Historic Figures

Etchings of prominent individuals depicted in various poses, showcasing historical clothing and detailed craftsmanship in printmaking.

Reading people at the table, Georges Lemmen, c. 1888 - 1916 print paper reading

P. Cacchiatelli - G. Gleter, Le Scienza e le Arti sotto il pontificato di Pio IX, edito a Roma nel 1860 dalla Tipografia delle Belle Arti, via Poli, 91. Internamente sono contenute delle acqueforti che raffigurano le opere pubbliche realizzate durante il Pontificato di Pio IX

Facing brick on the Nieuwe Tertuinen in Amsterdam, Willem Wenckebach, 1870 - 1926 drawing Amsterdam paper. deck paint. ink. pencil pen stone tablet in façade New teertuinen. Amsterdam

James McNeill Whistler (American, 1834 - 1903), Courtyard, Rue P.L. Courier, 1888, etching

Drawing by Ferdinand Boberg. Värmland, Färnebo hd. o sn., Långbanshyttan Nordic

The Entombment Made 1649-1659 Holland. Etching on ivory laid paper . Rembrandt van Rijn

The Doorway 1879-80 James McNeill Whistler American Richly ornamented panels surround a central void and invite us into the shadowed interior of the Palazzo Gussoni, with a sunlit courtyard glimpsed beyond. This etching belongs to Whistlers "First Venice Set," and the artist found his subject on the Rio de la Fava canal, east of the Rialto. The dark interior space seems dappled with reflected light shining through a grid that fills the central arch. Close inspection, however, reveals the shapes to be chairs hanging from the ceiling. Whistler undoubtedly planned this coincidence of patterning and avoided clarifying the details. His interest in shifting light led him to devote one-third of the sheet to the foreground canal, where subtly manipulated plate tone contrasts suggested depth with reflected surface.. The Doorway 365017

The drawbridge (second state). 1740 - 1778. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawbridges

Forest face, draughtsman: Mallardot, draughtsman: anonymous, France, 1830 - 1870, paper, brush, h 192 mm × w 143 mm

Restaurant Cavalier , Restaurants. Sir David Young Cameron (1865-1945). Prints

Etching Tools 1861 François Bonvin. Etching Tools. François Bonvin (French, Paris 1817-1888 Saint-Germain-en-Laye). 1861. Etching; proof. Prints

Bringing in the Gun. Dated: 1916. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Doorway and Vine. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 232 x 179 mm (image, trimmed within plate mark); 240 x 179 mm (sheet). Etching and drypoint with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The little pool , Waterfronts, Rivers, Embankments, Sailing ships, Boats. James McNeill Whistler (1834-1903). Lithographs

The Journey of Youth. Artist: George Bellows (American, Columbus, Ohio 1882-1925 New York). Dimensions: image: 6 7/8 x 17 7/8 in. (17.5 x 45.4 cm)sheet: 9 7/16 x 20 1/16 in. (24 x 51 cm). Printer: Printed by Bolton Brown (American, Dresden, New York 1864/65-1936 Woodstock, New York). Publisher: Published by George Bellows (American, Columbus, Ohio 1882-1925 New York). Date: 1923-24. Museum: Metropolitan Museum of Art, New York, USA.

Hunter with shot game, Charles Fox, after Edwin Henry Landseer, 1853 print England paper etching stag-hunting. hunting dogs

Sarcophagus with Canopy, Piazza SS. Apostoli, Verona, 1876. Artist: John Ruskin. An outdoor sarcophagus under a stone canopy

Man on the quay of a harbor, Willem de Zwart, c. 1886 print paper. etching / drypoint harbour. pier, quay, wharf

Interieure decase. Artist: Paul Gauguin, French, 1848-1903

Candlelight , Dressing tables, Mirrors. Frank W. Benson (1862-1951). Prints and Drawings

Double Doorway, Sandwich. James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 68 x 110 mm (image, trimmed within plate mark); 72 x 110 mm (sheet). Etching and drypoint with foul biting in black ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Ornament. Artist: Richardson Ellson & Co. (British). Dimensions: sheet: 4 3/8 x 5 5/16 in. (11.1 x 13.5 cm). Date: ca. 1880. Museum: Metropolitan Museum of Art, New York, USA.

Jean-Honoré Fragonard drawing of the Adoration of the Shepherds, executed with brush, bister, wash, and black chalk accents.

Etching on copper plate in brown by Edvard Munch from 1895 titled 'Moonlight', depicting night landscape under moonlight.

James McBey, Glassblowers, Murano, 1930, drypoint on paper.

The Steps. Dated: 1915. Dimensions: plate: 27.31 × 19.37 cm (10 3/4 × 7 5/8 in.) sheet: 31.12 × 22.23 cm (12 1/4 × 8 3/4 in.). Medium: etching in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Childe Hassam.

Reproduction of drawing: Deskur, Józef Marian (1861-1915), The Sphinx and the Centaur; excerpt from an album. Kraj (Petersburg ; czasopismo ; 1882-1909), publisher

Figure in front of opening in an old exterior wall, print maker: Arnoud Schaepkens, (mentioned on object), 1831 - 1904, paper, etching, drypoint, h 196 mm × w 125 mm

Sientje Mesdag -van Houten at the table, Barbara Elisabeth van Houten, 1877 - 1950 print A burning lamp above the table. paper etching reading

Siena Made 1905 United States. Etching in black on buff wove paper, laid down on cream wove paper (chine collÈ) . Donald Shaw MacLaughlan

The Steps, Amsterdam 1889 United States. Etching with foul biting in brown ink on cream Japanese paper . James McNeill Whistler

Carceri, XVI: The Pier withChains. Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Interior of a Kitchen. Timothy Cole (American, born England, 1852-1931); after Martin Drolling (French, 1752-1817). Date: 1906-1907. Dimensions: 129 x 166 mm (image); 233 x 299 mm (sheet). Wood engraving on China paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Drawing by Ferdinand Boberg. Västmanland, Norrbo hd., Haraker sn., Svanå Nordic

Under the lamp The Board from: Le Corbeau The Raven Poëme by Edgar Poe French translation of Stephane Mallarmé with illustrations by Édouard Manet , Paris: Richard Lesciide, 1875 Manet, Édouard (1832 1883)

The Tyresmith 1890 James McNeill Whistler American. The Tyresmith 372810

The smithy , Forge shops. Sir David Young Cameron (1865-1945). Prints

La jeune fille a la fontaine. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Lucas-Robiquet Marie-Aimée (1858-1959), painter, Clément, Albert (Paryż ; zakład graficzny, wydawnictwo ; fl. ca 1860-1900), printer of graphic prints

RUIFI CASTY BUCHTER, Martinus Antonius Chery Thuivery Jr., 1853 print In a hilly landscape, a swallow flies above the ruin of Bourscheid castle, located on the River Sûre. Brussels paper. etching / drypoint ruin of a dwelling, house, castle, etc.. song-birds: swallow. river

Rocaille Fontein puts Riviergod, Laureolli, after just Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching rocaille ornament. river personified, 'Fiumi' (Ripa). ornamental fountain

Prison. Date/Period: Ca. 1760. Engraving. Etching on paper. Height: 408 mm (16.06 in); Width: 543 mm (21.37 in). Author: GIOVANNI BATTISTA PIRANESI.

Noctes Ambrosianae. Artist: Walter Richard Sickert (British, Munich 1860-1942 Bathampton, Somerset). Dimensions: plate: 8 15/16 x 10 1/8 in. (22.7 x 25.7 cm)sheet: 10 7/8 x 12 in. (27.6 x 30.5 cm). Date: ca. 1908. Museum: Metropolitan Museum of Art, New York, USA.

"Pencil drawing by Carl Schuch depicting a table still life with a skull, lantern, and wine glass."

An 1890 lithograph by Alexandre Lunois showing the upper galleries of Theater Beaumarchais, including architectural details, seating, and balustrades.

Toulouse-Lautrec, Henri, work, Irish and american bar, rue Royale, 1896, lithography, graphics, sheet width 60 cm, leaf height 41 cm

Drawing by Ferdinand Boberg. Motala, Nordic

Paris under bombardment(TI)

Drawing by Ferdinand Boberg. Närke, Edsberg hd., Kvistbro sn., Svartå Nordic

Ermels, Johann Franz (der Ältere), Roman ruins and monuments, View of the ruins of the Colosseum, verso - stamped, print, prints, height 116 mm, width 98 mm, 1641 - 1693-12-03, print maker, printmaker, 1651 - 1693, paper, etching

James McNeill Whistler, Doorway, 1879-80, etching on paper.

Curtain factory. Helfond, Riva, 1910-2002. 1939. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Seamstresses

Albert asleep , Sleeping. Charles H. Woodbury (1864-1940). Prints

Camille Pissarro, Marché à la Volaille à Gisors, 1891, Etching and aquatint, printed in bistre ink on laid paper.

Yorick has to share his room with an unknown woman, Daniel Nikolaus Chodowiecki, 1783 print Numbered at the top right: 12. paper etching Literature. darkness. bedroom. female sex; woman

Copper engraving and etching by Jean François Pierre Peyron from 1790 depicting Socrates drinking the poison cup, showing figures, cup, and surrounding symbolic elements in late 18th-century European style.

Young; Sichulski, Kazimierz (1879-1942), Piller-Neumann (Lviv; Drukarnia, Litographic Zak 1893-1939); 1912 (1912-00-00-1912-00-00);Young Poland (Styl), Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance), Polish graphics, mill (archite.), Poland (culture)

Branded bakery on Vlieenburg, 1682, Anonymous, 1733 - 1735 print Ruin of a bakery on Vliedenburg in Amsterdam, caught up and extinguished on April 13, 1682. Plate 20 in the reprint of the fire spray book by Jan van der Heyden from 1735. Northern Netherlands paper etching / engraving on fire, ablaze. fire-extinguishing equipment Fleaburg

Smuggling In, or A College Trick August 8, 1810 Heinrich Joseph Schutz. Smuggling In, or A College Trick. Heinrich Joseph Schutz (German, Frankfurt 1760-1822 Frankfurt). August 8, 1810. Etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Ruin of a gate. Architecture fantasy with the ruins of a gate. Title Print for the 'Vasi Inventione' series. Numbered in a later state: 19. Part of group of prints from one of the four series of vases, ruins, tombs and fountains with a total of around 25 sheets.

The Great War: the effort and ideal of Great Britain represented in a series of lithographs. On board a hospital ship Claude Alin Shepperson (1867-1921). "The Great War: The effort and ideal of Great Britain represented in a series of lithographs - On board a hospital ship". Lithograph, 1914-1917. Museum of Fine Arts of the city of Paris, small palace.

Artist: François Bonvin, French, 1817-1887, The Etchers Tools, Etching, printed in black ink, platemark: 22.3 × 14.3 cm (8 3/4 × 5 5/8 in.), French, 19th century, Works on Paper - Prints

Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "Streets of perdition." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101785-13 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

The Smoking Fire, plate 6 from Imaginary Prisons 1761 Italy. Etching and engraving on heavy ivory laid paper . Giovanni Battista Piranesi

Dungeon with lifting installation; Bow with shell ornament; Dungeons; Invenzioni Capric di Carceri All Acqua Forte. View in a monumental space (possibly a dungeon) with a lifting installation on the right. In the literature this print is called 'bow with shell ornament'.

DA-SC-86-06361. Country: Unknown

Charles François Daubigny, Asleep Aboard the Bottin (Coucher a bord du Bottin), 1862 Asleep Aboard the Bottin (Coucher a bord du Bottin)

Albert asleep , Sleeping. Charles H. Woodbury (1864-1940). Prints

Osteria in Campagna, Etienne de Lavallée -Pousin, 1762 - 1777 drawing An Osteria in the campagna, over the stove and the well to see outside. paper. ink. pencil pen / brush kitchen-interior. hotel, hostelry, inn. well Campagna

Giovanni Battista Piranesi (1720-1778), DET Runde Taarn, About 1750

The White Way , Cities & towns, Streets, Night. Joseph Pennell (1857-1926). Prints and Drawings

Pencil and watercolor untitled study by Helene von Frauendorfer-Mühlthaler with cover color and ballpoint pen labeling, showing compositional and figure details.

Prisoners on a Projecting Platform. Dated: published 1800/1809. Medium: etching, engraving, sulphur tint or open bite, burnishing. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BATTISTA PIRANESI.

Woodland Scene with Two Figures Ralph Albert Blakelock (American, 1847-1919). Woodland Scene with Two Figures, n.d. Pen and ink on paper, Sheet: 6 15/16 x 8 5/16 in. (17.6 x 21.1 cm). American Art n.d.

Drawing - Woman in Distress John Charles Pinhey (1860-1912)

Haypers at a city. .

Teetertotter in Church Building 1800-1899 United Kingdom. Pen and brown ink, with brush and brown, pink and orange wash, over graphite, on cream wove paper . Unknown artist

St. Anthony and Death. Rodolphe Bresdin; French, 1825-1885. Date: 1837. Dimensions: 97 × 42 mm (image); 105 × 50 mm (sheet). Etching on cream China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Le stryge, Notre Dame , Gargoyles, Cities & towns, Towers, Notre-Dame de Paris Cathedral, Saint-Jacques-de-la-Boucherie Church : Paris, France. Joseph Pennell (1857-1926). Prints and Drawings

Repro naar 'the electrical light in the service of photography', lady in studio, anonymous, after E. Hosang, 1881 print

Francisco de Goya y Lucientes / 'Estos hacen raya en la taberna. Álbum C, 79'. 1808 - 1814. Wash, Brush, Pencil, Grey-brown ink, Iron gall ink, Scraping out on laid paper. Museum: Museo del Prado, Madrid, España.

The Guard Gate, Gatun Lock, Panama. Joseph Pennell; American, 1857-1926. Date: 1912. Dimensions: 313 x 237 mm (image/plate); 440 x 286 mm (sheet). Etching on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

La mort de Matamore (sujet tiré du Capitaine Fracasse).. 1852 - 1882. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Night, Death

Saint Peter and Rhoda 1774-1804 Italy. Pen and brown ink, and brush and brown wash, over black chalk, on ivory laid paper . Giovanni Domenico Tiepolo

Face in a farmer's part, Hendrik van der Burgh, 1779 - 1858 drawing paper. watercolor (paint) brush

Winners and Losers, All Are Food for the Devil, 1822. Nicolas Toussaint Charlet (French, 1792-1845). Lithograph; image: 19.3 x 16 cm (7 5/8 x 6 5/16 in.).

Josi, Christiaan, London, Rijn, Rembrandt van, Dietrich, widow, Interior of the house of Rembrandt, verso print - stamped, print, prints, verso cardboard and verso print - stamped, height 164 mm, width 150 mm, German, print maker, printmaker, 1817 - 1821, paper, print drawing, etching, etchings, roulette, Northern Netherlands, 1606-07-15 - 1669-10-08, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Dutch, 1768 - 1828-11, publisher, supervision

Amsterdam, Overbeek, Bonaventura van, Reliquiae antiquae urbis Romae, Scholar sits between the vaults of a ruin, verso - stamped, print, prints, height 400 mm, width 264 mm, Northern Netherlands, 1660 - 1706, print maker, printmaker, 1708 - 1708, paper, papier, etching

An 1862 etching by Edouard Manet on chinepapier representing the first version of a cover page, demonstrating Manet's line precision and early print experimentation.

A pair of workers atop a pile of rubble and other workers watching them ca. 1880-1910 José Guadalupe Posada. A pair of workers atop a pile of rubble and other workers watching them. José Guadalupe Posada (Mexican, 1851-1913). ca. 1880-1910. Etching on zinc. Prints

Drawing by Ferdinand Boberg. Uppland, Oland's hd., Öster-Lövsta sn., Lövsta Nordic

Sleeping Watchdog. Date/Period: 1637 - 1640. Drawing. Pen and brown ink with brush and brown wash, with touches of opaque white watercolor, on cream laid paper. Height: 143 mm (5.62 in); Width: 168 mm (6.61 in). Author: HARMENSZOON VAN RIJN REMBRANDT.

Street of the Lonely, plate 23 from Miserere. Georges Rouault; French, 1871-1958. Date: 1945. Dimensions: 364 × 506 mm (image/plate); 505 × 650 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Drawing, Study for a Gazebo and Terrace Garden; Designed by André Vera (French, active Paris, 1881-1971), Paul Vera (French, active Paris, 1882-1957); France; brush and black ink on tracing paper; 29 × 23.6 cm (11 7/16 × 9 5/16 in.) Mat: 45.7 × 35.6 cm (18 × 14 in.)

The Great Hammer. Dated: 1916. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Drawing by Ferdinand Boberg. Motala Nordic

Graphic artist in his workshop with various graphic attributes in the foreground, Jos Ratinckx, 1889 print paper ETCHING / ROUCH tools, implements of graphic artist. artist at work, in his workshop

MONTAIGNE, Michel Eyquem de (Castillo de Montaigne, 1533-1592). Escritor francés. Su pensamiento es una sabiduría que, bajo aspectos estoicos, se fuerza a mantener el ocio, la felicidad y la libertad del hombre en ese periodo turbulento, unas veces con ayuda de la razón y otras de la naturaleza. De sus obras destacan "Ensayos" y "Diario de viaje". Detalle de la TORRE DE MONTAIGNE.

The Mill James Abbott McNeill Whistler (American, 1834-1903). The Mill. Etching, 6 3/8 x 9 1/2 in. (16.2 x 24.1 cm). American Art

Cartoon, A masterpiece of archikulture, showing a crumbling ruin resulting from German bombing during the First World War. Date: 1915

Giant jetty. The heron stands on a bar in a loft with straw on the floor.

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