Historic Textile Fragments

A collection of textile fragments from various centuries, featuring intricate patterns and colors, including 15th century Italian and 13th century woven silk with diverse motifs.

Fragmenten veloutébehang, anonymous, c. 1700 - c. 1715 Fragments Velouté Wallpaper that shows a pattern of bronze-green Louis XIV motifs, volutes, acanthus, flower and leaf work on a gilded stock. Northern Netherlands (possibly)Netherlands (possibly) linen (material). wool Fragments Velouté Wallpaper that shows a pattern of bronze-green Louis XIV motifs, volutes, acanthus, flower and leaf work on a gilded stock. Northern Netherlands (possibly)Netherlands (possibly) linen (material). wool

Fragment 15th-16th century Italian, Venice or Damascan. Fragment 230619

Panel (Italy); linen, silk

Fragment from a Mantle or aHanging. Artist: Unknown

Mountain Terrace and Pavilion, 960-1279. China, Song dynasty (960-1279). Album leaf, ink on silk; diameter: 24.6 cm (9 11/16 in.).

Lithographic Limestone Solnhofen, Bavaria, Germany Date:

Panel. Switzerland. Date: 1401-1500. Dimensions: 97.8 x 56.2 cm (38 1/2 x 22 1/8 in.). Linen, plain weave; embroidered with silk and linen in Roumanian and stem stitches; laid work and couching. Origin: Switzerland. Museum: The Chicago Art Institute, Chicago, USA.

Fresco Fragment. Unknown

Deraisme. Pierre -Georges (n.1859 - D.1932), Pheasant box (main title), 1910. Graphite, inks on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Interior of the Cappella Gentilizia, Villa Simonetta, Milan, Lombardy, Italy. Detail.

Bird Plaque, 1766-1122 BCE, 5 1/4 x 1 7/8 x 1/8 in. (13.34 x 4.76 x 0.32 cm), Calcified ivory jade with traces of red pigment, China, 18th-12th century BCE

Erotic scenes with Krishna and Radha, Anonymous, 1700 - 1800 Indian miniature. drawing In the middle a scene in which Krishna operates with Radha De Love; On the right Krishna as a warrior who shoots a lotus arrow, on the left a series of scripts and left an incomplete love scene. The piece of palm leaf is included in a blue passepartout so that the front and back are visible. Orissa palm leaf (material) brush

Netherlands, Professions, verso - stamped, Sheet with 36 representations of all kinds of different professions and crafts. In gold on brown paper., endpaper, print, decorated paper, decorated paper (object name), prints, Frederik Muller Historieplaten, height 350 mm, width 440 mm, maker, manufacturer, 1750 - 1850, paper, papier, gold (metal), goud, color print, woodcut

Wall Painting Fragments of the Thousand Buddhas (Qianfo). Central Asia, Khotan region, Early or middle Tang dynasty, about 618-800. Paintings. Paint on gesso over straw-filled clay

Fragment malowidła ściennego - dolna część postaci Chrystusa i krzyż. unknown, painter

Textile Fragment with Inscription ca. 934-40 This textile fragment of uneven shape is decorated with tapestry-woven inscriptions and floral patterns on an undyed linen ground. An Arabic inscription in kufic script that includes the name of the caliph, Al-Radi (r. 934-40), runs across the piece at the center with a mirror image of the same inscription directly below it. This fragment is likely from the same textile as fragment 29.179.5b. They were either produced in private workshops or in workshops belonging to the caliph where fabrics were woven exclusively as gifts or for the royal household and members of the court.. Textile Fragment with Inscription 448289

Long Shawl, 19th century, L.143 x W.58-½ in., wool, cotton, India, 19th century

Fragmentary Mosaic Floor with Bear Hunt. Unknown

Yusuf III (1374-1417). 13th Nasrid Nasrid ruler or the Moorish Emirate of Granada, Al-Andalus. Sepulchral stele. La Rauda cementery, Alhambra. Alhambra Museum. Granada. Andalusia. Spain.

Roman era. Mural painting. Scroll. Detail. Imperial Era. Rome. Italy.

Illustrated Papyrus Illustrated Papyrus, 4th-3rd century B.C.E. Papyrus, pigment, ink, 37.1647Ea1: 13 9/16 × 6 9/16 in. (34.5 × 16.6 cm). Because papyrus was a costly material, it was normally reserved for important documents such as administrative records and funerary literature. For the same reason, talented artists usually drew the illustrations. This crudely drawn parade of important Egyptian deities is therefore quite surprising. Egyptian, Classical, Ancient Near Eastern Art 4th-3rd century B.C.E.

Hommage de l'Amerique a la France (America paying homage to France), Oberkampf & Cie., (Jouy-en-Josas, France, 1759-1815), Medium: cotton Technique: printed by engraved plate on plain weave foundation, American Indians before the (uncrowned) figure of France. In blue on white. Surrounded by boats, trees, and fences., Jouy, France, ca. 1783, printed, dyed & painted textiles, Textile, Textile

Textile, Brocade 15th century Italian. Textile, Brocade 463227

Sketchbook with 27 magazines, George Hendrik Breitner, 1881 - 1883 Sketchbook consisting of 27 magazines with figure studies, horses and cityscapes. The Hague paper. boekband: marbled paper. rug: linen (material). watercolor (paint). chalk. pencil adult man. adult woman. child. horse. street (+ city(-scape) with figures, staffage)

Drawing for relief of herdsman and goat 656-610 B.C. Late Period, Saite See 23.3.468.. Drawing for relief of herdsman and goat. 656-610 B.C.. Limestone, pigment. Late Period, Saite. From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Nespekashuty (TT 312, MMA 509), MMA excavations, 1922-23. Dynasty 26

Piece 17th century Japan. Piece 71076

Border tile, painted with blue, dog, border tile wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted

Relief from casket Roman Relief from a casket with Eros walking to the left.. Relief from casket. Roman. Ivory

Architectural Panel. Unknown

Fragment. Egypt. Date: 969 AD-1171. Dimensions: 7.3 × 12.5 cm (5 × 2 7/8 in.). Linen and silk, tapestry weave. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA. Author: Islamic.

Fragment, Medium: cotton, wool Technique: slit tapestry, Geometrical designs in tan and red. Motifs are outlined in contrasting shades., Peru, 1100, woven textiles, Fragment

A photograph taken of Tomb WV23, in the Valley of the Kings, was the final resting place of Pharaoh Ay of the 18th Dynasty. Discovered by Giovanni Battista Belzoni in the winter of 1816, its structure is similar to that of the tomb of Akhenaten, with a straight undecorated, descending corridor, leading to a "well chamber" that has no shaft. The passage leads to the burial chamber, which currently contains the reconstructed sarcophagus. Ay was the penultimate Pharaoh of Ancient Egypt's 18th dynasty. He held the throne of Egypt for a brief four-year period (probably 1323-1319 BC or 1327-1323 BC

Kölner Meister's wooden stick drawing from 1531 depicts an oriental rider in historical attire on horseback.

Maillot, Théodore Pierre Nicolas (n.1826-07-30-D.1888-06), Ceiling decoration study (main title). Black stone, white enhancement on paper put on the tile glued to cardboard paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Daguerreotype Plate with Etched Drawing of a Male Figure. Jacob Byerly (American, 1807 - 1883)

Fragment Made 1000-1476 Peru. .

Fragment. Rimac; Peru, Probably central coast. Date: 1000-1476. Dimensions: 54.6 x 17.2 cm (21 1/2 x 6 3/4 in.). Cotton, slit tapestry weave with eccentric wefts. Origin: Peru. Museum: The Chicago Art Institute, Chicago, USA.

Glass cameo fragment of a large platter or tabletop 1st half of 1st century A.D. Roman Translucent deep purple with opaque white overlay.Everted, rounded rim, with slightly downturned outer lip; shallow convex side; flat bottom with slightly upturned and rounded outer edge.On interior, two raised lines as molding around side, retaining in places traces of white overlay; on exterior, recessed horizontal lines below rim and at edge of side and bottom. Decoration carved in white overlay, comprising a crab, a squid, and two bivalve molluscs, with incised details, such as the naturalistic patterning of the shells and the tenticles of the squid.Rim fragment, broken into a dozen pieces and repaired; many pinprick bubbles; dulling, deep pitting, brilliant iridescence, and patches of brown enamel-like weatheringOver a background of deep purple (representing Homer's "wine-dark sea"), a layer of opaque white glass have been added and then carved to represent various sea creatures. The fragment is

Sketchbook with 13 magazines, George Hendrik Breitner, 1886 - 1923 Sketchbook consisting of 13 magazines with faces in Amsterdam and figure studies. Amsterdam paper. boekband: marbled paper. boekband: cardboard. rug: linen (material). chalk. pencil street. adult man. adult woman Dam. new church

Drawing, Textile Design: Vesuv (Vesuvius); Designed by Felice Rix-Ueno (Austrian, 1893-1967, active Japan 1935-1967); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 11.4 × 4.4 cm (4 1/2 × 1 3/4 in.) Mat: 31.8 × 45.7 cm (12 1/2 in. × 18 in.)

Tissue Fragment with orbiculus and clavus, Anonymous, c. 300 - c. 499

Crewel Embroidery. Dated: c. 1937. Dimensions: overall: 39.2 x 57 cm (15 7/16 x 22 7/16 in.) Original IAD Object: 14 1/2" high; 21 3/4" long. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Betty Fuerst.

ESPACIO SUGERENTE - 1965 - MATERIA FERRICA - 100X 75 CM. Author: SORIA SALVADOR. Location: BANCO EXTERIOR. Valencia. SPAIN.

Het Rattenchip, 1500 - 1599 Wood block for the woodcut 'children who has made this oyt more / that rats started the kryg with cats' (the rat ship). Netherlands wood (plant material) animals acting as human beings. political caricatures and satires. rodents: rat. cat. battle

Sidewall, Block-printed on machine made paper, Vignettes of country pursuits, printed in tones of brown and white on tan background., possibly USA, 1835-45, Wallcoverings, Sidewall

Ink Cake, 1736-95. China, Qing Dynasty (1644-1911), Qianlong reign (1736-95). Ink cake; overall: 7.8 x 3.9 cm (3 1/16 x 1 9/16 in.).

Fragment with a Figure Holding a Flask 12th-13th century. Fragment with a Figure Holding a Flask 452706

Fragment Made 969 CE-1171 Egypt. Linen and silk, tapestry weave . Islamic

DESENGANYS DE L`APOCALIPSIS GLORIA. Author: JOAN JOLIS. MAGÍ CASES.

Joined Fragments. Dimensions: Rug: L. 29 1/2 in. (74.9 cm) W. 26 3/4 in. (67.9 cm)Mount: L. 41 in. (104.1 cm) W. 43 3/8 in. (110.2 cm) D. 1 1/2 in. (3.8 cm). Date: late 15th-16th century. Museum: Metropolitan Museum of Art, New York, USA.

Tile field, two tiles, yellow reddish brown, carved decor, ornamental design, tiled field wall tile tile sculpture ceramics pottery, baked 2x glazed painted

Fragment of a Carpet with Geometric Design. Dimensions: H. 12 in. (30.5 cm)W. 9 1/2 in. (24.1 cm)Mount: H. 16 1/2 in. (41.9 cm)W. 17 in. (43.2 cm). Date: 14th century. Museum: Metropolitan Museum of Art, New York, USA.

Limestone dyade of man and wife. Eighteenth Dynasty, about 1350 BC. The elaborate coiffure and pleated costumes worn by the unnamed man and his wife indicate a date in the later part of the Eighteenth Dynasty for this fine dyad. The lack of inscription suggests the pieve was unfinished.

Head of a Goddess ca. 1550-1504 B.C. New Kingdom This goddess, whose features are remarkably reminiscent of images of Amenhotep I, second king of Dynasty 18, is probably Seshat, a deity in charge of writing and record keeping. In temples, the goddess is frequently depicted documenting a king's official names or recording the amount of booty he has brought home from a military campaign. Most importantly, she invariably joins the king in the ceremony of "stretching the cord," a ritual performed at the foundation of temples and other important buildings. This latter occupation made Seshat a protector of builders and architects. We do not know in which of these functions the goddess was depicted in this relief.. Head of a Goddess. ca. 1550-1504 B.C.. Limestone, paint. New Kingdom. From Egypt. Dynasty 18

Napkin with David and Bathsheba ca. 1590-1600 Dutch. Napkin with David and Bathsheba 237062

Sidewall - fragment, Block-printed on joined sheets, Stripes of alternating predominantly black & white amoeba shapes with scalloped dots, fragmentary stripe of vertical series of tiny leafy sprigs., 1820-50, Wallcoverings, Sidewall - fragment

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo0. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Throne barrier: building cut. Charles Rohault de Fleury (1801-75). National Atlas of the City of Paris. Throne barrier: building cut. Feather and black ink, pink lavis on layer paper. Early nineteenth century.

Creation of Adam, by Andrea da Pontedera known as Andrea Pisano, 1334 - 1336, 14th Century, marble, painted ground. Italy: Tuscany: Florence: Opera di Santa Maria del Fiore Museum. Detail. Marble trees branches leaves Eden heaven

Fragment of hearth plate with Justitia, Anonymous, 1600 - 1700 Left part of a cast iron fireplace. Justitia is central, recognizable by the scales and the sword in her hands. A few domes can be seen in the background. The fireplace is closed with a column on both sides. The top is closed with a three -pass motif with an angel head and rank motifs. Fully on top, three buttons have been applied. The bottom edge of the fireplace is damaged and is torn from the top of the left column, via the left side of the Justitia robe, to the lower edge, so that the fireplace plate consists of two parts. The right hand of Justitia with the sword and the left column is therefore on a different fragment than the other motifs. Germany iron (metal) casting Left part of a cast iron fireplace. Justitia is central, recognizable by the scales and the sword in her hands. A few domes can be seen in the background. The fireplace is closed with a column on both sides. The top is closed with a three -pass motif wi

Josep Maria Riera i Aragó / "Aral, avión y submarino" (Aral, plane and submarine), Sculpture (Bas-relief in copper).

relieve, periodo Emirato de Cordoba - Almohade, siglos IX - XIII, Museu Municipal de Ciutadella,. Bastió de sa Font, Ciutadella, Menorca,balearic islands, Spain.

Panel 6th-7th century. Panel 448966

ARTE GOTICO. ESPAÑA. AZULEJOS cordobeses del siglo XIV procedentes del Hospital de San Bartolome. Museo de Córdoba. Andalucía.

Fresco Fragment. Unknown 1st century A.D.

Album with performances of the works of Odysseus, Theodoor van Thulden, After Nicolò Dell'abate, After Francesco Primaticcio, 1633 Album with 62 performances on 62 album blades. The album contains the series entitled: Les Traveaux d'Ulyysse, 1633. These are performances of the works of Odysseus, engraved on the murals in the Royal Palace of Fontainebleau. Show 39 from the series is twice in this album. Half leash band with marble plates, in the front and in the back a bract. Paris band: leather. paper letterpress printing / etching / engraving Album with 62 performances on 62 album blades. The album contains the series entitled: Les Traveaux d'Ulyysse, 1633. These are performances of the works of Odysseus, engraved on the murals in the Royal Palace of Fontainebleau. Show 39 from the series is twice in this album. Half leash band with marble plates, in the front and in the back a bract. Paris band: leather. paper letterpress printing / etching / engraving

Marble plate with footprints. Ex-votos to oriental goddesses. Archaeological Museum of Seville. Andalusia. Spain.

Fragment of a fresco in the Oratory of St Peter, Campione d'Italia, Lombardy. Italy, 14th century.

Pintura mural con la representación del Viaje de los Reyes Magos (fragmento de la Natividad). Segunda mitad del siglo VIII-primera mitad del siglo X. Vestíbulo norte. Catedral de Faras, Sudán. Galería Faras. Museo Nacional. Varsovia. Polonia.

Ornament with Pelikaan, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing tracing paper. pencil ornament derived from animal forms

Clothing fragment from the wreck of the East Indians' t Vliegend Hart, Anonymous, 1730 - 1735 Piece of textile, signed. Check in set for description. Middelburg silk embroidering

Ancient Native American rock art.

Wall Painting with Female Figure. Dimensions: H. 9 1/2 in. (24.1 cm)W. 10 1/4 in. (26 cm)mount:H. 11 in. (27.9 cm)W. 10 5/16 (26.2 cm). Date: 9th-10th century.Along with several other intriguing fragments, this piece of wall painting was discovered in the drain in one of the houses of the Sabz Pushan neighborhood. All of the discarded fragments bore images of people or demon-like figures, but in their broken state, it was difficult to determine what kind of scene they originally composed. Wall paintings are fragile and rarely survive, but evidence from sites throughout Iran and Central Asia demonstrate their popularity in the medieval period. The varied examples of wall painting found at Nishapur--such as a hunting scene with male and female heads from the bathhouse at Qanat Tepe, the dados with scrolls terminating in human hands from Tepe Madrasa, and a mounted hunter a standing figure to his left found at the Vineyard Tepe--are therefore extremely important to the study of this

Tiraz Fragment 10th century. Tiraz Fragment 448610

Fresco Fragment. Unknown

19th century recreation of the Dendera zodiac a widely known Egyptian bas-relief from the ceiling of the pronaos (or portico) of a chapel dedicated to Osiris in the Hathor temple at Dendera, containing images of Taurus (the bull) and the Libra (the scales). This chapel was begun in the late Ptolemaic period

Gimp 18th century Italian. Gimp 213742

REVERSO DE UN CUADRO. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Meeting of the Thing (Iceland's Democratic Parliament) in AD1000. Artist: Unknown.

AZULEJO SEVILLANO DE CUERDA SECA CON EL ESCUDO DE ARMAS DE LA CORONA DE ARAGON Y DOS SICILIAS - SIGLO XV. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION. MADRID. SPAIN.

Panel, c. 1788, Pierre Dubern et Cie, French, 37 3/4 x 17 1/4 in. (95.89 x 43.82 cm) (irregular), Cotton; copperplate or roller-print, France, 18th century

Jug. Dated: c. 1936. Dimensions: overall: 22.4 x 29 cm (8 13/16 x 11 7/16 in.) Original IAD Object: 15 1/4" High 8 1/2" Dia(base). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Yolande Delasser.

Napkin with the promised land and the creation of the copper snake, anonymous, c. 1630 Linnamast napkin with the promised land and the creation of the copper snake. Midfield: The symmetrically doubled pattern shows two scenes from bottom to top, separated by rolling work: 1 The discovery of the promised land, Canaan. In a built -up hilly landscape, Joseph and Caleb are, on a security, bearing the large grapes from Eskol and in the other hand a basket with fruits. Caption: Numeri 13. 2 The creation of the copper snake. In the field with a tent in the distance, a Tau cross has been established, why a snake is injured. At the top are Moses and Aaron; At the bottom is a woman with three children, plagued by the fiery snakes of God. Caption: Numeri Cap.21. Standing edges: symmetrically doubled wavy tifles with birds and flowers; Outside of that: blocking edge. Zoom: Double open zoom. Northern Netherlands linen (material) damask Linnamast napkin with the promised land and the creation of the

CHE NANI - 1991 - 132X196 CM. Author: MIQUEL BARCELO.

EPLUCHER 2 - 1997 - 148x251 - MIXTA/LIENZO. Author: MIQUEL BARCELO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

The tribute of the ships of Tyre and Sidon, and the capture of Khazazu.. Birch, Samuel (1813-1885). Photographs, Illustrations. 1880 - 1902. General Research Division. Gates , Assyria, Bas-reliefs , Assyria, Shalmaneser III, King of Assyria, active 9th century B.C. , Palaces

Lazio Roma Albano Laziale Museo Civico Archeologico60. Hutzel, Max 1960-1990 Post-medieval: Architecture, exterior (neoclassical); wall panels and painted ceiling Antiquities: Roman inscriptions, relief, sculpture, sarcophagi, brickstamps on bi-pedale fragments, cippi Object Notes: Bibliographic material housed in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Roman mosaics, 1st century BC, in the Roman Villa of Torre Llauder or Can Llauder, Mataró, Barcelona, Catalonia, Spain.

Two panels with a lady who makes her toilet and three ladies who opt for. Draughtsman: anonymous. Dating: 1700 - 1800. Place: Orissa. Measurements: h 115 mm × w 310 mm; h 39 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

Case (Inrō) with Design of Dragons among Clouds 18th-19th century Japan. Case (Inrō) with Design of Dragons among Clouds 58597

Untitled, 1880s, maker unknown.

The White Obelisk of Ashurnasirpal I, found at the ancient Assyrian settlement of Nineveh, northern Iraq. Excavated by the British archaeologist Hormuzd Rassam in 1853 The White Obelisk is made from white limestone with engraved decoration in relief on all sides, showing campaigns and recreational activities. 1050 BC

MOSAICO ROMANO-DETALLE DEL DIBUJO. Location: EXTERIOR. Ampurias. GERONA. SPAIN.

Narrative Picture Scroll about Love Romance of Courtier and Girl at Sumiyoshi. Date/Period: Kamakura period, 13th century. Painting. Color on paper. Height: 303 mm (11.92 in); Width: 3,041 mm (119.72 in). Author: UNKNOWN ARTIST.

stela, . Museo de los Concilios y la Cultura Visigoda, Iglesia de San Román,Toledo, Castilla-La Mancha, Spain.

'Untitled'. Collection of Georges Matcheret and Nadiya Volkonskaya. 1996. Dimensions: 192x155 mm. Museum: State Hermitage, St. Petersburg. Author: Nonna Goryunova.

Royal cartridge of Queen Hatshepsut. Eighteenth dynasty. New Empire. Yemple of Hatshepsut. Deir el-Bahari. Egypt.

Surviving bronze bands of the Balawat Gates (858-824 BC) from the palace of Shalmaneser III, Iraq. Bronze strips embossed with scenes of Shalmaneser's campaigns. First depictions trees and mountains in Assyrian art. Currently at the British Museum, London.

Plaquette awarded to Bart van Hove at the International World Exhibition in Brussels, 1910, 1910 Bronze rectangular plaque. Front: Sitting woman on a rock with a harp in her left hand and an oil lamp lifted in her right hand. To the right of her a person with raised arms. Circling smoke from the bottom left; surface of thistle -like leaves. Inside bow. With inscription and signature. Reverse: inscription with two laurel branches on either side. Belgium bronze (metal) striking (metalworking) Brussels

Love scene of Krishna and Radha in the forest, Anonymous, 1800 - 1900 Indian miniature. drawing On the unregulatory piece of cardboard, a scene of Krishna and Radha that goes on the left is painted in a frame of red and yellow piping and embracing each other in the middle; To the left of the framework lines you can still see a paper text. Irregular piece of cardboard with punch hole left and ending on the left in a narrower point. Orissa cardboard brush

Gold leaf from shabti of Neferseneb Middle Kingdom ca. 1850-1640 B.C. View more. Gold leaf from shabti of Neferseneb. ca. 1850-1640 B.C.. Gold leaf. Middle Kingdom. From Egypt, Memphite Region, Lisht North, Tomb of Nakht (493), south cemetery, Pit 456-457, MMA excavations, 1913-14. Dynasty 12, late-early 13

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