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Historic Church Interiors

Collection of vintage photographs showcasing intricate church interiors. Highlights include frescoes, altars, and architectural details from various historical periods.

Interior of the Church of the Visitation of Our Lady (Křešice), Rooms in the Czech Republic, 1907, Ústí nad Labem Region, Krzeschitz, Inneres der Marienkirche

Marches Macerata Visso S. Maria, Collegiate Church9. Hutzel, Max 1960-1990 Detailed views of the 14th century exterior architecture of the church, including portals, and details of columns and capitals. There are general interior views, with detailed photos showing the paintings, both on the screen behind the main altar and behind side altars. There are also many photos of painting fragments from the late Medieval and early Renaissance periods. Sculptural photos include a wooden crucifix and basins or altars (perhaps antique) with human face motifs. Object Notes: Hutzel photo campaign date: June 30, 1984. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissan

Interior of an unidentified church. Unknown

Lazio Viterbo Ronciglione S. Maria della Pace. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, ceiling and wall painting, crucifix, tabernacle. This church was started in 1581 and has been attributed to Vignola or Rainaldi. In the center of the main altar is a depiction of the Madonna of Peace, a fresco of the Viterbese school, dating to the 15th century. To each side of this central fresco are frescoes of S. Augustine and S. Bartholomew from the 17th century. Along the same wall as the altar are two more paintings, one, representing the Apparition of the Madonna to S. Francis of Sales by Sebastiano Conca, and the "Madonna del Suffragio", from the 18th century. A fresco of the Madonna of the Rosary is placed in a side altar, dating from the 16th century. In another side altar is placed a wooden crucifix of the 15th century, with an 18th century addition of the Madonna Addolorata at the foot of the cross. A Renaissance tabernacle inserted into the wall, attributed to Sanso

Waterweight Feast for Greek Orthodox in Vladimir Wolinsky.

Lazio Latina Gaeta SS. Erasmo e Marziano, Cathedral1. Hutzel, Max 1960-1990 Views of objects in the pinacoteca, including paintings, 14th and 15th c. statues, fragments of Renaissance portals, 13th c. iconostasis, family crests. Views of interior nave, altar, chapels. Detailed coverage of silver and gold statues of Erasmus and Marciano. Views of sacristy painting, sculpture, choir stall and crypt altar, frescoes. Owner: Museo Diocesano Antiquities: Roman statue, fragments. Roman columns, capitals, sarcophagi. General Notes: No negs. for Medieval core collection prints. More than half of prints stored in Hutzel section have no matching negatives either. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well

Lazio Roma Nazzano S. Antimo6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Gesu e Maria. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco, gilding General Notes: Located next to S. Giacomo in Augusta, built by Rainaldi in 1675. Church was built for the Bolognetti family, and has come to be called "church of the beautiful tomb monuments" (Hutzel notes), making it resemble a Baroque theater. Restoration of fresco cycle depicting life and death of a martyr from 13th century Roman school. Site has been sent in duplicate. One set of negatives (37) and two sets of prints (72). There should be one more print, but no. 15 from the original set is missing. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well

Umbria Terni Narni S. Giovenale, Cathedral45. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Poll photo collection. Israel 1948-1949: Haifa. Haifa. Interior of the Church of the Carmelite Monastery Stella Maris. View of the high altar with a picture of O.Vrouwe van de Berg Karmel with below the cave in which the prophet Elijah would have stayed. January 1, 1948. Haifa, Israel

Antigua, West Indies - Interior of St John's Cathedral Date: circa 1903

08/04/1943. Santa Isabel Asylum in Leganes. In Image, a detail of the Chapel.

Albumin photograph by Alphonse Bernoud showing the interior of a church in Florence, capturing architectural details, altar, and seating, mounted on a base box around 1900.

12/31/1929. Chapel of Solitude.

Neurdein, St. Pierre, Loewen (without Dat.): Tabernacle. Photo on cardboard, 42.5 x 30.6 cm (including scan edges)

Poll photo collection. Madeira. Funchal. Interior pilgrimage church Igreja de Nossa Senhora do Monte: View of a side altar with the pulpit on the left. 1934. Funchal, Madeira, Portugal

Millstadt. Interior of the monastery church. .

Lazio Roma Rome S. Ignazio di Loyola7. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusca

Abruzzo Pescara Loreto Aprutino S. Maria in Piano05. Hutzel, Max 1960-1990 Exterior views include: a portico with four arches, a tower, an ornately sculptured portal with a fresco of the Pieta in the lunette (1559). Views of the interior include: a stoup, 17th century wood pulpit, altar paintings, marble altar and baroque altarpiece with details of sculptures and paintings. Most views are of the 14th century frescoes. On the entrance wall is a curious scene of the Last Judgment: Christ in a mandorla sits enthroned among various saints, music-making angels, Virgins and Patriarchs; three saints kneel below him, one in bishops' robes and two in Capuchin habit; instruments of the Passion lay on a table. In the lower register, nude souls cross a bridge, are judged by St. Michael, and then climb up a palm tree to enter a house whereupon they are clothed and dance. Other frescoes include scenes of the life of St. Thomas (under which is much graffiti), and various saints such as St. Catherine

Lazio Rieti Casperia S. Maria di Legarano0. Hutzel, Max 1960-1990 Medieval: Wooden crucifix dating from the 1400's or (14th century). Post-medieval: Painting, sculpture. In the lunette above the portal is a fresco of the Annunciation by Bartolomeo Torresani. A fresco of the Last Judgment, by Bartolomeo Torresani, on walls of a chapel to the left of the atrium. Painting of S. Sebastian and S. John the Baptist of the school of Antoniazzo Romano. In a niche, representation of the Wedding of the Virgin, fresco attributed to Alessandro Torresani. Nativity scene in polychromed terracotta by an Abruzzi artist from the 15th century. Behind the main altar, a polychromed wood statue of the Virgin and Child signed by Carlo dell'Aquila (1489). Antiquities: Architecture and sculpture. Remains of "opus reticulatum" walls (church built on the site of a roman villa), a "colossal god" sculpture from 1 B.C. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early

Interior of Oare Church.

Altar at the grave of Napoleon Bonaparte in the Hôtel des Invalides, Paris, X Phot., 1887 - 1900 photograph Paris paper albumen print altar. grave, tomb Hotel invalid

Grace Church reredos, Salem, Mass. , Altars. Samuel Chamberlain Photograph Negatives Collection

Poll photo collection. Israel 1948-1949: Galilee. Altar in the Basilica of the proclamation in Nazareth. Under the basilica, one points to the (dark) column where Gabriel would have appeared to Maria behind the angel. January 1, 1948. Israel, Nazareth

Abruzzo L'Aquila Celano S. Giovanni Battista9. Hutzel, Max 1960-1990 Romanesque church begun in the 14th century. Exterior is covered in the local reddish stone. Exterior views of portal, rose window and sculptural details. Photos of the interior include general views in the Medieval core collection and details of frescoes in the Hutzel collection. There are frescoes in the vaults and on the arches. Scenes include evangelists and saints. There is also a painted Last Judgment. Objects of interest include a wooden ciborium and confessional stalls. There is also wooden statuary over the high altar from the 17th cent. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic,

Pensionaat "St. Joseph" Woerden. Chapel.

Marches Macerata Aliforni Parish church2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sardinia Sassari Castel Sardo Cathedral. Hutzel, Max 1960-1990 Post-medieval: 16th century architecture, built in late Gothic style; architectural sculpture; choir stalls; sculpture; paintings on canvas and panel; altarpiece; fresco; pulpit; tomb monuments; baptismal font; sacred objects German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Interior of the Greek Catholic Church.

INNSBRUCK Court church interior unknown

st, Petersplatz - Peterskirche - interior view - look into the choir against high altar, Bruno Reiffenstein -, photographer

you have a cross. Church Bernardine. View of the grandson in the direction of the Great; Grodzicki, Józef (1854-1939); around 1890 (before 04.1890) (1885-00-00-1890-00-00);Kielce (region), Méyet, Leopold (1850-1912), Méyet, Leopold (1850-1912)-collection, architecture, Polish architecture, sacred architecture, Bernardyni (Order), gift (provenance), churches, interiors, testamentary record ( Protency), photosensitive (Warsaw - exhibition - 2009), Saint Cross (monastery)

A pre-1940 offset-printed postcard on cardboard depicting the altar niche of the National Basilica of Our Lady Aparecida, featuring the image of the patron saint of Brazil and surrounding architectural details.

St, St, Josefskirche th, Quellenstraße , view of the altar

Window, St. Saviour Chapel

Chapel in the dome of the invalids in Paris. .

Lazio Roma Rignano Flaminio SS. Vincenzo e Anastasio0. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: 16th century architecture and architectural sculpture, including stucco decoration; 16th century wooden crucifix; sculpted marble altars and tombs; frescos; paintings on canvas; stoup (1578) Antiquities: Fragments of architectural sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

St. Paul in the Lavanttal tomb of the thirteen Habsburgs.

Mount of Olives (Jebel Et-Tur) Tomb of the Virgin. 1898, Jerusalem, Israel

Parish church of St, Gertrud th, Währinger Straße , interior view

View of the nave of Mombasa Cathedral, looking towards the altar with seating visible either side of the aisle. Original manuscript caption: "Interior Mombasa Cathedral".

Basilica of Gethsemane, Church of All Nations or Church of the Agony Interior. 1934, Jerusalem, Israel

An albumin photograph by Victor Angerer from 1867 showing the interior of St. Wolfgang Church in Salzkammergut with the Pacher altar. The image depicts altar, architectural details, and religious decoration.

Interior of mosque. Inside of the mosque of which the entrance can be seen on RP-F-00-5344-14.

Religion, the Chapel of the House of Annas, Jerusalem, photograph by Carleton H. Graves, 1943.

Church nave and pews , Naves, Pews, Churches. Leon Abdalian Collection

st, Postgasse - Dominican church - interior view, Josef Wlha -, photographer

Abruzzo, L'Aquila, Trasacco, SS. Rufino e Cesidio, Italy, 20th century, photo, photography, Europe

Antwerp, Maes, Joseph, Walcourt, Tabernacle, XVIe Siècle, Stone tabernacle in the Basilica of St. Maternus in Walcourt, recto - stamped, photomechanical print, page, photos, photographically illustrated books, TABERNACLE en pierre, recto - printed, TABERNACLE. PL. 1., JJvY, height 345 mm, width 233 mm, photographer, 1881 - 1889, paper, collotype, photoprint, photolithography, Belgian, 1838 - 1908, cliché maker, Work conception

Two nuns playing the organ in the Great Chapel, Saint-Lazare Prison, Women's Stop House, 107 rue du Faubourg-Saint-Denis, 10th arrondissement, Paris. Two nuns playing the organ in the Great Chapel, Saint-Lazare Prison, Women's Stop House, 107 rue du Faubourg-Saint-Denis. Paris (Xème Arr.). Photograph of Henri Manuel (1874-1947). Gélatin-Argentic bromide draw on paper, glued on a cardboard album page. Enlargement according to a negative glass plate. 1929-1931.

Bethlehem Carmelite convent on western hill Interior of chapel, close up of altar. 1940, West Bank, Bethlehem, Israel

Abruzzo L'Aquila L'Aquila Collegiate complex (S. Bernardino, Church. S. Bernardino, Cloister)6. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, paintings, frescoes. Views of the cloister from several vantage points and detailed views of the columns and capitals. Views of exterior and interior, with extensive coverage of mausoleum by Silvestro dell'Aquila. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Unknown photographer, Jakobikirche, Stendal (without date): interior to the east. Photo, 32.5 x 23.9 cm (including scan edges)

Interior of the Church of the Assumption of the Virgin Mary in Osek (Teplice District), 1912, Ústí nad Labem Region, Ossegg, Mutter Gottes Altar in der Stiftskirche, Czech Republic

12/31/1965. Interior of the church of Santa María de Noreñas (Asturias).

Lazio Viterbo Vitorchiano Madonna di S. Nicola9. Hutzel, Max 1960-1990 Three exterior views of 16th c. church; comprehensive coverage of church interior, including altars, nave and numerous frescoes of the viterbese school. General Notes: Two sets of prints integrated into single numerical sequence that comprises all views of Vitorchiano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Poll photo collection. Nebok monastery Nijmegen 1932. Interior of the monastery church: Maria-Altar with wall paintings. January 1, 1932. Gelderland, Nijmegen

Abruzzo Chieti Chieti S. Tommaso Apostolo, Cathedral7. Hutzel, Max 1960-1990 Cathedral was begun in 840, and building continued in the 11th cent. It was reconstructed in the 14th cent. The interior underwent a radical restoration in the 18th cent. in the Baroque style. The campanile was built in 1335. Photos include exterior views of the facade and the campanile along with several details. The interior views show the Baroque nave with its vaults and cupola. There are paintings in the vaults and over the altars, including one of St. Thomas & Christ over the main altar. There are also photos of the marble paliotto in front of the altar (17th cent.). Other interior details are the baptismal font, a wooden statue of the Madonna & Child, and wooden statues of two saints, one St. Peter. There are also several photos of the crypt, including a few of the painting fragments remaining there. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s un

El cristo de la luz, Toledo. Juan Laurent (French, 1816 - 1886)

Chapel of the Carpenter Shop, Nazareth. 1898, Israel, Nazareth

Interior of Church of the Immaculate Conception, Boston, Mass. , Churches

Lazio Rieti Casperia S. Maria di Legarano3. Hutzel, Max 1960-1990 Medieval: Wooden crucifix dating from the 1400's or (14th century). Post-medieval: Painting, sculpture. In the lunette above the portal is a fresco of the Annunciation by Bartolomeo Torresani. A fresco of the Last Judgment, by Bartolomeo Torresani, on walls of a chapel to the left of the atrium. Painting of S. Sebastian and S. John the Baptist of the school of Antoniazzo Romano. In a niche, representation of the Wedding of the Virgin, fresco attributed to Alessandro Torresani. Nativity scene in polychromed terracotta by an Abruzzi artist from the 15th century. Behind the main altar, a polychromed wood statue of the Virgin and Child signed by Carlo dell'Aquila (1489). Antiquities: Architecture and sculpture. Remains of "opus reticulatum" walls (church built on the site of a roman villa), a "colossal god" sculpture from 1 B.C. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early

, Wittegasse -, Chapel of the old Greisenasyl before the demolition

Lazio Roma Ariccia S. Maria di Galloro. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, crucifix, stucco ceiling decoration, marble and mosaic altar frontal. This church is a latin cross in plan with a cupola, started in 1624 and enlarged in 1661 with a facade designed by Bernini. The main altar, also believed to be a design of Bernini's, contains a painting of the Madonna and Child with a frame of gilded metal rays. In lateral chapels, paintings of S. Tommaso of Villanova by G. Gimignani (1663) and of S. Francis of Sales by Borgognone (1663). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments.

SkiopTikonbilden with motifs from Halber Stattern Dom.The image has been stored in cardboard labeled: Spring Travel 1909. Blankenburg 3. Halberstadt 2. Xi.Text image: "DOM".

Altar in the Chapel of the Purisima, at Guadalupe., 1898. Altars, Guadalupe Hidalgo (Mexico). Gelatin silver print., Mat / 10 1/2 x 13 3/4 in. (26.7 x 34.9 cm)

Reredos-Grace Church, Salem, Mass. , Altars. Samuel Chamberlain Photograph Negatives Collection

Interior of the Church of Jesus and the Saints Ambosius and Andreas in Genoa; Genova. S. Ambrogio. Part of travel album with pictures of sights in Genoa, Florence and Venice.

Umbria Terni Ferentillo S. Maria6. Hutzel, Max 1960-1990 General views of town and basilica-style church, with its tall, pointed campanile. The church has a plain facade. Interior has slightly pointed arches and a wooden ceiling. There are few paintings. One large fresco depicts a series of female martyrs. Paintings appear to have been done from late Medieval to Renaissance. Object Notes: No Hutzel photo campaign notes. Negatives are missing. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Chieti Chieti S. Tommaso Apostolo, Cathedral6. Hutzel, Max 1960-1990 Cathedral was begun in 840, and building continued in the 11th cent. It was reconstructed in the 14th cent. The interior underwent a radical restoration in the 18th cent. in the Baroque style. The campanile was built in 1335. Photos include exterior views of the facade and the campanile along with several details. The interior views show the Baroque nave with its vaults and cupola. There are paintings in the vaults and over the altars, including one of St. Thomas & Christ over the main altar. There are also photos of the marble paliotto in front of the altar (17th cent.). Other interior details are the baptismal font, a wooden statue of the Madonna & Child, and wooden statues of two saints, one St. Peter. There are also several photos of the crypt, including a few of the painting fragments remaining there. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s un

Dom Johnnes CapelsMeissen. Dom Johannes Chapel

Meissen. Cathedral, altar - singing choir

Interior of the R.K. church in Wijk bij Duurstede: the church hall with altar.

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)15. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

335. Bethlehem. Cave of the Nativity. .

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)06. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Interior view of the Cathedral of Christ the Saviour in Moscow by Russian Photographer /Russian State Film and Photo Archive, Krasnogorsk/1883/Albumin Photo/Russia/Architecture, Interior

Michaelskirche to Bamberg. Persp. On pulpit, altare u. choir. .

Skiopticone image with motifs from the church St. Joseph.ilden has been stored in cardboard labeled: the journey 1908. Heilbronn 7. XXII. Text on image: "Denutch the words K. St. Joseph".

Emil O. Jellink, Altar with Baroque Ornament, c. 1920s, silver print.

Church of St. Peter, interior of upper church, above the crypt. 1940, Jerusalem, Israel

Poll photo collection. Saint Arke of the Ashkenazi Haarisynagogue in Safad (Safed). undated. Israel, Safad, Safed

Ohel Ya'akov Synagogue, Zikhron Ya'akov American Colony, Jerusalem. 1898, Israel, Zikhron Yaʻaḳov

Elsevier photo collection. Norwegian Zeemanskerk Rotterdam. Interior altar copy image "the blessing Christ" Danish sculptor Thorvaldsen. 1917. Norway, Rotterdam, South Holland

Interior of the village church (altar side)

Krużlowa Wyżna parish church of Nativity of the Virgin Mary the interior of the presbytery unknown

Abruzzo L'Aquila L'Aquila Collegiate complex (S. Bernardino, Church. S. Bernardino, Cloister)8. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, paintings, frescoes. Views of the cloister from several vantage points and detailed views of the columns and capitals. Views of exterior and interior, with extensive coverage of mausoleum by Silvestro dell'Aquila. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Le Calvaire, autel grec, Jerusalem, 1870-1879, Félix Bonfils, French, 1831 - 1885, 8 5/8 x 11 1/8 in. (21.91 x 28.26 cm) (image)11 x 14 in. (27.94 x 35.56 cm) (mount), Albumen print, France, 19th century

St. Francis De Sales Church, Woodburn Avenue and Madison Road, Cincinnati, Ohio , Churches, Tichnor Brothers Collection, postcards of the United States

Grace Church chancel window, Salem, Mass. , Altars. Samuel Chamberlain Photograph Negatives Collection

Lazio Frosinone Veroli S. Maria Salome. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, stone reliquary, frescoes, inscription fragments. According to tradition, the church (and crypt below) was built in 1209 to house the relics of the mother of the Apostles James and John. The structure was restored in the medieval period (1350) after an earthquake. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco ceiling decoration. The interior and exterior of the church were largely restored in the 18th century. Triptych of the Madonna, Child and Saints signed F. D. Hispanus and dated 1561. General Notes: 2 sets of prints for the same site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etr

Toledo, Catedral, ábside de la Capilla Mayor.

Anefo photo collection. Restoration of English church to Begijnhof. Assignment loyalty. Interior. October 26, 1961

Umbria Perugia Spello S. Lorenzo3. Hutzel, Max 1960-1990 S. Lorenzo (1120) stands on the site of the former S. Ercolano. Exterior views of the portal (13th century) and facade (remodelled in 1540). Interior views focus on the painting and sculpture (15th-18th centuries): marble intarsia baptismal font (1607); main altar baldachin (an imitation of the one in St. Peter's, Rome); wood intarsia choirstalls; wooden wardrobe and chest in the Sacristy with the intarsiaed figured of Moses, Noah and Zaccariah; wooden pulpit with bas-reliefs of the Martyrdom of S. Lorenzo; frescoes in the neoclassical Cappella dell'Incoronata; marble tabernacle in the Cappella del Sacramento; baroque altar of St. Catherine; frescoes of the Madonna and Child (by Gozzoli), S. Lorenzo, and S. Bernardino da Siena; altar painting of the Glorification of Souls in Purgatory; gilt statue of S. Nicola; and various other paintings, frescoes and statues. Antiquities: Roman spolia: funerary inscriptions and plutei around th

Interior of the Reformed Church in Nisse, Anonymous (Monumentenzorg) (Attributed to), 1901 photograph Nisse photographic support. cardboard albumen print parts of church interior: choir Nisse

Church of St. James interior Armenian Convent (looking N.W. from apse) 1934, Jerusalem, Israel

Valleys of Jehoshaphat and Hinnom Tomb of the Virgin 1900, Jerusalem, Israel

Admirality Church (depicted name).Admirality Church (depicted name)

Święty Krzyż. Church of the Bernardine monks. Interior view towards the great altar. Grodzicki, Józef (1854-1939), photographer

Center Altar with Bronze Canopy, Franciscan Monastery, Washington, D. C. , Religious facilities, Tichnor Brothers Collection, postcards of the United States

Sanctuary of St. Roch's R. C. Church, 525 Wales Ave. -- New York , Churches, Tichnor Brothers Collection, postcards of the United States

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