Historic Battles

Engravings capturing intense historical battles and heroic moments, depicted through dynamic and dramatic compositions.

Meleager and Atalanta during the hunt for the wild boar, which destroyed the fields of Meleager's father because he had insulted Diana. Meleager holds his spear at the ready. The vanguard of the company holds hunting dogs on a leash. In the margin a two-line caption in French, The Caledonian Hunt., print maker: Bernard Picart, (workshop of), François Chauveau, (mentioned on object), publisher: Bernard Picart, (mentioned on object), 1683 - 1733, paper, etching, engraving, h 208 mm × w 414 mm

Charles V (1500-1558). Holy Roman Emperor and Archduke of Austria (1519-1556), king of Spain (1516-1556) and Lord of the Netherlands as titular Duke of Burgundy (1506-1555). Entry of Emperor Charles V into Antwerp in 1520. Engraving after a painting by Hans Makart (1840-1884). La Ilustración. Revista Hispano-Americana, 1884.

Drawing by Philibert-Benoît de La Rue showing an equestrian battle, executed in brown pen, gray brush, and gray wash with traces of black chalk.

Julianus returns the hostage son at the leader of the Chamaven, approx. 350-363; Generosity of Emperor Julianus. With a boat, Keizer Julianus brings the apostate and his man's son of Chamaven's prince back to his father, about 350-363. Julianus had hosted the son of the prince, but decided to give him back. The prince of Chamaven and his followers await the son with open arms.

. Hercules stands on the biasprong with his knots on the shoulder. He must choose between truth and world. Truth is next to him with a book under the arm and a sun on her chest and points him away on the narrow road. World, with the migger on her head, resting with her hand on a globe, while the devil blows in her ear. All kinds of resources lie on the ground around the world. The narrow road starts behind truth, where people take their cross on their way to heaven. Behind world the broad road starts, which flows into hell. At the bottom of the margin there are two explanatory rules in Dutch.

Meleager inuidos punit Meleager kills Plexippus and Toxeus Baur, Joh. Wilhelm (Johann Wilhelm), 1600-1642. still image. Illustrations. 1700. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Spears, Boars, Mythology, Hunters, Meleager (Greek mythology), Calydonian boar (Greek mythology), Atalanta (Greek mythology), Ovid, 43 B.C.-17 or 18 A.D. Metamorphoses

Northern Netherlands, Cartoon with the Duke of Brunswick being wheeled out of the Netherlands, 1784, verso - stamped, Cartoon on the departure of the Duke of Brunswick from the Netherlands, 14 October 1784. The fat duke is wheeled out of the country on a wheelbarrow by Prince William V. In the prince's entourage, among others, Kaat Mussel. From the clouds Van Oldenbarnevelt watches as Fame blows its trumpet. On the sheet below the plate an explanation of the representation in two columns in rhyme. The print includes a sheet with two epigrams., print, prent, cartoon, prints, Frederik Muller Historieplaten, height 302 mm, width 313 mm, print maker, printmaker, 1784 - 1784, paper, papier, etching, engraving, graveren (drukprocedé)

Gian Domenico Ferrettis drawing depicts the goddess of spring adorned with flowers by nymphs and erotes, executed with chalk, sepia ink, brown wash, and white heightening.

Jacques Callot, French (1592-1635), Conversion of Paul, 1635, etching

Departure from the princess from Oranje to England, 1795; Departure from Mrs. The Princess of Orange, with her carefree daughter and Derzelver Zontje, from Scheveningen (...) to England (...) 18 and from January 1795, in the morning about 8 uurs. Departure from Princess Wilhelmina van Prussen with her daughter-in-law and grandson from Scheveningen to England, January 18, 1795. Some carriages with the princess and her effect on the beach of Scheveningen. Luggage and passengers are worn by the water to a waiting sloop. Left and right fishermen and crowded audiences.

Allegorical show with a city virgin and Justitia, Joseph Mulder, 1725 print A woman with Hoorn of Abundance and a Wall Crown (possibly a city stir) sits next to a stone with title. Behind her is Justitia with sword and scales. On the right is a kneeling man surrounded by cattle. Detail of a map of the Frisian areas in the northern Netherlands in Roman times. paper etching / engraving personification of a city, town-patron(ess). Justitia (justice) as Roman personification Netherlands. Friesland

Marcus Claudius Marcellus I wins Hannibal, Bartolomeo Pinelli, 1818 print A battle with soldiers and elephants, in which the army of Marcus Claudius Marcellus I wins a victory over Hannibal and his army. Rome paper etching battle. trunked animals: elephant

Triomf Van Galatea, Antoine Coypel, 1695 print France paper etching / engraving triumph of Galatea

Saint James of Compostela. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giovanni Domenico Tiepolo after Giovanni Battista Tiepolo.

Neptune in Triomfvak calms sea during Trojan War. Neptune sits on triumphar pulled by four sea horses and accompanied by tritons or several men. The sea stage calms the sea that failed by Juno from revenge for the Trojans in storm. On the mainland, the Trojans still compete against the Greeks but the ships are on a calm sea on the coast.

Entry of Maria Henrietta Stuart, Princess of Orange in Amsterdam (record 7), Pieter Nolpe, After Jan Martszen de Jonge, 1660 - 1662 print Visit by Maria Henrietta Stuart, Princess of Orange, accompanied by Amalia van Solms, the young Prince Willem III and others in Amsterdam, 15 June 1660. Leaf with the end of the procession consisting of some riders and part of a carriage. Seventh plate in an unassembled ensemble of the procession consisting of seven magazines. Northern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'

Paul Véronèse (1528-1588). "Saint Sébastien calls for martyrdom Saint Marc and Saint Marcellin". Sepia feather and wash on paper, 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99423-31 16th 16th XVI 16th 16th 16 Center, engraving

Depicts a scene of a massacre of children in Bethlehem in an aquatint and etching by Luca Giordano, showing figures, architecture, and violent action.

A cabalone present at the executioner Celuche the head of the Chancellor of Marle. (IT)

Netherlands, Kaiser, Johann Wilhelm (I), Bishop Gerlach defends Süsel against the Slavonians, 1144, in the year 1144. Episode from the German divorce., print, history print, prints, Frederik Muller History plates, height 166 mm, width 144 mm, Dutch, 1813-01-05 - 1900-11-29, print maker, 1843 - 1843, second quarter 19th century, paper, stem engraving, steel engraving

Amsterdam, Fokke, Simon, Illustrations of Dutch history, Briele taken by the Watergeuzen, in the year 1572, Relief of the city of Leyden, in the year 1574, Capture of Brielle, 1572, and relief of Leiden, 1574, verso - stamped, Representations from Dutch history. Above: View of the city gate of Brielle and the surrounding land during the capture by the Watergeuzen. In the background the sea with ships. Below: Food is distributed from the Geuzen boats to the inhabitants of the city during the Relief of Leiden. On the right a city gate. Two representations from one plate, marked at the top right: Bl. 64., print, book illustration, prints, height 144 mm, width 87 mm, Northern Netherlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1752 - 1782, paper, etching, etchings

Amsterdam, Luyken, Caspar, Jacob kisses Rachel at the well, verso - manuscript in brown ink, print, prints, verso - stamped, 31, height 114 mm, width 148 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching

180 Albigenzen burned, Jan Luyken, 1685 print Amsterdam paper etching violent death by burning at the stake; pyre

In the earliest types of the Batavians. Draughtsman: anonymous. Draughtsman: Jacques Kuyper (rejected attribution). Dating: c. 1789 - c. 1810. Place: Netherlands. Measurements: h 65 mm × w 55 mm. Museum: Rijksmuseum, Amsterdam.

The crossword.Possible Design for a Print.

Cimabue and Giotto according to Ferdinand's Fellnara drawing. A clip from a German magazine Unknown, Fellner, Ferdinand (1799 1859)

Wilhelm Tell by Daniel Nikolaus Chodowiecki, etching, 1781, 1726-1801, Russia, St Petersburg, State Hermitage, 36, 8x41, 8

Phineus is delivered from the Harpies by Calais and Zethes, 1655. Artist: Michel de Marolles

Sébastien Le Clerc drawing depicting the miracle of the multiplication of bread, created with pen, brush, and gray wash around 1696.

Perot Rocaguinarda, bandolero. Grabado. Siglo XVII.Museo de Historia de Barcelona. Museum: Museo de Historia, Barcelona.

A brown ink drawing by Peeter Snayers showing a mounted battle scene with a distant cityscape, executed with brown lavated brushwork.

Florentino Decraene (Lithographer) (After Velázquez, Diego Rodríguez de Silva y); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'The Surrender of Breda'. 1829 - 1832. Lithographic aquatint, Crayon lithography, Scraper on wove paper; 1829 - 1832. Lithographic aquatint, Crayon lithography, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

Abruzzo L'Aquila L'Aquila S. Maria di Collemaggio3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, wall painting (13-15th centuries) Post-medieval: Architecture, architectural sculpture (18th century), sculpture, frescoes, wall painting, metal crucifix Coverage of the paintings; some views of interior architectural features. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

La Hollande accepte la paix et se détache de l'Allemagne et de l'Espagne 1678 Cintre de la Galerie du côté du Salon de la Paix (Holland Accepts Peace and Detaches Itself from Germany and Spain 1678, Center of the Gallery next to the Salon of Peace) pl. 33. Dated: published 1752. Dimensions: sheet: 64 × 91.3 cm (25 3/16 × 35 15/16 in.) plate: 40 × 79.4 cm (15 3/4 × 31 1/4 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Massé (designer) and Benoît Audran II (engraver) after Charles Le Brun.

Woodcut depicting the second row of horses on Emperor Karl V's triumphal car by Hans Schäufelin, created between 1537 and 1551, focusing on horse arrangement and ceremonial design.

Francisco de Goya, Yo lo vi (I Saw It), published 1863 Yo lo vi (I Saw It)

Charlatan at a bridge, Joannis Jacobus Bijlaert, after Jan van Goyen, 1768 print Spectators standing and on horseback, looking at person with hat, standing on elevation, under parasol; In the foreground on the right a ditch with a stone bridge; In the background houses and a church tower. The year 1656, bottom left, is the dating of the drawing by Jan van Goyen. paper etching pleasure fair and circus. quack, charlatan, mountebank, 'saltimbanco'

Francia. Entrada de Enrique IV en París en 1594 tras su conversión al catolicismo y ser proclamado rey. Grabado de 1853.

The Feast of the Gods, Paulus Willemsz. Van Vianen, 1604 Plaquette of silver, rectangular, with a driven representation of a meal of the gods in a wooded landscape. In the foreground in the middle Saturn with Jupiter, Juno, Hercules, Minerva, Bacchus, Neptunus and Amor. Behind the winged hearing. Sfinks on a hill, an orchestra, in which Apollo de Lier, Mercurius de Fluit, Pan de Syrinx, a muse the spinet, another de lute and singing the others. Left and right and in the background several gods and goddesses. A bridge and water mill in the landscape. Signed on the stone left in the foreground P. v. Vianen 1604. The list of ebony with seizure of silver is from a later time. Prague silver (metal) Plaquette of silver, rectangular, with a driven representation of a meal of the gods in a wooded landscape. In the foreground in the middle Saturn with Jupiter, Juno, Hercules, Minerva, Bacchus, Neptunus and Amor. Behind the winged hearing. Sfinks on a hill, an orchestra, in which Apollo de Lier,

Engraving depicting the second of El Bruch. Dated 1808

Alexander the Great before the Corpse of Darius, 1750s/1760s, pen and brown ink over black chalk, brown and gray and red wash, strengthened with pen and black ink and tip of the brush with black wash, heighteend with white gouache (laid on eighteeneth century paper), sheet: 46.4 × 33.1 cm (18 1/4 × 13 1/16 in.), Francesco Fontebasso (artist) Venetian, 1709 - 1769

'Boar Hunt'. France, Late 1730s. Dimensions: 28x40 cm. Museum: State Hermitage, St. Petersburg. Author: JEAN-BAPTISTE OUDRY.

Hunting party of the nobles and the count Floris V Landscape with nobles on horseback, Hunting party of the nobles and the count, 1296, print maker: Johannes Philippus Lange, (mentioned on object), after: Herman Frederik Carel ten Kate, (mentioned on object), publisher: Koenraad Fuhri, (mentioned on object), Netherlands, 1820 - 1849, paper, steel engraving, h 124 mm × w 201 mm

A painting by Pieter Stevens II depicting July, executed with chalk, brown, blue, gray, green brushes, layered colors, and whitewash.

Allegory of the British Navy and the victory on the French fleet, Simon François Ravenet (Le Vieux), After Francis Hayman, 1759 print Seascape with Neptunus and Britannia on a floats surrounded by nymphs and mermaids who wear portraits of Marines. London paper etching / engraving navy

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Funeral of ruthenian noble, from pagan times; from: `Kłosy` 1889, no. 1230 (January 24th), p. 56-57. Bong, Richard (1853-1935), printing house, Sommer, P. (fl. ca 1900), graphic artist, Kłosy (Warszawa ; drzeworytnia ; 1865-1890), publisher

Mars, God of the War Arts, 1660 Zwolle paper. chalk. ink brush Harwich Zwolle paper. chalk. ink brush Harwich

Entry from Leopold Willem, governor of the Southern Netherlands, in Ghent (bottom right). Entry from Leopold Willem, Landvoogd der Southern Netherlands, in Ghent. Print consisting of four parts. This is the part at the bottom right. After the arrival of Leopold Willem flights the enemies from Ghent. In the background a map of the Southern Netherlands with the city of Ghent on the right.

French Revolution. Looting of the house and workshops Revillon, Faubourg Saint-Antoine, April 28, 1789, 4th arrondissement Ary Scheffer (1795-1858) / Auguste Jean-Baptiste-Marie Blanchard (1792-1849). French Revolution. Looting of the house and aveillon workshops, Faubourg Saint-Antoine. Paris (êtes arrested), April 28, 1789. Colorful water.

Zinc Rent on Peace of 1802, draughtsman: , 1802, paper, brush, h 568 mm × w 686 mm

The crusade of Frederick I Barbarossa was part of the Third Crusade and began in 1189, school painting, authentic reproduction of a school mural, around 1911, exact date unknown, historical

Antwerp, Cock, Hieronymus, Bruegel, Pieter (I), Galle, Philips, The seven virtues, Fortitudo, Strength, verso - stamped, The female personification of Strength (Fortitudo) standing with a pillar in her hand, an anvil on her head and a chained dragon under her feet. She is surrounded by all kinds of battle scenes in which this virtue is illustrated. Soldiers fight monsters and demons. Below the image a two-line text in Latin., print, prent, prints, prenten, Frederik Muller Historieplaten, height 225 mm, width 293 mm, Zuid-Nederlands, 1537 - 1612-03-29, print maker, printmaker, 1560 - 1562, third quarter 16th century, paper, papier, engraving, graveren (drukprocedé), 1525 - 1569-09-05, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, 1518 - 1570-03-10, publisher

A drawing by Étienne Parrocel showing the Israelites before the walls of Jericho, made with pen, brush, ink, and chalk on brownish paper.

. .

Shield ca. 1600 Italian, possibly Bologna The subject of the painting is unknown. It may represent a contemporary battle with the participants rendered in Classical dress or a famous battle from antiquity.. Shield 22281

Plate 32: Venus asking Jupiter for protection; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'. Dimensions: Sheet (Trimmed): 12 1/8 × 17 1/2 in. (30.8 × 44.5 cm). Published in: Antwerp. Publisher: Johannes Meursius (Flemish, active 1620-47). Date: 1636.On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp 1636, illustrate what the series looked like. The Metropolitan Museum of Art owns 34 plates from the set of 42. Museum: Metropolitan Museum of Art, New Yo

Naaukeurige en uitvoerige beschryving van kaap de Goede Hoop, Amsterdam, By B. Lakeman, 1727, south Africa, natural history, Cape of Good Hope, description and travel, Cape of Good Hope south Africa, Khoikhoi African people, The scene features a group of people engaged in various activities in a natural setting. In the foreground, several individuals are depicted in different poses; some are kneeling, while others are standing. One person holds a tool, possibly a weapon or implement, raised as if preparing to strike or demonstrate. They appear to be in the midst of a communal or ceremonial gathering, with elements suggestive of cultural practices or rituals. Surrounding this group, lush vegetation and distant hills create a backdrop, enhancing the sense of a vibrant landscape. The interaction among the figures conveys a sense of community and shared purpose. The overall composition highlights contrasts between the figures and their environment, drawing attention to their forms and gest

Adoration des Mages. Dated: 1831. Dimensions: overall: 25.4 x 33.3 cm (10 x 13 1/8 in.). Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: French 19th Century.

GOYA Y LUCIENTES, Francisco de (1746-1828). The same. 1810-1820. Plate 3 of 'The Disasters of War'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Paul is bitten by a viper in Malta.

Espartaco (Tracia, 113-Lucania, 71 a.JC). Pastor tracio, jefe de los esclavos sublevados que dirigió la más grandiosa rebelión contra la Antigua República Romana. Grabado de 1866.

Titus with some horsemen cut off from his other followers, print maker: Jan Luyken, publisher: Pieter Mortier (I), Amsterdam, 1704, paper, etching, letterpress printing, h 111 mm × w 159 mm

Julian Fałat, Doing away the storm. Julian Fałat (1853-1929), draughtsman, cartoonist, Dziedzic, P. (fl. 1860-1887), engraver, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Le Bourguignon (n.1621 - D.1676), Bataille (main title). Oil on canvas. Petit Palais, Museum of Fine Arts of the City of Paris. Battle (main title)

Etching by Lorenzo Baldissera Tiepolo from the 18th century depicting men with a ship, showing maritime activity and detailed figures.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo67. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

'Carrying the Cross'. Flanders. Dimensions: 37x70 cm (octagon). Museum: State Hermitage, St. Petersburg. Author: Francken, Hieronymus, III ( ).

Carnival in Rome, French Academy, Rome. Italy, Europe. Old 19th century engraved illustration from Trip to Rome by Francis Wey, Le Tour du Monde 1870

Journey to Portugal of the kings of Spain, Alfonso XII (1857-1885) and Maria Cristina de Habsburgo-Lorena (1858-1929). Lisbon. Celebrations in honour of the monarchs. Bullfight organized by the knight Dos Anjos. The knights in the bullfighting arena greeting the kings. Engraving. La Ilustración Española y Americana, 1882.

Interior views of Albrechtsburg, Murals in Albrechtsburg, Altenburger Prinzenraub, 1920, Meißen, Inneres der Albrechtsburg, Befreiung der Prinzen, Germany

Horse is fitted by Hoefsmid in Erf, Johannes Arnoldus Boland, after Abraham Jansz Begeyn, 1866 print Amsterdam paper. etching farrier, shoeing-smith. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Geronimo de Aguilar (1489-1531). Spanish conqueror. Aguilar is presented to Cortes after eight years of slavery among the Indians. Volume I. Drawing by J. Altarriba and engraved by J. Carrafa. 1825.

The plague strikes Egypt: Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Doré (1832-1883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful

Plate 32: Venus asking Jupiter for protection; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' 1636 Johannes Meursius On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp 1636, illustrate what the series looked like. The Metropolitan Museum of Art owns 34 plates from the set of 42.. Plate 32: Venus asking Jupiter for protection; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'. 1636. Engraving. Johannes Meursius (Fle

. .

'Emigration to the Western Country', (1877). Creator: Albert Bobbett.

Croisés en Campagne. Dimensions: overall: 26.9 x 38.2 cm (10 9/16 x 15 1/16 in.). Medium: lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: Auguste Raffet.

Death of Floris III, 1190, 1722 - 1750 print Death of Count Floris III in 1190. Northern Netherlands paper etching dying

The Nocturnal Review. Denis Auguste Marie Raffet (French, 1804-1860); published by Chez M. Chabert (French, 19th century); poetry by Sedlitz (German). Date: 1837. Dimensions: 201 × 273 mm (image); 203 × 275 mm (primary support); 351 × 438 mm (secondary support). Lithograph in black on gray chine laid down on gray wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Historia Antigua. Roma. Entrada y pillaje de los vándalos en la ciudad. Grabado alemán de 1865.

Wildens, Jan, Northern Netherlands, Nolpe, Pieter, Alius nascetar Achilles, Tableau vivant with the wedding of Peleus and Thetis, 1642, verso - stamped, Allegorical tableau vivant with the feast of the gods and the wedding of Peleus and Thetis as a parallel for the marriage between William II and Mary Stuart (in 1641). Performance in the theatre gate erected on the Dam at the Damrak during the visit of English queen Henrietta Maria to Amsterdam, 20-22 May 1642. In the caption the title and 2 times 4 lines in Latin. Third plate in a group of ten performances and triumphal arches., print, prent, prints, Frederik Muller Historieplaten, height 351 mm, width 380 mm, Noord-Nederlands, 1614 - 1653, print maker, prentmaker, 1642 - 1642, second quarter 17th century, tweede kwart 17e eeuw, paper, papier, etching, etsen, Work conception, Zuid-Nederlands, 1585 - 1653-10-16

Darius' mother, Sisygambis, kneels down before the victor Alexander the Great. Alexander stretches out his hand to help her up, servants and soldiers watch. To the right stand Darius' wife and his two daughters who Alexander had captured together with Sisygambis. Presentation in a semi-circle, in the margin with a line of text in Latin, Nobility of Alexander the Great., print maker: Conrad Lauwers, (mentioned on object), after: Pietro da Cortona, (mentioned on object), 1642 - 1658, paper, engraving, etching, h 225 mm × w 393 mm

Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "An execution." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101783-7 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Weigel, Christoph, Amsterdam, Luyken, Jan, Jeremia breuk de kruik, verso - stamped, print, prints, height 251 mm, width 203 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

A Merry Company. Jacob Jordaens (Flemish, 1593 - 1678)

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Palamon and Arcite. Engraving.

Rugendas, Christian, inventor: Georg Philip Rugendas, work, Four riders, (1000 - 2000), mezzotinto, graphics, plate width 18.1 cm, plate height 13.8 cm, leaf width 44.5 cm, leaf height 27.5 cm, image width 17.5 cm, image height 12.2 cm

Schellinks, Willem, Amsterdam, Nolpe, Pieter, Northern Netherlands, Shown and depicted from life, the breach of the St. Anthony's Dyke outside Amsterdam And in addition to this, the situation of the surrounding rural area, and in particular the repair of the broken-in Dyke, and for greater clarity, are indicated with distinct letters, Breach of the St. Anthony's Dyke on 5 March 1651, stamped on the reverse, Breach of the St. Anthony's Dyke or Diemerzee Dyke outside Amsterdam on 5 March 1651, caused by the high tide and the strong north-westerly storm. The water flows through the breach in the dike, on either side of the breach spectators in panic. In the background the towers of Amsterdam. Bottom left the first part of the legend AC. See the accompanying plate (FMH 2020)., print, news print, prints, Frederik Muller Historieplaten, height 406 mm, width 510 mm, 1614 - 1653, print maker, printmaker, 1651 - 1651, third quarter 17th century, paper, papier, etching, etchings, engraving, engr

An engraving depicting the destruction of Lisbon by an earthquake in 1755. Dated 18th century

Giovanni Battista Cipriani RA, 1727-1785, Italian, active in Britain (1755-85), Ticket for Ranelagh Regatta Ball. Engraving.

Noah's clan make their sacrifice and God responds with a rainbow. Colour etching by E. Kirkall after Bishop after P. Caliari, il Veronese.

Masquerade festival of Berlin artists

Samson destroys the pillars of the temple with his last strength, killing himself and the Philistines present. Below the depiction a reference in Latin to the Bible text in Ri. 16, Samson destroys the pillars of the temple History of Samson Thesaurus sacrarum historiarum veteris testamenti , print maker: Antonie Wierix (II), Maerten de Vos, publisher: Gerard de Jode, Antwerp, 1585, paper, engraving, h 213 mm × w 287 mm

Der Ettsatz Beginnt no, of the series vonnyn de Hooghe Zu , Romeyn de Hooghe -, artist, Nicolaes Visscher II, Publisher

GOYA Y LUCIENTES, Francisco de (1746-1828). Manufacture of Gunpowder. 1810-1814. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Zarzuela Palace.

LE CLERC, JŽr™me (17th c.). Ambush. 1696. GERMANY. Munich. New Schleissheim Palace. Baroque art. Tapestry.

Painting of Miklós Zrínyi (1620-1664) a Croatian and Hungarian military leader, statesman and poet. Dated 17th Century

The leader of the Gauls, Vercingetorix, lays his arms before Caesar.

19th-20th century, Giorgio Sommer, Italian, (born Germany), 1834 - 1914, 6 1/4 x 8 15/16 in. (15.88 x 22.7 cm) (image), Albumen print, Italy, 19th-20th century

Francia. Fundación del Hospital de los inválidos por el rey Luis XIV en 1675. Grabado de 1853.

Reproduction of a painting: Juliusz Kossak (1824-1899), Pasek entering Hadersleben during a market day; excerpt from a magazine. Wierzbicki, B. i S-ka (Warszawa ; zakład graficzny ; 1897-1944), reproduction atelier, Biesiada Literacka (Warszawa ; czasopismo ; 1876-1917), publisher

of 3