Historic Soldiers and Scenes

Etchings depict soldiers on horseback, biblical scenes, animals, and mythical mermaids, showcasing a range of historical and fantastical themes.

Mermaid and falling fish, Walter Rauch, 1958 print On the right is a mermaid with a pot on her head. She puts her hand on the seal sitting next to her. In front of her is a fish that holds a sword with one of his fins. At the top drives a fish that falls apart into three pieces. paper etching merman - AA - mermaid, siren. fishes

No gas, Erkelens, 1944 print An interior with a pile of pans on a coal stove. Above the stove there is clothing hanging on a washing line. There are three vases and a clock on the mantelpiece. Left in the background a bed. paper etching interior of the house. heating stove

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (n.1855-08-02-D.1922-01-18), Le Chat (inkwell) (main title), 1915. Gypsography, drawing in brown. Petit Palais, Museum of Fine Arts of the City of Paris.

St. Joris and De Dragon, c. 1525 print paper engraving the warrior martyr George (Georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword

Covered with a black ribbon; Mehoffer, Józef (1869-1946); 1905-1907 (1905-00-00-1907-00-00);Young Poland (Styl), Partage Plus, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance), Polish graphics, Spanish (culture), women, Poland ( culture), dancers, dance

Dialectics, 1544 print Personification of logic (dialectics). A naked woman with scale (balance) and roll paper in hands, sitting, to the left. paper engraving The Liberal Arts, liberal arts. 'Dialectica' (~ trivium); 'Dialettica' (Ripa). scales

Samples of four embroidered fabrics and clothing elements from the collection of minutes Institut, Liegnitz; Belitski, Ludwig (1830-1902); 1854- (1854-00-00-1854-00-00);Legnica (Dolnośląskie Voivodeship), minutes of Institut (Legnica), embroidery, artistic crafts, fabrics

Untitled. Jackson Pollock; American, 1912-1956. Date: 1944-1945. Dimensions: 300 x 226 mm (plate/image); 506 x 342 mm (sheet). Engraving and drypoint, printed in brown black, on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Girl at the Window. Edvard Munch; Norwegian, 1863-1944. Date: 1894. Dimensions: 217 x 157 mm (plate); 481 x 345 mm (sheet). Drypoint, with roulette and burnishing, on cream wove paper. Origin: Norway. Museum: The Chicago Art Institute, Chicago, USA.

Terms and naked male figures; Paintings in Palazzo Farnese in Rome; Galeria Nel Palazzo Farnese in Roma. A medallion with a performance. Around the medallion sculptures of naked figures and putti.

Misfortune; Beham, Hans Sebald (1500-1550); 16th century (1500-00-00-1600-00-00);

126. Feston and vignettes made of roses, crucifix, compartments and medallion. State state plan Hamburg, collection of the history of photography

Etching by Wenzel Hollar from 1621 depicting Tabor playing cards, showing figures, gestures, and gaming activity.

Birth of John Henry Fred Becker American Published by WPA 1935-40

Copper engraving and etching by Pierre Perret depicting a fountain, created in 1581, illustrating architectural design, water feature, and 16th-century artistic composition.

Bosgevicht, T. Sterrenburg, in Or Before 1937 print Netherlands paper etching / drypoint forest, wood

Abandoned Emplacement near Vis-en-Artois, from War. Otto Dix (German, 1891-1969); published by Verlag Karl Nierendorf/Galerie Nierendorf (German). Date: 1924. Dimensions: 197 x 262 mm (plate); 475 x 353 mm (sheet). Aquatint and drypoint on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Ride to the Hounds, Mont-Gérard Published 1908 France. Wood engraving in black on cream laid Japanese paper . Louis Auguste Lepère

W.Krzysztof; Skoczylas, W Adys Aw (1883-1934); 1915 (1915-00-00-1915-00-00);

The Small Workshop of Mechanics. Jacques Gaston Duchamp Villon; French, 1875-1963. Date: 1914. Dimensions: 156 × 196 mm (plate); 244 × 321 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Valse Glorie, Odilon Redon, 1886 print Bust of a man with a laurel wreath, a second head in the top left. France paper etching / drypoint crowning with laurel. classical history (+ (full) bust)

Copper engraving and etching by Albert Reindel around 1818 depicting Ariadne asleep, a classical mythological figure.

View of the fountain on the market square of Hildesheim, G.A. Müller, after Georg Osterwald, 1839 print This print is part of a cover with three prints. paper steel engraving market. ornamental fountain (in village) Egidiuskerk

Voor Pelléas in Mélisande poster, Maurice Denis, 1893 print. poster Paris paper poster. tragedy. adolescent, young woman, maiden

Reading man in a library, Fr. Van Groeningen, 1850 - 1910 print paper etching reading. study; 'studiolo'; library

Le malheur d'Henriette Gérard , Alphonse Legros (1837-1911)

Flowers Fall and the Head of a Python Appears, plate 5 of 24. Odilon Redon; French, 1840-1916. Date: 1896. Dimensions: 259 × 198 mm (image); 263 × 199 mm (chine); 450 × 346 mm (sheet). Lithograph in black on cream China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Head of a old man, Eduard Augustyns, 1888 print paper engraving old man

The Monk In The Cornfield, Dominique Vivant Denon (Baron), After Rembrandt van Rijn, 1819 print paper etching man and woman cohabiting. monk(s), friar(s)

La Trinité. Bisson Frères (French, active 1840 - 1864)

Landscape with Bridge and Child. Auguste Brouet (French, 1872-1941). Etching; sheet: 27.5 x 22.6 cm (10 13/16 x 8 7/8 in.); platemark: 21.3 x 15.7 cm (8 3/8 x 6 3/16 in.).

Glory and Praise to You, Satan, in the Heights of Heaven, Where You Reigned, and in the Depths of Hell, Where, Vanquished, You Dream in Silence!, plate 8 of 9. Odilon Redon; French, 1840-1916. Date: 1890. Dimensions: 210 × 211 mm (plate); 447 × 314 mm (sheet). Photogravure made from an original drawing, in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Narrow alley , Karl Wiener -, artist

Captive Pegasus. Odilon Redon; French, 1840-1916. Date: 1889. Dimensions: 340 × 297 mm (image/chine); 602 × 438 mm (sheet). Lithograph in black on cream China paper laid down on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

LElement de lEau: Devise pour la Valeur. Artist: Sébastien Le Clerc the Younger, French, 1637-1714

Slangenaureool, Odilon Redon, 1890 print A pregnant woman standing on a wooden pole. Around her turns a blow, his tail like aureool above her head. She is a kind of antichrist. On the right is an oil lamp. print maker: Franceprinter: Paris . Antichrist. snakes

88. Vignettes made of roses, shield, bottle, pallet, palm tree and mallows. State state plan Hamburg, collection of the history of photography

GIPS fashion models for sculptures on the Palais du Louvre: left "La Musique" by Elias Robert and right "Les Beaux-Arts" by Henri-Charles Maniglier, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Edmond Morin (1824-1882). "Hamon". Bois, 1874. Museum of Fine Arts of the city of Paris, Petit Palais. Wooden engraving, French painter, portrait

Province de Chouchter. Bas-relief de Tchicafli-Salmoun dans la plaine de Mal-Amir.. Flandin, Eugène, 1809-1876. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Photo production of a drawing of a face on the Gletschergarten in Luzern, Anonymous, 1860 - 1900 photograph This photo is part of an album. photographic support albumen print garden. sculpture Lucerne

A Picador is Unhorsed and Falls under the Bull, plate 26 from The Art of Bullfighting. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1813-1816. Dimensions: 203 x 310 mm (image); 245 x 353 mm (plate); 322 x 446 mm (sheet). Etching, burnished aquatint and drypoint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, USA.

Photo production of an engraving by A Castaway, to the painting by Sir George Harvey, Thomas Annan, after Robert Graves, after George Harvey (SIR), c. 1865 - in or before c. 1870 photograph photographic support albumen print raft (+ one person ~ traffic and transport). dog

Devise pour La Terre: LaBonte. Artist: Sébastien Le Clerc the Younger, French, 1637-1714

Print, Plate 11 from Cahier d ornements et frises dessinés (Book of Ornaments and Friezes) , 1777; Designed by Henri Salembier (French, 1753 - 1820); Engraved by Jacques Juillet (French, 1739 - 1784); engraving on paper

Manfred et Astarté (3e planche) , Fictitious characters, Schumann, Robert, 1810-1856. Manfred. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Überfahren; Kollwitz, Käthe (1867-1945), Felsing, Kupferdrucarei (Darmstadt, Munich, Berlin; Publishing House, Printing House; 1797-1965); 1910 (1910-00-00-1910-00-00);Partage Plus, Sachs, Carl (1858-1943), Sachs, Carl (1858-1943) - collections, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, children, funeral conductors, mothers with children, modernism (style ), funerals, despair, death, mourning

Ref, The life of the poor is Bittrer than the rich death, Newspaper deliverer from the series The life of the poor is bitter than the rich death, Austrian State Printing, Publishing House, Hermine Heller-Easteretzer -, Artist

Design for a Stage Set at the Opéra, Paris 1828-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358949

Waldesstille; Burkhardt, A. (fl. Ca 1880-1918); 1900 (1900-00-00-1900-00-00);

Homage, plate six from A Glove Made 1881 Germany. Etching on ivory chine collÈ on off-white wove paper . Max Klinger

Man Rolling Artist's working dates 1858-1874 Spain. Etching on paper . Mariano Fortuny y Marsal

Sculptures of a Dancing Faun, a Neapolitan Improvisatore, Homer, and Thucydides ca. 1859 Attributed to Philip Henry Delamotte British. Sculptures of a Dancing Faun, a Neapolitan Improvisatore, Homer, and Thucydides 285799

GIPS models for sculptures on the Palais du Louvre: left "La Guerre" by Augustin Alexandre Dumont and on the right "La Paix" by Antoine Etex, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Boog of the Church Sint -Maria van de Latin, Jerusalem, Auguste Salzmann, 1854 - 1856 Jeruzalemprinter: Lillepublisher: Paris paper. cardboard salted paper print Sint-Maria van de Latin Jeruzalemprinter: Lillepublisher: Paris paper. cardboard salted paper print Sint-Maria van de Latin

Battle 1865 France. Etching on white wove paper . Odilon Redon

Etching 'A Love (Opus X): Happiness' by Max Klinger from 1903, depicting a figurative composition illustrating human emotions.

WAPERFEE, Etienne Claude VOYSARD, after Pierre Ranson, 1778 print A weapon trophy with flags, guns, a banner and an anchor. Paris paper etching 'tropaion', i.e. decorative ornament ~ weapons

Étude de tête , Alphonse Legros (1837-1911)

The Living Wreck, plate five from Protuberences and Cardiaques. Kurt Seligmann; American, born Switzerland, 1900-1962. Date: 1933. Dimensions: 246 x 199 mm (plate); 494 x 378 mm (sheet). Etching and aquatint on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Pre-bed of Alexander, Prince of the Netherlands, 1884. Pre-bed of Alexander, died in The Hague on 21 June 1884. His body is covered with flowers.

Burning the Roman images after the departure of the French army from Utrecht, 1673. Burning on the town hall bridge of the Roman Catholic images and other ecclesiastical objects from the churches removed after the departure of the French army from Utrecht on November 23, 1673 .

Chained, plate eleven from A Life. Max Klinger (German, 1857-1920); printed by Otto Felsing (German, 19th century). Date: 1883-1884. Dimensions: 337 x 236 mm (image); 367 x 259 mm (plate); 358 x 249 mm (primary support); 788 x 575 mm (secondary support, approx.). Aquatint and etching on ivory China paper, laid down on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Want to play on organ; Wojtkiewicz, Witold (1879-1909); 1903 (1903-00-00-1903-00-00);Machnicka, Janina (1879-1966), Machnicka, Janina (1879-1966)-collection, young Poland (style), partage plus, wooden construction, children, music, rural landscapes, Poland (culture), Polish drawings, symbolism (style ), purchase (provenance)

La rentrée du marché. Wittmann Ch. & Chardon Ch., Editions (Paryż ; wydawnictwo, drukarnia ; fl. ca 1889-ca 1907), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Gazette des Beaux-Arts (Paryż ; czasopismo, wydawnictwo ; 1859-2002), publishing house, Lobre, Maurice (1862-1951), painter

School Grete Bieberbach in development, Unknown

Design by Hans Sebald Beham. Édouard Baldus (French, born Germany, 1813 - 1889)

Mélisande looks at her in the water, Richard Nicolaüs Roland Holst, 1892 print Mélisande is kneeling at a source. She stares at her ring, which has left two circles on the water surface. On either side of the source is a horned head with an oak leaf as a nose. paper ring. spring, source of river or stream. foliated head ~ ornament

Backstreets. Cieślewski, Tadeusz (1895-1944), graphic artist

The angel of certainties on the horizon and in the dark sky an interviewing look, Odilon Redon, 1882 print A sea with a bust of an angel on the horizon. A light sphere with an eye in the sky. Fourth of six prints from the album "A Edgar Poe". print maker: Franceprint maker: Parispublisher: Paris . Certainty. eyes

Henry Somm. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1898. Dimensions: 171 × 109 mm (image/plate); 371 × 230 mm (sheet). Drypoint from a zinc plate in black on cream wove Japanese paper. Origin: France. Museum: The Chicago Art Institute, USA.

Rectangular ceiling with bustes and puts, anonymous, after Nicolas Pineau, 1725 - 1735 print Design for a rectangular ceiling with cartouches with female busts and playing putti in the corners. paper etching (decorated) ceiling. chest, bust - AA - female human figure. cupids: 'amores', 'amoretti', 'putti'

Keying up - The courtjester. Artist: Unknown After: William Merritt Chase, American, 1849-1916

Fighting the dragon; Skoczylas, W Adys Aw (1883-1934); 1916 (1916-00-00-1916-00-00);

Head of a woman, Lodewijk Schelfhout, 1913 print Netherlands paper drypoint head (human) - AA - female human figure

GIPS models for sculptures on the Palais du Louvre: left "La Pêche" by Hippolyte Ferrat and on the right "La Moisson" by Georges Jacquot, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 1. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Micro uptake of the fibers in painting canvas, anonymous, c. 1890 - in or before 1900 photomechanical print paper collotype tools, implements of painter

Presentation with three putti in gilded wooden frame, prepared during the exhibition Rétrospective of 1873 in Tours, France, Gabriel Blaise, 1873 photomechanical print Tours paper picture, painting. temporary exhibition, 'Salon' Tours

Vincenc Beneš: Nábřeží. Olej.. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia

Artist: Sébastien Le Clerc the Younger, French, 1637-1714, Devise pour La Terre: LaBonte, ca.1668, Engraving, platemark: 19.2 × 15.6 cm (7 9/16 × 6 1/8 in.), French, 17thcentury, Works on Paper -Prints

Maurice Denis, The Knight Did Not Die in the Crusade, 1898, color lithograph on wove paper.

Contribution Receipt of the Special American Hospital in Paris for Wounds of the Face and Jaw. Artist: Auguste Rodin (French, Paris 1840-1917 Meudon). Dimensions: plate: 6 3/4 x 4 3/16 in. (17.2 x 10.7 cm)sheet: 12 3/16 x 9 1/16 in. (31 x 23 cm). Date: 1916. Museum: Metropolitan Museum of Art, New York, USA.

Light Bulb, plate two from 1st Etchings. Jasper Johns (American, born 1930); printed by Donn Steward (American, 1921-1986); bound by Carolyn Horton; published by Universal Limited Art Editions (American, founded 1955). Date: 1967-1968. Dimensions: 169 x 225 mm (image/plate, upper); 88 x 113 mm (image, lower); 100 x 124 mm (plate, lower); 663 x 514 mm (primary support); 710 x 561 mm (secondary support); 710 x 1126 mm (open folio); 710 x 565 x 35 mm (closed portfolio). Etching and photoengraving from two plates in black on gray wove paper, tipped onto portfolio page of ivory Japanese paper, laid down on four-ply board, and bound in accordion format. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Luitenant-kolonel, anonymous, after Hendrick Goltzius, after Jacques de Gheyn (II), 1587 - 1596 print A man in military offspring (a lieutenant colonel), a sword on his belt and a stick weapon (partizan) in his right hand. In the background a hilly landscape in which a city is besieged. In the lower margin a two -line Latin text. Reconstructed from two fragments. Northern Netherlands paper engraving officer

Portrait bust of Anna Poulowna, Henricus Wilhelmus Couwenberg, after Louis Royer, c. 1839 - c. 1840 print Amsterdam paper engraving piece of sculpture, reproduction of a piece of sculpture

East Indian cherry in a stone pot, Arnout Rentinck, 1722 - 1775 print Amsterdam paper flowers: nasturtium

Perseus in Andromeda, 1622 drawing Zwolle paper. ink. watercolor (paint). chalk brush

Bliżej Kultury Photographic Union Munich, Böcklin, Arnold (1827 1901)

Loose fragments of a print of Acis and Galatea, Jacques de Gheyn (II), After Cornelis Cornelisz. van Haarlem, 1587 - 1591 print Fragments of the pan -flute polyphemus in the background. Amsterdam paper engraving Acis wooing Galatea. triumph of Galatea, Polyphemus playing the syrinx

The Buddha. Odilon Redon; French, 1840-1916. Date: 1895. Dimensions: 315 × 250 mm (image); 330 × 261 mm (stone); 441 × 348 mm (sheet). Lithograph in black on cream China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Kade van de his, Mommie Schwarz, 1909 - 1910 print Paris paper trees. bridge in city across river, canal, etc.. horse Paris. His

1911. text. 1911 - 1913. General Research Division. Art , Poland

Cover design for: Program of the Concertgebouw Amsterdam, Richard Nicolaüs Roland Holst, 1921 print On the left a saat, presumably Marsyas, with a pan flute in the midst of grapes. On the right a figure with a citer, presumably apollo. paper Satyr(s) (in general). (Story of) Marsyas. Panpipes. Bunch of Grapes. dulcimer, zither. Apollo playing the lyre, apollo citaroedus

Ingang Van de Superiore room in De Engelenburch tea, Giovanni Battista Piranesi, c. 1756 - c. 1757 print View of the Stanza Superiore entrance in the Engelenburcht in Rome. In the background a guard with three large piles of cannonballs. Title and explanatory list of letters in STUDMARGE. Rome paper etching mausoleum Engelenburcht. Rome

Ceaselessly by my side the demon stirs, plate 7 from Charles Baudelaire's Flowers of Evil. Odilon Redon; French, 1840-1916. Date: 1890. Dimensions: 256 × 207 mm (plate); 447 × 315 mm (sheet). Photogravure made from an original drawing (Evely process), in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Die Schuldbewusste. Artist: Ernst Barlach (German, Wedel 1870-1938 Rostock). Dimensions: image: 9 3/8 x 12 7/8 inches (23.8 x 32.7 cm). Date: 1912. Museum: Metropolitan Museum of Art, New York, USA.

Topographic map, Jean Zacherie Mazel, 1819 print paper maps of separate countries or regions

Portraits of Willem II, King of the Netherlands, Willem III, King of the Netherlands, Alexander I, Prince of the Netherlands, and Hendrik, Prins der Nederlanden. .

Somm, Henry (n.1844-D.1907-03-15), promenade in the park with symphonic margins (main title), 1890. Steering water and dry point on waterproofed paper: Ch.Wittmann printing. Petit Palais, Museum of Fine Arts of the City of Paris.

XIX straw, Anonymous, 1900 photograph Plate from Précis Historique. France paper. ink collotype

Bust of Jonkheer Victor De Stuers; Recordings of staff, exterior and interior, 1920. Photo from an album offered to head director B.W.F. Van Riemsdijk on August 30, 1920.

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