Historic Jewelry Design Prints

A collection of antique prints featuring intricate jewelry designs, decorative motifs, and ornamental detailing typical of baroque style.

Paris, Brisville, Hugues, France, Berain, Jean (le Vieux), Diverses Pièces de Serruriers, Sleutelgatplaat, An owl sits between the leaf tendrils, the leaf tendrils extend left and right into winged figures. Smaller ornamental motifs are depicted in the corners. Page 9 from series of title page, page with dedication and 14 pages with fittings and wrought iron, keyhole plates, keys, door knockers and door knobs. Second edition., print, ornamental print, prints, ornamental prints, height 168 mm, width 119 mm, French, 1640-06-04 - 1711-01-25, print maker, printmaker, 1662 - 1711, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Design for a list, with an improved solution for the left corner and the left bottom corner, anonymous, c. 1610 - c. 1625 drawing Florence (possibly) graphite (mineral). ink

Two 'Columnae Calatae' and four consoles; The first Boeck Ghemaeckt on the two Colomba Dorica and Ionica. Left the lower half of a column of the ionic order with a female herme, caught in rolling. On the right the lower half of a doric column with fitting work and mascarons. There are four consoles in between. A scale has been indicated twice on the print. Leaf H. The print is part of an album.

Vignette with burning lamp and female mascaron. .

France, French Crown, Paris, Langlois, François, Bella, Stefano della, Raccolta di vasi diversi, Ornamental vases, Eight vases in a row, the middle one with a satyr and a nymph, verso - stamped, print, ornamental print, prints, height 84 mm, width 202 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever, verlener of privilege

Germany, France, Berain, Jean (le Vieux), Vertical panels with modern grotesques, Panels with female herm and medallion, In the center of the left panel is a herm with a basket of flowers on her head, at the top of the right panel hangs a portrait medallion under a canopy. Sheet from a series of modern grotesques interspersed with ornaments and consoles with tableware., print, ornamental print, prints, ornamental prints, height 278 mm, width 154 mm, Work conception, French, 1640-06-04 - 1711-01-25, after a design by, 1650 - 1761, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, third quarter 18th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publicatie, publisher

Drawing, Design for Panel Decoration with Rocaille Ornament; Designed by Pierre Edme Babel (French, 1720-1775); France; pen and black ink, brush and black and bistre wash on paper; 17.5 x 24.6 cm (6 7/8 x 9 11/16 in.)

Two parts of a pilaster with festans of leaves, fruit and flowers; Prima pars praecipuarum (...) / The first part of the precursor stods and cieraten (...) / La Premier Parti (...). Leafs 2. At the bottom left is a monkey. Leaf from second edition.

Cartouche with male and female sater with jugs, a young Sater and two lying goats; Cartouches; Raccolta di Varii Cappricii. .

Ornament with leaves, 1522 - 1530 print Low Countries paper engraving plants; vegetation (+ ornamental variants of plants)

Back of a pendant, with birds, c. 1570 - Before 1573 print In the arabesks there are a bird on the left and right and a beetle in the middle. There are also two diamond -shaped and two round costume ornaments on the leaf. One of 9 sheets from a series of 10 sheets with pendants. Three pearls hang on each pendant. Moreover, two or four small costume ornaments on each leaf. Netherlands (possibly) paper engraving During, Trinket, 'charm'

Siercan with bird head, Balthasar Sigmund Setletzky, After Christian Friedrich Rudolph, 1705 - 1771 print A decorative jug with rocaille ornaments and a bird head. Around the can a rocaille frame with dragon and rocailles. Publishing number 20. Augsburg paper etching jar, jug (used as drinking-vessel). birds

Eighth book of the work (from Meissonnier): Different Tabatière Designs.; Eighth book of the works of J.A. Meissonnier ... ZES ONWERPEN Voor Tabakspotten. Tweede Blad Uit Serie Uit "Different Tabatière Designs'

Cartouche with lobe ornament, down a winged monster; Gifted aereth compunds.

Cartouche with two sea horses biting each other and two small cartouches with sea bee; Cartouches; Raccolta di Varii Cappricii. .

Six Designs for the Decoration of Rectangular Reliefs 1762-1844 Giuseppe Bernardino Bison Italian. Six Designs for the Decoration of Rectangular Reliefs 344578

Design for Two Cartouches, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723-1796, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Etching and engraving on off-white laid paper, Rocaille cartouches with landscapes. The border of the lower cartouche, partly composed of trellis, is inspired by a print of Gabriel Huquier (see Egger/Berliner 1296)., Germany, 1745, ornament, Print, Print

Three half cartouches; Ornaments; Disegni, et abbozzi di Agostino Mitelli Intagliati Dal Figluolo di Lui Gioseppe Maria Mitelli. Above left the right half of a cartouche. At the top right the left half of a cartouche with a triton in the edge. Under the right half of a cartouche with a putto. The print is part of an album.

Drawing, Square Panel with a Roset; Italy; pen and brown ink, brush and brown, gray wash, over black chalk on white laid paper; 10.1 x 9.5 cm (4 x 3 3/4 in.) (irregular mat) Mat: 35.6 x 22.9 cm (14 x 9 in.)

Emblemata with Neptunus, Amor and a Globe, Anthonie de Winter, 1697 - 1718 print Twice four emblemata with Dutch text and Latin motto on a magazine. Above: Emblemata with Neptune, Amor, a tree on the water and the Noordster. Below: Emblemata with a horse on a globe, fighting men in armor, a compass and two fighting dogs. paper etching / engraving Abstract Ideas and Concepts (+ emblematical representation of concept). (story of) Neptune (Poseidon). (story of) Cupid, Amor (Eros). globe

Ornament with Grotesque. Dated: 1616. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master CR.

Lunette with putti, lions and horns of abundance in the eastern gallery of the town hall on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1655 print Lunette with two putti, two lions and two inverted horns of abundance (partly hidden behind the lions) in the northern part of the eastern gallery of the Town Hall on Dam Square in Amsterdam. This is the Lunette to the right of the image of Cybele, above the door to the Midwood Chamber. In the middle marked: R. paper etching / engraving attributes of Cybele. beasts of prey, predatory animals: lion. cupids: 'amores', 'amoretti', 'putti'. 'Cornucopia', Horn of Plenty City Hall of Amsterdam (1655-1808)

Jewels with diamonds Orfèvre Jouallier, Metteur and Oeuvre, Brillans (title on object), Ten jewels with diamonds, numbered 1 to 10. Pl. IV. Ornaments Jewels, unknown, Yverdon, in or before 1770 - 1780, paper, engraving, h 351 mm × w 221 mm

Two variations with a round or rectangular center section with an overcast sky, Two quarters of ceilings Plafons A La Romaine , print maker: Susanne Maria von Sandrart, Jean Lepautre, publisher: anonymous, print maker: Neurenberg, France, (possibly), publisher: Neurenberg, 1668 - 1716, paper, etching, h 143 mm × w 210 mm

Two parts of a pilaster with festons of leaves, fruit and flowers, Hubert Quellinus, After Artus Quellinus (I), 1665 print Page S 2. At the bottom left is a monkey. Magazine from the second edition. Amsterdam paper etching

Connection piece for belt and necklace with Apollo and Leucothea, c. 1575 - c. 1590 print Connection piece for belt and necklace. Oval in a frame of arabesks, birds and butterflies in black stock. In the Oval Apollo and Leucothea (to Matham, to Goltzius). At the bottom hangs a pear -shaped gem. Leaf 4 from a series of 4 blades. paper engraving Apollo, possibly in the guise of an old woman, wooing Leucothea

Panel with two winged women; Panaux Dornements. Both women sprout from a leaf drink and blowing on a trumpet.

Twee kandelabers, in or after 1648 print Leaf with two performances of Kandelabers. On the left a candlestick with weapons and dragons. On the right a candle slor with lions, pigs and dragons. The left performance is above the right show. Together they form one Kandelaber. print maker: Italyafter drawing by: Italypublisher: Rome paper etching ornament ~ candlestick

Ten birds out of five stylized ranks, Bartholomeus van Lochom, after Hans Janssen, c. 1630 print Amsterdam paper engraving

Copper engraving 'Ornament with Two Tendrils' by Lucas Hugensz. van Leyden, around 1509, depicting ornamental foliage with two tendril elements.

Speculum Romanae Magnificentiae: Capital with ram heads and masks ca. 1537 Monogrammist G.A. & the Caltrop Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard,

Panel filling with flute playing putto. Design for a print.

Leaf ornament with sitting putto.

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Ornements des Fenêtres, Fenster Außzierungen, Vensterornaten, Vensterornaten with putto and palm tree, verso - stamped, Two rocaille windows with rocaille ornaments. At the top of the windows two faces in the rocailles. In the middle a putto with a palm tree on a rocaille ornament. Publisher's number 87., print, ornament print, prints, ornament prints, height 184 mm, width 294 mm, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

A feather drawing by an anonymous artist depicting part of an Akanthus frieze, showing ornamental details, pattern, and composition.

Vine Ornament with Two Birds. Dated: c. 1440/1450. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Follower of Master of the Playing Cards.

Two One Half Variant Designs for a Catafalque. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: sheet: 12 1/2 x 7 13/16 in. (31.8 x 19.9 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

In the scheme of a candelabrum. At left: below is a pedestal with sitting sphinces upon the foot and supporting flower pots upon their heads. Children are standing upon their backs, holding reins. The sides of the lower part of the angular shaft are decorated with half-figures. The upper part of the shaft is an oblong with a head. Above is a base with two griffins, supporting festoons and another wider base. Upon the latter stand two women, suppotying an oval frame with a landscape standing in the center upon a calix. Above are symmetrical scrolls with a horizontal bar below upon the sides of which stands a bird and a putto with one end of a festoon. The upper scrolls end with winged half-figures.; on top is an eagle, displayed as in a wraeth. At right, without a framing line, and at left below, because of lacking space, not entirely drawn. Below are two crouching lions; their reins are carried by putti standing near their tails. Upon the heads of the lions stands a column from which t

Ein ney Furmbüchlein, Page 2, recto. Dimensions: 7 7/8 x 6 1/8 in. (20 x 15.5 cm). Publisher: Johann Schönsperger the Younger (German, active 1510-30). Date: ca. 1525-29. Museum: Metropolitan Museum of Art, New York, USA.

Haan van Vuursteengeseer, Philippe Cordier Daubigny, 1634 print Decorated with a cherub, a rabbit, a dog and a mask. Page 2 from a series of 14. Paris paper etching

Hertel, Johann Georg (I), Habermann, Franz Xaver, Rocailles, verso - stamped, Six rocaille ornaments. Publisher number 140., print, ornament print, prints, ornament prints, height 194 mm, width 302 mm, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

With a variant on the right half. At top is an eagle with a garland around it, at top right is a dog., Rollwork with leafy vines Des vor Schlosser aufgezeichnete neuen Bandel-Wercks anderer Theil (...) (series title), print maker: Johann Conrad Reiff, (possibly), Johann Conrad Reiff, (possibly), publisher: Johann Christoph Weigel, Germany, (possibly), c. 1600 - c. 1699, paper, etching, h 289 mm, w 187 mm

Messenheft with grotesken, at the top of a rectangle with the wedding in Canaan; Lifting of knives with grotesken on black fond. One of 4 sheets, each with one design for the front of a lifting, flanked by two half designs for the rear. The texts on the rear relate to the performances at the front.

A goddess, surrounded by flaming hearts, serpents and two demons farting above a globe. Engraving by E. Delaune, c. 1560.

At the top and at the bottom of a Frisian, in between two small flat decorations, Hans Sibmacher, after Jacques Androuet, c. 1525 - 1594 print Equal -sided copy to the print by Jacques Androuet Ducerceau, who derived the flat decoration on the left from a print by Cornelis Matsys. Leaf from series with architecture fantasies and grotes' with fable areas, garlands, candelabers and mascarons. print maker: Germany (possibly)after design by: France (possibly)publisher: Netherlands (possibly) paper etching ornament derived from architectural details

Cartouche surrounded by grotesques, Johannes or Lucas van Doetechum, Hans Vredeman de Vries, Hieronymus Cock, c. 1555 - c. 1560

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Rocaille ornaments, verso - stamped, Three rocailles. Publisher's number 124., print, ornamental print, prints, ornamental prints, height 200 mm, width 298 mm, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Louis XIV (King of France), Paris, Mariette, Pierre (II), France, Lepautre, Jean, Differents Morceaux d'Ornements Pour Seruir aux Frises Corniches et Architraues, Four rows of friezes, The upper frieze consists of two parts on either side of a round medallion, without representation of the dividing line. Sheet 2 of a series of 6 sheets, each with four rows of friezes, usually divided into two to four compartments., print, ornament print, prints, ornament prints, height 275 mm, width 190 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1667 - 1716, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, first quarter 18e eeuw, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher, uitgever, 1638-09-05 - 1715-09-01, granter of privilege

Panel filling with fluctuating putto between hybrid animals, Bernard Picart, 1727 drawing Design for a print. Amsterdam paper. ink pen / brush ornaments ~ art

Ornament of leaf vines and birds, names of cities and villages (with NAME), names of historical buildings, sites, streets, etc. (with NAME), triumphal arch, historical person (WILLEM V, Prince of Orange) - other representations to which the NAME or a historical person may be attached (WILLEM V, Prince of Orange), historical events and situations (with DATE), Buitenhof, Willem V (Prince of Orange-Nassau), Wilhelmina of Prussia (1751-1820), Johannes Beretta, 1791, paper, ink, brush, h 397 mm × w 263 mm

Deraisme, Pierre -Georges (n.1859 - D.1932), Shepherdess 18th century (main title), 1900. Graphite on block sheet. Petit Palais, Museum of Fine Arts of the City of Paris.

Ceiling with empty center piece; Ceilings. Ceiling with empty middle piece with curved corners. The center piece is surrounded by an ornamental edge and medallions with allegorical figures in the corners. From series of 6 (possibly 12) sheets.

Design for an Overdoor Decoration with Variant (recto); Sketch of a Marbled Wall (verso). Artist: Anonymous, Italian, Bolognese, 18th century. Dimensions: 5 x 6-1/8 in. (12.7 x 15.6 cm). Date: 1740-60. Museum: Metropolitan Museum of Art, New York, USA.

Cartouche with a mask at the bottom and at the top; Voorshande new compartemente. With wide fanning sides.

Ornament tailpiece. 1701 - 1800. Miserotti, Domenico, active 18th century. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Lunette with putti, lions and horns of abundance in the eastern gallery of the town hall on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1655 - 1665 print Lunette with two putti, two lions and two inverted horns of abundance (partly hidden behind the lions) in the northern part of the eastern gallery of the Town Hall on Dam Square in Amsterdam. This is the Lunette to the right of the image of Cybele, above the door to the Midwood Chamber. Marked in the middle: r (crossed out). Numbering at the bottom right by hand added: XCI. Amsterdam paper. chalk. ink etching / engraving / pen attributes of Cybele. beasts of prey, predatory animals: lion. cupids: 'amores', 'amoretti', 'putti'. 'Cornucopia', Horn of Plenty City Hall of Amsterdam (1655-1808)

Plate 55 from Neüw Grotteßken Buch (New Book of Grotesques), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Two ornamental cartouches of auricular cartilage forms. The one at the left composed of human and mollusk forms; at the right, of elephant heads with feathery tufts and spiralling trunks., Germany, 1610, ornament, Print, Print

Plan of flower beds on the Clingendael estate, Daniël Stedendaal, 1710 - 1746 print Map of the flower beds on the Clingendael estate near The Hague. paper etching French or architectonic garden; formal garden Landgoed Clingendael

Flat decoration with leaf vines, 1534 print On the straight stem in the middle is a plateau on which an owl is located. The base of the stem is flanked by two sphinxes without lags. Shaded background. Germany (possibly) paper engraving owls. sphinx (lion/woman); 'Sfinge' (Ripa)

Two cartouches with mythological representations; Comperimentorum quod vocant plywood genus .... Two cartouches on one leaf. The Cartouche Links contains a representation of the liberation of Andromeda by Perseus, the Cartouche on the right shows how the liver of Prometheus is punched by an eagle. Shaded background. Leaf from series consisting of a title page and 15 of the 16 sheets with cartouches with biblical and mythological performances in a frame of rollerwork and grotesken.

Rocailles, Anonymous, after Franz Xaver Habermann, 1731 - 1775 print Four rocaille ornaments with line designs. Publishing number 76. Augsburg paper etching Rocaille Ornament

Seventeen designs for jewelry, Christian Engelbrecht, After Friedrich Jacob Morisson, After 1699 - Before 1724 print In the middle a crucifix hanger, flanked by aigrettes with flowers. Further shown: four brooches, four breloques, two earrings and two insects. Leaf 8 from series of 8 sheets with designs for jewelry with pearls and precious stones. Second edition. print maker: Augsburg (possibly)print maker: Viennaafter design by: Viennapublisher: Augsburg paper etching

Nuremberg, Böllmann, Hieronymus, Silver fittings, Three designs for silver fittings with satyrs and rocailles, verso - stamped, The designs are decorated with satyrs, half-naked women, rocailles and horns of plenty., print, ornamental print, prints, ornamental prints, height 138 mm, width 188 mm, print maker, printmaker, 1705 - 1736, paper, papier, etching, etchings, Publication (Event), Publication, German, publisher

Ornament with Grotesque. Dated: 1616. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master CR.

Drawing, Drawing for an escutcheon; Italy; charcoal, pen and ink, brush and red water color on paper; 19.6 x 18.1 cm (7 11/16 x 7 1/8 in.)

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Rocailles, verso - stamped, Rocaille ornaments with floral motifs. Publisher number 104., print, ornamental print, prints, ornamental prints, height 199 mm, width 297 mm, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Study for a stained glass window: monogram. (Dummy title)

Design for Knife Handles, from Mansches de Coutiaus. Artist: Johann Theodor de Bry (Netherlandish, Strasbourg 1561-1623 Bad Schwalbach). Dimensions: Sheet: 2 3/4 × 2 5/8 in. (7 × 6.6 cm). Date: 1580-1600.Two knife handle designs, with a standing female figure with a shield contained in an oval on the design at left. At right, a winged putti head under a canopy above a candelabrum with a basket of fruit at bottom. Both designs on a blackwork background. Museum: Metropolitan Museum of Art, New York, USA.

Cartouche with lobe ornament with animals, print maker: Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Collection of Various Caprices and New Designs of Cartouches and Ornaments: No 15, c. 1642. Stefano Della Bella (Italian, 1610-1664). Etching;

Oval with the Element Water, Hans Janssen, 1615 - c. 1630 print Oval with ornamental tiflines and leaf vines. Neptunus is at the top. Second edition. Amsterdam paper etching scrollwork, strapwork ~ ornament. water (one of the four elements). (story of) Neptune (Poseidon)

Classical Molding with Human Head, Leaves, Vines and Empty Roundels (recto); Detail of Classical Molding with Eagle In front of a Wreath with Ribbon Below (verso). Artist: Attributed to Thomas Hardwick (British, London 1752-1829 London). Dimensions: sheet: 7 7/16 x 8 1/4 in. (18.9 x 20.9 cm). Date: 1776-79. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Wallpaper or Textile, Graphite, brush and brown, black gouache on paper; verso: black paper, Recto: Scrolls with acanthus leaves and three festoons with roses. Verso, horizontally: Scrolls with acanthus motifs, bunches of roses, and a curved row of calyxes., France, 1820-1850, Drawing, Drawing

Rocailles, Anonymous, after Franz Xaver Habermann, 1731 - 1775 print Six rocaille ornaments. Publishing number 140. paper etching Rocaille Ornament

Frisian with two children and a Cherub, Anonymous, After Heinrich Aldgrever, 1532 - 1610 print Frisian with a cherub between two volutes. On either side of it a leaf vank that a child steps over. Germany paper engraving foliage, tendrils, branches ~ ornament. cherubs, i.e. children's heads with wings. child

Cartouche Framed by Ducks and Weeds. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 4 3/16 × 3 13/16 in. (10.7 × 9.7 cm). Publisher: La Veuve F. Langlois (French, born Paris, died Paris, 1664). Date: 1647. Museum: Metropolitan Museum of Art, New York, USA.

Copies after the 'Livre contenant passement de moresques' (plate 12). Artist: After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet: 4 13/16 × 3 9/16 in. (12.2 × 9 cm)Plate: 4 1/2 × 3 5/16 in. (11.5 × 8.4 cm)Overall: 10 1/16 × 7 7/8 in. (25.5 × 20 cm). Date: 19th century ().Modern album containing 19 etchings with moresque designs after the French artist Jacques Androuet Du Cerceau. Museum: Metropolitan Museum of Art, New York, USA.

Cartouche in Garden, 1752 print A rocaille cartouche in a garden with fountains and a colonnade. London paper etching ornament ~ cartouche. garden. garden fountain. colonnade

Seven -armed candlestick or Menora surrounded by leaf vines, Bernard Picart, 1683 - 1733 print Amsterdam paper etching / engraving / letterpress printing seven lamps ~ 'menorah'. foliage, tendrils, branches ~ ornament. ornament ~ candelabrum

Sidewall (France); Printed by Zuber & Cie (France); block-printed, canvas mount; 176 x 90.5 cm (69 5/16 x 35 5/8 in.)

Augsburg, Kilian, Lucas, Germany, Newes Gradesca Büchlein, Plane decoration with grotesques, verso lower left - stamped, In the center a figure pours liquid from two horns in tazze held by two winged creatures. Sheet 3 from a series with grotesque plane decorations with lobe ornaments., print, ornament print, prints, ornament prints, height 189 mm, width 139 mm, Work conception, German, 1579 - 1637, after a design by, 1607 - 1607, first quarter 17th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, publisher

Design for a Frieze, Charcoal, pen and ink, brush and watercolor on paper, Horizontal frieze with symmetrical grotesque decoration. At center, a fountain flanked by griffins., Italy, 1600-1625, ornament, Drawing, Drawing

Plate 17: a cartouche with a marble center, an infant on either side holding a garland over the horns of a ram in center, from 'Collection of various caprices and new inventions of cards and ornaments' (Raccolta di varii cappriccii et nove inventioni di cartelle et ornamenti) 1646 Stefano della Bella Italian. Plate 17: a cartouche with a marble center, an infant on either side holding a garland over the horns of a ram in center, from 'Collection of various caprices and new inventions of cards and ornaments' (Raccolta di varii cappriccii et nove inventioni di cartelle et ornamenti) 412387

Trionfo Di Virtu. Libro Novo..., page 29 (verso). Dimensions: Overall: 9 13/16 x 7 7/8 in. (25 x 20 cm). Publisher: Matteo Pagano (Italian, 1515-1588) , Venice. Date: 1563.Published by Matteo Pagano, Italian, 1515-1588, Venice.From top to bottom, and left to right:Design composed of 3 vertical columns. Left column is decorated with coiling vines of leaves. Middle column is left blank. Right column is decorated with a curving branch of leaves. Museum: Metropolitan Museum of Art, New York, USA.

Letter M met Mozes, 1595 print Ornamental letter M with left Moses with the legislative tables. On the right a naked woman. At the top left a winged putto. The letter is further decorated with a bird, an owl flowers, bunches of fruits and a burning candle. Verso verses in Latin and German. Print is part of an album. Frankfurt paper engraving / letterpress printing Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law. letters, alphabet, script. fruits and vegetables ~ ornament

Animals in medallions, 1761 - 1804 print Eight whole and six half medallions with animals, including a pig, a unicorn, a goat and an elephant. Curls and floral motifs between the medallions. Under the show a eight -line verse in two columns. Numbered below: No. 103. paper letterpress printing animals. floral interlace ~ ornament

Emblemata with a shell, Meermin, Anker and Kruis, Anthonie de Winter, 1697 - 1718 print Twice four emblemata with Dutch text and Latin motto on a magazine. Upstairs: Emblemata with a shell at sea, a mermaid with a violin, a snake around a lance and a hand above a fountain. Below: emblemata with an anchor around an anchor, two tied hands above a cross with tetragram, a burning heart between a bow and arch and an anchor and a lying boy with a skull. paper etching / engraving Abstract Ideas and Concepts (+ emblematical representation of concept). scallop, shell ~ ornament. merman - AA - mermaid, siren. parts of ship's exterior: anchor. the cross ~ symbols of Christ

Wide cartouche with two heart-shaped compartments, Johannes Lutma (1624-1689), c. 1653 - c. 1655 print Amsterdam paper etching ornament ~ cartouche

Blackwork Print with a Symmetrical Schweifwerk Pattern ca. 1620 Claes Jansz. Visscher Dutch Blackwork print with six motifs. In the center two horizontal panels are depicted, decorated with modern grotesque motifs. The one on the top shows what appears to be a stilized anvil, combined with bundles of fruit on a garland. The one below shows a big bird surrounded by smaller motifs. The panels are flanked on both sides by two ring bezels which have decorated with different Schweifwerk patterns. The print is a copy after Hans de Bull.. Blackwork Print with a Symmetrical Schweifwerk Pattern 419984

Epergne, from 'Disegni Di, Giovanni Giardini, Italian, 1646 - 1721, Maximilian Joseph Limpach, Czech, active the 1st half of 18th century, Engraving, etching Support: white laid paper, Rome, Italy, Italy, 1714, metalwork, Print, Print

List of acanthus leaves and roses; 4th Cahier de l'oeuvre d Cahier de Bordures à l'Usage de la Sculpture & C, Avec Leurs Profils. An ornamented table with acanthus leaves, a spiral and roses.

Garden with fountain in rocaille frame, anonymous, after Franz Xaver Habermann, 1731 - 1775 print Open place in a garden with arches around a fountain. In rocaille frame. Publishing number 121. Augsburg paper etching rocaille ornament. garden. garden fountain

Cartouche with shepherds and cows on both sides, Pieter Jansz, 1612 - 1672 drawing Netherlands paper. ink. graphite (mineral) pen / brush

Title Page, from Part I of 'Divers Ornemens', Gabriel Huquier, French, 1695-1772, Alexis Peyrotte, French, 1699-1769, Etching on paper, Double escutcheon formed by rocailles, blossoms, trees, and a parrot who sits at right, through which a distant landscape is seen., France, 1730-1740, Print, Print

Design for Decorations for a Ceiling, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, Obverse: A square ceiling. In the center is moulded square frame from whose corners bands are stretching toward the corners of the room. For the resulting trapezoids are alternatuve decorations suggested. The upper trapezoid is spherical with half-circle below decorated with a band with bat wings. A decoration of the band is also suggested. In the center of the trapezoids are below a circular medallion with a figure, at right an ovoidal medallion in a cross form at left a lozenge with a figure. Verso: A rough sketch for a decoration with quatrefoils and a lozenge., Rome, Italy, ca. 1820, interiors, Drawing, Drawing

Print (France); Published by François Chéreau, the younger (French, 1717 - 1755)

Antwerp, Plantin, Christoffel, Maes, Joseph, Sculptures, XVIIIe Siècle, Decorated friezes, recto - stamped, photomechanical print, page, photos, photographically illustrated books, SCULPTURES en bois de chêne, recto - printed, LITT. S. - PL. 20., JJvY, height 335 mm, width 231 mm, photographer, 1876 - 1881, paper, collotype, light printing, photolithography, Belgian, 1838 - 1908, cliché maker, Work conception, 1514 - 1589-07-01

Design for Altar Frontal 18th century Anonymous, Italian, Piedmontese, 18th century Italian. Design for Altar Frontal 363354

Plate 5, from XX Stuck zum (ornamental designs for goblets and beakers). Master A.P.; German, active early 17th century. Date: 1601. Dimensions: 95 x 90 mm (image); 110 x 90 mm (plate); 140 x 110 mm (sheet). Punch engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Imperial court, Augsburg, Engelbrecht, Martin, Allerhand neu façonierte Galanterie Arbeiten, Galanterieën, Galanteriën with bag clasps, verso - stamped, Various decorated clasps for bags and purses. Print number 426., print, ornamental print, prints, ornamental prints, height 189 mm, width 270 mm, print maker, printmaker, 1708 - 1756, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, German, 1684-09-16 - 1756-01-18, publisher, uitgever van privilege

Sketchbook of ornamental and decorative designs, 18th century, pencil, pen, and wash drawings, Late 18th century, The sketchbook of an unidentified artist, French school, likely dating to the late eighteenth century, contains ornamental and decorative designs for friezes, grotesques, paneling, sections of chimneys, and vases.

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