Head Studies and Sketches

A variety of studies focusing on heads, showcasing intricate details and techniques in drawing, emphasizing the artistic exploration of human features.

Italy, Zanetti, Anton Maria I, Head of a young woman, verso - stamped, print, prints, height 101 mm, width 80 mm, Italian, 1680 - 1757, print maker, printmaker, 1690 - 1757, paper, papier, etching

Pierre Roche, Saint Tugdual Saint Tugdual

CARLOS II "EL HECHIZADO". REY DE ESPAÑA. 1661-1700. DIBUJO DE JUAN CARREÑO DE MIRANDA. MUSEO ACADEMIA BELLAS ARTES DE SAN FERNANDO. MADRID.

Head of a man, seen from behind. Draughtsman: anonymous. Dating: 1590 - 1610. Place: Noord-Italië. Measurements: h 300 mm × w 190 mm. Museum: Rijksmuseum, Amsterdam.

Studies for 'The Conversion of the Jailer before Saint Paul and Silas' 1666 Nicolas de Plattemontagne French Nicolas de Plattemontagne's stylistic affinities with his teacher, Philippe de Champaigne, have resulted in misattributions, as seen in the inscription on this sheet. Both artists excelled in painting portraits and religious subjects, and this drawing demonstrates Plattemontagne's interest in giving portraitlike specificity to the actor's in his biblical dramas. The studies relate to the figure of Silas, Saint Paul's companion, in the artist's 1666 altarpiece illustrating Acts 16:16-26 (Musée du Louvre, Paris), in which the jailer is converted to Christianity.A painter of portraits and religious subjects, Plattemontagne pursued a style closely modeled upon that of his teacher, Philippe de Champaigne, to whom the present sheet was once ascribed. These studies relate to the figure of Silas in "Saint Paul in Prison," an altarpiece painted by Plattemontagne for the cathedral of Nôtr

Study sheet with woman's head and a hand with a bow, draughtsman: anonymous, draughtsman: Cornelis Troost, (rejected attribution), 1700 - 1800, paper, h 184 mm × w 119 mm

The Head of St Anne from drawing by Leonardo da Vinci (1453-1519) is at the Academy of Fine Arts in Venice. Leonardo da Vinci was an Italian polymath of the High Renaissance who is widely considered one of the greatest painters of all time. The Mona Lisa is the most famous of Leonardo's works and the most famous portrait ever made.

Rhine, Rembrandt van, France, Coussin, Honoré, Portrait of Rembrandt with tall cap, verso - stamped, print, prints, height 90 mm, width 68 mm, 1698 - 1779-07-19, print maker, printmaker, 1708 - 1779, paper, papier, etching, etchings, Work conception, North Netherlands, 1606-07-15 - 1669-10-08

Study of a woman's head, three-quarters to the left She is holding her right arm out in front of her, Study of a woman's head Studies of human heads , print maker: Leonard Schenk, (rejected attribution), publisher: Leonard Schenk, after: Michelangelo, print maker: Amsterdam, publisher: Amsterdam, after: Rome, 1710 - 1767, paper, etching, engraving, h 203 mm × w 168 mm

Head of Giuliano dei Medici. Artist: Michelangelo. Draughtsman: Jacopo Tintoretto. Dating: 1528 - 1594. Measurements: h 377 mm × w 287 mm. Museum: Rijksmuseum, Amsterdam.

Portrait of Jacob de Wit, Edouard Dujardin, 1827 - 1889 print Putto holds the portrait of Jacob de Wit. There are various painters attributes all around. paper historical persons. portrait, self-portrait of artist. portrait, self-portrait of graphic artist

Brünnhilde in Die Götterdämmerung by Wagner (Brünnhilde, crépuscule des dieux). Dimensions: 60 cm x 45.2 cm, 37.8 cm x 29.6 cm, 37.8 cm x 29.6 cm. Museum: Van Gogh Museum, Amsterdam. Author: ODILON REDON.

Young Man with a Fur Cap, Seated and Writing in an Account Book, Constantijn Verhout, c. 1650 - c. 1660 drawing Gouda (possibly) paper. chalk sitting figure. handwriting, writing as activity

Head of Young Jesus, Dürer, Albrecht, 1506

verso - handwritten in brown ink, print, prints, engraving, verso - stamped, 7, 2. - 4., height 80 mm, width 57 mm, print maker, printmaker, 1600 - 1699, paper, papier, etching

Head of a Man Facing Left recto. Dimensions: overall (approximate): 36.1 x 28.7 cm (14 3/16 x 11 5/16 in.). Medium: black chalk on heavy laid paper. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Self -portrait of Dirck De Bray, Johannes Arnoldus Boland, After Dirck De Bray, 1870 print Amsterdam paper etching

Standing Woman Holding a Muff and Shawl Facing Left (recto); Studies of Heads (verso); Pietro Longhi (Italian, 1701 - 1785); Italy; about 1755 - 1760; Black and white chalk (recto); black chalk (verso); 28.6 × 22.5 cm (11 1,4 × 8 7,8 in.)

Drawing (Italy)

Francis Hayman, 1707/8-1776, British, A Study for "Seeing -- La Vue" ( One of the Five Senses), undated. Graphite on medium, slightly textured, cream laid paper.

Alphonse Legros, Head of a Man Facing Left, French, 1837-1911, graphite on laid paper

Print made by Oliverio Gatti, 1568-1651, Italian, Studies for the Instruction of Painters, two suites. Rome, c. 1630, undated. Line engraving on medium, slightly textured, cream laid paper.

Self-Portrait with Cap Pulled Forward, Rembrandt van Rijn, c. 1630 print paper etching

Woman with mask and fantasy head covering, anonymous, After Léonard Thiry, After Rosso Fiorentino, c. 1535 - c. 1598 print paper etching fantasy costume. mask. head-gear. the arts of the stage: ballet, theatre, musical drama, motion picture

Red chalk drawing by Andrea del Sarto depicting the head of the child Jesus, showing facial features, hair, and expression.

Male Head - Studies, Sarto, Andrea del, 1520

The Winged And Poppied Sleep, Simeon Solomon (London, England, 1840 - 1905) 1889

Standing child, holding a chair, draughtsman: Hendrik Pothoven, 1735 - 1807, paper, h 281 mm × w 220 mm

Self-portrait, Bareheads: Bust.

Italy, Zanetti, Anton Maria I, Head of a woman with loose hair, verso - stamped, print, prints, height 103 mm, width 80 mm, Italian, 1680 - 1757, print maker, printmaker, 1690 - 1757, paper, papier, etching, etchings

Portrait of Gillis van Breen, characteristic or wood -cutting, Hendrick Goltzius, c. 1600 drawing paper. ink pen / brush drawing. portrait, self-portrait of graphic artist

Study of a child's head by François Duquesnoy, executed in red chalk with white highlights on reddish-tinted paper, showing facial features and expression.

Carton for polychrome of St. Mary's Church Angel's head Matejko, Jan (1838 1893)

Bust of a young man, Jan Lievens, 1625 - 1674 print paper etching youth, adolescent

A male figure expressing ecstasy. Crayon Manner Print by W. Hebert, c. 1770, after C. Le Brun.

Self-portrait with hat with weak edge and embroidered cloak.

A head study by Isaac Walraven showing a young man with an energetic facial expression. Drawn in red chalk, heightened with white, over black chalk on yellow-brown paper. There are faint remains of a grid drawn in black chalk. Date: 1728.

Bagpipe player, 1605 print Unfinished, around portrait half of a man with a bagpipe. paper etching anonymous historical person portrayed alone. bagpipe, musette

The card player.

Anonymous chalk drawing of a young girl in frontal view with a laurel wreath, with areas whitewashed.

Bust of a man with a pain hat on the head. .

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Print made by Francesco Curti, 1610-1690, Italian, after Giovanni Guercino, 1591-1666, Italian, Published by Giovanni Domenico de Rossi, active 17th century, Italian, ca. 1633, Line engraving on medium, slightly textured, cream laid paper, Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm) and Binding: 9 inches (22.9 cm)

The Card Player 1641 Holland. Etching on paper . Rembrandt van Rijn

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Studies of Sudarium and Saint Agnes. Dimensions: overall (approximate): 9.8 x 14.3 cm (3 7/8 x 5 5/8 in.). Medium: pen and black ink with white chalk on laid paper prepared with red wash. Museum: National Gallery of Art, Washington DC. Author: Attributed to Tobias Stimmer.

Tête d'enfant , Infants, Alphonse Legros (1837-1911)

Man wearing a small turban Oonamented with plumes and ribbon, facing right, from the series of 'Small Heads in Oriental Headdress' (19th century impression) ca. 1645-1650 Giovanni Benedetto Castiglione (Il Grechetto) Italian. Man wearing a small turban Oonamented with plumes and ribbon, facing right, from the series of 'Small Heads in Oriental Headdress' (19th century impression) 397020

Study of a long -draped model, Anonymous, 1758 drawing paper. chalk standing figure

Diana. Dated: 1790s. Dimensions: plate: 9.9 x 7.4 cm (3 7/8 x 2 15/16 in.) sheet: 10.2 x 7.9 cm (4 x 3 1/8 in.). Medium: etching with drypoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Bartholomäus Ignaz Weiss.

Portrait of aLady. Artist: Palma Giovane (Jacopo Negretti), Italian, ca. 1548-1628 Artist, formerly attributed to: Giacomo Franco, Italian, 1550-1620

Two Female Heads, first half 17th century. Abraham Bloemaert (Dutch, 1564-1651). Red chalk heightened with white chalk; framing lines in brown ink; sheet: 7.8 x 12.2 cm (3 1/16 x 4 13/16 in.).

Portrait of a man with pointed beard. Hollar, Wenceslaus (1607-1677), graphic artist, Hogenberg, Abraham (fl. 1608-1659), publisher

Two women's heads, Jean François Janinet, After Pierre Thomas Le Clerc, 1762 - 1793 print print maker: Francepublisher: Paris paper. pencil head (human) - AA - female human figure

Adult woman with Hoofdoek, Jan Chalon, 1748 - 1795 print An adult woman with a headscarf. Bust to the left. paper etching / drypoint morphology of human expression (+ adult female (human being)). veil

Portrait of A Boy, Rembrandt van Rijn, 1641 print paper etching

Card from the magazine "W Drowiec" 1904, No. 15 (April 9), pp. 283-284, with three reproductions of the illustration of Antoni Gawi W Drowiec (Warsaw; magazine; 1863-1906); 1904 (1895-00-00-1905-00-00);

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Compassion 1698-1799 United Kingdom. Red chalk, with touches of graphite, on tan laid paper . Eduardus Jacobus

False Glory 1880-1890 France. This eerie drawing may have had familial ramifications. In the 1880s Redonís younger brother, Gaston, won the coveted Prix de Rome in architecture, which may have rekindled a kind of sibling rivalry and increased the artistís own feelings of inadequacy. Reiterating a motif that he had used before, Redon seems to have included a solar eclipse in one of the eyes of the laurel-wreathed bustís masklike face.. Various charcoals, with incising, stumping, wiping, erasing, and subtractive brushwork, on pale-pink wove paper altered to a pale, golden tone . Odilon Redon

Portrait of a woman with lace headscarf, Wenceslaus Hollar, 1648 print Antwerp paper etching anonymous historical person portrayed alone - BB - woman. head-gear (with NAME). lace

Etching 'The Card Player' by Rembrandt van Rijn, 1641, depicting a figure in detailed composition engaged in card game with table and objects.

Portrait of two women by Guercino, Sanguine on paper, 1591-1666, 17th century, Bolognese School, Russia, Voronezh, Regional I. Kramskoi Art Museum

An adult with hat. Bust to right, Adult man with hat, print maker: Jan Chalon, (mentioned on object), Jan Chalon, (mentioned on object), Northern Netherlands, (possibly), 1748 - 1795, paper, etching, drypoint, h 74 mm × w 69 mm

Young woman and old man, master of the Amsterdam cabinet, 1475 - 1480 print Uneven love couple: old man embraces a young woman. The woman with bridal wreath on the head, lurks in the money bag between them. Germany paper drypoint married couple of unequal age

Study of a child's head; François, Jean-Charles (1717-1769), Loo, Carle Van (1705-1765); 18th century (1737-00-00-1769-00-00);School of decorations (Warsaw) - collection, children, reproductive graphics

Head of a boy, anonymous, after Abraham Bloemaert, 1574 drawing paper. ink pen

Self -portrait of Dirck De Bray, Johannes Arnoldus Boland, After Jan De Bray, 1860 print Amsterdam paper. etching

The Artist's Mother in a Cloth Headdress (looking down), 1633, Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, 1 5/8 x 1 9/16 in. (4.2 x 4 cm) (plate), Etching, Netherlands, 17th century, Deeply wrinkled, careworn faces fascinated Rembrandt, as is evident in his portraits of his mother, who was a cooperative sitter early in his career. (While scholars believe the subject of these prints is Rembrandt's mother, it has never been proved.) He portrayed this model ten times, and she appeared in his colleagues' work, too. In 1633 Rembrandt started signing just his first name to his prints, putting himself in the company of the great one-name Italians-Michelangelo, Leonardo, Titian, and Raphael. Rembrandt's last name came from the site of his great-grandfather's windmill, on the banks of the Rhine (Rijn) River.

Self-Portrait in a Cap, 1630, Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, H.5-7/8 x W.5-1/8 in., Etching, Netherlands, 17th century

Portrait of Mademoiselle Bouillard Marie-Geneviève Bouliard (1772-1819). Portrait of Mademoiselle Bouillard, 1772-1819. Black stone and blood on cream paper.

Laughing woman (the face), Jan Verkolje (I), After Petrus Staverenus, 1660 - 1693 print The sense face. A smiling woman makes a pointing gesture with one of her fingers. The print is part of a series with the five senses. Delft paper laughing. sight, looking (one of the five senses)

Man with a whistle, Jan Verkolje (II), After Frans Hals, 1683 - 1755 print Delft paper one person playing wind instrument

Mars; Thoma, Hans (1839-1924); 1898 (1898-00-00-1898-00-00);

Saint John The Evangelist, Bust-Length, Looking Down To The Left Attributed to Giovanni Antonio Boltraffio (1467-1516 Italian) Pastel and chalk

Studies of the Head of Saskia and Others 1636 Rembrandt (Rembrandt van Rijn) Dutch. Studies of the Head of Saskia and Others. Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). 1636. Etching. Prints

Cathrine M�ller (-), a nursery, 1744 - 1811

Kop van de Jonge Bacchus, Frans Lauwers, After Jacques Jordaens, 1864 - 1911 print paper etching (story of) Bacchus (Dionysus), Liber

Four faces expressing (clockwise from top left): admiration mixed with astonishment, admiration, veneration, and ecstasy. Etching by A.-J. Defehrt after C. Le Brun.

Drawing of a woman's face. Dibujo de una cara de mujer. 17th century. Madrid, National library of fine art. Author: DIEGO VELAZQUEZ (1599-1660). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. PACHECO JUANA. VELAZQUEZ DIEGO ESPOSA.

Sketch - Portrait of Rosaleen A. Walker John Henry Walker (1831-1899)

The city messenger of Leiden Pieter Cornelisz. van der Morsch with a jester's cap. He was chamberlain of the Rederijkers. Portrait of Pieter Cornelisz. van der Morsch, print maker: Jacob Toorenvliet, (mentioned on object), after: Cornelis Cornelisz. van Haarlem, A. Perneer, (mentioned on object), 1651 - 1719, paper, engraving, h 167 mm × w 118 mm

Man at Parkwering, Cornelis Ploos van Amstel, After Govert Flinck, 1773 - 1774 print Behind a parapet is a man with a beret on his head and binoculars in his hand. Amsterdam paper head-gear: cap (+ men's clothes). binoculars, spy-glass, etc.

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DIBUJO-ESTUDIO DE CABEZA. Author: Michelangelo. Location: GALERIA DE LOS UFFIZI. Florenz. ITALIA.

Head of a Boy. Dated: second half of 16th Century. Dimensions: overall: 26.9 x 20.8 cm (10 9/16 x 8 3/16 in.). Medium: brush and brown ink with touches of graphite, heightened with white on blue prepared paper. Museum: National Gallery of Art, Washington DC. Author: German 16th Century after Albrecht Dürer.

CORINNA Greek poet Date: FLOURISHED 490 BC

Saint John the Evangelist. Etching after Raphael.

Self Portrait of Dame Barbara Hepworth dated 1950

Bliżej Kultury Verlag of Ferdinand Schenk in Vienna

Red chalk portrait by Willem Doudijns of a young man with long hair wearing a straw hat.

Woman's Head. Attributed to Giovanni Battista Vanni (Italian, 1599-1660); after Antonio Allegri, called Correggio (Italian, c. 1494-1534). Date: 1520-1526. Dimensions: 274 x 236 mm. Red chalk with black chalk, on cream laid paper, laid down on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Kinderkopje.

Bust of a Man Looking Left. Artist: Anonymous, 17th century. Dimensions: sheet: 3 5/8 x 2 13/16 in. (9.2 x 7.1 cm). Former Attribution: Formerly attributed to Hans Rottenhammer the Younger (German, 1622-1668 Bamberg). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Damesportret, Caspar Netscher (possibly), 1649 - 1684 drawing paper. chalk anonymous historical person portrayed alone (+ compositional variants of portrait)

Caricatures and deformities after Leonardo. Two heads., 1645, Flanders, by Wenceslaus Hollar, Leonardo da Vinci. Gift of Bishop Monrad, 1869.

Child with outstretched hand, Johannes Löhr, 1892 - 1928 print paper etching child

Head of a Youth. Metal point, heightened with white on yellow-brown prepared paper. Author: Lorenzo di Credi.

Portraits of Louis XIV and Le GrandDauphin. Artist: Charles-Nicolas Cochin the Elder, French, 1688-1754

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