Greek and Roman Busts

Marble sculptures representing deities and historical figures, displaying intricate details and expressions, evoking classical art's grandeur and significance.

Bust Of A Diety 440 B.C. Greek Art(- ) Marble

BUSTO DEL EMPERADOR GALBA (3AC/69) PROCEDENTE DE ITALICA - SIGLO I - GALBA FUE EL SUCESOR DE NERON. Location: MUSEO ARQUEOLOGICO-COLECCION. Sevilla. Seville. SPAIN.

Herm of Menander. Unknown

Sculpted bust of Roman Emperor Hadrian. Marble, circa 2nd century A.D. Roman.

Marble portrait bust of Severus Alexander ca. A.D. 230-235 Roman The young emperor Severus Alexander (r. A.D. 222-235) is wearing a toga contabulata, with a large overfold (sinus) across the chest and a diagonal fold extending over the left shoulder and down the back. The type is distinctive of later Roman portraits in which the subject is shown in formal civic dress. The bust was probably produced in an imperial workshop at Rome and was set up in a prominent public place, perhaps with other imperial portraits representing his predecessors or with other members of the imperial family, such as his mother Julia Mamaea. The head, carved with great skill and sensitivity, combines a sense of growing maturity and power with a still visible youthful delicacy. The last emperor of the Severan dynasty, Severus Alexander died violently in Germany at the age of twenty-six.. Marble portrait bust of Severus Alexander 258540

Buste de Mademoiselle Mars by Robert David d'Angers, (1833-1912), France, Paris, Jardin du Palais Royal, Comedie Francaise

Bust of a young girl wearing a wig. Roman. C. 210-230 AD. British Museum. London. United Kingdom.

Colossal Head of Gaius Julius Caesar Worked for Insertion in a Togatus Statue (The Getty Caesar). Unknown

Elegant Marble Sculpture: Explore the Historic Vizcaya Museum and Gardens in Miami, Biscayne Bay, Coconut Grove, Florida, USA

Head of Aphrodite Greek, Egyptian. Head of Aphrodite 253620 Greek, Egyptian, Head of Aphrodite, Wax, paint, Overall: 4 3/4 x 3 3/8 x 2 3/4 in. (12.1 x 8.6 x 7 cm). The Metropolitan Museum of Art, New York. Fletcher Fund, 1941 (41.11.3)

Marble portrait of a man in marble, 1st Century, standing sculpture,

Lazio Viterbo Viterbo Museo Civico66. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Marble bust of Hadrian, Roman, AD117-138. Probably from Rome, Italy. Hadrian, like all Roman emperors, used statues to diffuse his image across the Roman world. Statues often showed the emperor as a general or a priest. This bust shows Hadrian naked.

Cleopatra. Portrait bust. EGYPT.

Marble portrait bust of a boy. Culture: Roman. Dimensions: H. 12 1/2 in. (31.8 cm). Date: ca. A.D. 35-50.The reduced scale of this bust and the carefully combed hair, with bangs parted in the center, are features that suggest a date toward the middle of the first century A.D. Museum: Metropolitan Museum of Art, New York, USA.

Head of Amazon, greek marble, Capitoline Museum, Rome, Italy

Tanit goddess, Punic necropolis of Puig des Molins, originally from Sicily, 400-300 BC, Archaeological Museum of Ibiza and Formentera, Spain.

Head of a boy 3rd-2nd century B.C.() Cypriot The head is mold-made and solid. The back is mold-made. The head and neck are preserved; the nose is chipped.. Head of a boy 241074

RETRATO DEL REY AMENOFIS III. IMPERIO NUEVO XVIII DINASTIA HACIA 1340 A.C. Location: NEUES MUSEUM. BERLIN. DEUTSCHLAND. AMENOFIS III. AMENHOTEP III.

Charlotte, fourth Duchess of Richmond (1768-1842), Joseph Nollekens, 1737-1823, British, 1812, Marble, Overall: 25 x 15 1/2 x 9 1/2 inches (63.5 x 39.4 x 24.1 cm), portrait, woman

Marble bust of Julia, daughter of Emperor Augustus, wife of Marcellus, Agrippa and Tiberius

Bronze head of a woman or a goddess 150-100 BC From Mersin, Cilicia. She wears a diadem with silver decoration, and the eyes retain their silver inlay.

Marble head from an over life-size statue of the empress Livia as the goddess Ceres. Sicily, AD 30-50. British Museum. London.

Statue of Hebe, famous ancient sculpture by Antonio Canova, 1796 Bassano del Grappa, Italy - December 2022: statue of Hebe, famous ancient sculpture by Antonio Canova, 1796 Copyright: xZoonar.com/PaoloxGallox 22279264

Antonia Minor (36BC-37 AD). Grandmother of emperor Caligula. Bust.Early 1st century AD. Rome. Italy. National Roman Museum (Baths of Diocletian). Rome. Italy.

John Gibson, 1790-1866, British, active in Rome, Italy, An Unknown Young Woman, late 1820s. Marble.

BUSTO DE HOMBRE - ROMANO. Location: MUSEO NACIONAL DE ARTE ROMANO. MERIDA. Badajoz. SPANIEN.

Modern Imitation of a Roman Portrait Head. Unknown

Terracotta head of a woman 5th century B.C. Greek, South Italian, Tarentine Wearing a fillet.. Terracotta head of a woman. Greek, South Italian, Tarentine. 5th century B.C.. Terracotta. Classical. Terracottas

Lazio Viterbo Viterbo Museo Civico16. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Relief Portrait of an Antonine Prince. Unknown

Bust of Emperor Commodus. Unknown maker, Roman

'St Anthony of Padua (1195-1231)'. Italy, Late 18th or 19th century. Dimensions: height: 70,0 cm. Museum: State Hermitage, St. Petersburg.

Colossus of Constantine the Great (280-337). Roman emperor. Head. White marble. Capitoline Museums. Rome. Italy.

Bust of Julia Domna. Artist: Unknown

Silversmith's art, Italy, 16th century. Silver gilt reliquary in shape of bust of Saint Anastasia, 1523.

Joseph Chinard (1756-1813). Bust of Marie Charlotte Louise Perrette Aglaé Bontemps (1762-1848), Countess de la Châtre, later Marquise de Jaucourt. Sculpture, marble. Eighteenth century. Cognacq-Jay museum. 78873-3 Loop, hair, countess, marble, French marquise, statue, head, face, view face

Antonio Rossellino, The Young Saint John the Baptist, c 1470 The Young Saint John the Baptisttitle QS:P1476,en:The Young Saint John the Baptist label QS:Len,The Young Saint John the Baptist label QS:Lde,Johannesknabe

Small Head of Domitian. Unknown

Ceracchi, Giuseppe (n.1751-07-04-D.1801-01-30), portrait of Vieuzac Barère (1755-1841), lawyer and elected to the Convention. Original patinated plaster. Carnavalet museum, history of Paris.

Augustus (61 BC.-14 AD) as Pontifex Maximus. First emperor of the Roman Empire. Greek and italic marble statue. Found in the Via Labicana. Late 1st century B.C. Palazzo Massimo. National Roman Museum. Rome. Italy.

Marble head of a youth ca. A.D. 41-54 Copy of work attributed to Polykleitos Copy of a Greek bronze statue of ca. 450 B.C. attributed to PolykleitosThis head is associated with the statue of a nude athlete who probably held a diskos. The famous Greek sculptor Polykleitos sought rigorous, mathematically based proportions in his figures. "Perfection comes about little by little through many numbers" he is reported to have stated. His attention to the smallest details can be seen in the precise design of each lock of hair on this head.. Marble head of a youth. Roman. ca. A.D. 41-54. Marble. Early Imperial, Claudian. Stone Sculpture

RETRATO DE JOVEN PROCEDENTE DE ALCALA DE GUADAIRA -SIGLO II. Location: MUSEO ARQUEOLOGICO-COLECCION. Sevilla. Seville. SPAIN.

Lazio Roma Frascati Villa Borghese5. Hutzel, Max 1960-1990 Exterior views of 17th c. villa, ninfeo and fountain. Interior views of salons, dining room, bedroom, and frescoes, paintings and busts decorating them. Antiquities: Villa houses an Antiquities gallery, which contains sarcophagi, busts, masks, friezes, and a series of statues of Roman kings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bust of a Roman 1520-30 Italian, Venice or Padua. Bust of a Roman. Italian, Venice or Padua. 1520-30. Bronze. Metalwork-Bronze

Vespasian (9-79 AD). Roman emperor. Flavian dynasty. Bust. 80 AD. Gallery of the emperors. National Archaeological Museum. Naples. Italy.

Campania Caserta Capua Museo Campano19. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Portrait bust (Greek) of Alexander the Great, 356-323 BC

Head of a youth ( kouros). C. 520 BC. Marble head from a tomb statue. NY Carlsberg Glyptotek, Copenhagen, Denmark.

BUSTO FEMENINO DE LA DIOSA TANIT DE ESTILO GRIEGO - SIGLO IV AC. Location: MUSEO ARQUEOLOGICO / MUSEO DE PUIG DES MOLINS. IBIZA. SPAIN. TANIT DIOSA PUNICA.

Marble head of a youth. Roman, probably Claudian period, ca. A.D. 41-54. Copy of a Greek bronze statue of ca. 450 B.C. attributed to Polykleitos.

Marble portrait head of an elderly man. Culture: Roman. Dimensions: Height: 11 in. (27.9 cm). Date: 1st century B.C..The head is turned toward its left and slightly raised, in an echo of late Hellenistic pathos. It particularly resembles the portrait of the deified Caesar, especially the serene, later version of that work, which must have been created after the rule of Augustus was established, thus after 27 B.C. Museum: Metropolitan Museum of Art, New York, USA.

Art of Ancient Rome, Marble , circa 450-440, Russia, St. Petersburg , State Hermitage, BC H 62

Unknown. Head from Chios, Greek, fourth century, B.C. Museum of Fine Arts, Boston , Sculpture, Antiquities. Nicholas Catsimpoolas Collection

Caligula. Roman emperor. 37-41 AD. Italy.

Fragmentary Small Head of Serapis. Unknown

Nerva (30-98). Roman emperor. Bust. 96-98 AD. Marble. Roman-Germanic Museum. Cologne. Germany.

Antoninus Pius or Antoninus.(86 -161 CE). Roman Emperor. Nerva-Antonine dynasty. Marble 138-149. Puente Genil, Cordoba, Spain. National Archaeological Museum, Madrid. Spain.

A bust portrait sculpture of the artist Praxiteles. The Athenian sculptor credited for being the first to sculpt the nude female form. 370-330 BC.

Terracotta head of a man 3rd-2nd century B.C. Greek, South Italian, Tarentine With wavy hair.. Terracotta head of a man. Greek, South Italian, Tarentine. 3rd-2nd century B.C.. Terracotta. Hellenistic. Terracottas

Terracotta votive head of a girl with curls over her cheek and a plait round her head, Etruscan, circa 300-200 BC. Probably from Cerveteri, Italy

Portrait Bust of the Artist's Brother, the Sculptor John Gibson, R.A., Benjamin Gibson, 1811-1851, British, active in Italy, 1837 to 1838, Carrara marble, Overall: 24 7/8 x 13 x 10 1/4 inches (63.2 x 33 x 26 cm), man, portrait, sculptor

Bust of Empress Josephine, 1805. Joseph Chinard (French, 1756-1825). Terracotta; overall: 29.6 x 17 x 11 cm (11 5/8 x 6 11/16 x 4 5/16 in.).

Marble portrait bust of a woman. circa 3rd century AD Roman

antique sculpture

Bust titled 'Authority of Law' by James Earle Fraser (1876-1953) an American sculptor. Dated 20th Century

Head of Medusa. The New Wing (Braccio Nuovo) of the Chiaramonti Museum, Vatican museum, Vatican city, Rome, Italy.

Head of a Youth. Unknown

Constantine the Great (Head of Constantine's colossal statue) by Classical Antiquities / Capitoline Museums, Rome/ c. 313-324/ Marble/ Classical Antiquities/ Portrait

Lazio Viterbo Viterbo Museo Civico70. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Portrait of Scipio Africanus. 17th c. Anonymous. Sculpture on marble. ITALY. LAZIO. Rome. Capitoline Museums.

Marble bust of Empress Elisabeth of Bavaria

Busto di Alessandro - M. Capitolino Roma , Antiquities, Sculpture, Kings, Alexander, the Great, 356 B.C.-323 B.C.. Nicholas Catsimpoolas Collection

Head from a Statue with Magical Texts. Dimensions: H. 21.2 cm (8 3/8 in.); W. 14.5 cm (5 11/16 in.); D. 11.5 cm (4 1/2 in.). Dynasty: Dynasty 30. Reign: probably reign of Nectanebo II. Date: probably 360-343 B.C..Magical texts like those on the Metternich stela (50.85) probably covered all but the face, feet, and hands of the statue to which this fragment belonged. The statue would have stood in a temple where it could be visited by persons wishing to be healed. Inscribed statues of this type can almost all be dated to the fourth century.A man well-advanced in years is depicted, his skin soft and marked by fine creases but his small eyes and his wide mouth still sure. Realistic representations are known from late Dynasty 26 and probably continued to be made during the Persian Period, although little can be assigned to that interval with certainty; thereafter they knew continuous popularity from the fourth century until the end of the Ptolemaic Period. Museum: Metropolitan Museum of A

Musée de l'Acropole d'Athènes, 1331, tête d'Alexandre le Grant Léochares , Sculpture, Antiquities, Kings, Alexander, the Great, 356 B.C.-323 B.C.. Nicholas Catsimpoolas Collection

Severus Alexander (208 Ð 235) was Roman Emperor from 222 to 235. Alexander was the last emperor of the Severan dynasty. Bust. Glytothek. Munich. Germany.

Aimé-Jules Dalou (1838-1902). "Head of a man from the front, Study for the Mirabeau bas-relief responding to Dreux-Brézé". Terracotta, between 1880 and 1884. Museum of Fine Arts of the city of Paris, Petit Palais. Bas-relief, study, face, man, French politician, terracotta, head, face

Head of Kore

Portrait Head of a Young Woman 130 CE-140 CE Roman Empire. This elegant portrait is the intentional likeness of a young woman in her early twenties who had a delicate brow, high cheekbones, wide-set eyes, a bow-shaped mouth, and a prominent chin. Her long tresses are arranged in an elaborate hairstyle, fashionable at different times during the imperial period, in which the hair was parted in the center, combed in waves over the forehead, and plaited into braids that were artfully wrapped around the head like a turban. Broken off at the neck, it was once part of a larger statue.. Marble . Ancient Roman

Portrait of a woman. 1st-2nd centuries AD. Found in the Roman Villa of Milreu. Faro, Portugal. National Archaeology Museum. Lisbon, Portugal.

ARTE MESOPOTAMICO. SUMERIO. CABEZA CON TURBANTE DE GUDEA, príncipe, patesi o ensi de Lagash. (Hacia a. C 2120). Escultura realizada en diorita. Tello, antigua ciudad de Girsú. (Irak). Museo del Louvre. París. Francia.

Round facing brick with male head, INT.MANS.HOOFT, facing stone sculpture sculpture building component sandstone stone, sculpted Round stone with sculpted man head and inscription INT. MANS. HOOFT bombardment war Second World War Rotterdam City Triangle Steiger Grotemarkt Sorgh Grotemarkt Rotterdam from rubble after the bombing of May 1940.

Mask of a woman with a large coil of plaited hair A.D. 117-138 Roman Period, Hadrian The plaster masks derive from pharaonic traditions, in which the mask served as a substitute for the head of the deceased and as a means of elevating him or her to immortal status. The derivation is often reflected in paintings and texts located on the mantle surrounding the head. Like the painted mummy portraits, the masks suggest strongly individualized appearances and affect Roman fashions in hairstyle, jewelry, and dress. They follow, however, a somewhat different pattern. For example, female masks may have coiffures that combine Roman arrangements of the upper part of the hair with long corkscrew locks that were considered typically Egyptian. Despite the seeming individuality of the masks, most faces were made in a mold. Distinguishing details were worked in the plaster with a spatula or knife. The ears were added separately, and sometimes eyes were inlaid with glass or stone. The mask was then fr

Campania Caserta Capua Museo Campano99. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

prosperone by Hiram Powers, sculptor; 1808-1873. Proserpina an ancient Roman goddess whose cult, myths and mysteries were based on those of Greek Persephone and her mother Demeter, the Greek goddess of grain and agriculture.

Campania Caserta Capua Museo Campano24. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Cameo Gem with Medusa. Unknown

Detail of the head of Bacchus (Dionysus, god of wine), bronze

BUSTO DE FAUSTINA MAYOR. Location: MUSEO CAPITOLINO. Rome. ITALIA.

Head of the Emperor Claudius, Roman Britain, 1st century AD. Artist: Unknown

Unknown mask Jean-Pierre Dintan (1800-1869), says Dantan Young. Unknown mask. Terracotta and plaster.

Bust of Domizia Longina, woman of the Roman Emperor Domitian 1st century BC, Museo Archeologico Regionale Antonino Salinas, collection of Etruscan, Roman, Egyptian and Greek works, Palermo, Palermo, Sicily, Italy, Europe

Bronze bust of Cato the Younger, 60 A.D., House of Venus. Detail, From Volubilis (Morocco)

Bronze bust of Imperator Caesar Augustus, Stephen Thompson, c. 1869 - in or before 1874 photograph photographic support albumen print chest, bust

Lazio Viterbo Viterbo Museo Civico47. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Julius Caesar (100-44 BC). Roman politician and general. Trajanic copy (AD 110) of a original of 50 BC. National Archaeological Museum. Naples. Italy.

Head of Artemis, 600-575 BC. Greece, late 6th Century BC. Terracotta; overall: 13.8 cm (5 7/16 in.).

The Mask of Man; Le Masque d'Homme. Pablo Gargallo (1881-1934). Cutting Copper. Dated circa 1911-12. Width 8.2cm, Height 11.4cm.

Head of Aphrodite, marble sculpture, from Demetrias, near Volos, Greece. Hellenistic civilization.

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