet)

Embroidered Picture 1777 Elizabeth Jefferis American This work falls somewhere between a sampler and a needlework picture. It owes its inspiration to seventeenth-century English crewelwork, such as bed hangings decorated with designs of large vinelike flowering trees emerging from small hillocks embroidered at the bottom edges. Such designs were in turn inspired by printed Indian textiles. Instead of creating a totally coherent picture, Elizabeth Jefferis chose to have most of the motifs float untethered across the linen; thus the composition also recalls Pennsylvania German samplers, which feature unrelated individual motifs. This needlework is the earliest example of at least three known pieces of this type made by Chester County girls.. Embroidered Picture 13725

Sampler, Medium: silk, flat metal, and metal-wrapped silk embroidery on linen foundation Technique: embroidered in stem, cross, satin, back, rococo and couching stitches on plain weave foundation, Alphabet, initials in cartouche, pastoral scene with two shepherdesses, sheep, and a fountain with twelve patterns at bottom., Bohemia, 18th century, embroidery & stitching, Sampler

Sidewall Sample; machine-printed on paper; 22.5 x 22.5 cm (8 7/8 x 8 7/8 in.)

Charlotte Winter, Handkerchief, 1935 1942 Handkerchief

Drawing, Design for an Embroidered or Woven Horizontal Border of the "Fabrique de St. Ruf"; Designed by Fabrique de Saint Ruf; France; brush and white gouache on glazed tracing paper; 6.1 × 9.7 cm (2 3/8 × 3 13/16 in.)

One Hundred Flowers Chen Jiayan (Chinese, 1539-1623 or later). One Hundred Flowers, dated 1629. Color on silk, 10 x 10 3/8in. (25.4 x 26.4cm). Asian Art dated 1629

Sidewall, Block-printed, Floral and foliate design, printed in shades of blue., London, England, 1873, Wallcoverings, Sidewall

Floral Stencil --19th C. Pennsylvania Dutch, 19TH C., Artist Unknown

Drawing, Design for the Embroidery of a Man's Waistcoat; France; graphite, brush and watercolor on paper; 19.1 × 36.9 cm (7 1/2 × 14 1/2 in.)

Wallpaper Sample Book Morris & Company (London, England, 1875 - 1940). Wallpaper Sample Book, before 1917. Printed paper, 21 1/2 x 14 1/2 in. (54.6 x 36.8 cm). Decorative Arts before 1917

Design for the Border Motif of a Woven Fabric of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on oily tracing paper, Boughs with leaves and and bluish blossoms stand over a white and blue stripe. One bough and the lower part of a second one are shown., France, 1800-1825, Drawing, Drawing

Drawing, Design for a Milk Pitcher; Made for Noritake; Japan; brush and watercolor, gold gouache, graphite on cream paper; 29.2 x 15.4 cm (11 1/2 x 6 1/16 in.) Mat: 35.7 x 45.8 cm (14 1/16 x 18 1/16 in.); 1985-14-35

Drawing, Design for a Plate; Made for Noritake; Japan; brush and gold gouache, pen and black ink, graphite on cream paper; 29.5 x 15.8 cm (11 5/8 x 6 1/4 in.) Mat: 35.7 x 45.8 cm (14 1/16 x 18 1/16 in.); 1985-14-10

Bed Curtain (Greece); silk embroidery on linen foundation

Frieze, York Card & Paper Co., 1891, Machine-printed paper, Large-scale stylized floral motif, alternating with three smaller flower buds. There is a scalloped band along the bottom edge. Printed in red, white, green yellow and brown on brown oatmeal paper., York, Pennsylvania, USA, 1905-1915, Wallcoverings, Frieze

Fragment with chef de piece, Medium: cotton Technique: block printed on plain weave; blocks for two reds, black, yellow, blue and grey; irregular outline of yellow block visible as are registration marks for darker red block, Scalloped edge piece with design of swans in water, plants and trees alternate with stripes., Angers, France, 1790-99, printed, dyed & painted textiles, Fragment with chef de piece

Design for a Woven Fabric of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on tracing paper, A lyre is shown in the centers of both a wreath and of a circular band with four rosetetes connected by four undulating leaves. A cresting border with a row of stars surround the outer edge of the band. The repeat is not entirely executed; ink strokes mark its middle., France, 1805-1815, Drawing, Drawing

Frieze (USA); Manufactured by Carey Bros. W.P. Mfg. Co.; machine-printed paper; 91.5 x 49 cm (36 x 19 5/16 in.)

A Gathering of Mythical Creatures around a Lotus Leaf dated Shawwal A.H. 1088/A.D. 1677 Mu'in Musavvir This image of an angel, two fantastic beasts, and a goose riding a tortoise is a copy of an early 15th-century Persian drawing in an album of similar material, now kept in the Staatsbibliothek in Berlin. Signed by Muin Musavvir, a leading 17th-century Safavid artist, the work is dated 1088/1677. The work suggests that Muin had recently seen the album for the first time, since from around 1675 until the end of his career in the late 17th century Muin drew many Chinese-style animals in landscape. While most of those images conform to the artist’s more calligraphic style of draftsmanship, the introduction of this type of content was new and may be explained by the impact of the album drawings and paintings on his work.. A Gathering of Mythical Creatures around a Lotus Leaf. Mu'in Musavvir (Iranian, active 1630s-90s). dated Shawwal A.H. 1088/A.D. 1677. Watercolor and ink on paper. Made

Untitled Valentine (Gold Flowers in a Wreath). Thomas Wood; English, 19th century. Date: 1855-1860. Dimensions: 94 × 73 mm (folded sheet). Collaged element on cut and embossed (designed) ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Piece 18th-19th century Japan. Piece. Japan. 18th-19th century. Silk. Textiles-Woven

Veil 1810-14 Flemish, Brussels. Veil 227757

Sidney Liswood, Wall Paper and Border, c 1937 Wall Paper and Border

Quilt. Dated: c. 1941. Dimensions: overall: 51 x 38.2 cm (20 1/16 x 15 1/16 in.) Original IAD Object: 82" high; 84" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Genevieve Jordan.

Frieze (USA); Manufactured by Becker, Smith & Page, Inc.; machine-printed paper; 188.5 x 49 cm (74 3/16 x 19 5/16 in.)

Drawing, Project for the Decoration of an Oblong Panel; Attributed to Etienne de Lavallée-Poussin (French, 1735-1802); France; brush and watercolor, black chalk, and graphite on white laid paper; 23.1 x 19.2 cm (9 1/8 x 7 9/16 in.)

Valentine 1850-60 Anonymous. Valentine. Anonymous. 1850-60. Open-work cameo embossed paper, chromolithography, colored paper

Decorated Border Fragments; Paris, France; about 1460 - 1470; Tempera colors, gold leaf, and gold paint on parchment; Ms. 42, leaf 4

Wall attenuation of lamp axle with turtle pigeon pattern. Wall attenuation, consisting of a lamp axis. Tilth deaf pattern.

Length of Textile, late 1800s - early 1900s. Japan, late 19th-early 20th century. Silk; average: 71.5 x 68.5 cm (28 1/8 x 26 15/16 in.).

Chrysanthème. Verneuil, M. P. (Maurice Pillard), 1869-1942. Prints, Botanical illustrations, Design drawings. 1896. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament , Plant forms

Thailand, Bangkok. The Grand Palace, established in 1782. Detail of historic hand painted porcelain temple wall tile with flower and bird nature scene.

Sample (France)

Wallpaper, 1920s-1930s, England, by Sanderson. Gift of Betty Welch, 2009.

Will Theodor W. (1872-1945): Designed to a wooden intarsia

Sidewall (France); block-printed on joined sheets; Overall: 90 x 49 cm (35 7/16 x 19 5/16 in.)

Illuminated MSS No 2 Plate LXXII From The Grammar of Ornament by Owen Jones published by Day & Son London 1865

CODEX TRUJILLO, PERU - BOOK III - ESTAMPA CLI - ZARZAMORA - AQUARELA - 18TH CENTURY. Location: PALACIO REAL-BIBLIOTECA. MADRID. SPAIN.

Border, Machine-printed paper, Small portion of paper, probably for a border, showing a band of flowers and leaves. Printed in yellows, orange, brown and black., USA, ca. 1870, Wallcoverings, Border

Design for Embroidered Waistcoat, pattern 1777 of the Fabrique de St. Ruf, Mademoiselle Montalent, Brush and white gouache on glazed tracing paper, Left bottom corner with slightly rising bottom edge. Leaves at edges. Flower boughs, budding flowers, dots. A bough is suspended by a slope. Leaves and brush motifs alternate in the field., France, ca. 1785, embroidery & stitching, Drawing, Drawing

Drawing, Design for an Embroidered or Woven Horizontal Border of the "Fabrique de St. Ruf"; Designed by Fabrique de Saint Ruf; France; brush and white gouache on glazed tracing paper; 20.2 × 31.9 cm (7 15/16 × 12 9/16 in.)

Panel 1816 British. Panel 222201

Carpet. Dated: c. 1936. Dimensions: overall: 38.3 x 45.9 cm (15 1/16 x 18 1/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: George Loughridge.

American 20th Century, Study for Proposed Portfolio Decorated Chests of Rural Pennsylvania, 1941 Study for Proposed Portfolio Decorated Chests of Rural Pennsylvania

ALBUM DE LA REAL MAESTRANZA DE SEVILLA - TAPA CON RELIEVES DE METAL. Location: PALACIO REAL-BIBLIOTECA. MADRID. SPAIN.

Border, Block-printed on joined sheets, Printed four borders across width; floral garlands of bachelor's buttons, sweet william, rosa rugos on cream satin ground with green gothic-style band at either edge., France, ca. 1830, Wallcoverings, Border

Piece 18th-19th century Japan. Piece. Japan. 18th-19th century. Silk. Textiles-Woven

Fragment (Japan)

Valentine 1850 Anonymous. Valentine. Anonymous. 1850. Cameo embossed paper, die cut and handpainted scraps

Stencils, Peacocks; Japan; mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu)

Initial letters and border foliage from Jean de Sy's illuminated Bible for King Jean II of France, Jean le Bon, 14th century. Chromolithograph designed and lithographed by Ernst Guillot from his Ornementation des Manuscrits au Moyen-Age (Ornamentation from Manuscripts of the Middle Ages), Paris, 1897.

Chintz Border. Dated: c. 1937. Dimensions: overall: 22.9 x 29.2 cm (9 x 11 1/2 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Edith Miller.

Wallpaper Sample Book Morris & Company (London, England, 1875 - 1940). Wallpaper Sample Book, before 1917. Printed paper, 21 1/2 x 14 1/2 in. (54.6 x 36.8 cm). Decorative Arts before 1917

Panel of ceramic wall tiles decorated with flowers and foliage in the Esrefzade Mosque at Iznik, Bursa, made in Iznik, Turkey, circa 1610. Mosquee dEchref Pacha Zade a Isnik. Panneau de revetement mural. Isnik (vers 1610). Pochoir (stencil) handcoloured lithograph from Alexandre Raymonds Faience Decorative de la Vieille Turquie, Decorative Pottery from Ancient Turkey, Editions Albert Morance, Paris, 1927.

Shutter with painting

Sidewall - Sample (USA); machine-printed; 67 x 48 cm (26 3/8 x 18 7/8 in.)

Frieze, Standard Wall-Paper Company, Standard Wall-Paper Company, Sandy Hill, New York, Machine-printed paper, Small rose swag near top edge suspended by ribbons, extends down to near bottom edge of design and becomes larger in scale. A tan monochromatic landscape scene appears within the larger swag. A horizon line divides the design in half with the upper portion lighter than the bottom. Printed in deep red, green and shades of tan, overprinted with small dash marks., Sandy Hill, New York, USA, 1905-1915, Wallcoverings, Frieze

Gourd in fabric and wallpaper patterns. Lithograph by Schlumberger with pochoir (stencil) handcoloring from Eugene Grasset's Plants and their Application to Ornament, Paris, 1897. Grasset (1841-1917) was a Swiss artist whose innovative designs inspired the art nouveau movement at the end of the 19th century.

Verdures du Vatican (set of two). Culture: French, Lyon. Designer: Jean Démosthène Dugourc (French, Versailles 1749-1825 Paris). Dimensions: Overall (Panel A): 105 1/2 x 29 in., 70lb. (268 x 73.7 cm, 31.7518kg)Overall (Panel B): 114 3/4 x 26 1/4 in., 80lb. (291.5 x 66.7 cm, 36.2878kg). Manufactory: Camille Pernon (French, 1753-1808). Date: ca. 1799.In terms of both design and technique these wall panels exemplify the highest quality furnishing textiles of the late eighteenth century. Part of a major decorative commission executed by Jean Démosthène Dugourc, they were intended to decorate the Billiard Room of the Casita del Labrador in Aranjuez, the rural pleasure palace built for King Charles IV of Spain between 1791 and 1803. The panels were woven by Camille Pernon, premier producer of luxury silks in Lyon. The central embroidered landscapes, based on paintings of the countryside surrounding Arunjuez, were probably applied after the panels were delivered to Spain.Dugourc, who was rais

Twelve initial letters ornamented with flowers Date: 15th century

Renaissance ornament

Bingata Panel with Tree Peonies 20th century Teruyo Shinohara Japanese. Bingata Panel with Tree Peonies. Teruyo Shinohara and her pupils. Japan (Ryky Islands). 20th century. Cotton tabby. Textiles

Be Mine Love (Valentine). Unknown Artist; English, 19th century. Date: 1835-1845. Dimensions: 137 × 92 mm (folded sheet). Collaged elements and watercolor, with pen and blue ink on cut and embossed ivory wove paper (lace, folded), with blue wove paper insert. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Suzanne Roy, Quilt Top, 1935 1942 Quilt Top

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