Historic Maritime Scenes

A collection of prints depicting various ships, sailing boats, and related watercraft on rivers and seas, showcasing historical maritime activities and landscapes.

Amsterdam, Blaeu, Cornelis, Johannes Willemszoon, Vlieger, Simon de, Savery, Salomon, Festivities during the visit of Maria de' Medici to Amsterdam in 1638, Spelevaart op het IJ, 1638, back - stamped, Spelevaart op het IJ. A large number of all kinds of vessels on the water, in the foreground a yacht with the queen and guests. In front the old and the new coats of arms of the city of Amsterdam at the top and the number 15 and the names at the bottom right. Plate no. 15 in the illustrations in the description of the festivities during the visit of Maria de' Medici to Amsterdam, 31 August - 5 September 1638., print, engraving, book illustration, prints, enten, Frederik Muller Historieplaten, in the foreground a yacht with the queen and guests. In front the coat of arms and seal of the city top left and right, the number 15 and the names bottom right. Plate 15 of the illustrations accompanying the description of the festivities surrounding the visit of Maria de Medici to Amsterdam from 31

Amsterdam, Buffa and Sons, French, Utrecht, Industry, Lithography de, Voorduin, Gerard, Netherlands, Heemskerck van Beest, jonkheer Jacob Eduard van, Views from the Netherlands' West Indies, West Indies, Bonaire, verso - stamped, A Dutch three-master off the coast of Bonaire. The print is part of a cover with seventeen sheets., print, prints, height 488 mm, width 667 mm, 1828-02-28 - 1894-12-24, print maker, printmaker, 1860 - 1862, paper, color lithography (process), Dutch, 1830-03-30 - 1910-05-30, intermediary draughtsman, after a drawing by, printer, Publication (Event), Publication, publisher

View of the fort at Negombo, anonymous, 1753, View of the fort at Negombo, in the foreground a river with two ships., draughtsman: anonymous, Negombo, 1753, paper, brush, h 301 mm × w 533 mm

Het Veer to Leiden, Reinier Nooms, 1657 - 1670 print The Singel with the top of the Munt Tower on the left in the background visible. On the right the house of Mayor Huydecoper, Singel 548. In the foreground sailing ships and the feather to Leiden. Netherlands paper etching city-view in general; 'veduta' Single

View of the Schreierstoren from the IJ, Willem Writs, 1770 print paper etching rowing-boat, canoe, etc. Writestraces

Untitled', c1750-1810. Artist: Nicolas Marie Ozanne. Nicolas-Marie Ozanne (1728-1811) was a naval engineer, artist, author of a naval treatise and creator of a series of 60 views of the ports of France.

View of the vests of Leiden, Jacobus Ludovicus Cornet, After Jan de Bisschop, 1853 print View of the vests of Leiden. In the background the mill where Rembrandt van Rijn was born. The print has a Dutch caption paper etching windmill. city-walls Leiden

Riviergezicht met handelaren aan een oever bij huizen.River face with rowing and sailing ships with figures with fuker, bags and nets. On the shore, for a complex with towers, traders with bags and baskets.

Desmarest, Ghendt, Emmanuel Jean Nepomucene de, Velde, Adriaen van de, Paris, Promenade du Prince d'orange au village de schevelingen, Prince William of Orange on the beach of Scheveningen, verso center - stamped, The royal carriage rides over the beach of Scheveningen. Inside the carriage the young Prince of Orange, William III. It is low tide and the villagers of Scheveningen are watching the procession., print, prints, height 299 mm, width 372 mm, South Netherlands, 1738 - 1815-05-17, print maker, printmaker, 1748 - 1815, paper, papier, etching, etchings, engraving, engraving (printing process), North Netherlands, 1636-11-30 - 1672-01-21, after, after painting by, Publication (Event), Publication, publisher, uitgever, Publicatie

Mountainous River Landscape with Boats, draughtsman: Jan van der Meer (II), Haarlem, 1687, parchment (animal material), brush, h 131 mm × w 180 mm

Thomas Goff Lupton, 1791-1873, British, Scarborough, 1826-1828. Mezzotint.

View of the frozen Merwede near Moerdijk with ships and figures on the ice, in the foreground fishermen, View of the frozen Merwede near Moerdijk., draughtsman: Aert Schouman, 1720 - 1792, paper, brush, h 121 mm × w 177 mm

River face with boats, a church on the right, Isaac major, after Jan Brueghel (I), 1586 - 1630 print paper engraving river. traffic on the water

Seascape with ships and boats on a calm sea, Jean -François Daumont, after Willem van de Velde (II), 1745 - 1775 print publisher: Parisprint maker: France paper. watercolor (paint) etching / brush sea (seascape) (+ landscape with figures, staffage). rowing-boat, canoe, etc.. sailing-ship, sailing-boat

Venice, Senate of Venice, Italy, Costa, Giovanni Francesco, Views of the River Brenta, Les delices de la Brenta, Le delicie della Brenta, Veduta della Villa di Fiess, Church of Fiesso on the Brenta, View of the church of Fiesso on the river Brenta. Two gondolas are moored. Numbered lower center: XXVIII and lower right: Tom: II. This print is part of an album., print, prent, prints, prenten, height 250 mm, width 330 mm, Italian - 1773, print maker, printmaker, 1750 - 1760, paper, papier, etching, etchings, granter of privilege

S. Fisher, active 1831-1844, Saint Denis, 1835. Line engraving, engraver's proof.

Lindsey Houses. Dated: 1877. Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

View of the island of Sint-Helena, Robert Sayer, After I. van Ryne, 1754 print Numbered at the top right: 6. publisher: Londonprint maker: England paper. watercolor (paint) etching / brush island (+ landscape with figures, staffage). sailing-ship, sailing-boat. rowing-boat, canoe, etc. Sint-Helena

View of a village on a river, Hendrik Spilman, after Jan van Goyen, 1742 - 1784 print Moored rowing and sailing ships with merchandise on the banks of a river, near a village. Haarlem paper etching river. rowing-boat, canoe, etc.. sailing-ship, sailing-boat. village

The Upper Pool, John Woods, active 1836-1860, after John Salmon, 1808-1886, British, c. 1850, Engraving

Gezicht op Amsterdam, vanuit het westen; Amstelodamvm.A group of hikers walks out of a ditch in the meadows outside of Amsterdam. On the meadows are cows, a farmer is milking and a milkmaid walks with the whole milk buckets. All on the left the port of Amsterdam, the masts of the ships protrude above the city wall. On the left the tower of the Oudekerk and in the middle of the Nieuwekerk. In the air two weapons: the Dutch lion and the weapon of Amsterdam.

Fight against Seven Algerines. Dated: 1720s. Dimensions: image: 44 x 31.1 cm (17 5/16 x 12 1/4 in.) sheet: 49.8 x 37.2 cm (19 5/8 x 14 5/8 in.). Medium: mezzotint and etching printed in green and black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Elisha Kirkall after Willem van de Velde the Elder.

Chatham, Kent, 1860. Artist: E Finden

City on a broad river, anonymous, after Jan Brueghel (I), 1680 - 1720, City on a broad river; in the foreground sloops and sailing ships., intermediary draughtsman: Jan Brueghel (I), draughtsman: anonymous, 1680 - 1720, paper, pen, brush, h 213 mm × w 327 mm

Calais Pier, Print made by Edward Radclyffe, 1809-1863, British, after David Cox, 1783-1859, British, after 1832, Etching on medium, cream, smoothe wove paper, Sheet: 13 1/2 x 19 1/2 inches (34.3 x 49.5 cm), Image: 7 1/4 x 10 1/8 inches (18.4 x 25.7 cm), and Plate: 9 1/4 x 11 7/8 inches (23.5 x 30.2 cm), baskets, boats, fishermen, landscape, leisure, men, pier, sea, soldiers, women, Calais, Europe, France

Purfleet, Print made by William Bernard Cooke, 1778-1855, British, after Samuel Owen, 1768-1857, British, Published by William Bernard Cooke, 1778-1855, British, 1814, Line engraving and etching on medium, slightly textured, cream wove paper

The Windmill on the Water, Anthonie van Borssom, 1660 - 1677 drawing paper. watercolor (paint). ink pen / brush

Burial at Sea, after John Wilson Carmichael, 1799-1868, British, Print made by Edward P. Brandard, 1819-1898, British, Published by Virtue, active 1820s-1908, British, 1857, Line engraving on medium, slightly textured, cream wove paper

Buitenplaats with drunk company that goes on board a barge, Jean Pelletier, After Cornelis Troost, c. 1757 - c. 1764 print paper etching / engraving rural housing, e.g. country-house, villa, cottage. tow-boat, towing-barge. drunkenness

Print, Peep-show, Le Port Du Vieux Toulon; France; engraving in ink with washes of watercolor on paper, mounted on scrapbook page; 32.1 × 48.2 cm (12 5/8 in. × 19 in.); 1901-30-16

Cape Verde Islands: above, the volcanic island Fogo; below, the harbour of St Vincent (Porto Grande). Etching by G. Child.

View of Harderwijk Harderwijk., draughtsman: Aelbert Cuyp, c. 1630 - c. 1691, paper, brush, h 185 mm × w 433 mm

Flight of King James to France on July 12, 1690 after his defeat against William III's army at the Battle of the Boyne. The king boards a ship in Waterford. Plate 16 in a series of 20 plates on the Glorious Revolution in England in the years 1688-1691, Flight of James after his defeat at the Boyne, 1690 The geweesene King James flees, after his defeat by the Revier Boyne at Waterford uyt Ireland. Ao. 1690 (title on object) History of the revolution in England 1688-1691 in 20 plates (series title), print maker: Hugo Allard (I), (mentioned on object), publisher: Carel Allard, (mentioned on object), Staten van Holland en West-Friesland, (mentioned on object), Northern Netherlands, 1691, paper, etching, h 259 mm × w 305 mm

France, French crown, Paris, Henriet, Israel, Bella, Stefano della, Views of ports de mer, Seaports, Veuë des costes d' Italie, View of the coast of Italy, verso - stamped, A coastal landscape with a tower on the right. In the foreground four men playing cards. On the left a ship lying on its side., print, prints, height 86 mm, width 135 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1647 - 1647, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1590 - 1661, publisher, uitgever van privilege

The Enterprize Steam Vessel, passing through Madras Roads, Theodore Henry Adolphus Fielding, 1781-1851, British, after George Webster, 1797-1864, British, 1825, Aquatint, hand-colored, Sheet: 21 1/2 x 27 3/4in. (54.6 x 70.5cm)

The Geldersekade and the Schreierstoren Amsterdam, The Netherlands, print maker: Reinier Nooms, Cornelis Danckerts I possibly, 1652 - 1654.

A View of the Royal Palace at Naples, Print made by unknown artist, (Dubois), Published by John Bowles, 1701-1779, British, undated, Etching and line engraving on medium, slightly textured, cream laid paper, laid on contemporary mount made of moderately thick, moderately textured, blued white laid paper, Mount: 9 3/16 x 12 13/16 inches (23.4 x 32.5 cm), Sheet: 8 7/8 x 11 9/16 inches (22.6 x 29.4 cm), Plate: 8 7/8 x 10 3/16 inches (22.6 x 25.8 cm), and Image: 7 5/16 x 9 13/16 inches (18.5 x 24.9 cm), architectural subject, architecture, basket, carriages, city, cityscape, coats, costume, dogs (animals), flags, garden, genre subject, gowns, Grand Tour, gulf, harbor, hats, horses (animals), marine art, masts, men, mountains, palace, promenade (walkway), ramp, rowboats, sails, ships, slipway, staffs (walking sticks), talking, trees, walking, walls, women, Campania, Gulf of Naples, Italy, Naples, Napoli, Royal Palace of Naples

North America. Expedition of Malaspina (1789-1794). Dance on the beach. Ink and feather drawing by Toms Suria. Drawing. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Navy Museum.

Artist: Fitz Henry Lane, American, 1804-1865, After: Alban Jasper Conant, American, 1821-1915, View of Newburyport, (fromSalisbury), Lithograph in colors, sheet: 52.6 × 74.5 cm (20 11/16 × 29 5/16in.), Made in United States, American, 19thcentury, Works on Paper -Prints

Fowey, Cornwall, from "Sketches from Nature" 1822 Etched by Thomas Rowlandson. Fowey, Cornwall, from "Sketches from Nature". "Sketches from Nature". Etched by Thomas Rowlandson (British, London 1757-1827 London). 1822. Hand-colored etching and aquatint. Prints

Russian Ambassador Nikolay Rezanov brought ashore to Nagasaki, Japan, from Captain Adam Johann von Krusenstern's ship Nadezhda, 1804. Daimyo Nabeshima of Hizen Province, supplied a luxury gozabune decorated with curtains, his own ensign and the Russian Imperial eagle standard. Handcoloured copperplate engraving from Carl Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1810.

Activities at a Haven, Jean Daullé, After Claude Joseph Vernet, 1760 print Paris paper etching / engraving harbour. swimming (movement in water). fisherman

Benjamin Thomas Pouncey, active 1772-1799, British, Chase of a Cutter, 1783. Engraving with watercolor.

Flight of the King and Queen to France, 1688, Sheet with two representations. Above the flight of Queen Mary from Modena to France, December 19, 1688. Under the flight of King James II to France, December 20, flight of ruler from adversary, Mary of Modena (Queen of England), James II (King of England) and Scotland), Jan Luyken (mentioned on object), 1689, paper, etching, h 112 mm × w 132 mm

VISTA DEL PUERTO DE LA CIUDAD DE LA HABANA - GRABADO SIGLO XVIII. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Artist: Reinier Zeeman, Dutch, 1623-1663, Het Rockin, mette Beurs (The Rokin, with theBourse), Etching, sheet: 12 × 23.3 cm (4 3/4 × 9 3/16in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Melchior Küsel after Johann Wilhelm Baur (German, 1626-1683), Palazzo Villamena, Genoa, 1681, etching

Serenissimus Princeps die Ascensionis Domini in aurea navi, vulgo Bucintoro, miro cujusvis navigiorum numero stipata Litus petit The doge departing for the Lido in the Bucintoro on Ascension Day. Canaletto, 1697-1768. Prints. 1770 - 1779. Spencer Collection. Barges , Italy , Venice, Ascension Day, doges, Arrivals & departures

View of the Tuileries, the Louvre and the Pont Neuf. Charles-Melchior Descourtis (French, 1753-1820); after Pierre Antoine de Machy (French, 1723-1807). Date: 1789. Dimensions: 412 × 632 mm (plate); 466 × 645 mm (sheet). Etching and engraving printed in color from at least four plates on paper. Origin: France. Museum: The Chicago Art Institute, USA.

France, Paris, Daumont, Jean-François, View of the Grotte and the Courtyard's Facilities on the Fontanka River in St. Petersburg in Russia, View of the Fontanka River in St. Petersburg seen from the north side, print, optic print, prints, optic prints, height 282 mm, width 448 mm, Publication (Event), Publication, French - 1775, publisher, 1745 - 1775, paper, papier, cardboard, prepared paper, watercolor (paint), watercolour, deck paint, etching, brush, Borstel, cutting, Snij, perforating, perforateren, print maker, printmaker

Burning of the FrigatePhiladelphia…1804. Etcher: Unknown

Ancient Carthage - The Embarcation of Regulus, Print made by Daniel Wilson, 1816-1892, after Joseph Mallord William Turner, 1775-1851, British, 1840, Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé, Sheet: 25 1/8 × 31 1/8 inches (63.8 × 79.1 cm), Plate: 20 7/8 × 26 3/8 inches (53 × 67 cm), Chine collé: 20 1/8 × 25 7/8 inches (51.1 × 65.7 cm), and Image: 15 3/8 × 22 5/8 inches (39.1 × 57.5 cm)

View of a rock (IT)

Pierre Charles Canot, ca. 1710-1777, French, active in Britain, Night & a Ship on fire. Hand-colored engraving on wove paper.

Melchior Küsel after Johann Wilhelm Baur, Palazzo of Count Widman, 1681 Palazzo of Count Widman

The view of Canal Grande seen from Ponte Rialto, in: Urbis Venetiarum Prospectus celebroses ex antonia Canal Tabulis XL aere Expressi ab Antonio Visentini; Visentini, Antonio (1688-1782), Canaletto (1697-1768), Viero, Teodoro (Venice; Publisher; Ca 1750-1819); 1735-1800 (1742-00-00-1742-00-00);Venice (Italy), Italy (State), album, gondolas, Italian graphics, channels, city landscapes, reproductive graphics, relay, weduty, Italian (culture), boats

James H. Kernot, active early 19th century, St. Mawes, Cornwall, 1830. Line engraving on moderately thick, slightly textured, cream, wove paper.

Vue du Caire, prise de la place êl-Ozbékyéh pendant le temps de l'inondation du Nil, 1829, by Vivant Denon (1747-1825). A double-page etching depicting the city of Cairo during the Nile River's flooding, with boats in the foreground. The artwork measures 59 x 82 cm and was published in Paris by H. Gaugain. The themes of the image include description and travel in Egypt

Buffalo, from Lake Erie. Dated: published 1836. Dimensions: plate: 52.3 x 70.4 cm (20 9/16 x 27 11/16 in.) sheet: 56 x 78 cm (22 1/16 x 30 11/16 in.). Medium: hand-colored aquatint with touches of engraving on wove paper. Museum: National Gallery of Art, Washington DC. Author: William James Bennett after John William Hill.

Arriva zu Neapoli in angesicht dess Pallazzo Reale. Küsel, Melchior I (1626-1683), graphic artist, Baur, Johann Wilhelm (1607-1642), graphic artist

Print, Vignette, A Port; possibly France; wood engraving on paper; 2.2 × 5 cm (7/8 × 1 15/16 in.); 1945-200-433

Photo production of (presumably) a print to a painting by J.M.t. Turner (Dido Building Carthage). Part of album with pictures of sights and landscapes in England and of art.

View of the Rhine between Boppard and Lahnstein; Entertaining fortunes to the Rhijnstroom; Admirandorum Quadruplex Spectaculum. Print from a series of 71 prints with Rhine landscapes, faces on regal palaces and cityscapes from The Hague and Amsterdam.

Geometrical Plan of his Majesty's Dockyard, at Chatham, Print made by Pierre Charles Canot, ca. 1710-1777, French, active in Britain, after Thomas Milton, active 1739-1756, British, shipping by John Cleveley the elder, ca. 1712-1777, British, 1755, Line engraving on medium, moderately textured, cream laid paper, Sheet: 22 1/8 × 28 13/16 inches (56.2 × 73.2 cm), Plate: 19 11/16 × 26 15/16 inches (50 × 68.5 cm), and Image: 18 11/16 × 25 9/16 inches (47.4 × 65 cm)

William Day, 1764-1807, Return of their most Gracious Majesties King William and Queen Adelaide to Somerset House after the Opening of London Bridge, 1831. Hand colored lithograph.

View of the Binnenkant towards the Oude Schans, Joris van der Haagen, 1625 - 1669, draughtsman: Joris van der Haagen, draughtsman: Pieter Latombe, draughtsman: A. Beerstraten, (rejected attribution), 1625 - 1669, paper, brush, h 248 mm × w 441 mm

Storm in Scheveningen, 1825, Alexandre Joseph Boens, after Andreas Schelfhout, 1825 - 1826 print The beach of Scheveningen during the heavy storm of 4 February 1825. Inhabitants of the village have entered the beach. Part of a group of illustrations from a memorial book of the flood of 1825. print maker: Southern Netherlandsprinter: Brussels paper storm at sea. storm on land. beach Scheveningen

A floating village constructed from tightly woven bamboo canes, designed to prevent moisture penetration, serving as the foundation for huts. The scene also depicts the city of Pau-ing-hyen Pay-hyen, featuring windmills. The artwork was created by Thomas Astley between 1745 and 1747 and published in London by T. Astley. It includes engravings

Regatta na Canal Grande at the height of Palazzo Balbi, in: Urbis venetiarum prospectus celebrosres ex antonii canal tabulis xl aere expressi ab Antonio Visentini; Visentini, Antonio (1688-1782), Canaletto (1697-1768), Viero, Teodoro (Venice; Publisher; Ca 1750-1819); 1735-1800 (1742-00-00-1742-00-00);Venice (Italy), Italy (state), album, festivities, gondolas, Italian graphics, channels, city landscapes, reproductive graphics, relay, ceremonies, WUDUTU, Italian (culture), boats

fine arts, Jan van de Velde (1593 - 1641), graphic, ""Dutch Landscape"", etching, 17th century, Staatliche Kunsthalle, Karlsruhe, Germany,

Landing in Virginia, 1584. Prints. 1830 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The fleet near Melaka, 1606, 1644 - 1646 print The Dutch fleet near Melaka, summer 1606. Part of the illustrations in the report of the tour by Cornelis Matelief de Jonge for the VOC to the East Indies and China, 1605-1608, No. 2. Northern Netherlands paper etching exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions Melaka

Quinat (farm), Argentina. Vintage Picturesque illustrations of Buenos Ayres and Monte Video, by E.E.Vidal, printed by Ackermann, 1820.

Melchior Küsel after Johann Wilhelm Baur, Palace, Vice Re, Naples, 1681 Palace, Vice Re, Naples

Bohn and Loosjes, Bulthuis, Jan, Amsterdam, Grave, Jan Evert, View of Wormerveer, verso center bottom - stamped, The village of Wormerveer. In the foreground the river Zaan. In the background the church tower and windmills., print, prent, prints, width 356 mm, height, 231 mm, Noord-Nederlands, 1759-01-28 - 1805-12-10, print maker, printmaker, 1794 - 1805, paper, papier, etching, engraving, engraving (printing process), 1750 - 1801-05-29, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

'Savannah', c1880. Artist: Thomas Walmsley.

Northern Netherlands, Image of the examination at the Teacher Training College in Amsterdam, Examination at the Teacher Training College for Maritime Navigation in Amsterdam, 1784, verso - stamped, Students take an examination on a training ship in the courtyard of the Teacher Training College for Maritime Navigation, located on the Buitenkant in Amsterdam, founded in December 1784., print, prints, Frederik Muller Historical Plates, height 180 mm, width 137 mm, print maker, printmaker, 1784 - 1799, paper, papier, etching, engraving, engraving (printing process)

Landscape with ships for Caernarvon Castle, William Callow, 1883 drawing cartridge paper. deck paint. watercolor (paint) brush river (+ landscape with figures, staffage). castle. landscape with tower or castle (+ city(-scape) with figures, staffage) Caernarfon Castle

Celebrations of August 15: Decoration of the Place de la Concorde.

GRABADO-PUERTO DE LA CIUDAD DE BOSTON DESDE EL SUR. Location: PRIVATE COLLECTION. France.

Hoorn seen from the harbor; Horn. View of Hoorn from a pressure sailing sea. Under the cityscape three praise to horn and a legend. Above the cloud party The weapons of Hoorn and Westfriesland. With inscription 'Encomium Hornarum, Hoorn, per anagramma, honor'.

View of Rotterdam seen from the Maas, Gerrit Groenewegen, 1797 print View of Rotterdam seen from the Maas at Katendrecht. In the foreground a rowing boat and various sailing ships. In the background the city. At the far left with the Leuvehaven on the left, also called the new head, with the Ooster Nieuwe Hoofdpoort. Numbered in the bottom right: 3. This print is part of a series of six prints with Maas faces. Rotterdam paper etching prospect of city, town panorama, silhouette of city. harbour. city-gate. rowing-boat, canoe, etc.. sailing-ship, sailing-boat. windmill Rotterdam. Mesh. Leuvehaven. Eastern new main gate. Katendrecht

Harbor landscape with vessels and fishermen. Vernet, Claude Joseph (French, 1714-1789) (designed after) painter c. 1760 Tapestry Dimensions: H 8'6" x W 14' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Mrs. Charles A. Slater, received 3/24/1919; sold to S. Guggenheim 6/5/1925. Harbor landscape with shoreline inhabited by man smoking pipe (L), woman reclining on rock near 2 men overlooking fishermen unloading their catch (R) in foreground; sail boats & sailors rowing in background; buildings with tower & bridge, & human activity on opposite bank; vessels in distance Borders missing. French & Co. stock sheet in archive, 20827-d Related Works: Panels in set: GCPA 0243243, 0243234, 0243242, 0243246, 0184458

Henri Durand-Brager, 1814-1879, French, Le Cynge, c. 1844. Colored lithograph.

Richard Gilson Reeve, 1803-1889, Greenwich Hospital, 1828. Aquatint, hand-colored.

Lucas Weber, The Steamer Yellow stone, c 1839 The Steamer Yellow-stone

Marine Unknown.. Oil on panel, 19 1/4 x 12 1/4 in. (48.9 x 31.1 cm). European Art

Sidon, with fishermen and other figures in the foreground. Coloured lithograph by Louis Haghe after David Roberts, 1843.

Large fire in 's Lands Zeemagazijn in Amsterdam on July 6, 1791., Fire in 's Lands Zeemagazijn, 1791 Fire of s'lands Magazijn in Amsterdam. 6 July 1791 (title on object), print maker: Jan Lucas van der Beek, (mentioned on object), Jan Lucas van der Beek, (mentioned on object), Northern Netherlands, 1791, paper, etching, engraving, h 100 mm × w 113 mm

Twee Overlanders 17th century Reinier Nooms, called Zeeman Dutch. Twee Overlanders. Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623-1664 Amsterdam). 17th century. Etching. Prints

Air, Reinier Nooms, 1651 - 1652 print Sailing ships on a restless sea near a coast with windmills. Cumulus clouds and a rain shower in the air. Netherlands paper etching / drypoint air (one of the four elements). sea (seascape). nimbus, i.e. rain clouds

Antwerp

Danube views, Hungary, The Komorn fortress, After, Ludwig Erminy, Drawer, Adolf Friedrich Kunike -, Lithographer, Adolf Friedrich Kunike -, editor

Millbank, Edgar M. Wilson, 1861-1918, undated, Etching on chine collé, Plate: 4 x 6 1/4in. (10.2 x 15.9cm) and Sheet: 4 7/8 x 7 1/2in. (12.4 x 19.1cm)

Eembrugge; Drawing by A. van IJsendijjk Cz., engraving by A. Kunz.

Face on boats and ships in the port in Rotterdam; 29th Vüe d'Optique Representant Les Vaiseaux Dans Le Port de Rotterdam. Three men with empty tons are in the foreground. In the background a tower is on the waterfront. Numbered in the title: 29.

Top of the First Pyramid of Gizah', 1801. Plate 4 from 'Views in Egypt', engraved by the British artist Thomas Milton (1743-1827) published by Robert Bowyer. Found in the Stapleton Collection, UK.

Margate, Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1826-1828, Mezzotint

Artist: Reinier Zeeman, Dutch, 1623-1663, Views of Amsterdam, Title page Third Series (DerdeDeel), Etching, sheet: 12.7 × 22.9 cm (5 × 9in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

unknown artist, Westminster Bridge, 1792. Aquatint, hand-colored.

Incendie dans le port de Bordeaux (Fire in the Port ofBordeaux). Artist: Maxime Lalanne, French, 1827-1886 Publisher: Alfred Cadart, French, 1828-1875

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