Historic Landscape Prints

Prints featuring tranquil landscapes with rural scenes and figures, capturing daily life in historical settings with detailed etching techniques and atmospheric perspectives.

Figures on a country road near a farm, Jan van de Velde (II), 1616 print Figures on a country road near a farm. A man makes a pointing gesture. Originally second print of part four of a series of a total of sixty prints with landscapes, spread over five parts of twelve prints each. Northern Netherlands paper etching farm or solitary house in landscape. asking the way. 'en route', traveller under way

Germany, Tscherning, Johann, Velde, Jan van de (II), The twelve months, with village views, copies, Augustus, verso - stamped, Landscape with a field on which farmers are harvesting grain. On the left a group of people resting along a country road near a church; the village of Groenendal in the Krimpenerwaard, representing the month of August. At the top the zodiac sign belonging to this month: virgin. Eighth print from a series of twelve., print, prints, verso lower left - stamped, height 95 mm, width 129 mm, Work conception, Northern Netherlands, 1593 - 1641-11-04, after print by, 1684 - 1729, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, German, publisher

Sky; Aer; The four elements. Allegory on the air element: landscape with bird catchers, a rider and an elegant company.

Gardens of the Villa d'Este at Tivoli 1760 Charles Joseph Natoire French Director of the French Academy in Rome from 1751 to 1775, Natoire taught many young French artists, including Hubert Robert and Jean Honoré Fragonard. During this period he received occasional commissions for paintings but increasingly devoted his time to landscape drawings, often worked up in watercolor. The Villa dEste in Tivoli, outside Rome, was a favorite destination for Natoire and his students, popular for its dramatic vistas featuring fountains and statues set amid lush foliage. In this example, we see the Fountain of the Water Organ flanked by trees, with a cascade falling below. Invented figures enliven the foreground.. Gardens of the Villa d'Este at Tivoli. Charles Joseph Natoire (French, Nîmes 1700-1777 Castel Gandolfo). 1760. Pen and brown ink, brush and brown and gray wash, watercolor, heightened with white, over black and red chalk. Drawings

Boerenschuur at a canal to a forest zoom. Draughtsman: Jacobus Versteegen. Dating: 1745 - 1795. Measurements: h 206 mm × w 277 mm. Museum: Rijksmuseum, Amsterdam.

Title card with river landscape with cows Landscapes (series title), print maker: Carel Frederik Bendorp (I), (mentioned on object), Carel Frederik Bendorp (I), (mentioned on object), publisher: Carel Frederik Bendorp (I), (mentioned on object), Rotterdam, 1769, paper, etching, h 96 mm × w 137 mm

Figures with household goods in a Dorpsstraat, Izaak Jansz. de Wit, after Jacob Cats (1741-1799), 1807 print Face in a village with a move. The furniture and crates are loaded from a cart with two horses for it and carried in a house. In the foreground a man with a basket on the back. paper etching May and its 'labours' (+ with scenes showing human occupations ~ seasons and months). village street. (farm) wagon, freight wagon, cart

Fines of the fishing nets, ca. 1725, 1720 - 1730 The fines of the fishing nets that the herring is caught with, ca. 1725. part of the series about the herring catch. Printed on the same leaf as No. 16. print maker: Northern Netherlandspublisher: Amsterdam paper etching The fines of the fishing nets that the herring is caught with, ca. 1725. part of the series about the herring catch. Printed on the same leaf as No. 16. print maker: Northern Netherlandspublisher: Amsterdam paper etching

The milestone at Amstelveen. Draughtsman: anonymous. Dating: 1690 - 1700. Measurements: h 143 mm × w 198 mm. Museum: Rijksmuseum, Amsterdam.

Le carrosse passant près d'une église à cinq nefs. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Landscape with Tobias and the Angel, print maker: Willem van Nieulandt II, Paul Bril, 1594 - 1635.

January; Ianvarivs; The twelve months. Winter landscape with winter scenes. January is the ice cream. It is skated on a channel. People search for sprokkelhout. Part of a series of the twelve months, whereby every month is depicted with the human activities typical and its climatic characteristics.

Boats on the water near a village on a river. Between two banks a stone bridge. On the left, an elegant company in a boat is being rowed by two figures. 32nd print in a series of 36 prints of landscapes, divided into six parts, Village by a river Playsante lantschappen ende vermakelycke gesichten (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1639 - 1641, paper, etching, h 150 mm × w 280 mm

River view with three fishermen and view of Leiden, Jan van Goyen, 1647, draughtsman: Jan van Goyen, 1647, paper, brush, h 114 mm × w 198 mm

William Brockedon, 1787-1854, British, Part of Oakhampton, 1800. Graphite.

Design for a print, Landscape near Cruybeke with figures in a boat in front of a farm., draughtsman: Jean Théodore Joseph Linnig, 1842, paper, pen, brush, h 128 mm × w 166 mm

Night piece with two figures in a hut, Antoon Overaet, After Rembrandt van Rijn, 1761 print Landscape with a hut with an open door on the left so that one sees a woman and a man sitting by the fire. Antwerp paper etching warming oneself at a fire (or hearth, stove, fire-pan, brazier)

Jacques Callot (1592-1635). "The great miseries of war, the maraud. Fourth issue of a series of 18 pieces" (Lieure 1342, Meaume 567). Etching. 1633. Museum of Fine Arts of the City of Paris, Petit Palais. 99599-31 Etching, engraving

Jacques Callot, The Little Trellis, 1635 The Little Trellis

Siege of Haarlem, 1572-1573 (center magazine), Hendrik Spilman, after Anonymous, 1742 - 1779 print Siege of the city of Haarlem in the years 1572-1573 by the Spaniards under Fadrique Alvarez de Toledo (Don Frederik), the son of the Duke of Alva. Large performance with a face on the city from the north, in print to a contemporary drawing in three magazines, of which this is the center leaf. At the bottom of the coat of arms of Haarlem. Under the show the titles and the legends 1-35 in Dutch and French. Haarlem paper etching Victory, position was Haarlem

Siege van Haarlem, 1572-1573 (center leaf); Image of the siege of the city of Haerlem by Don Frederico De Toledo, son of the Duke of Alva in the year 1572 and 1573, to see the Noordzyde der city, from the Huys ter Kleef (the Hooft Quartier) about the Leprooshuys on the Half Moon, Agter de BRES, in the city walls, and the Schansen of Spaniards, at the time of life grown (...) / vue du Siege de la Ville de Haerlem Par Don Frederic De Tolede, Fils du Duc D ' Albe l'Année 1572 & 1573 (...). Siege of the city of Haarlem in the years 1572-1573 by the Spaniards under Fadrique Alvarez de Toledo (Don Frederik), the son of the Duke of Alva. Large show with a view of the city from the north, in print to a contemporary drawing in three blades, of which this is the center leaf. At the bottom of the arms of Haarlem. Under the show the titles and legendas 1-35 in Dutch and French.

Country scene with mill and ruins Anonymous. Country scene with mill and ruins. Country scene with mill and ruins. Graphite Pencil, Black Pencil, Feather, Black Ink, LaVis on Filigree Plated Paper.

Klooster Bethlehem. Int Clooster te Bethlehem (title on object). Draughtsman: Constantijn Huygens (II). Dating: 18-Jul-1675. Measurements: h 102 mm × w 165 mm. Museum: Rijksmuseum, Amsterdam.

Netherlands, Bagelaar, Ernst Willem Jan, Landscape with a walking couple, print, prints, height 50 mm, width 45 mm, Dutch, 1775-09-16 - 1837-02-08, print maker, printmaker, 1798 - 1837, fourth quarter 18th century, first quarter 19th century, second quarter 19th century, paper, papier, etching, etchings, Expression creation

Farmyard with people and cattle, Claes Jansz. Visscher (II), After Abraham Bloemaert, After Jan Saenredam, 1620 print Farmyard with in the foreground a woman who milks a cow and two men who have a conversation. On the right in the background a young man between the pigs, possibly the lost son. Amsterdam paper etching farm or solitary house in landscape. landscapes. the prodigal son tends the swine and eats from their trough. farm (building)

Landscape with a view of Strasbourg, Wenceslaus Hollar, 1643 - 1644 print paper etching city-view, and landscape with man-made constructions. river Strasbourg (France)

Woman Watching a Skiff. Allart van Everdingen; Dutch, 1621-1675. Date: 1641-1675. Dimensions: 92 x 145 mm (plate); 96 x 149 mm (sheet). Etching on paper. Origin: Holland. Museum: The Chicago Art Institute, USA.

Greed OP Neckargemünd (Baden-Württemberg); Neckargemünd ..

Ruin with a group of women and children, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print Ruin with a group of women and children and two playing dogs. There are a woman and a child in the doorway. Print from a series of Italian landscapes. paper etching / engraving landscape with ruins. mother and child(ren), woman and child(ren) (family group). dog (+ animals playing together)

Man in a rowing boat, Anthonie van den Bos, 1778 - 1838 print paper etching / drypoint rowing-boat, canoe, etc. (+ one person ~ traffic and transport)

Greenwich, 1879. Francis Seymour Haden (British, 1818-1910). Etching;

Winter landscape with bare trees, some houses and skaters on the ice. In the foreground trees are being pruned. Below the scene is a text in Latin. Print from a series featuring the four seasons, Winter, a landscape with lumberjacks Hiemis The four seasons, with large structures , print maker: Hendrick Hondius (I), (mentioned on object), after: Monogrammist SCM (17e eeuw), (mentioned on object), Petrus Stephanus, (mentioned on object), The Hague, 1600, paper, engraving, h 227 mm × w 331 mm

The Bellman, Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), 1879, Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper, Sheet: 11 3/16 x 16 7/8 inches (28.4 x 42.9 cm), Plate: 7 1/2 x 9 15/16 inches (19.1 x 25.3 cm), and Image: 6 9/16 x 9 1/4 inches (16.7 x 23.5 cm), bell, cattle, church, cottages, cows, farming, hills, landscape, literary theme, moon, mountains, night, oxen, path, road, sun, thatch, tower (building division), town, village, vines

Views of Amsterdam. Plate 6. De Heer Huydecoopers Huis van achteren (The house of Mr Huydecoopers near Amsterdam), Abraham Blooteling, etcher, 1663-1690, etching, Jacob Isaacksz van Ruisdael (c. 1628/9-1682) was a Dutch painter, draughtsman and etcher. He is generally considered the pre-eminent landscape painter of the Dutch Golden Age, a period of great wealth and cultural achievement. Ruisdael created uncanny dramas from looming clouds passing over wheat fields, windswept trees, and towering windmills. He demonstrates remarkable skill in locating the exact point at which the creative faculty comes into contact with a lucid mind, the famous German writer Johann Wolfgang von Goethe once wrote of the painter.

Artist: Sébastien Le Clerc the Younger, French, 1637-1714, Puere Parvulus MinabitEos, Etching, platemark: 18.7 × 25.9 cm (7 3/8 × 10 3/16 in.), French, 17thcentury, Works on Paper -Prints

Rural Norblin, Jan Piotr (1745 1830)

River face with mill, Carel Frederik Bendorp (II) (Possible), 1746 - 1897 print Netherlands paper etching river. windmill in landscape

Landscape with a mill, Carl Friedrich Holtzmann, after Johann Georg Wagner, 1774 print Dresden paper etching windmill in landscape

Landweg with rider, woman with a suit on the head, two pedestrians and a car, Georges Michel, 1773 - 1843 drawing paper. pencil public road in village (+ city(-scape) with figures, staffage)

Mill. Artist, school of: Paul Bril, Flemish, 1554-1626

Landscape with mill, François Collignon, after Stefano della Bella, c. 1643 print print maker: Franceafter design by: Italypublisher: Paris paper etching windmill in landscape. agriculture

Farmer with a farmhouse.

An 1806 drawing book page by Josef von Führich with pencil sketches, illustrating his early artistic studies and draft work.

Winter landscape with skaters near a village, Jan van de Velde (II), 1639 - 1641 print Winter landscape with skaters near a village. A wooden bridge in the middle. In the foreground, children with a sled and a group of pump players. Ninth print of a series with 36 prints of landscapes, spread over six parts. Northern Netherlands paper. ink etching / brush / pen hotel, hostelry, inn. tent. kitchen-fire - CC - in the open air. wooden container: barrel, cask, bucket. table

Disappointment because of the delayed balloon flight of Elisa Garnerin, 1828, Anonymous, 1828 print Disappointed visitors in the Parc Royal in Brussels where Ms. Elisa Garnerin announces that her balloon flight will not take place due to unfavorable weather, July 23, 1828. The woman makes her announcement standing on top of a staircase. Southern Netherlands paper balloon flight (sport) Brussels. Wara -park

Amsterdam, Pool, Matthijs, Apenspel, Melkende apen, ca. 1720, verso - stamped, Monkeys at a farm milking a cow. In the caption verses in French and Dutch. Print no. 2 in a series of 16 prints from ca. 1720 in which monkeys appear as people in all kinds of household scenes., print, prent, prints, Frederik Muller Historieplaten, height 163 mm, width 210 mm, Noord-Nederlands, 1676 - 1740-03-25, print maker, printmaker, 1720 - 1720, paper, papier, etching, etsen, engraving, engraver (drukprocedé), Publication (Event), Publicatie, publisher

Melrose, Print made by William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé

Abraham Casting Out Hagar, 1603, engraving on laid paper, plate: 46.5 x 36 cm (18 5/16 x 14 3/16 in.), sheet: 47 x 36 cm (18 1/2 x 14 3/16 in.), New Hollstein, no. 2, State i/iv, Jacob Matham (artist) Dutch, 1571 - 1631, Abraham Bloemaert (artist after) Dutch, 1566 - 1651

Hammering figures for a farmhouse. Leaf 25 Recto from a sketchbook with 77 sheets.

Liber Studiorum: The Farmyard with the Cock. Joseph Mallord William Turner (British, 1775-1851). Etching and mezzotint;

Winter landscape. On a frozen river a farmer pushes a sled with a woman. A dog is chasing him. On the left is a boy who has gathered branches. In the background a house with a cart in front of it, Winter landscape with ice cream., print maker: Anthonie van den Bos, intermediary draughtsman: Louis Meijer, (possibly), Netherlands, 1778 - 1838, paper, etching, h 88 mm × w 65 mm

Birdaard on the Dokkumer Ee The Netherlands, Carel Frederik Bendorp (I), 1786 - 1792

Landscape with Figures by an Estuary with Sailing Boats. Dated: c. 1590/1595. Dimensions: Overall: 11.2 x 18.6 cm (4 7/16 x 7 5/16 in.) support: 15.4 x 22.7 cm (6 1/16 x 8 15/16 in.). Medium: pen and brown ink on laid paper; laid down. Museum: National Gallery of Art, Washington DC. Author: Annibale Carracci.

Girl at a well, Cornelis Springer, 1843 print Amsterdam paper etching well

Winter, a landscape with lumberjacks, Hendrick Hondius (I), after monogrammist SCM (17th century), after Petrus Stephanus, 1600 print Winter landscape with bare trees, a few houses and skaters on the ice. Trees are pruned in the foreground. Under the show a text in Latin. Print from a series with the four seasons. The Hague paper engraving winter landscape; landscape symbolizing winter (the four seasons of the year). skates (winter sports). woodcutting, woodcutter ~ forestry. summer landscape; landscape symbolizing summer (the four seasons of the year). fresh-water fishery

Os, Pieter Gerardus van, Netherlands, Portman, Ludwig Gottlieb, The Rapenburg in Leiden after the disaster, 1807, verso - stamped, View from the Nieuwsteegbrug of the devastated area after the gunpowder disaster on the Rapenburg (Steenschuur) in Leiden on 12 January 1807. Clean-up work after the disaster monitored by a civilian corps, on the right the Saaihal, in the distance the Pieterskerk., print, prints, Frederik Muller Historieplaten, height 453 mm, width 605 mm, Noord-Nederlands, 1772-06-14 - 1828, print maker, printmaker, 1807 - 1807, paper, papier, etching, etchings, aquatint, kleurdruk, Nederlands, 1776-10-08 - 1839-03-28, intermediary "draftsman

River landscape with inn and watchtower, Jan van de Velde (II), after Gerard van der Horst, 1628 print Business in a river landscape with an inn and a round watchtower on the left. Different boats on the water. In the foreground a fisherman. Second print from a series of five. Northern Netherlands paper etching river. landscape with tower or castle. hotel, hostelry, inn. inn, coffee-house, public house, etc.. ships (in general). fisherman

Artist: Adriaen van Ostade, Dutch, 1610-1685, Woman Spinning at a CottageDoor, Etching, 14.1 × 17.6 cm (5 9/16 × 6 15/16in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

View of Aelzen (Alsemberg) Near Brussels. Draughtsman: Josua de Grave. Dating: 15-May-1674. Measurements: h 87 mm × w 148 mm. Museum: Rijksmuseum, Amsterdam.

Amsterdam, Springer, Cornelis, Cityscape with horse-drawn cart, verso - stamped, Cityscape with people on the street and a fully loaded horse-drawn cart., print, prints, height 238 mm, width 297 mm, Dutch, 1817-05-25 - 1891-02-20, print maker, printmaker, 1845 - 1845, paper, papier, chine collé, etching, etchings

The Straw Yard, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Charles Turner, 1774-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1808, Etching and mezzotint, printed in brown ink, with scraping, brown ink, and brown wash Engraver's proof (aa) on medium, slightly textured, cream wove paper, Sheet: 8 1/8 × 11 1/4 inches (20.6 × 28.6 cm), Image: 7 1/8 × 9 7/8 inches (18.1 × 25.1 cm), and Mount: 12 3/4 × 15 3/4 inches (32.4 × 40 cm), country (rural landscape), farm, farmers, horses (animals)

Ruisdael, Jacob Isaacksz van, Netherlands, Steelink, Willem (II), Winter landscape, verso - stamped, Landscape with a house on the right and a tower on the left. People are walking on the road. A tree trunk lies in the foreground. At the bottom left in the margin the coat of arms of the Six family on a twig with leaves., print, prints, height 320 mm, width 252 mm, Dutch, 1856-07-16 - 1928-11-27, print maker, printmaker, 1888 - 1891, paper, papier, etching, etchings, plaattoon, Noord-Nederlands, 1629-06 - 1682-03-14

Stefano Della Bella, Landscape with Windmill, in or before 1647 Landscape with Windmill

Two men in stone cartouche, Hermanus Fock, Jacques Kuyper, 1801.

Two falconers at a tower, used as an inn, in a river landscape. Fifth print in a series with 36 prints of landscapes, divided into six parts, Two falconers near a tower used as an inn Playsante lantschappen ende vermakelycke gesichten (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1639 - 1641, paper, etching, h 150 mm × w 280 mm

Wilhelm von Kobell, Schwabing, 1818 Schwabing

August: Landscape with Wagons, c.1655. Pieter Molyn (Dutch, 1595-1661). Black chalk and brush and gray wash over traces of graphite; framing lines in brown ink; sheet: 14.8 x 19.6 cm (5 13/16 x 7 11/16 in.).

Illustration from Les amours d'un Jesuit : histoire vraie (The loves of a Jesuit: a true story) by Gustave Graux. (1837-1899).

Copper engraving by an anonymous artist depicting an old shepherd, created at the end of the 15th to the first half of the 16th century.

Skaters on the ice at a farm, Esaias van de Velde, Anonymous, Claes Jansz. Visscher (II), 1610 - 1617.

Ostade, Adriaen van, work name: Kylän kermes, (1000 - 2000), line etching, graphics, plate width 22.5 cm, plate height 12.5 cm

By the Waterhouse, Wenceslaus Hollar, 1607-1677, Bohemian, after Wenceslaus Hollar, 1607-1677, Bohemian, 1665, Etching

Horseman on path along a farm, Esaias van de Velde, Anonymous, Claes Jansz. Visscher (II), 1610 - 1617.

Autumn, Gabriel Perelle, 1650 - 1677 print publisher: Parispublisher: ParisFrance paper etching / engraving autumn landscape; landscape symbolizing autumn (the four seasons of the year)

Bridge and Cows (Liber Studiorum, part I, plate 2). Artist: Designed and etched by Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 7 1/4 x 10 1/2 in. (18.4 x 26.7 cm)sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). Engraver: Charles Turner (British, Woodstock, Oxfordshire 1774-1857 London). Publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Date: June 11, 1807.Turner distilled his ideas about To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe cows standing in a shallow water near a rustic wooden bridge, with trees shading the scene and two pairs of figures on the bank. The print demonstrates Turner's mastery of eighteenth-century picturesque and interest in Gainsborough's soft-ground etchings, with the "P" in the upper margin indicating the categor

La Maraude (Pilfering), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 4 1633 Jacques Callot French. La Maraude (Pilfering), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 4. Les Misères et les Mal-Heures de la Guerre. Jacques Callot (French, Nancy 1592-1635 Nancy). 1633. Etching; second state of three (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Graphite drawing by Peeter Bout depicting farmers and well-dressed citizens gathered in front of a church building.

Landscape with grain harvest: Augustus, Jan van de Velde (II), 1630 - 1699 print A landscape with harvesting farmers and corn sheaves on the land representing the month of August. Figures resting in front left. At the bottom of the astrological symbol of the constellation Virgo. Print from a series of twelve. Northern Netherlands paper etching landscape symbolizing August. Virgo (zodiacal sign of August). cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet). binding ~ harvest. rest during harvest (eating, dancing, making love, etc.). transporting ~ harvest

Schouten, Hermanus Petrus, Ysselmonde seen from the ferry, View of IJsselmonde from the ferry, verso bottom center - stamped, People are walking on the quay at the ferry in IJsselmonde. A man is carrying a full washbasin to a woman who is folding laundry. A man is urinating against the houses on the right. Numbered '12' at the top right., print, prints, height 170 mm, width 198 mm, Noord-Nederlands, 1747-11-28 - 1822-05-11, print maker, printmaker, 1762 - 1822, paper, papier, etching, etsen, intermediary draughtsman

Relais, Avenue des Champs-Élysées, Paris (recto); Scene from the Life of Odysseus (verso). Christoffer Wilhelm Eckersberg; Danish, 1783-1853. Date: 1812. Dimensions: 222 × 297 mm. Pen and black ink, with brush and gray and brown washes, over graphite (recto); graphite and pen and black ink (verso) on off-white wove paper. Origin: Denmark. Museum: The Chicago Art Institute, Chicago, USA. Author: Christoffer Wilhelm Eckersberg.

Figures on a farm yard in Materborn. Leaf 38 Recto from a sketchbook with 44 sheets.

Francesco I d'Este Aids the Duke of Mantua After his Territories were Devastated by the German Armies, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... 1659 Bartolomeo Fenice (Fénis) Italian This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.. Francesco I d'Este Aids the Duke of Mantua After his T

Landscape with Windmills and Cart Anonymous, French, 18th century French. Landscape with Windmills and Cart 415843

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

Winter, Gabriel Perelle, 1613 - 1655 print publisher: Parispublisher: ParisFrance paper etching / engraving winter landscape; landscape symbolizing winter (the four seasons of the year)

Figures at a tavern, Dirk Langendijk, 1758 - 1805.

Girl at a well, Cornelis Springer, 1843 print Amsterdam paper. etching well

Two figures on a path near an inn at nightfall. Twentieth print in a series of 52 prints with landscapes, divided into two parts of 26 prints each., Figures at an inn by night Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 135 mm × w 200 mm

Beijer, Jan de, Amsterdam, Maarseveen, Hendrik van, Remains of the house ter Lee, looking at the village of Kesteren, View of the ruins of the house ter Lede, Kesteren, verso - handwritten, with a shepherd with a flock of sheep in the foreground and a couple with a dog resting by a tree. A ploughing farmer in the background and a church on the horizon. The title in a line below the image in Dutch., print, prints, recto lower left - stamped, Offered to the Most High Noble Geboore Heere, The Lord of Leyden,, by welEdel DW Diennaar, HeMaarseveen, height 118 mm, width 180 mm, - 1792-11-17, print maker, printmaker, 1766 - 1766, paper, papier, etching, etchings, Noord-Nederlands, 1703-09 - 1780-02-15, intermediary draughtsman

Vatican City, Raphael, Italy, Borgianni, Orazio, Paintings in the Loggia of Raphael, God tells Abraham his destiny, verso - stamped, Abraham kneels in the field in front of his barn. He talks to God who has appeared in the sky., print, prent, prints, prenten, height 150 mm, width 180 mm, 1578 - 1616-01-11, print maker, prentmaker, 1615 - 1615, paper, papier, etching, etchings, 1483-04-07 - 1520-04-07, after a painting by

Josi, Christiaan, Ploos van Amstel, Cornelis, Neer, Aert van der, London, Northern Netherlands, Night landscape with view of village, verso lower left - stamped, Night landscape with boats on a canal and a view of a village., print, prints, height 190 mm, width 266 mm, Dutch, 1768 - 1828-11, print maker, printmaker, 1821 - 1821, paper, aquatint, etching, etchings, Work conception, 1604 - 1677-11-09, after a design by, Publication (Event), Publication, 1726-01-04 - 1798-12-20, publisher

Francis Seymour Haden, 1818-1910, British, Fulham on the Thames, after 1858. Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper.

Peasants talking in a field, 17th century. They wear caps and rustic coats, a child stands at a mothers leg, and a hog eats from the ground. Houses and churches in the background. Copperplate engraving by David Deuchar from A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, Edinburgh, 1803.

After Adriaen van Ostade, The Anglers, 1653-1900, etching and drypoint on cream wove paper.

Giant by village Rinsumageest and Tjaarda State te Rinsel Frederik Bendorp (I), After Jan Bulthuis, 1786 - 1792 print paper etching prospect of village, silhouette of village. country-house Rinsumageest

Dahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Danici Regis Haraldi Hyldetanni Sepulcrum in campis Bravallinis Smolandiae, quem prælio caesum Rex Sueciæ Ringo magna illic pompa fecit Cremari, Old graves on the Bravalla heath, The print is part of an album., print, album page, prints, height 253 mm, width 152 mm, 1655 - 1727-05-18, print maker, printmaker, 1707 - 1707, paper, etching, Swedish, 1625-10-10 - 1703-01-16, supervision

Kolf players at an inn on a water, Jacob Cats (1741-1799), 1770 drawing The men play Kolf, a forerunner of Golf, on the Kolfbaan next to the inn paper. ink pen / brush

Two riders on a path along a river at a castle. A boat with an elegant company on the water. Seventh print of a series of 36 prints of landscapes, divided into six parts.

Spring, tomorrow and earth The four seasons, times of day and elements (title series), draughtsman: Jacob Cats (1741-1799), 1797, paper, pen, brush, h 334 mm × w 415 mm

Mail Coach, James Fittler, 1758-1835, British, after George Robertson, 1749-1788, British, Published by James Fittler, 1758-1835, British, ca. 1787, Etching and stipple engraving on moderately thick, slightly textured, beige wove paper, Sheet: 9 13/16 x 11 5/16 inches (25 x 28.7 cm) and Image: 8 1/4 x 10 1/2 inches (21 x 26.7 cm), bucket, carriage, chimneys, clouds, coach, crest, driving, galloping, genre subject, harnesses, holding, horses (animals), horses (animals), houses, inn, mail, men, oval, post office, pub, road, services, municipal, shouting, shovel, sign, thatch, trees, trunks, village, whips

Four mills along a road, anonymous, after Jan Brueghel (I), 1578, Four mills along a road; in the distance a town., intermediary draughtsman: Jan Brueghel (I), draughtsman: anonymous, 1578, paper, pen, brush, h 115 mm × w 175 mm

of 3