Floral Textile Patterns

A collection of intricate floral textiles and patterns, featuring vibrant colors and various techniques from different historical periods, including silk and chromolithograph designs.

Ceiling paper, Machine-printed paper, liquid mica, Pink rose trellis with floral medallion centers. Adorned with foliate scrolls and floral swag. Yellow ground. Printed in pinks, red and white liquid mica., USA, 1905-1915, Wallcoverings, Ceiling paper

Sidewall (France); block-printed; 90.5 x 50 cm (35 5/8 x 19 11/16 in.)

Frieze, Machine-printed paper, Pink roses set within medallion containing foliate and floral motifs. Tall medallions alternate with shorter medallions. Swags are suspended beneath the medallions. Printed in pink, white, green and brown on tan paper., USA, 1905-1915, Wallcoverings, Frieze

Panel Made 1732-1733 France. Silk and silvered-metal-strip-wrapped silk, warp-float faced 7 1 satin weave with supplementary brocading wefts, ground weft floats and secondary binding warps tying some self-patterning ground wefts in a plain interlacing; two loom widths joined . Courtois (Designer)

Strawberry Thief, William Morris, (British, 1834-1896), Morris & Co., (London, England), Medium: cotton Technique: printed on plain weave, England, 1883, printed, dyed & painted textiles, Textile, Textile

Frieze, Machine-printed paper, ribbed ground, Large foliated medalions encasing three-flower bouquets. They are interlaced by floral swags suspended from a small bouquet. Foliate swags filled with lattice suspend from top. Green and metalic gold stripes on bottom. Printed in green, metallic gold, beige and tan., USA, 1905-1915, Wallcoverings, Frieze

Tapestry. unknown, author

Sidewall (possibly England); block-printed in distemper colors, polished ground; 54 x 50.5 cm (21 1/4 x 19 7/8 in.)

Textile (France); Produced by Hartmann et Fils (France); cotton; Height of repeat: 16 1/2in.

Piece. Culture: French. Dimensions: L. 20 x W. 18 inches50.8 x 45.7 cm. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Renaissance ornament

Border, Medium: linen Technique: bobbin lace, discontinuous tape, Wide border of Roman arches filled by stylized floral motifs as well as symmetrically-placed birds. Finished on one side with a narrow border showing similar motifs., Belgium, 1600-1650, lace, Border

Multiculously painted plaque from Faïence, Anonymous, c. 1720 - c. 1750 Plaque multicolored painted with a bird, an unknown animal, insects and flower branches framed by lambrequins filled with servetwork. Delft . Plaque multicolored painted with a bird, an unknown animal, insects and flower branches framed by lambrequins filled with servetwork. Delft .

Frieze (possibly USA); machine-printed on textured paper; 1972-51-2-a,b

Printed Textile, Wey, 1882-83. Designer: William Morris. Manufacturer: Morris & Co

Sidewall - Sample, Larkspur; Designed by William Morris (British, 1834-1896); Manufactured by Jeffrey & Company (United Kingdom); Made for Morris & Co. (United Kingdom); block-printed paper

Sidewall (France); block-printed on satin ground; 57 x 47 cm (22 7/16 x 18 1/2 in.)

Sheet with overall dot, floral, and vine pattern 19th century Anonymous. Sheet with overall dot, floral, and vine pattern. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints

Pimpernel Wallpaper William Morris (1834-1896/British) Victoria & Albert Museum, London

Drawing, Cartoon for a Woven Carpet; France; brush and gouache on heavy woven paper, lined; 99.1 x 70.2 cm (39 x 27 5/8 in.)

Frieze (USA); Manufactured by S.A. Maxwell & Co.; machine-printed paper; 91.5 x 49 cm (36 x 19 5/16 in.)

Patchwork Quilt with Eagles. Dated: c. 1938. Dimensions: overall: 53.5 x 46.9 cm (21 1/16 x 18 7/16 in.) Original IAD Object: 6' x 9'. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Daniel Fletcher.

Sidewall - Sample (USA); machine-printed; 69 x 48 cm (27 3/16 x 18 7/8 in.)

GUADAMESI ESTAMPADO EN PIEL DE CARNERO N0 473. Location: MUSEE D'ARTS DECORATIFS. MADRID. SPAIN.

Frieze (USA); Distributed by Maxwell & Co., S.A. (United States); machine-printed paper; 218 x 49 cm (85 13/16 x 19 5/16 in.)

Fruit, William Morris, (British, 1834-1896), Jeffrey & Company, 1836-1930 London, England, Block printed on paper, Diagonal branches with pomegranates, other fruits and sparse flowers. Printed in shades of green, reddish pink, brown, light grey on navy or black ground., London, England, 1862, Wallcoverings, Sidewall, Sidewall

Frieze (USA); Made by Robert Graves Co. (United States); machine-printed paper, mica flakes; 211 x 55.9 cm (83 1/16 x 22 in.) Platemark/repeat: 51.5 x 83.2 cm (20 1/4 x 32 3/4 in.)

Skirt - Border Design. Dated: c. 1937. Dimensions: overall: 35.6 x 26.7 cm (14 x 10 1/2 in.). Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Randolph F. Miller.

Woven Panel with Swallows and Prunus 17th century China This piece, woven in gold threads and polychrome silks is unnusually well preserved and retains, to a large degree, its original brilliant appearance.. Woven Panel with Swallows and Prunus 44122

Front cover. Prints, Covers (Illustration). 1809. Rare Book Division. Juvenile literature , England , London , 1809

Frieze (USA); Manufactured by Maxwell & Co., S.A. (United States); machine-printed paper; 91 x 49.5 cm (35 13/16 x 19 1/2 in.)

Drawing, Design for a Woven Fabric; Manufactured by Fabrique de Saint Ruf; Dedicatee: Napoleon Bonaparte (1769 - 1821); France; gouache support: varnished laid paper laid down on beige wove paper; 49.1 x 31.2 cm (19 5/16 x 12 5/16 in.) Mat: 55.9 x 40.6 cm (22 x 16 in.)

Panel. France. Date: 1690-1710. Dimensions: 344.2 × 54 cm (135 1/2 × 21 1/4 in.)Warp repeat: 142.6 cm (56 1/8 in.). Linen and wool, plain weave with supplementary pile warps forming cut and voided velvet. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Runner 16th century Italian. Runner 226692

Palladian Ceiling Design ca. 1750 Anonymous, British, 18th century British. Palladian Ceiling Design 386460

Border (USA); block-printed on embossed paper; 42 x 24.5 cm (16 9/16 x 9 5/8 in.)

Border (France); block-printed and flocked on handmade paper; 22.5 x 26 cm (8 7/8 x 10 1/4 in.)

Frieze, York Card & Paper Co., 1891, Machine-printed paper, Horizontally repeating pattern of stylized poppy blossoms. Groups of three large poppies alternate with one single bud. Pattern is machine-printed in gold, greens, and reds on a tan ground. An allover-stipple pattern creates the effect of a woven textile., York, Pennsylvania, USA, 1905-1915, Wallcoverings, Frieze

Silk fabric on a robe a la française, with panniers a coudes, according to available information belonging to Anna from the Świderscy family, 1st marriage Karwowska, 2nd Rostkowska - fragment, from the collection of the National Museum in Warsaw since the. Rozbicka, Mieczysława (1891-1925), draughtsman, cartoonist

Tapestry drape, by Italian workmanship, 18th Century - 19th Century, Damasco. Italy, Liguria, Genoa, Royal Palace. Detail. Flower pattern damask flowers red.

Lap of embroidered silk, anonymous, c. 1700 - c. 1799 Lap of embroidered side. Two fragments of white rip side with moiré effect on which a pattern of flowers in pink, green, blue, white and yellow is embroidered. silk Lap of embroidered side. Two fragments of white rip side with moiré effect on which a pattern of flowers in pink, green, blue, white and yellow is embroidered. silk

Sleeve with rose bushes and butterflies, early 1600s. Iran, reign of Shah Abbas. Compound tabby ground with diasper pattern, brocaded; silk; overall: 26 x 46.5 cm (10 1/4 x 18 5/16 in.).

Design for Pilaster Strips. Pen and brown ink, brush and brown wash on lined off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Wallpaper Design, Brush and watercolor, gouache, graphite on heavy white wove paper, A dado is shown at the bottom, an entablature with a gilt ovolo on top. The ground of the panel shows alternately a blue and a narrower white between two light blue stripes. In horizontal rows alternate upon the stripes palmettes from which two ears of grain rise and palmettes from which rinceau spirals spring. The alternative suggestions refer to the respective places and colors of the motifs. A garland of purple vine leaves and blue petals in on top., Austria, 1840-60, wallpaper designs, Drawing, Drawing

Acanthus (Formerly a Furnishing Textile) from the John J. Glessner House, Chicago. Designed by William Morris (English, 1834-1896); Produced by Morris & Company, 1875-1940; Printed by Hencroft Dye Works; England, Staffordshire, Leek. Date: 1887. Dimensions: 32.9 × 68.3 cm (12 7/8 × 26 7/8 in.). Cotton, twill weave with supplementary pile wefts forming cut "velveteen"; block printed. Origin: England. Museum: The Chicago Art Institute, USA.

Middle Ages No 1 Plate LXVI From The Grammar of Ornament by Owen Jones published by Day & Son London 1865

Frieze (USA); Manufactured by Maxwell & Co., S.A. (United States); machine-printed paper; 92 x 49.5 cm (36 1/4 x 19 1/2 in.)

Border (USA); machine-printed, mica; 65 x 56 cm (25 9/16 x 22 1/16 in.)

Design for a printed fabric (Toile de Jouy), with flower branches on a black stock with small gray and light green leaf branches, anonymous, c. 1800 Jouy-en-Josas paper. gouache (paint)

Frieze Paper Robert Graves Co.. , first half of 20th century. Printed paper, Width: 19 1/2". Decorative Arts first half of 20th century

Valentine 1847-70 Anonymous. Valentine. Anonymous. 1847-70. Cameo-embossed paper

Frieze (USA); Manufactured by Hobbs, Benton & Heath; machine-printed paper; 92 x 49 cm (36 1/4 x 19 5/16 in.) roll

Frieze (USA); machine-printed paper, liquid mica; 234 x 49.5 cm (92 1/8 x 19 1/2 in.)

Textile (France); Produced by Maison Beraud & Co.; silk; Warp x Weft: 135 x 66 cm (53 1/8 x 26 in.)

Floral Garland within Border. Date/Period: Ca. 1801. Drawing. Graphite, brush and gouache on blue wove paper. Author: Louis-Albert DuBois.

Frieze (USA); Manufactured by Maxwell & Co., S.A. (United States); machine-printed paper, textured; 232 x 49.5 cm (91 5/16 x 19 1/2 in.)

Fragment, Medium: silk, metallic thread Technique: twill weave with supplementary weft, Panel of cream and silver fabric heavily brocaded with gold thread and multicolored silks. Pattern has architectural ruins and flowers in the lower left and upper right corners while the lower right and upper left corners have trees with decorative foliage., France, 1700-1750, woven textiles, Fragment

Fragment, Medium: silk Technique: printed on supplementary warp pile (velvet), Irregular fragment with design of polychrome roses and foliage., late 19th century, printed, dyed & painted textiles, Fragment

Design for textiles. Design for textile with fantasy flowers and leaves.

Frieze (USA); Manufactured by J.J.L. and Co.; machine-printed paper; 90.5 x 49 cm (35 5/8 x 19 5/16 in.)

Anonymous / 'The Coronation of the Virgin'. Late XVI century. Wash, Pencil ground, Grey-brown ink on brown paper. Museum: Museo del Prado, Madrid, España.

Quilt. Dated: c. 1937. Dimensions: overall: 63 x 50.9 cm (24 13/16 x 20 1/16 in.) Original IAD Object: 94" long; 94" wide. Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Katherine Hastings.

Sidewall (USA); block-printed on continuous paper; 57 x 46 cm (22 7/16 x 18 1/8 in.)

Sidewall (Holland); leather, stamped, painted, gilded

Borders (France); block-printed on paper; 82.5 x 56.5 cm (32 1/2 x 22 1/4 in.)

Frieze, Machine-printed, mica, Cream ground, sprays of chrysanthemums in old rose and olive shades. Conventional border in bronze, Mica finish., USA, 1890-1900, Wallcoverings, Frieze

Frieze, S.A. Maxwell & Co., Machine-printed paper, All-over moire pattern, shading from light blue at the top to darker blue at the bottom. Small scrolling band at top edge. Larger scroll, shell and lattice motif along bottom edge., USA, 1905-1915, Wallcoverings, Frieze

Leaf with birds and flowers, anonymous, 1675 - 1750 bronze varnish paper Leaf with birds and flowers. Probably part of a cover. Augsburg (possibly) paper. bronze varnish printing / block printing (relief printing process) ornament derived from plant forms. ornament derived from animal forms. birds

Fragment of Woodblock Printed Cotton, 1770. France, late 18th century. Woodblock print on cotton; overall: 77.5 x 78.1 cm (30 1/2 x 30 3/4 in.).

Piece. Culture: French, Lyons. Dimensions: L. 21 1/4 x W. 17 inches (54.0 x 43.2 cm). Date: probably early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Golden tendrils against a red ground 16th century Italian or Spanish. Golden tendrils against a red ground 222952

Sidewall, The Orange Tree; Designed by Walter Crane ((English, 1845-1915)); Manufactured by Jeffrey & Company (United Kingdom); England; block-printed paper; 68 x 54.5 cm (26 3/4 x 21 7/16 in.)

Frieze, York Wall Paper Company, 1895, Machine-printed paper, Horizontal repeat of alternating large and small vegetal medallions surrounded by rococo inspired borders of foliate c scrolls and blue, beaded garlands. The bottom edge of the panel is bordered with a row of highly stylized blue blossoms, and the top of the panel is bordered by plain brown and blue stripes. An allover pattern of tiny, interlocking dots gives the panel the appearance of a cross-stitched embroidery. This design was printed in shades of dark red, green, blue, brown and gray on a beige ground., York, Pennsylvania, USA, 1905-1915, Wallcoverings, Frieze

Textile, Medium: silk Technique: 4&1 satin damask; background is the warp float face of the satin, Green damask with a large flower in foliate scrolls with cornucopia-like shapes., Italy, late 17th-early 18th century, woven textiles, Textile

Marriage of Napoleon III ca. 1853 French, Mulhouse. Marriage of Napoleon III. French, Mulhouse. ca. 1853. Cotton. Textiles-Printed

Palladian Ceiling Design. Artist: Anonymous, British, 18th century. Date: ca. 1750. Museum: Metropolitan Museum of Art, New York, USA.

Master CR (Netherlandish, active c. 1616), Ornament with Grotesque, 1616, engraving

La Couronnement de la Rosiere, Jean-Baptiste Marie Huet, (French, 1745-1811), Medium: cotton Technique: printed by engraved plate on plain weave, Red and white toile with a scene of a seated woman being crowned with a circlet of roses by a man standing behind her while another man crouches next to her. She is holding a ribbon tied to a sheep. There are two other people behind them, and another group of three stands to the side. The scene is framed by a fringed canopy held by flowering rose vines. Above are acanthus scrolls with dogs and a putto standing on a pediment., Jouy, France, 1785-1790, printed, dyed & painted textiles, Textile, Textile

Sidewall, leather, silvered, varnished and painted, Vining floral pattern. Red flowers and blue flowers in intertwined vine. Painted in colors on embossed ground., Holland, 1750, Wallcoverings, Sidewall

Design for a Wallpaper with Alternative Pattern, Unknown, Austrian, Brush and watercolor on white wove paper, A dado is at the bottom of a high entablature, of which an ornamentation is suggested alternatively for the bottom moldings. Alternating broad rose and green stripes are connected by narrow yellow ones. The lower part of the wall suggests obliquely dispersed stripes of boughs and petals. The upper part suggests ribbons wound around poles for the broad stripes, rows of vine leaves for the narrow stripes. Black framing stripe; margins showing off-white color., Vienna, Austria, 1840-60, wallpaper designs, Drawing, Drawing

Textile, Jean-Baptiste Huët, (French, 1745-1811), Medium: cotton Technique: printed by engraved copper plate on plain weave, Two fragments printed in red on cream ground showing designs known as the Four Quarters of the Globe.” Fragment A shows the full breadth of the allegorical figureAfrique”. Fragment B shows part of L’Asie”., Jouy, France, ca. 1788, printed, dyed & painted textiles, Textile

Frieze (USA); Manufactured by Gledhill Wall Paper Co.; machine-printed paper; 56 x 47 cm (22 1/16 x 18 1/2 in.)

Scroll Cover with Animals, Birds, and Flowers. Culture: China. Dimensions: Overall: 14 1/4 x 12 1/2in. (36.2 x 31.8cm). Date: 11th-12th century.A classic example of Song tapestry, this elegant scroll cover resembles a famous uncut piece (now in Liaoning Provincial Museum, China). This tapestry entered the Museum's collection as the handscroll cover for the masterpiece Old Trees, Level Distance by Guo Xi (ca. 1020-ca. 1090). The placement of the animals in the pattern illustrates a strong connection with tapestries from Central Asia, which may have served as the source for the introduction of the tapestry technique to China. Museum: Metropolitan Museum of Art, New York, USA.

Paste paper with overall red floral and ribbon pattern 19th century Anonymous. Paste paper with overall red floral and ribbon pattern. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints

Textile, La Couronnement de la Rosiere; Designed by Jean-Baptiste Marie Huet (French, 1745 - 1811); France; cotton

Le Printemps from Les Quatre Saisons, Jean-Baptiste Réveillon, French, 1725-1811, Block-printed on handmade paper, Two identical panels, produced by Reveillon. Two arabesque designs with personification of Spring printed in grisaille with pink inset cameos. Rose bouquet-filled vessels fitted with satyr's mask handles. Printed on turquoise ground., Paris, France, ca. 1785, Wallcoverings, Sidewall, Sidewall

Frieze (USA); Manufactured by Cresswell & Washburn Ltd; machine-printed paper; 92.5 x 49.5 cm (36 7/16 x 19 1/2 in.)

Textile, Medium: cotton Technique: printed by engraved roller and block printed; glazed Label cotton printed by engraved roller and block printed, glazed, Fragment of printed, glazed cotton with off-set ovals set on ornate capitals with scrolling acanthus leaves. Each oval contains a portrait: in the first column, three fashionable young women; in the center, a young couple, she smells a flower, he is in uniform and holds a ring between his thumb and index finger; in the third column, two women, one with her hand on the other's shoulder. The background is filled with delicate foliage. In blue-green and light brown on white., England or USA, ca. 1805, printed, dyed & painted textiles, Textile

Panel Made 1630-1640 France. Wool, warp-float faced 2 1 ëSí twill weave; fulled; appliquÈd with linen, plain weave; embroidered with wool and silk in cross stitches; embroidered with silk in satin, split, and stem stitches; laidwork, couching, and French knots .

Textile, Funeral of Lord Nelson; England; cotton; Warp x Weft: 158 x 68 cm (5 ft. 2 3/16 in. x 26 3/4 in.) Repeat H: 55.2 cm (21 3/4 in.)

Panel, Medium: silk Technique: tempera painted on taffeta, Persian style yellow silk taffeta ground painted in tempera, in multicolor cartouches framed by diagonally intersecting blends enclosing in staggered rows two floral compositions, one containing a peacock, intersection gruadrefoilsframing female head., Europe, ca. 1810, printed, dyed & painted textiles, Panel

Rand decoration with a lobster, a seal and a crab at the bottom, after 1611 - c. 1656 print Passionate copy to prints (pages 8 and 9) from the Severe Eenventige fruits and strikers. From series of sheets on which two motifs can be seen next to each other, supplemented with birds, insects, flower pots and sometimes an ornamental edge with tifles and animals. France (possibly) paper engraving fantasy ornament. crustaceans: crayfish. crustaceans: crab. swimming mammals: seal

Frieze (USA); Manufactured by York Card & Paper Co.; machine-printed paper, liquid mica; 233.5 x 49.5 cm (91 15/16 x 19 1/2 in.)

Sidewall - Sample (USA); Distributed by S.A. Maxwell & Co.; machine-printed on paper; 72 x 49 cm (28 3/8 x 19 5/16 in.)

Sidewall sample, Machine-printed on paper, Fragmentary wallpapers from sample book, including aesthetic-style and Anglo-Japanesque designs., 72 pages of samples., USA, 1880-90, Wallcoverings, Sidewall sample

Napkin van Wit Linnamast, Anonymous, 1600 - 1625 White linen Damstin napkin with Orpheus and the animals. Northern Netherlands (Possible) linen (material) damask White linen Damstin napkin with Orpheus and the animals. Northern Netherlands (Possible) linen (material) damask

Amsterdam, Senegat, Alexander, Design for textiles, verso - stamped, Design for textiles with fantasy flowers and leaves., print, ornament print, prints, ornament prints, height 390 mm, width 265 mm, print maker, printmaker, 1719-04 - 1719-04, first quarter 18th century, paper, papier, etching

Frieze, Wallace Wall-Paper Co., Cortland, New York, Machine-printed paper, Stylized distant landscape in background, silhouette-like, with band of bright red poppies in middle ground, grass and beaded molding in foreground. Printed in greens, yellows, and pinks., Cortland, New York, USA, 1905-1915, Wallcoverings, Frieze

Field of forty -eight tiles with birds, anonymous, c. 1640 - c. 1660 Field of forty -eight tiles (8 x 6) each with a multicolored (blue, green, yellow and orange) painted bird on a ground with a lily in the corners. Netherlands earthenware. tin glaze majolica Field of forty -eight tiles (8 x 6) each with a multicolored (blue, green, yellow and orange) painted bird on a ground with a lily in the corners. Netherlands earthenware. tin glaze majolica

Peonies and Blossoms, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Blossoming peonies are accompanied, in dark zones, by other blossoms: Irises, stylized irises, cherry blossoms, and dianthus. Silk threads have been added to support the stencil structure., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Sidewall (USA); Manufactured by Maxwell & Co., S.A. (United States); machine-printed paper, liquid mica; 91.5 x 47 cm (36 x 18 1/2 in.)

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