Historic Seascapes with Sailing Ships

Artistic depictions of maritime scenes featuring various sailing ships and boats, capturing the dynamic sea and atmospheric clouds.

Seascape with boats offshore, Adam Silo, 1689-1760

Naues Mercantoriæ Hollandicæ, vulgo, VLIET (A Dutch freighter). Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 5 13/16 × 9 1/4 in. (14.7 × 23.5 cm). Series/Portfolio: Navium Variæ Figuræ et Formæ. Date: 1647.A Dutch freighter sailing to left in foreground, another seen behind at left; distant view of a town at right. Museum: Metropolitan Museum of Art, New York, USA.

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Ship of Maria Theresia (Queen of France), 1660, Lucas Vorsterman (II), After Jacques van Werden, 1660 - 1662 print The royal Spanish ship that Maria Theresia, Infante van Spain, sailed to France in 1660 for her marriage to French king Louis XIV. On the sails Biblical and mythological scenes. Antwerp paper etching

Ironing of the sail, Johannes Jacobsz van den Aveele (attributed to), 1688 - 1698 print Two men iron the sail from a flat bottom. In the background on the left a city and other ships. Netherlands paper etching sailing-ship, sailing-boat. sea (seascape)

Etching depicting Daedalus and Icarus in a river landscape, showing Icarus falling, created by Pieter Bruegel the Elder around 1595.

Bagelaar, Ernst Willem Jan, Netherlands, Water landscape with sailing ships, within the plate margin below - handwritten, print, prints, Proof print, height 52 mm, width 71 mm, Dutch, 1775-09-16 - 1837-02-08, print maker, printmaker, 1798 - 1837, fourth quarter 18th century, first quarter 19th century, second quarter 19th century, paper, etching, etchings, Work conception, after own design by

Jacques Callot, French (1592-1635), The Siege of La Rochelle plate 11 of 16; set comprises 1952.8.97-112, 1628-1631, etching and engraving

Harbor scene with the tide out, and beached boats 1775-1827 Thomas Rowlandson British. Harbor scene with the tide out, and beached boats 363984

Floating palace of Hieron, King of Syracuse. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Metz, 1810.

Cologne, Hogenberg, French, Series 9: Dutch and German Events, 1583-1587, Fin de la guerre, The ship Fin de la guerre, 1585, The enormous ship called Fin de la guerre, built by the people of Antwerp to destroy the Parma bridge, May 1585. With a 12-line caption in German. Numbered: 88., print, picture, news print, album page, prints, pictures, Frederik Muller Historical plates, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1585 - 1587, fourth quarter 16th century, paper, papier, etching, etchings

Amsterdam, Visscher, Claes Jansz. (II), Bormeester, Jochem, Netherlands, Porcellis, Jan, Northern Netherlands, Baudous, Robert de, Icones variarum navium Hollandicarum quarum usus maximè in aquis interioribus regionis, Dutch ship types, Overijssel pots, approximately 36 lasts in size, verso - stamped, Overijssel pots in the water. In the distance a cityscape., print, prints, height 177 mm, width 251 mm, 1574 - 1659, print maker, printmaker, 1677 - 1702, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1584 - 1632-01-29, after a design by, Publication (Event), Publication, - 1702, publisher, uitgever, Publicatie, 1586 - 1652-06-19

Le château et le pont Saint-Ange, à Rome., 1601 - 1700. Etchings., 4 3/16 x 6 1/8 in. (10.6 x 15.6 cm); Paper / Sheet 4 3/8 x 6 5/16 in. (11.1 x 16.1 cm); Cream laid

Celadon Begging Pirates to Take him along with his Abducted Wife, Galatea, Adriaen Pietersz van de Venne, c. 1625, Scene from the history of Celadon and Galatea: a rowboat with persons near a shore where they are greeted by a shepherd. Design for a print., draughtsman: Adriaen Pietersz. van de Venne, 1620 - 1625, paper, pen, brush, h 106 mm × w 139 mm

Winter Landscape with Skaters and Fishermen 1647 Jan van Goyen Dutch Known for tonal, monochromatic landscape paintings in his later years, the Haarlem artist Jan van Goyen made hundreds of chalk drawings from nature in his travels throughout Holland, the Southern Netherlands, and the area around Cleve. Although many of these scenes ultimately informed his paintings, rarely were they directly preparatory. This winter view of 1647 appears to have no painted corollary and the site has not been identified.. Winter Landscape with Skaters and Fishermen 459306

Various Chinese vessels, Jan Luyken, 1697 print Three performances of one plate. Amsterdam paper etching Trireme, Galley

A ship disembarking to left, two galley slaves stand and one sits next to a barrel to right, various other figures on the shore, a mountain to right in the background, from 'Varie figure' ca. 1645 Stefano della Bella Italian. A ship disembarking to left, two galley slaves stand and one sits next to a barrel to right, various other figures on the shore, a mountain to right in the background, from 'Varie figure' 410350

Entree Van de Graaf van Brionne, Jacques Callot, 1627 print Mr. Van Brionne, dressed as Jason, standing on the back of a ship surrounded by tritons and musician ladies, led by Poseidon. Below that a small island with a dragon that monitors a chain with the Golden Fleece. In addition, a rocky island with a house on it, for which the fame stands. Above the show a inscription in French. This print is part of a series of illustrations for a book about the festivities (ao a tournament) in the Ducal Palace in Nancy on February 14, 1627. Nancy paper etching (story of) Jason. the story of the Argonauts: the quest for the Golden Fleece. ships (in general). triton(s). musician. (story of) Neptune (Poseidon). the Golden Fleece, hanging on an oak-tree, is seized by Jason. Fama as Roman personification Nancy

A hulk and a boyer at sea, in the distance the coast with the town of Enkhuizen (). In the foreground the body of a drowning person floats in the water. On the ship the year 1564, Hulk and a boyer sailing ships (series title)., print maker: Frans Huys, (possibly), print maker: Cornelis Cort, (possibly), Pieter Bruegel (I), Antwerp, 1565, paper, engraving, h 241 mm × w 192 mm

Florence, Callot, Jacques, Margaret of Austria with Philip III in a storm off the coast of Barcelona, verso lower left - stamped, A fleet on a stormy sea. On the ship on the right are Margaret of Austria and Philip III. In the background a coastline (of Barcelona) can be vaguely seen., print, prent, prints, prenten, height 128 mm, width 176 mm, French, 1592-08-21 - 1635-03-24, print maker, prentmaker, 1612 - 1612, first quarter 17th century, paper, papier, etching, etchings

Ship of mate Ewoud Drouwert for the mouth of the Maas with a Fata Morgana of warring ships, 1651, Caspar Luyken, 1698 in the distance print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing sailing-ship, sailing-boat. mirage, 'fata morgana'. battle (+ naval force) Maas

Delfshaven port; Hollar, Wenceslaus (1607-1677), Hogenberg, Abraham (Fl. 1608-1659); 1635 (1635-00-00-1635-00-00);The Netherlands, Rehdigeran (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, architecture, ports, sailing ships

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), maritime landscapes, a vessel that sails to all sails. Sixth number of a series of 6 pieces (A. de Vesme 793. Dutuit 93) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Beach view at Scheveningen. Draughtsman: Jan van Goyen. Dating: 1653. Measurements: h 176 mm × w 283 mm. Museum: Rijksmuseum, Amsterdam.

Ploos van Amstel, Cornelis, Esselens, Jacob, Schreuder, Bernhard, Amsterdam, River view, verso - handwritten, River view with various sailing ships and sloops, anchored next to each other., print, prints, verso - stamped, J. Esselens del 1700 Pl. v. Amstel fec, height 167 mm, width 270 mm, Noord-Nederlands, 1726-01-04 - 1798-12-20, supervision, 1771 - 1787, paper, papier, print drawing, crayon method, carbon copy, roulette, hand colouring, - 1780-10-16, print maker, printmaker, 1626 - 1687-01-15, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, publisher

A three-master, Albertus van Beest, 1830 - 1860, draughtsman: Albertus van Beest, 1830 - 1860, paper, pen, brush, h 521 mm × w 676 mm

Haven with boats, Jan van Almeloveen, 1662 - 1726 print Amsterdam paper etching ships, boats on land, beached

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Coastal face with sailing ships; View of the Flemish coast / vue sur la cust floor. .

Amsterdam, Visscher, Claes Jansz. (II), View of Amsterdam, from the IJ (plate I), verso - stamped, Left plate of 'View of Amsterdam' with a part of Amsterdam, seen from the IJ. Various ships and boats sail on the IJ. On the right in the background the Montelbaanstoren., print, prent, prints, height 394 mm, width 545 mm, print maker, prentmaker, 1612 - 1652, paper, papier, etching, etchings, Noord-Nederlands, 1586 - 1652-06-19

Seasing view with Jonah and the whale, Joannes van Doechum (I) (attributed to), after Lucas Gassel, in or after 1570 - c. 1580 print A sailing ship in storm at sea: Jonah is thrown overboard by the crew, in the muzzle of a whale. In the foreground it is thrown ashore by the fish. The city of Ninive can be seen on the left. paper etching / engraving Jonah in the fish's belly (Jonah 2:1 - 3:2). swimming mammals: whale

Departure to and arrival of Prince Willem III in England, 1688, Jan Luyken, 1689 print Leaf with two performances. Above the departure of Prince William III to England from Hellevoetsluis on November 11, 1688. Under the arrival on the English coast, November 15, 1688. marked at the top right: fol. 763 (cut off at this copy). paper etching departure ~ travelling. arrival and return ~ travelling

Ships along aShore, Engraving, platemark: 7.8 × 22.2 cm (3 1/16 × 8 3/4in.), Made in Flanders, Flemish, 16thcentury, Works on Paper -Prints

Cotês de la mar. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Seascape with ships and boats at sunset, Jean -François Daumont, 1745 - 1775 print publisher: Parisprint maker: France paper. watercolor (paint) etching / brush sea (seascape) (+ landscape with figures, staffage). rowing-boat, canoe, etc.. sailing-ship, sailing-boat. sunset

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Old Ship Model 17th century Willem van de Velde I Dutch. Old Ship Model. Willem van de Velde I (Dutch, Leiden 1611-1693 London). 17th century. Pen and brown ink, brush and brown wash, over traces of black and red chalk. Drawings

Treffen between Fielding and Van Bylandt, 1779. Draughtsman: Simon Fokke. Dating: 1788 - 1790. Place: Northern Netherlands. Measurements: h 77 mm × w 102 mm. Museum: Rijksmuseum, Amsterdam.

Partly covered shit with two men.

New Inventions of Modern Times Nova Reperta, The Discovery of the Establishment of the Longitudes, plate 16. Artist: Jan Collaert I (Netherlandish, Antwerp ca. 1530-1581 Antwerp); After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence). Dimensions: sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600.Sixteenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of a ship sailing on the ocean. At the back of the ship a man examines the ship's longitudinal placement on the globe. Toward the front of the ship are other sailors who hoist the flags, one of which is inscribed with the sign "IHS.". Museum: Metropolitan Museum of Art, New York, USA.

Renier Zeeman (around 1623-1667). Title: Some river ports n ° 1 (Hollstein 104). Eat, 1656. Museum of Fine Arts of the City of Paris, Petit Palais. Eat, XVIIth XVIIth XVII 17th 17th 17th century, engraving

Costumes and views of China”, T.I . Simon S., Alexander, William (1767 1816), Department the skin

Figures Aan Zee, Francesco Del Pedro, After Claude Joseph Vense, 1749 - 1806 print Seven figures on the edge of a port city. A man is fishing on the right. Another man is kneeling to burn a fire. On the left is a man with a pipe in the mouth. In the background ships at sea and a port city in the distance. In the lower margin two verses from Voltaire's poem 'le joke' (1736). print maker: Italypublisher: Venice paper etching fisherman. cooking food - CC - in the open air. sailing-ship, sailing-boat

De Schans Aen Iutphaes

Two sailing ships near a chalk cliff, on turbulent sea, Two sailing ships near a chalk cliff, draughtsman: Wigerus Vitringa, 1703, paper, pen, brush, h 132 mm × w 190 mm

Seascape with two and three -masters, Adam Silo, 1689 - 1760 print Amsterdam paper etching / engraving sea (seascape)

Moored ships with four resting men on the bank, Jean Baptiste de Lorraine, After Claude Lorrain, 1747 - 1837 print print maker: Francepublisher: Paris paper etching / engraving ships (in general). rocky coast

Jacques Callot (1592-1635). "Headquarters of the Citadel of Saint Martin in the Ile de Ré, first leaf from the bottom, on the left" (Lieure 654, Meaume 522). Etching. 1629-1630. Museum of Fine Arts of the City of Paris, Petit Palais. 99597-15 Etching, engraving

Face over the IJ to Pampus, Carel Frederik Bendorp (I), After Jacob van Strij, After Ludolf Bakhuysen, After Abraham Storck, in Or After 1785 print Dordrecht paper etching ships (in general) - CC - more than one ship. prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage) Ij. Pampus

Gdańsk A fragment of the view Berolini, Lohrmann, Friedrich Anton August (CA 1735 Ca 1800), Schuster, Franciszek

. Attempts to catch a polar bear and an attack from the caught polar bear on the sloop with Barentsz during the first trip, July 19, 1594. Opposite page 6 in: 'Warftige Relationship. Deryen Newen UNERHÖRTEN SELTHAMEN SCHIFFART SO Die Holländischen und Seeländischen Schiff .... Anno 1594, 1595 Und 1596 "(1598).

. A tweemaster with a flag and figures. This print is part of a series of twelve prints with different sailing ships.

Ship with a man at the helm. Draughtsman: Herman Saftleven. Dating: 1619 - 1685. Measurements: h 90 mm × w 65 mm. Museum: Rijksmuseum, Amsterdam.

'SHIP AND CREW SAVED,' BY G.H. ANDREWS, IN THE EXHIBITION OF THE SOCIETY OF PAINTERS IN WATER COLOURS, 1868

Seascape with Jonah and whale; Landscapes, seascapes and imaginative cityscapes. A sailing ship in storm at sea: Jonah is thrown overboard by the crew, in the mush of a whale. In the foreground he is thrown ashore by the fish. The city of the city is to see Ninive.

Navy, draughtsman: Pieter van Loo, Willem van de Velde, 1745 - 1784, paper, brush, pen, h 148 mm × w 212 mm

Arrival of King William I in Scheveningen, 1813, 1813 print Arrival of Prince Willem Frederik on the beach of Scheveningen, November 30, 1813, to take on the government of the country as a sovereign prince. The prince standing in the farm wagon, on the left the fisherman spink "The Young Karolina" who brought him to the coast. On the beach an enthusiastic crowd greets the prince. print maker: Netherlandsafter drawing by: Scheveningen paper etching / engraving being welcomed ~ travelling. homage to a ruler Scheveningen

Visscher, Claes Jansz. (II), Haarlem, Kleynhens, Bernardus, Porcellis, Jan, Northern Netherlands, Baudous, Robert de, Diverse Navires Don ton seert dans les Provinces Unies, Icones Variarum Navium Hollandicarum quarum usus maximè in aquis interioribus regionis, Dutch ship types, 1627, Vriesche Veerschips large about 38 Last, Cague de Frize. The 38 Tonneaux, Frisian ferries, Frisian ferries at sea. Print no. 2 in a series of prints of Dutch ship types, 1627., print, prints, Frederik Muller Historieplaten, height 175 mm, width 252 mm, 1574 - 1659, print maker, printmaker, 1627 - 1627, second quarter 17th century, second quarter 17e eeuw, second quarter 18th century, third quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1584 - 1632-01-29, after a design by, Publication (Event), Publicatie, 1702-12 - 1779-09-21, publisher, uitgever, 1586 - 1652-06-19

This is the ship de Goude Leeuw / a keel / that in the front century / wide Mael a Ryke vragt / has buried in our homeland. Leaf with a big representation of the sailing ship the golden lion at sea. Under the image a eight-line fresh in two columns.

View of water with fishermen; Landscapes with fishermen. In the foreground a group of figures is fishing. On the left a three-master and other ships. On the right a rocky coast. Two verses from Voltaire's poem 'Le Mondain' (1736).

The Nighting Tour of Caesar. The Nighting Tour of Caesar. Julius Caesar with amyclas and other figures in a boat during heavy storm. Printed on the back with text in Dutch ..

Company in a sailing boat on a river, Theodor Matham, 1616 - 1660 drawing Company of men and women in a sailing boat on a river. Possibly a design for a print. paper. ink. pencil pen / brush sailing-ship, sailing-boat. river

Jacques Callot, Fisher of Men, 1635 Fisher of Men

View of Rotterdam, Anonymous, Hendrick Focken, 1665 - 1689 print View of Rotterdam. Upstairs in the middle the weapon of the city and a banderole with the title. In the foreground ships. Under the performance three columns with an eight -line poem in Latin, Dutch and French respectively. paper etching / engraving prospect of city, town panorama, silhouette of city. coat of arms (as symbol of the state, etc.) (+ city; municipal). church (exterior). sailing-ship, sailing-boat. rowing-boat, canoe, etc. Rotterdam

Expedition to the Third's Island - the Azores. Galleon (detail). Campaign from 1580. St. Lorenzo of El Escorial monastery. Author: GRANELLO-TAVARON-CASTELLO Y CAMBIASSO. Location: MONASTERIO-PINTURA. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

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View of a shipyard where a ship is baptized, Jacques Rigaud, 1720 - 1754 print paper etching / engraving shipyard, shipdock

"Etching by Noël Le Mire depicting the Venus temple of Nisida on the Gulf of Naples, showing classical architecture, columns, landscape, and coastal view. Executed between 1757 and 1801, illustrating detailed engraving and historical scene."

Sailing slut with three figures; A sailing sloop; Sailing ships. On quiet water is a sailing slut with three figures on board, two of which are at the helm. In the background the contours of three other sailing ships can be seen. The print is part of a series with sailing ships.

River Landscape in Winter with Figures Skating and Sleds. Artist: Jan van Goyen (Dutch, Leiden 1596-1656 The Hague). Dimensions: 4 1/8 x 8 1/16 in. (10.5 x 20.4 cm). Date: 1651. Museum: Metropolitan Museum of Art, New York, USA.

View of the burning of Turkish ships in the port of Cesme on 7 Jui 1770, Anonymous, After Francis Swaine, 1770 - 1799 print publisher: Londonprint maker: Augsburg paper. watercolor (paint) etching / brush harbour. battle. sailing-ship, sailing-boat. sea (seascape) (+ landscape with figures, staffage) Cesme

Balthasar Moncornet after Remigio Cantagallina, Barcha del Hercole Barcha del Hercole

CARTAGENA DE INDIAS - ENGRAVING 18TH CENTURY. Author: Renat. Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN.

Ice entertainment on a wide river, Jan van Goyen, 1653 drawing paper. chalk brush ice ~ freezing weather. winter sports

Flight of James after his defeat at the Boyne, 1690, Hugo Allard, Carel Allard, States of Holland and West Friesland, 1691.

Johann Wolfgang Baumgartner, Venetian Fantasy with the Dogana, 1750s Venetian Fantasy with the Dogana

Whaling hunt in the ice cream; Seylen in 't Ys, and Soeken after the whale / running the whale' t Harpen Harpoen Zynde, or sieves on the Spanish Kruywagen / Harpaining the whale, or injecting 't harpoon / whale is under the ys , the lyn is accumulated, and soaked where he comes up again; The Greenlandish fishery, or whale catch. Four representations of one plate. V.l.n.r. : Whaling hunt in the Ice Sea, in the foreground some polar bears; Running the hatched whale, the line is held from sloops; Harpaining the whale from sloops in the ice cream; The hatched whale dives under the ice, the line is felled. Copy to prints that are part of a series with shades of whaling and yacht in the ice cream.

Fishermen with their rowboat at the Spaarne near Haarlem. Draughtsman: Allaert van Everdingen. Dating: 1648 - before 1652. Measurements: h 113 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam.

Port face.

Cutter. Handcoloured copperplate engraving after Christiane Henriette Dorothea Westermayr from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1792.

River mouth with fish auction on the beach, draughtsman: Tako Hajo Jelgersma, 1773, paper, pen, brush, h 168 mm × w 255 mm

Company at the table, Ludolf Bakhuysen, 1702 drawing Preliminary study for the painting in the Rijksmuseum, which bears the title: the Bakhuizen and the Hooghe families at the Mosselsteiger on the IJ in Amsterdam. paper. ink. graphite (mineral) pen / brush pier, quay, wharf. (family) meal. parents with their children IJ

Bruegel, Pieter (I), Sailing ships, Sailing ship on rough waves, verso - stamped, A sailing ship on rough waves. In the foreground a sea monster., print, prints, height 237 mm, width 314 mm, print maker, printmaker, 1600 - 1625, paper, papier, engraving, engraving (printing process), Work conception, Southern Netherlands, 1525 - 1569-09-05

Northern Netherlands, verso - stamped, Sports print of the patriots fleeing the city of Gorinchem at the arrival of the Prussian troops, September 17, 1787. On the right the Prussians are firing at the city, on the left the patriots are fleeing the city to waiting boats. The white flag is flying on the church tower. Paper with an impression of the bottom of the plate and the satirical text with legend 1-6 cut off and added separately., print, prent, prints, Frederik Muller Historieplaten, height 154 mm, width 258 mm, height 67 mm, width 260 mm, print maker, printmaker, 1787 - 1787, paper, papier, etching, etchings, engraving, engraving (printing process), letterpress printing

Print made by Edward Radclyffe, 1809-1863, British, Calais Pier, after 1832. Etching on medium, cream, smoothe wove paper.

View of some boats on the water and a drawbridge, Pieter Idserts, 1708 - 1781, View of some boats on the water; on the left a drawbridge. Design for a fan., draughtsman: Pieter Idserts, 1708 - 1781, paper, brush, h 303 mm × w 540 mm

Companion at the table. Preliminary study for the painting in the Rijksmuseum, which bears the title: the Bakhuizen and Hooghe families on the mussel scaffolding on the IJ in Amsterdam.

Illustration for 'The Labor of Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672 print View of a city on a river ('St. Gille'); Two men perform measurements at the walls. Among them a few officers at a map of a fortress, fort or reinforcement. In the corner at the top left the number 75 (= the number of the page in the book on the other hand the illustration has been placed). Amsterdam paper etching / engraving fortifications, military engineering. mathematics. prospect of city, town panorama, silhouette of city. river. officer

Dutch Landscape with Windmills 17th century After Jan Brueghel the Elder Netherlandish. Dutch Landscape with Windmills 335119

Bartholomew Howlett, 1767-1827, British, A South East View of London, Before 1666, 1818. Engraving.

Edward Duncan, 1803-1882, British, Whampoa, in China. Colored aquatint.

Jacopo de' Barbari's 1497-1500 woodcut shows Venice from a high perspective, including canals, bridges, buildings, and city streets.

View of Trieste, 1776-1782, Italy 18th Century. Engraving.

View of Negombo Fort; The Fortje Nigombo Soo as' t Sig exhibits on the side of the river: 1753. View of the Fort of Negombo, in the foreground a river with two native ships.

Northern Netherlands, Four plates about the landing and reception of William III in England in 1688, SKH Landing tot Exmouth Bay, 15 Nov. 1688, Landing of the prince in Exmouth Bay, 1688, Prince William III and his army go ashore at the village of Brixham. The local population walks into the water to greet him, 15 November 1688., print, prent, prints, prenten, Frederik Muller Historieplaten, height 165 mm, width 216 mm, print maker, prentmaker, 1688 - 1689, fourth quarter 17th century, paper, papier, etching, etchings

In the evening twilight, ships sail and figures walk through the surf of the sea. Evening Twilight at Sea , print maker: M. Weber, (mentioned on object), Hendrik Willem Mesdag, (mentioned on object), Netherlands, 1850 - 1899, paper, h 329 mm × w 504 mm

Venne, Adriaen Pietersz. van de, Amsterdam, Serwouters, Pieter, Woman with a calf in a rowing boat, A woman is rowing in a boat with a calf in it. A richly dressed man and woman are watching from the side. In an ornamental border decoration., print, prints, height 132 mm, width 135 mm, Northern Netherlands, 1586-10-28 - 1657-09-26, print maker, printmaker, 1625 - 1633, paper, papier, engraving, engraving (printing process), letterpress printing, Work conception, 1589 - 1662-11-12

View of the harbor in Malta, Georg Balthasar Probst, 1742 - 1801 print Ships and boats sail on the water. In the foreground there are groups of figures with goods on the waterfront. Numbered at the top right: 114. Numbered in the bottom left: 30. publisher: Augsburgprint maker: Germany paper. cardboard. watercolor (paint) etching / brush sea (seascape) (+ landscape with figures, staffage). harbour. rowing-boat, canoe, etc.. sailing-ship, sailing-boat Malta

View on the Orwell, David Lucas, engraver, 1831, mezzotint, David Lucas (1802-81) was an English mezzotint engraver, best known for his association with John Constable. He became a pupil of Samuel William Reynolds after a chance encounter in 1820. He moved to London as an apprentice, and had produced his own work by 1827.

Home of European Ambassadors in Tientsin. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Nowolecki, Aleksander (1826-1884), merchant employer, Walkiewicz, Władysław (1833-1900), graphic artist

Four Boats. Artist: attributed to Michelangelo Cerquozzi (Michelangelo delle Battaglie) (Italian, Rome 1602-1660 Rome). Dimensions: 7 9/16 x 10 5/8in. (19.2 x 27cm). Date: 1602-60. Museum: Metropolitan Museum of Art, New York, USA.

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