Historic Landscapes and Figures

A collection of etchings depicting serene landscapes featuring figures engaged in activities like walking and herding, with lush foliage and rural settings.

Landscape with a boat in which a shepherd with his herd, darning, patching, Jurriaan Andriessen (attributed to), 1752 - 1819 and/or 1751 - 1799 and/or 1755 - 1818, paper, ink, chalk, brush, h 373 mm × w 445 mm

Three figures at a signpost in a landscape. On the horizon to the right, a town with a church., Landscape with signpost, print maker: Reinierus Albertus Ludovicus baron van Isendoorn à Blois, (mentioned on object), intermediary draughtsman: Steven Goblé, (mentioned on object), Vaassen, 1796 - 1856, paper, etching, h 108 mm × w 148 mm

A Pond from Regiunculae et Villae Aliquot Ducatus Brabantiae. Artist: Claes Jansz. Visscher (Dutch, Amsterdam 1586-1652 Amsterdam); After The Master of the Small Landscapes (Netherlandish, 16th century). Dimensions: Plate: 4 x 6 3/16 in. (10.1 x 15.7 cm)Sheet: 5 x 7 3/16 in. (12.7 x 18.3 cm). Publisher: Claes Jansz. Visscher (Dutch, Amsterdam 1586-1652 Amsterdam). Date: ca. 1610. Museum: Metropolitan Museum of Art, New York, USA. Author: Claes Jansz. Visscher. After The Master of the Small Landscapes.

Pejzaż - Sepolcro a Falerium Cittae Etruscum. Reinhart, Johann Christian (1761-1847), graphic artist

Paris, Boudewyns, Adriaen Frans, Landscape with a carriage, verso - stamped, print, prints, height 325 mm, width 468 mm, 1644 - 1711, print maker, printmaker, 1666 - 1681, paper, papier, etching, etchings, Work conception

Engel points Hagar a source, John Pye (I), After Herman van Swanevelt, 1773 print London paper etching an angel appears and reveals a well of water to Hagar

Coast View with Perseus and the Origin of Coral 1674 Claude Lorrain (Claude Gellée) French This highly pictorial drawing, along with a sketchier one depicting the same scene (Lehman Collection, 1975.1.661), are part of a group associated with one of Claude's most celebrated paintings from the last phase of his long artistic career (Holkham Hall, Norfolk, England). The painting, which bears the same title and date as the drawing, was executed in 1674 for Camillo Massimi (1620-1676), who became a major patron of the arts after being elevated to the position of Cardinal by pope Clement X in 1670. The subject, going back to the Latin poet Ovid, was not common among artists, but cardinal Massimi's collection of drawings featured a sheet of the same subject by Claude's fellow countryman Nicolas Poussin (Royal Collection, Windsor Castle, England) which included all the characters found in Claude's work. Taking into account the annotation on the Lehman sheet specifying that the "idea" came fro

Hilly landscape with hunter and ruin. Draughtsman: anonymous. Dating: c. 1600. Measurements: h 86 mm × w 140 mm. Museum: Rijksmuseum, Amsterdam.

The Great Victory of Qurnam 1770 Augustin de Saint-Aubin The event shown is the 1759 battle of Qurnam in which Qing troops defeat the enemy at the end of the Qianlong Emperors East Turkestan campaign.Part of a set of sixteen, "The Great Victory of Qurnam" was commissioned by the Qianlong Emperor in 1765 to commemorate Manchu victories (1755-59) over the Eleuths, the Dzungars, and other Central Asian peoples in the present-day region of Xinjiang. Made under the direction of Charles-Nicolas Cochin (1715-1790), the prints, which follow reduced-scale copies of paintings by Jesuit artists working in Beijing, were etched and engraved in France from 1767 to 1774 by the finest printmakers at the court of Louis XV. The Chinese merchants of Canton (present-day Guangzhou) paid for the copper plates and two hundred sets of prints to be delivered to China, with only a few sets retained in Paris.The prints exemplify the fusion of Eastern and Western representational styles fostered within the Qing

Men load grain sheaves in a boat, Jacob Folkema, After Simon de Vlieger, 1610 - 1703 print Farm on the water with stack of gran shores. Men load grain sheaves and baskets in a boat. paper etching sheaf. boat propelled by man or animal. transporting ~ harvest

Jan Both, The Two Hinnies The Two Hinnies

Amsterdam, Buffa and Sons, Frans, Ruisdael, Jacob Isaacksz van, Germany, Unger, William, Landscape with a castle on a hill, print, prints, height 249 mm, width 178 mm, German, 1837-09-11 - 1932-03-05, print maker, printmaker, 1847 - 1932, paper, papier, chine collé, etching, etchings, Noord-Nederlands, 1629-06 - 1682-03-14, after, after painting by, Publication (Event), Publication, publisher

Jacques Callot, Bunch of Grapes Bunch of Grapes

Starting ships off the coast, Noah van der Meer (II), After Dirk Kuipers, 1766 print Three men on the beach wave the men on a departing sailing ship. A large sailing ship sails at sea in the background for the rocky coast. Numbered at the top right: IV. print maker: Leidenpublisher: Amsterdampublisher: Leidenpublisher: Leiden paper etching beach. waving farewell ~ departure on a journey. ships (in general)

Woman with child at a farm, Carel Lodewijk Hansen, c. 1780 - 1840 print Netherlands paper etching farm or solitary house in landscape (+ city(-scape) with figures, staffage). dog Eext

Rhenen ten East South East. "Pen and Ink Recto, L.O.

Lord and lady greeted each other for a country house. A gentleman and a lady greet each other for a country house, in the foreground is to see a well.

Landscape with a Peasant Carrying Firewood. Dated: c. 1800. Dimensions: plate: 16.9 x 21.1 cm (6 5/8 x 8 5/16 in.) sheet: 19 x 23.2 cm (7 1/2 x 9 1/8 in.). Medium: etching on blue laid paper. Museum: National Gallery of Art, Washington DC. Author: Ernst Willem Jan Bagelaar.

A landscape with large trees; on the right a nude female. Sleeping, on the left, a faun peeking at her through the bushes. Brush and watercolor on paper. Date: 1781. Museum: Cooper Hewitt, Smithsonian Design Museum.

The three figures at the top of the rock (Bartsch 28) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The three figures at the top of the rock (Bartsch 28). Water-strong on paper, 1645-1675.

The triple jump. Draughtsman: Adriaen Hendriksz. Verboom. Dating: 1638 - 1675. Measurements: h 90 mm × w 154 mm. Museum: Rijksmuseum, Amsterdam.

Landscape with rider in Octagonal Framework, Anonymous, After Paul Bril, 1582 - 1700 print Landscape with rider in Octagonal Framework, copy to print of Paul Bril with Landscape Spiegelverd. paper etching rocky coast

An etching from 1615-1620 by Hendrick Goltzius depicting a landscape with a centrally located castle, showing architecture, terrain, and scenic composition.

Hay being loaded onto a wagon Two farmers are harvesting hay Hay month Twelve months , print maker: Izaak Jansz. de Wit, (mentioned on object), intermediary draughtsman: Jacob Cats (1741-1799), (mentioned on object), Haarlem, 1806 and/or 1807, paper, etching, h 202 mm × w 235 mm

Antwerp, Wijngaerde, Frans van den, Titian, Mountainous landscape with high cliffs and a cottage, verso lower left - stamped, print, prints, height 185 mm, width 272 mm, Southern Netherlands, 1614-07-08 - 1679-03-17, print maker, printmaker, 1636 - 1679, paper, papier, etching, etchings, Work conception, Italian, 1488 - 1576-08-27, after a design by, Publication (Event), Publication, publisher

Landscape with two garden pavilions and fountain; Fountains and gardens with mythological representations. Left in the foreground are procris and cephalus, at the bottom of two lines of text. Leaf 2 from series of 6.

Wijngaerde, Frans van den, Antwerp, Fouceel, Jan, Terrace in a park, verso - stamped, Terrace in a park with conversing figures in the foreground., print, prints, height 194 mm, width 129 mm, print maker, printmaker, 1665 - 1679, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1614-07-08 - 1679-03-17, publisher

Etching by Hans Lautensack depicting a river landscape with a rider and servant returning from hunting, created in the mid-16th century.

Jan Feliks Piwarski (1794-1859), inn "Last penny" near Warsaw (painting from the National Museum in Warsaw); National Museum in Warsaw (Warsaw; 1862-), 1936-1939 (1936-00-00-1939-00-00);

Ruderi essistenti a Tivoli del Piano inferiore della villa di Cassio. Dated: 1798. Dimensions: plate: 28.1 x 38 cm (11 1/16 x 14 15/16 in.) sheet: 39.2 x 49.2 cm (15 7/16 x 19 3/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Christoph Dies.

Landscape with the fall of Icarus, 1608 - 1612 print Mountainous landscape on a water. A little to the left of the middle, Icarus flies through the air; To the right, he falls, the molten was from his wings in drops on his shoulders. Under the show one line of Latin text. This print is part of a series of six (one) numbered prints with landscapes. print maker: Netherlandspublisher: Delft paper engraving / etching death i.e. the fall of Icarus (Daedalus present). landscapes

Landscape with Tobias and the Angel. Date/Period: 1595 - 1596. Drawing. Pen and brown ink, with light brown, blue-grey and blue wash on paper pen and brown ink, with light brown, blue-grey and blue wash on paper. Height: 202 mm (7.95 in); Width: 313 mm (12.32 in). Author: Jan Breughel II.

Three boys with dogs, Anthonie Waterloo, 1630 - 1765 print Along a forest path, three boys with dogs are depicted. A second forest path runs on the left and a house can be seen in the distance. At the top right, the letter C is depicted. Amsterdam paper etching / drypoint forest, wood. rural housing, e.g. country-house, villa, cottage. boy (child between toddler and youth). dog

unknown, Paris, Bonenfant, Antoine, Antwerp, Bril, Paul, Nieulandt, Willem van (II), Italian landscapes, Landscape with Hagar and Ishmael, verso - stamped, Hagar sits in despair on the ground with the empty jar next to her. Her son Ishmael lies next to her. An angel saves Hagar by pointing out the waterfall. On top of the arched rock sits a shepherd with his sheep. Print from a series of Italian landscapes., print, prints, height 242 mm, width 315 mm, Northern Netherlands, 1584 - 1635, print maker, printmaker, 1594 - 1635, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1554 - 1626-10-07, after a design by, Publication (Event), Publication, publisher, uitgever, Publicatie, granter van privilege

Etching by Hans Lautensack, 1554, showing vineyard workers, detailed figures, grapevines, and surrounding landscape.

The Straw Yard. Dated: published 1808. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Charles Turner.

The Good Samaritan, 1593-1625, by Aegidius Sadeler II, Jan Brueghel.

Groensvelt, Jan, inventor: Nicolas Berghem, work, Milking a cow in the shelter of a cliff, (1000 - 2000), line etching, graphics, plate width 19.5 cm, plate height 14.8 cm

Jacob and Rachel at the Well Made 1668-1799 Italy. Pen and brown ink, with brush and brown wash, with charcoal, squared in graphite, on ivory laid paper, laid down on ivory laid paper . Marco Antonio Franceschini

View of Lake Albano and Castel Gandolfo, Joseph Meganck, 1817 - 1888 print paper. chalk etching city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage). lake. riding a horse, ass, or mule; rider, horseman Meer Van Albano (Lazio). Castel Gandolfo

Brown ink drawing by an anonymous artist depicting a landscape scene with a heron and a hunter, created around 1600.

Winter landscape with winter entertainment on the ice, Pierre François de Noter, 1822 print paper etching skates (winter sports). sledge, sleigh (winter sports). winter landscape; landscape symbolizing winter (the four seasons of the year). ice ~ state of water

Italian Fall Landscape with Monte Porzio and an Offering to Pan by Natoire, Charles Joseph (1700-1777) Albertina, Vienna 1763 Pen, brush, red and black chalk on paper 28,1x42,3 France Rococo Landscape,Mythology, Allegory and Literature Graphic ar

Depiction of a landscape with houses and a resting group of people in front of a tent, drawn in brown pen, with minor damage in the upper right corner.

Cephalus en Procris, Nicolas Perelle, after Willem van Nieulandt (2), after Paul Brit, 1673 - 1695 print Paris paper etching landscapes. Cephalus inadvertently kills Procris

Houthakkers in a winter landscape, Jean Moyreau, After Philips Wouwerman, 1754 print France paper etching / engraving woodcutting, woodcutter ~ forestry. winter ~ human activities (the four seasons of the year). tools, aids, implements ~ crafts and industries: axe

Large Farm, plate 10 from Regiunculae et Villae Aliquot Ducatus Brabantiae ca. 1610 Claes Jansz. Visscher Dutch. Large Farm, plate 10 from Regiunculae et Villae Aliquot Ducatus Brabantiae 415309

Sun and Rain. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Entrance to a cave with three figures.

Entrance to a cave with three figures, Ernst Willem Jan Bagelaar, 1798 - 1837 print Netherlands paper etching cave, grotto (+ landscape with figures, staffage)

Neer, Aert van der, Netherlands, Steelink, Willem (II), Landscape by moonlight, verso - stamped, Houses and a church tower along a canal by moonlight. Three cows in the foreground. At the bottom left in the margin a coat of arms on a twig with leaves., print, prent, prints, prenten, height 258 mm, width 349 mm, Dutch, 1856-07-16 - 1928-11-27, print maker, printmaker, 1888 - 1891, paper, papier, etching, etchings, Noord-Nederlands, 1604 - 1677-11-09

Wallpaper compartment with frame and paneling, from a design for a side wall, 1791 drawing Design for a wall painting in the side room of Brouwersgracht 41 in Amsterdam. The client is Allard Hulshoff. paper. pencil. ink pen / brush

Aske Hall - from Whitaker's 'History of Richmondshire' 1818-1823, John Scott, 1774-1828, British, after Joseph Mallord William Turner, 1775-1851, British, 1821, Line engraving and etching on medium, slightly textured, cream, wove paper, mounted on, thick, slightly textured, cream, wove paper, Mount: 9 1/2 × 12 13/16 inches (24.1 × 32.5 cm), Sheet: 7 11/16 × 11 3/16 inches (19.5 × 28.4 cm), and Image: 7 5/8 × 11 1/16 inches (19.4 × 28.1 cm)

Val d'Ema. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1909. Dimensions: 136 x 308 mm (image); 141 x 312 mm (plate); 147 x 317 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Karel Dujardin (1622-78). The man who is in line (Dutuit 11). Eat, 1658. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

Two fishermen on a bridge, Adriaen van Ostade, after Isaac van Ostade, 1647 print Haarlem paper etching angling. landscape with bridge, viaduct or aqueduct

Two fishermen on a bridge, Adriaen van Ostade, 1647

Hamlet between the Trees. Dated: probably c. 1645/1656. Medium: etching with engraving. Museum: National Gallery of Art, Washington DC. Author: ALLART VAN EVERDINGEN.

Collection of Prints by Notable Dilettanti, unknown artist, Annotated by James Chelsum, 1738-1801, British, ca. 1780, Watercolor

Two fishermen on a bridge; The Visscher.

Four Incense Burners, a Bracket and an Ornemental Motif, Gilles-Marie Oppenord, French, 1672-1742, Pen and brown ink with ink wash; verso: pen and brown ink, Recto: Vertical rectangle. Four incense burners of quasi-classical design, ornamented with half figures; a bracket composed of a mascaron; an ornamental motif consisting of a mascaron and rinceaux and another rinceau motif., Verso: Horizontal rectangle: a scene of classicals ruins in a landscape and two standing figures possibly inspired by a woodcut in the Hypnerotomachia Poliphili, published in Venice in 1499., One sheet of paper drawn on recto and verso, mounted onto an album page with window cutout to see verso., France, 1692-99, albums (bound) & books, Album page, Album page

The Bellman, 1879. Samuel Palmer (British, 1805-1881). Etching;

Amsterdam, Esveldt Holtrop, Jan Steven van, Almeloveen, Jan van, Mirror of nature and school of drawing, Four river landscapes, Stone bridge at a river fork, The print is part of an album., print, prent, albumblad, prints, height 111 mm, width 154 mm, Northern Netherlands, 1652 - 1683, print maker, printmaker, 1662 - 1683, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1777 - 1833-11-20, publisher

Uden, Lucas van, Netherlands, View of the Capuchin monastery in Tervuren, verso top center - handwritten, The Capuchin monastery with monastery garden on a country road with trees. Six people and a dog on the road., print, prints, verso bottom center - stamped, Van Uden, verso bottom right - handwritten, J'ai...., height 224 mm, width 325 mm, Zuid-Nederlands, 1595-10-18 - 1673, print maker, printmaker, 1605 - 1673, first quarter 17th century, second quarter 17th century, third quarter 17th century, paper, etching, etchings, hand coloring, Work conception, after own design by

Landscape with a hermit, Alexander Keirincx, 1610 - 1652 drawing paper. deck paint. graphite (mineral). ink pen / brush St. Jerome as hermit in a landscape, reading. mountains. anchorite, hermit

Landscape with Milkmaid 1622-74 Jan Lievens Dutch. Landscape with Milkmaid 347407

Mountainous Landscape with Steep Cliffs. Presumably made during Saverys trip in the Tyrol, this drawing was once owned by Rembrandt. In the description of his estate, mention is made of a large book containing drawings that Savery made in the Tyrol. After Rembrandt went bankrupt, this albumbecame the property of Lambert Doomer, a gifted amateur draughtsman. Doomer copied several of the drawings in the book, including this one.

No. 6. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

River Landscape with the Temptation of Christ. Dated: 1545. Medium: etching counterproof. Museum: National Gallery of Art, Washington DC. Author: Augustin Hirschvogel.

About 100 years before Christ birth. Draughtsman: anonymous. Draughtsman: Jacques Kuyper (rejected attribution). Dating: c. 1789 - c. 1810. Place: Netherlands. Measurements: h 65 mm × w 55 mm. Museum: Rijksmuseum, Amsterdam.

The sight, Anonymous, 1694 - 1756 print Five pastoral scenes of two people, the vision concerning. Print number 3071. Augsburg paper etching pastorals, Arcadian scenes. sight, looking (one of the five senses) (+ two persons). landscapes (+ landscape with figures, staffage)

Landscape with figures in Storm, Jean Bernard, 1775 - 1833 drawing paper. ink. chalk pen / brush storm on land

I was also in Arcadia (Kai ego en Arkadia), 1789-1790. Circle of Adrian Zingg (Swiss, 1734-1816). Etching hand-colored with wash; sheet: 44.5 x 61 cm (17 1/2 x 24 in.); image: 44.5 x 61 cm (17 1/2 x 24 in.). A Swiss etcher and draftsman primarily active in Germany, Zingg was esteemed as one of the mostimportant landscapists of his generation. This Arcadian view---a technical marvel combining line etching with delicate washes of brown---is a superb example of the German Romantic landscape in which contemplative, idealized figures meditate and converse in a meticulously rendered wooded grove. It is thought that Zingg executed the etching and members of his workshop completed the hand-coloring, following one of Zinggs drawings.

River landscape with tonnage and apple sales, S. le Masurier, after David Teniers, 1720 - 1820 print River landscape with on the left A tonnage, on the right apples are sold. Figures cut trees in the background to provide the tonnage of wood. paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone). wooden container: barrel, cask, bucket. fruits: apple. woodcutting, woodcutter ~ forestry

Arcadian Landscape with Three Figures at a Lake. Artist: Johann Christian Reinhart (German, Hof 1761-1847 Rome). Dimensions: sheet: 23 x 33 7/8 in. (58.4 x 86 cm). Date: 1792.Reinhart made this imposing drawing in Rome in 1792, when he and another leading German artist from the period, Joseph Anton Koch, started making "heroic" or "poetic" landscapes inspired as much by the Roman campagna as by the work of their seventeenth-century predecessors Claude Lorrain, Nicolas Poussin, and Gaspard Dughet. Although the figures are dressed in a style that hints at a specific mythological or historical subject, they were probably used merely to indicate the antique setting of the landscape, as were the villa in the left background and the funerary monuments at center and in the right background. The dense composition and regular hatching are typical of Reinhart's manner throughout his career. The drawing is related to a painting he made in 1796 (Museum Georg Schäfer, Schweinfurt), but it cannot b

Netherlands, Baudous, Robert de, Haarlem, Goltzius, Hendrick, Northern Netherlands, Frisius, Simon, Mountain landscapes, Mountain landscape with a house in the foreground, print, prints, height 138 mm, width 207 mm, 1575 - 1628, print maker, printmaker, 1608 - 1608, paper, papier, etching, etchings, Work conception, 1558-01 - 1617-01-01, after a design by, Publication (Event), Publication, 1574 - 1659, publisher

River landscape with three men at a rowing boat, Jean Jacques André Le Veau, After Allaert van Everdingen, 1739 - 1786 print paper etching river. rowing-boat, canoe, etc.

Labourers March 25, 1790 Richard Earlom British. Labourers 390688

Mousehold Heath, Norwich John Crome (British, 1768-1821). , ca. 1818-1820. Etching on wove paper, Plate: 22 1/2 x 30 1/2 in. (57.2 x 77.5 cm). European Art ca. 1818-1820

Napoleon and his army pull over a mountain, in the foreground the female personification of Italy, Teodoro Matteini, 1808 print Under the performance a verse in Italian. Print is part of an album. paper etching Abstract Ideas and Concepts (+ personification). the soldier; the soldier's life. ruler, sovereign. the soldier; the soldier's life (+ cavalry, horsemen). mountains

The two scales (Bartsch 90) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The two scales (Bartsch 90). Water-strong on paper, 1645-1675.

Plate 1: various fragments of ancient monuments, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dedicatee: Antoine le Charron, Baron de Dormelles. Dimensions: Plate: 5 1/8 × 5 3/16 in. (13 × 13.2 cm)Sheet: 5 1/4 × 5 1/2 in. (13.4 × 13.9 cm). Publisher: François Langlois (French, baptized Chartres, 1588-1647 Paris). Series/Portfolio: 'Roman landscapes and ruins' (Paysages et ruines de Rome). Date: ca. 1646. Museum: Metropolitan Museum of Art, New York, USA.

Lord on a country road along Galgen, c. 1654 drawing Zwolle paper. ink

Italianate River Landscape with Musicians, Shepherds and a Monument, Josua de Grave, in or after c. 1676 - 1712 drawing Landscape with shepherds, a monument and a castle in the distance. paper. ink pen / brush prospect of city, town panorama, silhouette of city. occupations ~ cattle

Forest landscape drawing by Claude Lorrain featuring Jupiter and Callisto, executed with feder, ink, brush, lavated with bister and ink, highlighted with deck white, dated 1660.

Storm ca. 1745-58 Jean-Baptiste-Claude Chatelain. Storm. Jean-Baptiste-Claude Chatelain (British, London () ca. 1710-1758 London). ca. 1745-58. Etching. Robert Sayer (British, Sunderland 1725-1794 Bath). Prints

Print made by unknown artist, Collection of Prints by Notable Dilettanti, c. 1780. Etching.

Abraham andIssac. Artist: Claes Cornelisz Moeyaert, Flemish, 1592-1655

After Jacques Callot, Landscape, in or after 1635 Landscape

A feather and ink drawing by Johann Steger from 1676 depicting Aphrodite mourning Adonis on yellowed paper glued to an old gray paper drawing, showing figures and expressions.

Berchem, Nicolaes Pietersz., Northern Netherlands, Visscher, Jan de, Shepherd at a ford leaning on his staff, verso - stamped, At a ford a shepherd stands among his flock leaning on his staff., print, prent, prints, height 267 mm, width 346 mm, 1633 - 1692, print maker, printmaker, 1643 - 1692, paper, papier, etching, etchings, engraving, engraving (printing process), 1620 - 1683-02-18, intermediary draughtsman

Five figures resting in front of a farmhouse. Draughtsman: Jan van Goyen. Dating: 1651. Measurements: h 113 mm × w 195 mm. Museum: Rijksmuseum, Amsterdam.

't Hommeltje near Utrecht.

View of a harbor with rocks, Anonymous, 1700 - 1799 print Fishermen are at work in the foreground. Ships sail on the water in the background. paper. cardboard. watercolor (paint) etching / brush sea (seascape) (+ landscape with figures, staffage). harbour. rowing-boat, canoe, etc.. sailing-ship, sailing-boat. rocky coast. sea and coastal fishery

Amsterdam, Visscher, Claes Jansz. (II), Bolswert, Boëtius Adamsz., Bloemaert, Abraham, Landscapes with farms, Farm and man with two buckets, verso - stamped, A man carrying two buckets walks past a farm. Birds fly around the roof., print, prints, height 103 mm, width 159 mm, Northern Netherlands, 1586 - 1652-06-19, print maker, printmaker, 1620 - 1620, paper, papier, etching, etchings, 1566-12-25 - 1651-01-27, intermediary draughtsman, after a drawing by, Work conception, Southern Netherlands, 1580 - 1633-03-25, after a print by, Publication (Event), Publication, publisher

Storm Jean-Baptiste-Claude Chatelain British, French Publisher Robert Sayer British ca. 1745-58 View more. Storm. Jean-Baptiste-Claude Chatelain (British, London

Print, Three Figures Playing Musical Instruments, from "Recueil de Plusieurs Jeux d'Enfants Chinois"; Designed by Jean-Baptiste Pillement (French, 1728-1808); France; etching on paper

Landscape Near Asnières. Charles Émile Jacque; French, 1813-1894. Date: 1844. Dimensions: 75 × 106 mm (image); 81 × 112 mm (chine); 95 × 144 mm (plate); 152 × 258 mm (sheet). Etching and drypoint on light gray China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Callot, Jacques, No. 8, Robbery of travelers by road, (1000 - 2000), line etching, graphics, plate width 18.6 cm, plate height 8.2 cm, leaf width 19.8 cm, leaf height 11.8 cm

Van Aken, Jan. "Flush fishing (Bartsch 20)". Etching. Museum of Fine Arts of the City of Paris, Petit Palais. 146333-22 PRINT

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