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Heavenly and Martyrdom Scenes

Images depicting religious themes of heavenly love, Christ's resurrection, baptism, and martyrdom, featuring angels, light, and crowd scenes.

Christ rises from the tomb. Soldiers rush away, covering their eyes to protect them from the light, which radiates from Christ. Christ stands in a cloud over the tomb with a banner in his hand., Resurrection of Christ, Cornelis Cort, print maker: anonymous, Giulio Clovio, Rome, after 1569 - 1619, paper, engraving, h 140 mm × w 108 mm

Society of Christ, Paul Pontius, After Peter Paul Rubens, 1616 - 1657 print Christ, dressed in a loincloth and tied to a pillar, is kicked and flooded by soldiers. Antwerp paper engraving flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

Crossoprichting, Hans Witdoeck, After Peter Paul Rubens, 1638 print Christ is nailed to the cross. At the top is a paper with its name in different languages. Beelsknecht and soldiers put the cross straight into the ground. The people watch. On the left comes the soldier who leads the execution of Christ on horseback. In the background you can see how his soldiers carry one of the murderers, while a second is already tied to the cross. On the right the mourning Maria Magdalena surrounded by women and children. In the background John the Evangelist and Maria. In the margin a two -way caption with an assignment in Latin. Antwerp paper. linen (material) engraving the erection of the cross: raising of the cross (without Christ). raising of the crosses of the two thieves. bystanders at the foot of the cross, among whom Mary, Mary Magdalene and John the Evangelist; Mary may be shown swooning - DD - only Christ on the cross

Cross -facing, left part, Hans Witdoeck, after Peter Paul Rubens, 1638 print The soldier who leads the execution of Christ comes on horseback. In the background you can see how his soldiers carry one of the murderers, while a second is already tied to the cross. Antwerp paper. linen (material) engraving the erection of the cross: raising of the cross (without Christ). raising of the crosses of the two thieves

Punishment of tyrants; Punitio Tirannorum; Allegories of the Christian faith. Series of ten (originally twelve) allegories of the Christian faith. Each of the allegories consists of a central representation with a frame in which quotes from the Bible are combined with the imagination of certain events from the Bible. In the margin at the bottom of three lines of Latin and the number 9.

Faith Weert Evert Speeden Fireplace; Religion, protective humanity against the GeestDryvery. Faith pushes the blindfolded spirit truck in humanity, which has fallen on the ground, from. The spirit trailer loves a burning torch and a dagger in the hands. He has just released his chains.

. Abraham has his sword to kill his son Isaac, who kneels with the hands for the altar. An angel stops him and points to a ram that can be sacrificed. A four-line caption in Latin in the margin.

Saint Hieronymus. Saint Hieronymus, sitting under a tree, reading in a book, the left hand pointing to a crucifix, at his feet a lion. Under the show four lines of Latin.

Third Vision of Ezra: The crowd fights the man from the sea, 1643 print The third vision of Ezra. He sees a crowd of people fighting a winged man who fled a mountain. Under the performance a reference in Latin to the Apococlive Bible text in 4 Ezra 13: 3. This print is part of an album. Amsterdam paper engraving other scenes from Ezra and Esdras

. The Byzantine General Narses, leaning on his shield on which Mary with the Christ child, is triumphing on the dead body of Totila, king of the Ostrogoten. On a canvas a four-line text in Latin. In the margin a four-line caption, in two columns, in Latin.

Last Judgment, Jan Luyken, 1681

Triumph of Christ (sixth part), Anonymous, After Titian, in or after 1510 - in or after 1511 print Part of the triumph of Christ with the evangelists in the form of winged creatures that pull the triumph wagon of Christ. At the top of French text. Italy paper angels. the four symbols of the evangelists, 'the apocalyptic beasts'

Junius, Hadrianus, Heemskerck, Maarten van, Amsterdam, Muller, Harmen Jansz, Seven bleedings of Christ, Crucifixion of Christ, verso - stamped, Christ is nailed to the cross. In the foreground sit the tied up criminals, who will be crucified next to him. Right in the background Veronica, John and Mary. At the bottom in the margin a verse in Latin. The print is part of a series about the seven bleedings of Christ., print, prints, height 203 mm, width 245 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1565 - 1565, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, 1511-07-01 - 1576-06-16, writer

Coignet, Gillis (I), Netherlands, Baptism of Christ, verso - stamped, John the Baptist baptizes Christ in the Jordan. The Holy Spirit descends like a dove. Christ bows his head and kneels with one leg on a rock. John pours water over Christ's head using a shell and holds a staff in his hand with a banderole with the text: Ecce Agnus Dei. John rests one knee on a tree stump. In the background a bridge and in the hilly landscape a city., print, prent, prints, height 389 mm, width 286 mm, print maker, printmaker, 1540 - 1580, paper, papier, engraving, engraving (printing process), Zuid-Nederlands, 1542-09 - 1599-12-27

Christ Surrounded by Angels 18th century Anonymous, Italian, Venetian, 18th century Italian. Christ Surrounded by Angels 340257

Saint John the Evangelist. Etching by M. Masson.

King David sacrifices God and sees the Angel of Death, Cornelis Galle (II), 1638 - 1678 print King David has built a sacrificial altar to favor God. He kneels on the floor, his crown and scepter lie next to him. Behind him is the prophet Gad. The angel of death, which causes the plague, appears with sword, skull and rod. Antwerp paper engraving God punishes Israel with three days of plague; the avenging angel with his sword drawn goes through the land; seventy thousand men are killed. the prophet Gad comes to David and gives him the choice between three punishments.

Resurrection of Christ, Jacob Folkema, 1702 - 1767 print Christ has risen from his grave, under him an angel flies with the tombstone. A number of guards awakened from their sleep looks up frightened, others protect their eyes against the blinding aura that surrounds Christ. paper etching Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

Resurrection of Christ: Easter, Johann Sadeler (I), After Marcus Gheeraerts (I), 1560 - 1600 print Christ rises from his grave. An angel on either side of his grave. In ornament list left fleeing soldiers and on the right the three women who go to the grave. In the four corners scenes from the passion of Christ in Ovalen. In the middle of angel choirs with God the Father. Antwerp paper engraving Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers. Easter. the episode of the Last Supper. crucified Christ with Mary and John on either side of the cross; Holy Rood. Christ's entombment (possibly by angels). Christ washes Peter's feet. God the Father as bearded old man, usually with crown or tiara or sceptre and/or globe. cherubs, i.e. children's heads with wings

Lead handle drawing by Christian Wilhelm Ernst Dietrich from 1739 depicting the Ascension of Christ, using brown spring with graulavings.

Last Judgment, Johann Sadeler (I), After Christoph Schwarz, 1588 - 1595 print Christ sits on a globe in the clouds with the Virgin Mary kneeling next to him. He judges the world during the last judgment. Around them angels and saints. At the bottom of the earth, all the deaths of their graves resume. They are led to heaven (left) or to hell (right) by angels. München paper engraving comprehensive representation of Last Judgement: Christ (with sword and lily), often surrounded by elders and sometimes accompanied by Mary and John the Baptist, appears in the sky with trumpeting angels (and sometimes angels holding the instruments of the Passion); after the resurrection of the dead the blessed are led to heaven by angels, and the damned are dragged into hell by devils (+ Mary)

Copper engraving 'Christ in the Globe' by Sebald Beham, 1546, depicting Christ enclosed in a globe, surrounded by symbolic elements.

Woman with cross looks from the narrow road to the many figures on the wide road, Jan Luyken, 1704 print Amsterdam paper etching journey to heaven, pathway to heaven. the narrow way ~ doctrine of Christ on love, etc.. the broad way ~ doctrine of Christ on love, etc.

Christ in the pre-borne. Christ, a staff with a vane in hand, frees a group of souls from a dungeon. Devils try to prevent this in vain. Adam and EVA are already outside the HELLEPORT. The print is part of an album.

Angels Carrying the Emblems of the Passion, 1533. Master H. L. (German). Engraving;

Assyrians - The Rijk van Sanherib destroyed; The four kingdoms. King Sanherib from Assyria is pushed over by an angel who holds the wing of a winged lion. Above left the four wind directions. Copy in mirror image to print with the same title.

Woman with a jug on her head; Paradigmata Graphics variorum artificum. A woman with a jug of water on her head and a second jar in her hand walks down a staircase to help extinguish a fire.

SPEED OF CHRIST, CORNELIS GALLE (II), 1638 - 1678 print Christ is tired by two soldiers with casting and rod. His hands and feet are tied. A third soldier kneels on the floor. Antwerp paper engraving flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

Vliegende engel.An angel floats above a river in which the cornucopia, crowns and bones drain, he points up to the sun and the glory of God above it. In the background a fire and a derelict city. The caption points out that only God is truly.

Allegory on obedience; Obedientia. The personification of obedience, accompanied by a dog and a child, carries a column, an anchor and a string instrument attributes that symbolize various virtues. Above them in heaven the crucified Christ. Obedience is shot with arrows by various vices depicted on either side. In the corners of scenes with examples of obedience and disobedience. Top left: the sacrifice of Abraham. At the top right: Joseph for his father Jacob. Bottom left: Samuel for Saul. Bottom right: the death of the Prophet of Betel. At the bottom of the expulsion of Adam and Eva from paradise. Among the performances various captions and bible quotes in Latin.

Martyrdom of the H. Ignatius of Antioch, Hieronymus Wierix, 1563 - Before 1619 print In an amphitheater, Saint Ignatius, third bishop of Antioch, is torn apart by Leeuwen. On his heart the monogram of Christ: "IHS". Bishop's staff and mijter are in the foreground. Two angels bring him palm branches and a laurel wreath. In the margin a three -faced caption in Latin. Antwerp paper engraving St. Ignatius of Antioch is thrown to the lions in the arena

Depicts the baptism of Christ, created by Augustin Hirschvogel in 1547 using etching. The work shows Christ with John the Baptist and figures witnessing the event.

The seraphim. Prints. 1635. Rare Book Division. Angels

The Temptation of Christ by the Devil 1633-1635 Flanders. Woodcut in black on cream laid paper, tipped onto ivory laid paper mount prepared with ochre wash . Christoffel Jegher

Sacrifice of Kain and Abel; History of Kain and Abel. Cain and Abel sacrifices. In the foreground Cain's sacrifice altar, on which the fruits of the country are sacrificed. The smoke of the sacrifice does not rise up. In the background, Abels Offeraltaar, on which sheep are sacrificed. The smoke goes up. A sunbeam shines on Abel, which stretches his arms to heaven. God approves Abels sacrifice. In the foreground Cain looks anxiously to the sky. The print has a Latin caption.

Zacharias, Pieter Perret, After Nicolas de Hoey, 1594 print Landscape with Zacharias, accompanied by an angel who points to heaven, where a procession of riders passes by. In the margin a two -way caption in Latin. Antwerp paper engraving persons from the Old Testament (not in biblical context, nor occurring in legendary/historical extensions included in Division 71)

Moses and the copper snake, In the center the copper snake mounted on a stake. To the left is Moses. Around the copper snake men, women and children, who have been bitten by poisonous snakes and look up at the copper snake to stay alive. Right behind the tent camp of the Israelites. With a reference to Num. 21: 6-9 and the title of the print in Hebrew, English, German, Latin, French and Dutch, anyone who is bit by a snake is cured by looking at the brazen serpent, the serpent (or dragon) is usually depicted on a tau-shaped cross or on a pillar, Cornelis Huyberts (mentioned on object), Amsterdam, 1720 - 1728, paper, etching, h 354 mm × w 219 mm

Generating the dead; The final judgment. Round representation of killing that get up from their digging on the trumpet stock of angels from heaven. At the very top of the show Christ troning in heaven in the midst of a crash saints (including Maria). To the show Bible texts in Latin. This print is part of a series of four round prints with last judgment scenes.

Archangel Uriel stands with a book in his left hand and a rolled up sheet of paper in his right hand. In the left background, Uriel is rebuking the priest Ezra. In the background on the right, the two disciples meeting Christ on their way to Emmaus. In the margin a two-line caption in Latin. Print from a series featuring archangels, Archangel Uriel Sraphim Vriel (title on object) Archangels (series title), print maker: Crispijn van de Passe (I), Crispijn van de Passe (I), (mentioned on object), publisher: Crispijn van de Passe (I), (mentioned on object), unknown, 1574 - 1637, paper, engraving, h 144 mm × w 100 mm

Piety. A woman is sitting as a personification of piety with two stones dining with the ten commandments on it. Around her head can be seen and in her right hand she has a palm branch. There are some books behind her. A putto crown her with a laurel wreath and with her foot she travels another putto that lies with a bag of money. Under the show there is a eight-line, Latin text with a description of the performance and virtue in general.

God appears in a circle surrounded by images from the stories of the Creation, Adam and Eve, and Noah. Line Engraving.

Sint Bonifatius chops a holy oak in Hesse; Bonifacius Hauf in Hessen Einen Onferbaum Um. Sint Bonifatius chops a saint with a Bijl, with wreaths. In the foreground a man kneels at a death (sacrificed) Horse and covered his face with his hand. In the background a number of Germanic priests around an altar with sacrificial fire and a woman with small children.

The Archangel Zaphkiel stands with his right foot on a stone and holds a branch in his right hand. In the left background, the Red Sea is engulfing the Egyptian Pharaoh and his army. In the background on the right, the ascension of Christ. In the margin a two-line caption in Latin. Print from a series featuring archangels, Archangel Zaphkiel Throni Zaphkiel (title on object) Archangels (series title), print maker: Crispijn van de Passe (I), Crispijn van de Passe (I), (mentioned on object), publisher: Crispijn van de Passe (I), (mentioned on object), unknown, 1574 - 1637, paper, engraving, h 144 mm × w 100 mm

H. Hieronymus writing in his cave. Saint Hieronymus is writing in his cave and looks at a crucifix. The lion is located in a corner of the cave. Next to the crucifix lies hereonymus mantle and cardinal hat.

Christ on the Cross, Paulus Pontius, after Peter Paul Rubens, 1631 print Christ, the eyes raised to heaven, dies on the cross. Above his head is a paper with a inscription: "Jesus of Nazareth, king of the Jews" in Hebrew, Greek and Latin. On the left, an angel fights with death and on the right fight an angel with sin. At the bottom a face on Jerusalem. In the margin a two -way Bible quote from Luc. 23 in Latin. Antwerp paper engraving Christ on the cross on Golgotha (alone, without bystanders). Death as skeleton. Vice, Evil, Sin; 'Peccato' (Ripa) Jerusalem

Calvarie, Jacob Matham, after Albrecht Dürer, 1615 print The various episodes from the agony with the cross -support and the crucifixion of Christ on Mount Golgotha. paper engraving / pen the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

The Body of Christ Supported by Three Angels 1516 Agostino Veneziano (Agostino dei Musi) Italian. The Body of Christ Supported by Three Angels 342977

Amsterdam, Visscher, Claes Jansz. (II), Groeningen, Gerard van, Sadeler, Johann (I), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Youth of Christ, Annunciation to the Shepherds, An angel announces the birth of Christ to the shepherds, who are in the field with their sheep. On the right in the background the stable with Mary and Joseph at the manger. Below the image a reference in Latin to the Bible text in Luke 2:8. This print is part of an album., print, prent, albumblad, prints, prenten, height 211 mm, width 253 mm, Zuid-Nederlands, 1550 - 1600-08, print maker, prentmaker, 1572 - 1576, paper, papier, engraving, engraving (printing process), Work conception, 1515 - 1599, after a design by, Publication (Event), Publication, Noord-Nederlands, 1586 - 1652-06-19, publisher

The Divine Comedy (1307-1321). Italian narrative poem by the Italian poet Dante Alighieri (1265-1321). Purgatory. "I stood silent like the children who, mute with shame..." Illustration by Yann Dargent (1824-1899). Engraving. Published in Paris, 1888. Author: Jean-Edouard Dargent. known as Yann Dargent (1824-1899). French artist.

Conversion of Saint Paul, Cornelis Bos, 1546.

Crucifixion of Christ, Anonymous, After Hieronymus Wierix, 1595 - 1633 print Christ hangs on the cross. Angels catch the blood from the wounds of Christ in their chalice. In the margin a two -way caption in Latin. Antwerp paper engraving Christ on the cross on Golgotha (alone, without bystanders). angel(s) catching Christ's blood in cup(s)

Antwerp, Galle, Theodore, Miracula et Beneficia SS. Rosario, Fifteen miracles of the rosary, Miles ab hostibvs circvmcinctvs protegitvr, Miracle on the battlefield, verso center bottom - stamped, A knight on horseback (Anthony) is surrounded by enemy troops. In his right hand a lance with a flag on which the rosary is. In the background the heavenly troops come to his aid. Led by the Virgin Mary they pelt the enemy troops with fire and arrows. The print has a Latin caption with legend and is part of a fifteen-part series on the miracles of the rosary., print, prints, height 150 mm, width 89 mm, South Netherlands, 1571 - 1633, print maker, printmaker, 1610 - 1610, paper, engraving, engraving (printing process), Publication (Event), Publication, publisher

. Christ crown the people they rescued. Above his head, the pigeon of the Holy Spirit floats. Left and right are people with crown and palm branch. Angels bring crowns and branches on the clouds. At the top God is the Father on a throne in the center of the beasts of the four evangelists.

Pen and brush drawing by Jacob de Wit depicting the Resurrection of Christ with gray, brown, and red-brown washes on striped paper.

Bishop surrounded by six angels, Giovanni Battista Vanni, After Correggio, 1609 - 1660 print A bishop on clouds, surrounded by six angels. print maker: Italyafter painting by: Parma paper etching angels. archbishop, bishop, etc. (Roman Catholic)

. The different episodes from the agony with the crossbearing and the crucifixion of Christ on Mount Golgotha.

A man pulls a heart tied with three ropes to a crown, a woman and a bag of money from a globe. Christ, holding the cross, breaks the bonds with a sword. Above Christ hovers the Holy Spirit., Christ saves man from sin Christ separates man's heart from the world., print maker: Cornelis Bos, intermediary draughtsman: Maarten van Heemskerck, (mentioned on object), Groningen, 1552 and/or 1554, paper, engraving, h 290 mm × w 205 mm

Crucifixion of Christ. Christ hangs on the cross. Angels catch the blood from Christ's wounds in their chalice. In the margin a two-legged caption in Latin.

The Apocalyptic Woman Albrecht Durer (1471-1528 German) Engraving

Martin Luther: Preface to the Revelation of John ( 1522): Vorrede zur Offenbarung Johannes (1522). Apocalypse in figures; Woodcut by Albrecht Durer; The Woman clothed with the Sun and the Seven-headed Dragon. The Revelation of Saint John (Apocalypse, IX. Figure)

Sabijnse maagdenroof.Sabini virgins are taken away by Roman soldiers. At the bottom left is a river god.

Archangel Michaël tramples Satan. Archangel Michaël tramples Satan. The show is clarified with a latin verse in four lines.

The personified soul meets the personification of Sin holding up a burning fire in front of it with a scythe, Personified soul meets Sin The Soul meets Sin, print maker: Jan Luyken, publisher: Pieter Arentsz (II), Amsterdam, 1678 - 1687, paper, etching, letterpress printing, h 90 mm × w 71 mm

Christ on the Cross, from The Passion of Christ, plate 21. Artist: Grégoire Huret (French, Lyon 1606-1670 Paris). Dimensions: Sheet: 19 5/8 × 14 3/16 in. (49.9 × 36 cm). Series/Portfolio: The Passion of Christ. Date: 1664. Museum: Metropolitan Museum of Art, New York, USA.

Saint Mary Magdalen. Etching.

St Thecla Praying for the Plague-stricken. Thecla, a companion and disciple of the apostle Paul, is the patron saint of the north Italian city of Este. Surrounded by plague victims, she beseeches God to deliver the city from disaster. Theclas prayer is answered: angels chase away the Plague, a satanic creature with a pointed crown. The print reproduces Giovanni Battista Tiepolos 1759 immense, almost seven-metre-high altarpiece in the cathedral of Este.

Heilige Martinus, Jonas Umbach (attributed to), 1634 - 1698 print Holy Martinus (Sint Maarten) on his horse, giving part of his cloak to the poor, naked beggar on the ground. paper etching St. Martin divides his cloak (i.e. the charity of St. Martin): he is usually shown on horseback, cutting his cloak with his sword, or putting part of the cloak round the shoulders of a beggar who kneels beside him

. The Archangel Zadkiel stands with a sword in his right hand and a cross in his left hand. On the left in the background Abraham sacrifice. On the right in the background the crucifixion of Christ. In the margin a two-legged caption in Latin. Print from a series with Archangels.

Paid of Christ. Maria with the Dead Christ on his lap under the cross surrounded by followers. Maria Magdalena coast the feet of Christ. The pyramidal composition is accentuated by the two ladders standing against the cross, with a lance behind it and a stick with a sponge. In the foreground on a base, the thorns wreath, nails and a hammer lie. On the base the text: Propter Iniquitates Nostras. Esaias. 53.

The lost son as a pig powder; Parable of the lost son. The lost son has wasted his legacy and works at a farmer as a pig powder. He kneels between the pigs and eats with them from the crib.

. Jacob in battle with an angel. The tenth print of a 39-part series with as subject people from the Old Testament.

Michaël subjects the devil, Hieronymus Wierix, 1563 - Before 1619 print The Archangel Michaël stands on the devil, who lies on the floor in human form with the tail of a snake. Michaël has a radiant sun around his right hand with a Hebrew word and a palm branch in his other hand. paper engraving the Archangel Michael fighting the dragon (devil, Satan). Hebrew script

After the battle, Numa offers a bull at the Goddess Ceres. He is rewarded with a heavenly shield that falls down from heaven. In the foreground the captured slaves that Numa frees. With a French caption.

Archangel Michael and the dragon. The Archangel Michaël tramples the dragon (the devil). In his right hand he holds a lance, a sword in his left hand.

Holy Trinity, print maker: Remoldus Eynhoudts, Cornelis Schut I, c. 1626 - c. 1680

The Dispersal of the Nations by Julius Schnorr Von Carolsfeld, engraving, (1794-1872)

Gods watch from the heavens as the Flood engulfs the terrified people of Earth. Etching.

Christ Tells His Disciples of the Last Judgment. Dated: published 1630. Dimensions: sheet: 10.7 x 14.8 cm (4 3/16 x 5 13/16 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: Christoph Murer.

. The fourth creation day, on which the sun and the moon were created and separation was made between day and night. The sun is depicted by Apollo as a sun god with bow and arrow sleeve. The time, with a clock on her head, holds his cloak. On the right the moon, like the moon goddess Diana. Behind her a black woman with star shelter as a person's personification. To the Bible text in Gen. 1: 14-19.

Cartouche with sun. A cartouche with the sun as a face, surrounded by weapons, flags, drums and right a man with a sword. Right above A numbered.

Lucas and the OS; Four evangelists. The Evangelist Lucas is at his writing desk and writes his gospel. The winged OS is located in front of the table. In the margin a four-line caption, in two columns, in Latin.

The ancestors freed from limbo, in Catholic theology limbo refers to a place where souls are found who, through no fault of their own, are excluded from heaven and the eternal contemplation of God, Historical, digitally restored reproduction of an original from the period

Christ and the Personified Soul surrounded by Engelen, Jan Luyken, 1678 - 1687 print Amsterdam paper etching / letterpress printing the soul. Christ and the Soul. activities of angels (in heaven)

Emblem with spiritual and man who pray to God and Saints with their request to be able to live in virtue; Den Wech des century life. A spiritual kneels in prayer with Christ's passenger implements, a man beside him also kneels in prayer and tramples the devil. They focus to God who goes into heaven and the saints who can do a convey. On seven shields, the virtues displayed that the meditation prescribes and which man should pursue during his life: faith, hope, love, justice, moderation, strength and caution.

H. Martinus shares his cloak with a beggar; S: Martinus Episcop: Patronus Ultrajecti.from His Horse, Saint Martin (Sint Maarten) Cuts His Cloak in Two With His Sword, to Give Part in A Beggar.

Copper engraving by Sebald Beham depicting the penance of St. John Chrysostomus, showing detailed figure, posture, and religious context.

Mars lies in his monumental tomb and is surrounded by soldiers. Etching.

Amsterdam, Humbert, Pierre, Title page for: William Scherlock and David Mazel, Du Jugement Dernier, 1712, Last Judgement, verso - stamped, The Last Judgement with Christ on a cloud surrounded by angels and saints. Bottom left, people are led to heaven by angels, on the right devils take people to hell., print, title page, prints, height 164 mm, width 99 mm, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings, Publication (Event), Publication, publisher

Copper engraving by Lucas Hugensz. van Leyden, 1521, depicting Christ in an atrial space, emphasizing figures and architectural features.

Alexander the large and high priest of Ammon for Tempietto van Bramante in Rome; Saint Ambrosius and Emperor Theodosius.

Romans kill the Jews while the temple burns. .

Eva seduces Adam from the tree to eat; Creation and fall; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Eva offers Adam an apple from the tree of the knowledge of good and evil. In the tree the snake. Different animals in the background. At the bottom of a reference to the Bible text in Latin. This print is part of an album.

Christ in the Court of Getsemane, 1740 print Christ prays in the court of Getsemane. An angel with a chalice appears from heaven. His students are sleeping in the background. Judas and the soldiers arrive at the gate in the distance. There are letters with different elements from the performance. A title above the show. Below six verses and a reference to Luke 22: 42-44. The print is part of an album. paper letterpress printing Christ's prayer in the Garden of Gethsemane during the night

Saint Andreas. Saint Andreas with the Andrew Kruis.

Anonymous drawing of a bearded prophet seated to the left, wearing a cap and holding a scroll, made with pen, ink, and wash.

Bishop surrounded by six angels; Dome decorations by Correggio in the S. Giovanni Evangelista in Parma. A bishop on clouds surrounded by six angels.

Bishop to heaven ascending and surrounded by four angels; Dome decorations by Correggio in the S. Giovanni Evangelista in Parma. A bishop of heaven ascending on clouds surrounded by four angels.

Moses and Aaron with the tables of the law (top right). Aaron in half with a miter on his head. To the right of Aarron a cartouche with the representation of the departure of Israelites from Egypt. At the top right rests an angel with a palm branch on the bow.

Hemelvaart van Maria.Ascension of Mary, surrounded by saints and putti between clouds.

Saint John the Evangelist. Line engraving.

God schept de dieren op het land; De schepping.God The Father sits on a cloud and is surrounded by animals such as an elephant, a horse, a goat, a wolf and a deer.

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