Historic Ships at Sea

A collection of prints showcasing various ships, including a three-master and smaller vessels, depicted on turbulent waters. Figures ashore add to the narrative.

Seascape in strong wind with two figures in the foreground, one of them carrying a heavily loaded basket. On the shore are several baskets and an anchor. On the left at the edge of the water a dry boat, and at sea a number of side boats, seascape in strong wind., print maker: Hendrik Kobell, (mentioned on object), Rotterdam, 1778, paper, etching, h 174 mm × w 251 mm

On the Medway, Print made by Miles Edmund Cotman, 1810-1858, British, after John Sell Cotman, 1782-1842, British, ca. 1838, Etching on thin, slightly textured, cream wove paper, Sheet: 5 x 7 1/8 inches (12.7 x 18.1 cm) and Image: 3 11/16 x 5 13/16 inches (9.3 x 14.8 cm), beach, beacon, coast, figures, flags, island, marine art, masts, river, sailboats, sails, seamen, ships, shore (landform), England, Kent, Medway, Sheppey, United Kingdom

Engraving depicting two ships on the high seas from the Book of Ezekiel. The illustration is set within an ornate frame.

A Calm, Print made by John Boydell, 1720-1804, British, after Charles Brooking, 1723-1759, British, Published by John Boydell, 1720-1804, British, 1754, Etching and line engraving, hand colored with watercolor on moderately thick, moderately textured, cream laid paper, Sheet: 15 5/16 x 21 1/8 inches (38.9 x 53.6 cm), Plate: 11 3/8 x 16 5/8 inches (28.9 x 42.2 cm), and Image: 10 3/8 x 15 13/16 inches (26.4 x 40.1 cm), barrels (containers), boats, cannons (artillery), clouds, dock, galleons, labor, marine art, men, peace, rowboats, sailboats, sails, sea, seamen, ships, smoke, yachts

Burning off the warship Kenmerland, 1778, Simon Fokke, 1778 print The burning of the warship Kenmerland, 25 August 1778, probably in Amsterdam. The fire is attempted from the scaffolding. Northern Netherlands paper etching / engraving on fire, ablaze. ships (in general) (+ propulsion of vehicle, ship, etc. by wind)

Photo production of the painting 'The Kanonschot' by Willem van de Velde (II); Musée d'Amsterdam. Willem van de Velde La Jeune. - Le Coup de Canon .. Part of leporello album with photo productions from paintings from the Rijksmuseum.

Address card of Wijnand Otto Jan Nieuwenkamp, Wijnand Otto Jan Nieuwenkamp, 1903 print A three -master who leaves a port. On the pennant on the highest mast is 'De Zwerver', the name of the residential and studio boat that Nieuwenkamp designed and built. paper etching sailing-ship, sailing-boat

Picart, Bernard, Noordelijke Nederlanden, Het verdronken van Johan Willem Friso, Prins van Oranje en Nassau &c. in t'overvaaren vande Moerdyk den 14e July, 1711, Drowning of Prince Johan Willem Friso, Northern Netherlands, Johan Willem Friso, Prince of Orange-Nassau, drowns while crossing the Moerdijk during heavy weather on 14 July 1711. The boats on which the prince's carriage is standing capsize and several people fall into the water., print, engraving, historical print, prints, engravings, Frederik Muller Historical plates, height 268 mm, width 335 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1729 - 1730, paper, papier, etching, etchings, intermediary draughtsman

Two Frigate. Claude Lorrain; French, 1600-1682. Date: 1641-1682. Dimensions: 319 × 224 mm. Pen and iron gall ink, and brush and brown wash, with graphite, on buff laid paper, laid down on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Yacht Receiving Salute, c. 1700. Willem van de Velde (Dutch, c. 1611-1693). Pen and brown ink over graphite; sheet: 16.9 x 29 cm (6 5/8 x 11 7/16 in.).

Sailboat in distress by Simon de Vlieger, drawn with brown ink, gray washes, and graphite pencil, showing two brownish spots above and dirt in several areas.

Face from the sea on the Fort Rammekens in Zeeland; Script from the Rammekes castle in Zeeland.

The Samuel Enderby, 1835, by William Huggins, Charles Rosenberg. Gift of Horace Fildes, 1937.

Study of two fishing boats with figures, Willem van de Velde (II) (attributed to), 1652 drawing paper. watercolor (paint). ink. chalk pen / brush commercial fishery

The Resolution beating through the Ice with the Discovery in the most eminent danger in the distance. Capt Cook's last Voyage. bookplate artwork from Views in the South Seas / from drawings by John Webber, circa 1790s

$Dijk fracture on Texel, 1775, Simon Fokke, After Hendrik Kobell, 1776 print View of the dike fracture on Texel in stormy weather. High waves hit the dike on which figures try to save skippers. At the foot of the dike, a group of figures is busy strengthening the seawall. Amsterdam paper etching Dike-Break Texel$

The Cyclops Polyphemus tosses rocks at the fleeing Odysseus and his crew Schützenberger, Louis-Frédéric (1825-1903).. 1887. still image. Art reproductions. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Homer. Odyssey, Seas, Giants, Throwing, Boulders, Odysseus (Greek mythology), Cyclopes (Greek mythology), Sailboats , Greek , To 499, Galleys (Ships) , Greece , To 499

An etching by Adolf van der Laan depicting sea pieces with sailing ships, showing maritime landscapes and ships navigating the water, created between 1717 and 1775.

Arrival of Prince Willem Frederik on the beach of Scheveningen, November 30, 1813. Draughtsman: anonymous. Dating: 1813. Place: Netherlands. Measurements: h 573 mm × w 770 mm. Museum: Rijksmuseum, Amsterdam.

Shipping Scene from the Collection of Philip Hollingworth. Dated: 1720s. Dimensions: plate: 33.4 x 40 cm (13 1/8 x 15 3/4 in.) sheet: 39 x 45.7 cm (15 3/8 x 18 in.). Medium: mezzotint and etching printed in green and black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Elisha Kirkall after Willem van de Velde the Elder.

Twelve Illustrations of Robinson Crusoe, Carington Bowles, 1724-1793, British, 1783, beach, cargo, dog (animal), literary theme, raft, shipwreck, tropics

Antwerp, Ratinckx, Henry, Belgium, Huard, Louis, Nineteen plates of the fighting in Antwerp, 26-27 October 1830, Vue des Ruines de l'Entrepôt d'Anvers, Ruins of the entrepot, 1830, verso - stamped, Ruins of the entrepot in Antwerp after the bombardment of 27 October 1830. With three-line caption. Part of a series of nineteen plates of the fighting in Antwerp, 26-27 October 1830., print, prints, Frederik Muller Historieplaten, height 274 mm, width 372 mm, - 1842, print maker, printmaker, 1830 - 1831, paper, papier, lithografie (techniek), Belgisch, printer, drukker

Repairs on a ship, seen from the side, Anonymous, 1700 - 1800 drawing paper. ink pen / brush repairing, caulking, careening (~ ship)

W. R. Smith, active 1819-1851, Tynemouth, Northumberland, 1831. Etching and line engraving, 3rd state on moderately thick, slightly textured, cream, wove paper.

An ordinary ship travelling between Douvre and Calais (Naviere ordinaire qui passe de Douvre a Calais), ship in the sea at center, other boats to left and right, a ship to left in the background, from 'Views of seaports' (Vues de ports de mar). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 3 3/8 x 5 3/8 in. (8.6 x 13.6 cm). Series/Portfolio: 'Views of seaports' (Vues de ports de mar). Date: 1647. Museum: Metropolitan Museum of Art, New York, USA.

Earthquake in Lisbon, 1755, Reinier Vinkeles (I), 1755 - 1812 print On November 1, 1755, Lisbon is hit by a major earthquake, a fire and a tsunami. A few boats in the foreground. In the background Lisbon where brewed collapses and fire is raging. Amsterdam paper etching / engraving earthquake. on fire, ablaze. rowing-boat, canoe, etc. Lisbon

Rowing boat with figures at a two -master, 1830 - 1860 In the background a ship and the contours of a mountain landscape. Page 18 recto from a sketchbook with 46 sheets. paper. pencil In the background a ship and the contours of a mountain landscape. Page 18 recto from a sketchbook with 46 sheets. paper. pencil

Cote deDouvres. Artist: Jean-Baptiste Isabey, French, 1767-1855

Gezicht op kasteel Rotterdam te Makassar. Gezigt van het kasteel Rotterdam met het dorp Vlaardingen op Oedjong Pandang tot Maccassar van de nieuwe Sabandhary tot aan de hoek van Pannakoekang te zien van de Vrymans rheede. (title on object). Draughtsman: anonymous. Dating: c. 1750. Measurements: h 406 mm × w 625 mm. Museum: Rijksmuseum, Amsterdam.

Plate showing nautical signals of correspondence. Engraving from Denis Diderot, Jean Baptiste Le Rond d'Alembert, L'Encyclopedie, 1751-1757. Entitled Marine (Sailing)

The Wreck of the Nuestra Senora de los Remedios, Print made by John Boydell, 1720-1804, British, after Charles Brooking, 1723-1759, British, Published by John Boydell, 1720-1804, British, 1753, Etching and line engraving on moderately thick, moderately textured, cream laid paper, Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm), Plate: 13 3/8 x 18 5/8 inches (33.9 x 47.3 cm), and Image: 11 5/16 x 17 13/16 inches (28.7 x 45.2 cm), cliffs, clouds, damage, dark, destruction, flags, lightning, marine art, meteorology, night, privateers, Royal Navy, science, sea, seamen, ships, shipwrecks, storm, waves (natural events), wind, Beachy Head, East Sussex, England, Europe, United Kingdom

Port De Cette, Les Tartanes 1892 Rysselberghe, Theo van(1862-1926 Belgian) Oil On Canvas Christie's Images, London, England

Ships on a windy river, on the left in the foreground a gentleman and lady with dog, on the right a fisherman with basket, Ships on a windy river, draughtsman: Nicolaes Aartman, 1723 - 1760, watercolor (paint), brush, h 70 mm × w 96 mm

An English Man of War, Starboard Quarter View: Possibly the Victory, Willem van de Velde the Younger, 1633-1707, Dutch, active in Britain (from 1672), ca. 1675, Pen and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper, pasted on contemporary mount made of thick, moderately textured, beige laid paper, Mount: 17 1/8 x 25 13/16 inches (43.5 x 65.6 cm), Contemporary drawn border: 13 1/8 x 21 13/16 inches (33.3 x 55.4 cm), and Sheet: 12 3/16 x 20 13/16 inches (30.9 x 52.9 cm), architectural subject, man-of-war, marine art, relief, sculpture, ship

Portrait of Prince Frederik.

John William Casilear, San Remo, 1888 San Remo

Line engraving of the Turkish Captain Pasha's Gallery. Dated 1670

Auswanderer-Dampfer. Dated: 1893. Medium: watercolor. Museum: National Gallery of Art, Washington DC. Author: Fritz Stoltenberg.

Perrys Victory on Lake Erie. Artist: Benjamin Tanner, American, 1775-1848 After: John James Barralet, American, born Ireland, ca. 1747-1815

Charles Dyce, active 1848, British, View of Malta, ca. 1849. Watercolor and graphite on medium, slighlty textured, cream wove paper.

Seascape. Draughtsman: Pieter Idserts (possibly). Dating: 1708 - 1781. Measurements: h 146 mm × w 177 mm. Museum: Rijksmuseum, Amsterdam.

Seascape, Pieter Idserts (possibly), 1708 - 1781, draughtsman: Pieter Idserts, (possibly), 1708 - 1781, paper, brush, h 146 mm × w 177 mm

La nacelle du ballon dirigeable de Dupuy de Lôme, pendant l'expérience du 2 février 1872. L'aérostat dirigeable de M. Dupuy de Lome. , La nacelle. , Dessin de M. Rickebusch.. La Vaulx, Henry de, 1870-1930. Manuscripts, Portraits, Drawings, Prints. 1922. Science, Industry and Business Library: General Collection. Airships, Dupuy de Lome, M. (Stanislas Charles Henri Laurent),

Susquehannah, between 1860 and 1865, drawing on cream paper pencil, 10.3 x 18.1 cm. (sheet), 1862-1865, by Alfred R Waud, 1828-1891, an american artist famous for his American Civil War sketches, America, US

Storm at sea with shipwreck and sinking ship, James Watson (print maker), after Willem van de Velde (II), 1758 - 1790 print paper shipwreck. storm at sea. rock-formations. rowing-boat, canoe, etc.

Shipping Scene from the Collection of Philip Hollingworth. Dated: 1720s. Dimensions: image: 33.4 x 40.2 cm (13 1/8 x 15 13/16 in.) sheet: 35.9 x 44 cm (14 1/8 x 17 5/16 in.). Medium: mezzotint and etching printed in green and black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Elisha Kirkall after Willem van de Velde the Elder.

Return of the Fleet. Dated: 1918. Dimensions: image (irregular): 24.77 × 36.51 cm (9 3/4 × 14 3/8 in.) sheet: 33.02 × 47.94 cm (13 × 18 7/8 in.). Medium: lithograph in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Childe Hassam.

Portsmouth, George Rowney & Co., 1792-1870, British, after Joseph Mallord William Turner, 1775-1851, British, c.1894, Chromolithograph, Sheet: 8 x 4 1/2in. (20.3 x 11.4cm)

Shifting Catharina van Braganza in Lisbon, Dirk Stoop, 1662 print Catharina van Braganza steps from a gallery in a ship in front of her story to England, where she will marry Karel II. She is accompanied by her brothers King Alfons VI and Peter. There are small and large English ships in the harbor. On the left the Royal Palace and the city of Lisbon. At the bottom of the margin a legend with numbers that refer to people and ships in the show. Print is part of a series about the journey of Catharina from Braganza from Portugal to London, where she married Karel II of England, in 1662. England paper etching / engraving sailing-ship, sailing-boat. departure ~ travelling. city-view in general; 'veduta' Lisbon

Painting by Escudo de Cristobal Colon, depicting the Coat of Arms of Christopher Columbus, as seen at the 15th-century Franciscan Monasterio de Santa María de la Rábida, Palos de la Frontera, the Huelva Provence of Andalucia and Southern Spain, the site where Christopher Columbus planned and departed from the Old World to the New World in August 3 of 1492

Mirror fight on the IJ in honor of the Russian Tsarina, 1716, 1780 - 1782 print Mirror fight held on the IJ; Probably in 1716 or 1717 in honor of the visit of the Russian Tsarina (Catharina I) or in honor of the second visit of Tsar Peter the Great in 1717. Netherlands paper etching festivities on events of national importance IJ

Calais Pier, John Cousen, 1804-1880, British, after Joseph Mallord William Turner, 1775-1851, British, 1859-1879, Steel engraving, proof

Historia de Argentina. Siglo XIX. Llegada de la fragata La Argentina a las islas Sandwich en su vuelta al mundo, 17 agosto 1818. Author: FORTUNY FRANCISCO.

Panorama with Messina when approaching Scilla, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. chalk. watercolor (paint) brush / pen

View of the Haven in Vlaardingen, Georg Balthasar Probst, After Mathias de Sallieth, after Dirk de Jong, 1742 - 1801 print Ships and boats sail in the foreground. There are two windmills and a church in the background. Augsburg paper. watercolor (paint) etching / brush harbour. rowing-boat, canoe, etc.. sailing-ship, sailing-boat. church (exterior). windmill Vlaardingen

Le Crotoy from the Mouth of the Somme, Newton Limbird Smith Fielding, 1799-1856, British, after Richard Parkes Bonington, 1802-1828, British, Published by Sauniée, 1790-1840, French, 1825, Aquatint on Moderately thin, lightly textured, white wove paper laid to card, Mount: 16 1/2 x 19 inches (41.9 x 48.3 cm), Sheet: 11 1/2 x 14 1/2in. (29.2 x 36.8cm), and Image: 8 1/2 x 11 1/2 inches (21.6 x 29.2 cm), Crotoy, le

Etching by Jean-Augustin Patour showing the surroundings of La Rochelle after 1746, depicting landscape features, buildings, and terrain in detailed composition.

Dartmouth, Devon, William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1814-1826, Line engraving and etching, engraver's proof, touched on moderately thick, slightly textured, cream, wove paper, Sheet: 11 × 14 1/16 inches (27.9 × 35.7 cm), Plate: 9 1/16 × 12 inches (23 × 30.5 cm), and Image: 5 13/16 × 8 1/2 inches (14.8 × 21.6 cm)

This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841, Henry Papprill, 1816-d.after 1883, American, after Capt. R. B. Crawford, active 1841-1844, 1842, Aquatint on thick, smooth, cream, wove paper, Sheet: 12 3/4 × 22 13/16 inches (32.4 × 57.9 cm) and Image: 9 9/16 × 22 1/8 inches (24.3 × 56.2 cm)

Ozanne, Pierre, Le Gouaz, Yves Marie, Coiny, Joseph, Ornaments of the prow of different vessels, Ornaments of the prow of a vessel with 50 canons, Prow and figurehead of a sailing ship with 50 guns, verso - stamped, This print is part of an album., print, album sheet, ornamental print, prints, height 226 mm, width 320 mm, 1795 - 1829-08-21, print maker, printmaker, 1799 - 1800, paper, papier, etching, etchings, engraving, engraving (printing process), 1742 - 1816-01-12, French, 1737-12-03 - 1813, intermediary draughtsman

Bussantaur.

The Idle Prentice Turned Away and Sent to Sea William Hogarth (British, 1697-1764). The Idle Prentice Turned Away and Sent to Sea, 1747. Engraving on laid paper, 10 3/8 x 13 5/8 in. (26.3 x 34.6 cm). European Art 1747

Rotterdam, Groenewoud Jansz, Johannes, Meijer, Christoffel, Langendijk, Dirk, Netherlands, Bemme, Joannes, The Departure of Prince William the Fifth, from Holland to England on the 17th of January 1795, Departure of Prince William V, 1795, verso - stamped, The departure of Prince William V from the beach of Scheveningen to England, January 18, 1795. The stadtholder is standing on the beach at the little finger. On the left are fishermen and two horsemen, on the right luggage is being loaded. The print has a separate explanation., print, prints, Frederik Muller Historieplaten, height 590 mm, width 778 mm, Noord-Nederlands, 1775-09-05 - 1841-09-15, print maker, printmaker, 1795 - 1795, paper, papier, stippelets, 1748-03-08 - 1805-12-15, intermediary draughtsman, after a drawing by, 1776 - 1813-09-02, Publication (Event), Publicatie, publisher

View of Oostvoorne / View of a fire beacon, Joost van Geel, in or after 1666 print View of the west side of the Maas with the city of Oostvoorne and a stone fire beacon in the background. The show is numbered 3. Below that view on the west side of the Maas with a wooden fire beacon in the background. The show is numbered 4. Rotterdam paper etching / engraving city-view in general; 'veduta'. river. beacon Oostvoorne. Mesh

Achterzijden van schepen; Vue de la Poupe d'un Vaisseai de Premier Rand. Vue de la Poupe de la Gerlere-Réale; Marine.A stern of a ship, ornamented with seed beads and (semi) figures. Below it is a stern from the ship La Réale (1694) with roofs on the side and ornamented with two angels with trumpets. Right above pl. III numbered.

Print made by Paul Fourdrinier, French, A Sea Engagement between the English and Algerines, ca. 1743. Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper.

Second View of the Surroundings of Bayonne ca. 1750-85 After Joseph Vernet. Second View of the Surroundings of Bayonne. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1750-85. Engraving. Jean Jacques Le Veau (French, Rouen 1729-1786 Paris). Prints

'Mandarin throwing himself with the infant emperor into the sea', 13th century, (1847). Artist: Armstrong

VAPORES DE RUEDA ESPANOLES-1875 PUERTO DE VALENCIA - ACUARELA SIGLO XIX. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

These are to Certify that Providence Marine Society. Artist: T. Young, American, 1837-1913 After: William Hamlin, American, 1772-1869

Thomas Goff Lupton, 1791-1873, British, Catwater, Plymouth, 1826-1828. Engraver's proof (1854).

Amsterdam, Fokke Simonsz., Arend, Fokke, Simon, Illustrations of Dutch history, The explosion of the Dutch warship Alphen off Curacao, September 15, 1778, verso - stamped, Illustration from Dutch history. Sinking ship shrouded in clouds of smoke during the explosion of the gunpowder. Around the ship lie a number of drowned people in the sea, in the distance a view of the coast of Curacao., print, book illustration, prints, height 101 mm, width 115 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1778 - 1780, paper, papier, etching, etchings, Publication (Event), Publicatie, 1755-07-03 - 1812-11-15, publisher

Netherlands, The bombardment of the city of Antwerp, under the command of His Highness Lieutenant General Baron DH Chassé on 27 October 1830, Bombardment of Antwerp, 1830, verso - stamped, Bombardment of Antwerp by Dutch warships under the command of Baron Chassé, on 27 October 1830. On the Scheldt the three frigates: the Gier, Comeet and Euridice and some smaller boats. Another copy of this print has a smaller print with the key to the representation, with the names of the ships and most important buildings., print, prints, Frederik Muller Historieplaten, height 289 mm, width 385 mm, print maker, printmaker, 1830 - 1831, paper, papier, lithografie (techniek)

Etching by Ludolf Bakhuizen showing a sailboat navigating stormy seas near an island with a tower, dated 1701-1720.

'Bridport off L'Orient', c1796. Artist: Robert Dodd.

Storm in the port of Enkhuizen; A turbulent water; Le Port d'Enkhuyzen. The water clocks high against the pier where figures are working. Nearby a sailboat lies far to the left on the waves. Numbered top left: Pantheon pl. XLIII.

Kobell, Noord-Nederland, Jong, Dirk de, Le Matin, View of a harbour, verso lower left - stamped, View of a harbour with various ships. In the foreground a rowing boat. In the margin a caption in French., print, prints, height 141 mm, width 193 mm, Dutch, print maker, printmaker, 1779 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman

Brussels, Burggraaff, Schelfhout, Andreas, Southern Netherlands, Boens, Alexandre Joseph, Scheveningen in the storm, of 4 February 1825, Storm at Scheveningen, 1825, verso - stamped, The beach of Scheveningen during the heavy storm of 4 February 1825. Inhabitants of the village have gone to the beach. Part of a group of illustrations from a commemorative book of the flood of 1825., print, prints, Frederik Muller Historieplaten, height 206 mm, width 257 mm, Belgian, 1793 - 1838, print maker, printmaker, 1825 - 1826, paper, papier, lithography (technique), Dutch, 1787-02-16 - 1870-04-19, intermediary draughtsman, after a drawing by, printer, drukker

The Mew Stone. Entrance of Plymouth Sound, William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1815, Etching and engraving on thick, moderately textured, cream, wove paper, with chine collé, Sheet: 11 × 16 5/16 inches (27.9 × 41.4 cm), Plate: 8 15/16 × 11 15/16 inches (22.7 × 30.3 cm), Chine collé: 8 7/8 × 11 3/4 inches (22.5 × 29.8 cm), and Image: 6 1/4 × 9 7/16 inches (15.9 × 24 cm)

England,London,Docklands,Canary Wharf,Museum of Docklands,Illustration of Prisoner in 18th century Gibbet Cage

Southwest View of the City of New York in North America late 18th century After Pierre Charles Canot French A view of New York looking south in 1763. From the New York Magazine, copied after the Canot-Howdell view.. Southwest View of the City of New York in North America. After Pierre Charles Canot (French, Paris 1710-1777 Kentish Town, London (active England)). late 18th century. Etching. Prints

Carving of a fishing for Sharks from a book Tours France

The Idle 'Prentice turned away and sent to Sea plate 5. 1747. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Half Moon Ascending the Hudson, Illustration, Ridpath's History of the World, Volume III, by John Clark Ridpath, LL. D., Merrill & Baker Publishers, New York, 1897

Entre les Deux mon Coeur Balance. How Happy I Could Be With Either, James Tissot (Nantes, France, 1836 - 1902) 1877

Natives of the Admiralty Islands fishing and sailing, Papua New Guinea. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Charles Hamilton Smith, 1776-1859, Belgian, The Erebus Passing Through the Chain of Icebergs, undated. Watercolor and graphite on moderately thick, moderately textured, cream wove paper.

A Party of Pleasure George Cruikshank (British, 1792-1878). , 1822. Etching, hand-colored on wove paper, 10 1/4 x 14 15/16 in. (26.1 x 37.9 cm). European Art 1822

DINNER held by OCEANIC STEAMSHIP CO. - VENTURA at EN ROUTE (SS). Buttolph, Frank, 1850-1924. Menus. 1901. Rare Book Division

Ship on fire. Iconographic Enclyclopaedia of science, Literature and Art. 19th century. Author: HENRY WINKLES. Johan George Heck.

GALERAS DEL SIGLO XVII. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

The Campus Plate. Dated: c. 1936. Dimensions: overall: 20.3 x 25.4 cm (8 x 10 in.) Original IAD Object: 10 1/8" in diameter. Medium: black and white photograph. Museum: National Gallery of Art, Washington DC. Author: Helmut Hiatt.

Watercolor by an anonymous artist depicting a boat filled with vegetables, shown in a landscape or harbor scene.

Netherlands, 's-Hertogenbosch, Lutkie & Cranenburg, For young seamen, s Hertogenbosch, verso - stamped, Sheet with 10 representations of ships. A caption below each image. Numbered top right: 85., print, prent, volksprent, prints, prenten, volksprenten, height 396 mm, width 294 mm, Publication (Event), Publicatie, Nederlands, publisher, uitgever, 1848 - 1881, paper, papier, houtcut, kleuren, letterpress printing, boekdruk, print maker, prentmaker

Krämer Carl (1857-1896), pavilion and pulpit to baptize a German warship. Monthly competition November 1887 (11,1887): Riss side view; Scale bar. Pencil watercolored on paper, 43.8 x 58.1 cm (including scan edges) Krämer Carl (1857-1896): Pavillon und Kanzel zur Taufe eines deutschen Kriegsschiffes. Monatskonkurrenz November 1887

Puck Magazine: They Saw Their ""Flying Dutchman"", Puck Magazine

Difficult entrance, Modern Art in Master Woodcuts, yearbook from 1900

An engraving depicting the Bell Rock Lighthouse, located off the coast of Angus, Scotland, designed by Robert Stevenson. Robert Stevenson (1772-1850) a Scottish civil engineer and famed designer and builder of lighthouses. Dated 19th century

Launching of the Griffin. July 1679. Dated: 1847/1848. Dimensions: overall: 37.8 x 56.2 cm (14 7/8 x 22 1/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: George Catlin.

Greek Fire-Ships, Illustration from the Book, Historical Cabinet, L.H. Young Publisher, New Haven, 1834

c.1779 color drawing, canoe with masked paddlers, mountains and palms background, John Webber

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