Historical Allegories and Narratives

A collection of prints depicting historical and allegorical scenes, showcasing vivid narratives of war, peace, and moral lessons through detailed figures and emotions.

Mr Suddenly the cord on the right in the left and cut off Borucie two fingers (illustration for the song "Boruta"); from: "Tygodnik Ilustrowany" 1862, No. 130 (March 22), p. 117; Kossak, Juliusz (1824-1899), Styfi, Jan (1839-1921), Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1862 (1845-00-00-1870-00-00);

Station House Lodgers Published 1874 United States. Wood engraving on paper . Winslow Homer

Department maid entertains itself in a pub, 1796 print The dissolute maid entertains himself in a pub or brothel with drinks and men. A fight takes place in the background. A night watchman and his entourage come in. On the wall in the background is a painting with a copy to Caracci's painting from a Sater that scoops a nymph. On the chimney a statue of a naked woman with saber and freedom hat with the inscription on the pedestal: 'Libertas'. The print is part of an album. paper etching maid ~ house personnel. Good and Bad Behaviour, Moral Qualities. chastity versus sensuality. pursuit of a woman, prowling. drunken brawl (usually peasants fighting in an inn). Good and Bad Behaviour, Moral Qualities (opposing concepts). proverbs, sayings, etc.

Rijn, Rembrandt van, Christ driving the money changers from the temple, with the landscape from the raising of Lazarus in the background (B. 72), forgery, verso lower left, print, prints, Rembrandt f. 1635, lower right, height 137 mm, width 169 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1635 - 1635, second quarter 17th century, paper, ink, etching, etchings, plate tone, pen, brush, Work conception, after own design by

Station-House Lodgers - From a Drawing by Winslow Homer (Harper's Weekly, Vol. XVIII). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 9 1/8 x 13 1/2 in. (23.2 x 34.3 cm)sheet: 10 11/16 x 15 7/8 in. (27.2 x 40.4 cm). Publisher: Harper's Weekly (American, 1857-1916). Date: February 7, 1874. Museum: Metropolitan Museum of Art, New York, USA.

BERRUGUETE, Pedro (1450-1504). Saint Dominic de Guzman Presiding over an Auto-da-fe. ca. 1490. Oil on wood. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum. Proc: SPAIN. CASTILE AND LEON. Avila. Royal Monastery of St. Thomas.

Paul is bitten by a viper in Malta.

The Leopards' Cage at the Menagerie. Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: 11 5/16 x 5 11/16 in. (28.8 x 14.5 cm). Date: mid-18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

after Winslow Homer, Seesaw - Gloucester, Massachusetts, published 1874, wood engraving

Marcus Valerius Corvinus defeats a Gaul, Moses ter Borch, c. 1662 - before 1667, draughtsman: Moses ter Borch, Zwolle, c. 1662 - before 1667, paper, brush, h 302 mm × w 214 mm

The Captain's Share, La Part du Capitaine, Photogravure Print from the Original Painting by Charles Edward de Beaumont, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

A Prince. Marius Alexander Jacques Bauer (Dutch, 1867-1932). Etching;

Huguenots torturing 30 Catholics in Angouleme, France. Pairs of imprisoned famished catholics turn cannibal, others are pulled naked on a rope, and others burnt slowly at the stake. Tortures infligees aux catholiques par les huguenots dans le midi de la France. Copperplate from Theatrum crudelitatum nostri temporis, Anvers, 1587. Woodcut by Etienne Huyot and Jules Huyot from Paul Lacroixs La Vie Militaire et Religieuse au Moyen Age et a lEpoque de la Renaissance, Military and Religious Life in the Middle Ages and the Renaissance, Paris, 1873.

Lazio Roma Rome S. Maria Antiqua5. Hutzel, Max 1960-1990 Medieval: 8th century fresco cycle of counter-iconoclasm propaganda, Antiquities: General architectural views; views of sacrophagi German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Feminine Folly. Date/Period: 1815 - 1819. Print. Height: 244 mm (9.60 in); Width: 357 mm (14.05 in). Author: FRANCISCO DE GOYA Y LUCIENTES.

Illustration No. 9 (from 12) to the formers, Newer and Latest History, Posted in: Gothaischer Hof Kalende, For the benefit and pleasure of 1792. Gotha Bey C. W. Ettinger Chodowiecki, Daniel Nikolaus (1726 1801)

Three Peasants in Conversation. Dated: c. 1497. Dimensions: sheet (trimmed to plate mark): 10.8 x 7.7 cm (4 1/4 x 3 1/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albrecht Dürer.

Drawing (Italy); Felice Giani (Italian, 1758-1823)

The Cat's Concert. Dimensions: sheet (trimmed to plate mark): 23.8 x 31.4 cm (9 3/8 x 12 3/8 in.). Medium: engraving and etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Coryn Boel after David Teniers the Younger.

Leiden, Vliet, Jan Georg van, Peasant meal, Peasants around a table. A man cuts a piece of meat, a man fills his cup and on the right a man with a hurdy-gurdy next to a vomiting man. Under the table lies a dog with a bone., print, prints, height mm, width mm, Noord-Nederlands, 1610 - 1668, print maker, printmaker, 1633 - 1635, paper, papier, etching, etchings, engraving, engraving (printing process)

The wounder soldier Scipio in the centre surrounded by figures. Artist: Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576). Dimensions: sheet: 7 7/8 x 10 1/2 in. (20 x 26.7 cm). Date: 1531-76. Museum: Metropolitan Museum of Art, New York, USA.

Honoré Daumier, Décadence du drame en 1866, 1866 Décadence du drame en 1866

Copper engraving by James Anthony Minasi, 1802, depicting Alexander with his father Philip II, showing figures, attire, and classical setting.

Madrid, Real Academia de Nobles Artes de San Fernando, Goya, Francisco de, Spain, Los Proverbios (The Proverbs), Los Disparates (The Follies), La Lealtad, The Loyalty, verso lower right - stamped, A man sitting on a chair, is being mocked by a group of men. One has a large syringe in his hands. From a series of eighteen prints., print, prints, height 245 mm, width 350 mm, Spanish, 1746-03-30 - 1828-04-16, print maker, 1815 - 1820, first quarter 19th century, third quarter 19th century, paper, etching, aquatint, Work conception, own design of, Publication (Event), Publication, publisher

The Bath at Four Sous (Les bains à quatre sous) Honoré Daumier (French, 1808-1879). , June 29, 1858. Lithograph on wove paper, Sheet: 10 1/8 x 13 1/16 in. (25.7 x 33.2 cm). European Art June 29, 1858

Pieneman, Jan Willem, Netherlands, Senus, Willem van, The murder of Mr. Hermanus van Loon committed, Murder in Woerden on H. van Loon, 1813, verso - stamped, Hermanus van Loon shot dead in front of his house by French soldiers. Part of a group of illustrations in outline of the atrocities committed by the French troops during the invasion and plundering of Woerden on 24 and 25 November 1813., print, prent, prints, prenten, Frederik Muller Historieplaten, height 140 mm, width 92 mm, Dutch, 1773-08 - 1851-01-15, print maker, printmaker, 1813 - 1814, paper, papier, etching, etsen, 1779-11-04 - 1853-04-08, intermediary draughtsman

Drawing, Man Turning a Wheel; graphite, chalk on paper

ECHOES OF THE CHRISTMAS CHIMES, DRAWN BY JAMES GODWIN. 1867

Campania Caserta Caserta Palazzo Reale71. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Karta do uczty powitalnej wydanej z okazji powrotu żołnierzy z frontu. Menzel, Adolph (1815-1905), graphic artist

The Conventicle, William Strang (Dumbarton, Scotland, 1859 - 1921) 1893

Fox-Hunting set of six: 6. The Dinner, Thomas Rowlandson, 1756-1827, British, after Thomas Rowlandson, 1756-1827, British, between 1787 and 1788, Aquatint, hand-colored, Sheet: 15 1/2 x 20 3/8in. (39.4 x 51.8cm), dinner, feast, food, meal

Sal Dab giving Monsieur a Receipt in Full, Print made by unknown artist, eighteenth century, Published by Sayer & Bennett, 1725-1794, British, 1776, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm), Plate: 13 7/8 × 9 7/8 inches (35.2 × 25.1 cm), and Image: 12 7/8 × 9 7/8 inches (32.7 × 25.1 cm)

Picador puts a lance in a bull, Francisco de Goya, 1811 - 1816 print The bull knocks a horse down while the picador and two men put the animal in the neck with a large lance. Straight and on the left a killed horse. Spain paper etching / drypoint Bullfight

Ce qui représente la mer au peuple..., from Croquis Parisiens, published in Le Charivari, August 8, 1856. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Sheet: 9 3/4 × 14 7/16 in. (24.8 × 36.7 cm)Image: 8 1/8 × 10 11/16 in. (20.7 × 27.1 cm). Printer: Destouches (Paris). Publisher: Aaron Martinet (French, 1762-1841). Series/Portfolio: Croquis Parisiens. Date: August 8, 1856. Museum: Metropolitan Museum of Art, New York, USA.

Grafin Derby a historical scene in the palace room. Payne, Albert Henry (1812 1902), Hueck, L.

James Gillray, 1757-1815, British, Tiddy-Doll, the great Gingerbread Baker, drawing out a new Batch of Kings, 1806. Etching.

Study for the Funeral of Pallas ca. 1716-17 Antoine Coypel French Steeped in honors and titles, Antoine Coypel was a precocious talent from a family of successful painters. He was named first painter to the duc dOrléans in 1688, director of the Académie Royale in 1714, and First Painter to the king in 1715. His most influential large scale project was undoubtedly the decoration of the Grande Galerie of the Palais Royal in Paris which had as its theme the story of Aeneas. Commissioned in 1701 by Philippe II, duc dOrléans, the future Regent, the ceiling was completed by 1705, and seven large canvases depicting central moments of the Aeneid were added to the side walls between 1715-17. Many of the canvases are today in poor states of preservation, but the vigor and beauty of Coypels decoration, which earned him so many accolades in his own day, can today be appreciated in the quality of the surviving preparatory drawings. The Mets sheet first appeared on the New York art market in 201

Netherlands, Geldorp, Wilhelmus Petrus van, Lambert Melisz. flees with his mother in a sledge over the ice to Hoorn, 1574, February 1574. Lambert Melisz. shows the sledge to a group of Spanish soldiers., print, picture, history print, prints, pictures, Frederik Muller History plates, height 365 mm, width 465 mm, 1832 - 1900-12-20, print maker, printmaker, 1842 - 1899, second quarter 19th century, third quarter 19th century, fourth quarter 19th century, paper, lithography (technique)

Witte van Haamstede shows itself in Haarlem in armor, 1304, Jacobus Buys, 1788 drawing Witte van Haamstede shows itself in Haarlem in armor, 1304. Design for a print in Kok, Vaderlandsch Dictionary, dl. XIX1. Design for a print. paper. ink pen / brush historical events and situations. historical persons. royal bastards. acclamation of a ruler Haarlem

The Gossips by Eduardo Zamacois y Zabala. Unknown

The highland seer, or The political vision. "Felix quem faciunt aliena pericula cautum". British Cartoon Prints Collection . Bute, John Stuart,Earl of,1713-1792.

The friends leave the house of Haazel, Jacob Cats (1741-1799), 1751 - 1799 drawing paper. pencil. chalk brush friends. carousal, drinking-bout, orgy

Si Marina bayló sic, tome lo que halló (If Marion Will Dance, then She Has To Take the Consequences), pl. 12 from the series Los proverbios. Artist: Francisco Goya, Spanish, 1746-1828

Plundering the Tower, Print made by unknown artist, eighteenth century, Published by Robert Sayer, 1725-1794, British, 1777, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 10 5/8 × 14 3/4 inches (27 × 37.5 cm), Plate: 10 × 13 7/8 inches (25.4 × 35.2 cm), and Image: 9 1/2 × 13 7/8 inches (24.1 × 35.2 cm)

Visitors to the Salon Exhibition, Admiring the Ceiling (Les Amateurs de plafonds au Salon) August 27, 1824 Louis Philibert Debucourt French. Visitors to the Salon Exhibition, Admiring the Ceiling (Les Amateurs de plafonds au Salon) 343341

Election Scene, Paul Sandby RA, 1731-1809, British, undated, Pen and brown ink, gray wash and graphite on medium, cream, slightly textured wove paper, Sheet: 2 7/8 x 4 5/8 inches (7.3 x 11.7 cm), bugler, election, figure study, genre subject, men, musician, politicians

Giulio Benso, Birth Scene Birth Scene

Les burgraves allant en guerre. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

A life-class in a grotesque academy of artists: a hunchback model being drawn by deformed students. Etching by G.M. Mitelli after P. De Rossi, 16--.

The return from the festivities, the fable of Ash Wednesday, illustration by Valentin from L'Illustration, Journal Universel, No 207, Volume VIII, February 13, 1847.

Village massacre , Massacres, Dead persons. George Bellows (1882-1925). Prints and Drawings

Jewish Quarters in Amsterdam. Medium: wood engraving. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Hogarth, Four Times of the Day, 4. Night. In a narrow street leading to Charing Cross, with an equestrian statue of Charles I at the far end, a bonfire and a barrel have caused the Salisbury Flying Coach to overturn, and a 'moonlight flit' of tenants escaping their landlord is going on in the background. The scene is set on 29 May, Oak Apple Day, a public holiday to celebrate the Restoration of the Monarchy. Date: 1738

The dynamite in the room / valiant launching his craft

Marseille is strongly divided in its support for the Revolution : Mirabeau, always the adroit diplomat, quells the unrest and becomes a local hero.

Copper engraving by Jac. de Franssieres from the 18th century showing Eliezer and Rebekah at the fountain, illustrating a biblical narrative.

Et bientôt dans le flanc ce monstre furieux... 1825 France. Lithograph in black on gray chine, laid down on ivory wove paper (chine collÈ) . Horace Vernet

Buys, Jacobus, Netherlands, Vinkeles, Reinier (I), Angelus Merula dies before the stake, 1557, The church reformer Angelus Merula (Engel Willemsz. de Merle or van Merlen). Active on the island of Voorne, in Brielle and Hoogvliet. After imprisonment in Bergen in Hainaut sentenced to death, dies just before he is to be burned at the stake, 1557., print, engraving, history print, prints, Frederik Muller History plates, height 229 mm, width 147 mm, Northern Netherlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1783 - 1783, fourth quarter 18th century, paper, etching, etchings, 1724-11-19 - 1801-04-07, intermediary draughtsman

The double murder in Puente de los Gallos ca. 1905-1910 José Guadalupe Posada. The double murder in Puente de los Gallos. José Guadalupe Posada (Mexican, 1851-1913). ca. 1905-1910. Wood engraving. Prints

MARTINEZ IZQUIERDO , NARCISO. OBISPO DE MADRID. RUEDA 1831 - 1886. ASESINATO DEL OBISPO DE MADRID DE MANOS DEL SACERDOTE CAYETANO GALEOTE EL 18 DE ABRIL DE 1886. GRABADO ILUSTRACION FRANCESA.

A GERMAN BAND, 1872 engraving

Street scene in London, Jan Toorop, 1888 drawing cardboard. ink. pencil. chalk pen outcasts, pariahs London. United Kingdom

Children play the game Crawl through sneak through. Draughtsman: Harmen ter Borch (mentioned on object). Dating: 27-Jan-1650. Place: Zwolle. Measurements: h 95 mm × w 243 mm. Museum: Rijksmuseum, Amsterdam.

Boissy d'Anglas présidant la Convention le 1er Prairial An III. Dimensions: plate: 41.4 x 51.4 cm (16 5/16 x 20 1/4 in.) sheet: 45.1 x 58.4 cm (17 3/4 x 23 in.). Medium: etching and drypoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Félix Bracquemond after Eugène Delacroix.

An man in classical costume (Lord Strawberry), standing outside a prison, is pointing his pistol at the man kneeling at his feet amidst two corpses. Aquatint, 1811.

Print made by Richard Earlom, 1743-1822, British, Life School at the Royal Academy, 1773. Mezzotint on medium, slightly textured, cream laid paper.

Pantalone. Dated: 1618/1620. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Allegorical composition depicting the different degrees of university teaching. Allegory of the ascent to the spheres of knowledge. Facsimile illustration of a wood engraving from the "Margarita Philosophica", by Gregor Reisch, published in 1503. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877. Author: Gregor Reisch (ca. 1467-1525). German Carthusian monk and humanist scholar.

Passers -by surprised by a gust of wind for the window of Carington Bowles in London, Anonymous, After Robert Dignton, 1783 print A gust of wind ensures that all passers -by grabs their hat. The hat and wig of an almost bald woman blow up. In the foreground is a crying boy with an apron. He dropped a leaf with fish. Portraits of clergy and satirical prints in the shop window. Nummered in the bottom left: 504. paper shop-window, show-window. art dealer (+ graphic arts). storm on land. fashion, clothing. political caricatures and satires London

Night Walkers Brought before a Justice of the Peace, Marcellus Laroon the Younger, 1679-1772, British, ca. 1740, Pen and brown ink and graphite on medium, slightly textured, cream laid paper, Sheet: 7 7/16 x 9 1/2in. (18.9 x 24.1cm) and Sheet: 7 1/2 × 9 1/2 inches (19.1 × 24.1 cm), crowd, genre subject, men

Great Plague of London, Blake, William (1757-1827)

Stanis Aw Batowski -Kaczor (1876-1948), Kmicicowa company shooting at the portraits of ancestors () -an illustration of Henryk Sienkiewicz's "Flood" () Zorza (Kraków; Photographic Zak 1906 () (1906-00-00-1906-00-00);Batowski-Kaczor, Stanisław (1866-1946), Batowski-Kaczor, Stanisław (1866-1946)-reproduction, Kmicic, Andrzej (lit.), Sienkiewicz, Henryk (1846-1916), Sienkiewicz, Henryk (1846-1916)- Literary work, Sienkiewicz, Henryk (1846-1916). Deluge, H. Sienkiewicz's trilogy, illustrations for literary works, painting, Polish painting, Poland (culture)

Published in le Charivari (7 January 1856): Actualities (No. 260): View of boulevards during a market for trinkets, 1856. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 51.6 x 37.3 cm (20 5/16 x 14 11/16 in.); image: 18.4 x 25.4 cm (7 1/4 x 10 in.).

Locusts and Ants: A Memory of Martinique (Les cigales et les fourmis). Dated: 1889. Dimensions: image: 20.1 x 26.2 cm (7 15/16 x 10 5/16 in.) sheet: 32.3 x 47.2 cm (12 11/16 x 18 9/16 in.). Medium: lithograph (zinc) in black on imitation japan paper. Museum: National Gallery of Art, Washington DC. Author: PAUL GAUGUIN.

Auch ein Todtentanz, plate IV 1848 Germany. Wood engraving in black on ivory wove paper . Alfred Rethel

Ce Qui Nous Prouve Comme Quoi Il Est... Inutile... Honoré Daumier (French, 1808-1879). , May 23, 1857. Lithograph on newsprint, Sheet: 9 7/8 x 14 7/16 in. (25.1 x 36.7 cm). European Art May 23, 1857

Excerpt from the Leipziger Illustrated Zeitung No, of May , page , Wiener Humor in a reserve in the Carpathians, After, Wilhelm Gause -, drawer

The Marriage at Cana right plate. Dated: 1740. Medium: chiaroscuro woodcut in black trial proof of key block. Museum: National Gallery of Art, Washington DC. Author: John Baptist Jackson after Veronese.

Photo production of a painting by Joaquín Turina y Areal, Emilio Beauchy (attributed to), after Joaquín Turina Y Areal, 1880 - 1905 photograph This photo is part of an album. Sevilla paper albumen print public festivities Sevilla

ESCENA DEL QUIJOTE - CAPITULO XLIV "EL YELMO DE MAMBRINO" - PUBLICADA EN 1966. Author: SEGRELLES JOSE. Location: PRIVATE COLLECTION. MADRID. SPAIN. DON QUIJOTE. SANCHO PANZA.

Pencil and watercolor drawing by Carl Schindler depicting wood being prepared or carried to the flag, circa 1842.

The flight of Lot and his daughters from Sodom. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 383 mm × w 208 mm. Museum: Rijksmuseum, Amsterdam.

To the rally!. Wojtkiewicz, Witold (1879-1909), draughtsman, cartoonist

Ice-Skaters by Francisco de Goya, Pen, brown Indian ink on paper, Between 1812 and 1823, 1746-1828, Russia, St. Petersburg, State Hermitage, 12, 8x18, 6

A Chorus of Singers ca. 1800 Dent British. A Chorus of Singers 417898

Auch ein Todtentanz, plate IV. Alfred Rethel; German, 1816-1859. Date: 1848. Dimensions: 293 x 411 mm. Wood engraving in black on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

The Weight Lifter 1845-1855 France. Watercolor, with brush and brown ink, over graphite, on cream wove paper . Honoré-Victorin Daumier

An Auto De Fe in Spain - The condemned going to the stake

LORD RIVERDALE'S REPENTANCE

The White Hope. Dated: 1921. Dimensions: image: 36.83 × 47.63 cm (14 1/2 × 18 3/4 in.). Medium: lithograph in black. Museum: National Gallery of Art, Washington DC. Author: George Bellows.

Brussels, Lyon-Claessen, E., Antwerp, Van Kuyck, Frans, De Mechelen Op-sinjoorken Wippende, Reproduction of a watercolour of a group of people on a square in Old Antwerp at the World Exhibition of 1894 in Antwerp, by Frans van Kuyck, photomechanical print, reproduction, page, photographs, photographically illustrated books, height 207 mm, width 266 mm, maker, producer, 1894-05-05 - 1894-11-05, paper, papier, collotype, colour lithography (process), Work conception, Belgian, 1852-06-09 - 1915-05-31, after a design by, Publication (Event), Publication, publisher

Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. Aquellos Polvos. Aquatint n¼ 23 published in 1799.

Chastiments II, III: Souvenir of the night of 4

Harvests: The Pillage, c. 1894. Henri de Groux (Belgian, 1867-1930). Lithograph with pastel and black chalk;

Les Noces de Psyché; Jasi Ski, Feliks Stanis , Arthur Tooth & Sons (London, Paris, New York; Publisher; Fl. 1868-1901); 1900 (1900-00-00-1900-00-00);Printsellers' Association (London-Association-1847-1910), Psyche (Mitol.), Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance), French (French Culture), French graphics, Polish graphics, reproductive graphics, Poland (culture)

Honoré Daumier, Ayant éprouvé le besoin de se rafraichir avec , 19th century Ayant éprouvé le besoin de se rafraichir avec ...

MARRUECOS. Location: PRIVATE COLLECTION, FRANCE.

Eduard von Engerth created a gray ink and chalk drawing depicting the discovery of the relationship of Figaro.

Grimoald killed, 714; Grimoald killed. Grimoald, Duke of Neustria, son of Pippijn II from Herstal, is killed in 714 by a pagan Fries on the Tomb of St. Lambert in the Saint Lambert cathedral in Liège.

Photo production of (presumably) a print to work by W. von Kaulbach: Goethe in Frankfurt; Goethe in Frankfurt W. von Kaulbach: .Part of Photo Album with 16 Cartes-de-Visite of Women's Figures From the Work of J.W. Von Goethe.

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