Historical Art Academy Scenes

A collection of artworks depicting indoor settings with male students and various subjects including an art model, domestic life, and allegorical themes. The mood is introspective, with detailed etchi

Death Wallen Man steps in a departure, Reinier Vinkeles (I), 1791 print A dead man is in the doorway of a storytelling. The people in the room, possibly family members, are shocked by his presence. Amsterdam paper etching / engraving visiting; receiving guests; elegant company. candle

Copper engraving and etching from 1742 by Sotin depicting a European medical consilium around Maria Theresia, a caricature related to the Austrian War of Succession, showing physicians, queen, and consultation scene.

Leasters (Bartsch 50) Adriaen van Ostade (1610-1685). Taste (Bartsch 50). Floor and dry tip, 1647-1652.

Two Study Combies with scholars, Anonymous, After Rembrandt van Rijn, 1750 - 1780 print Numbered at the top right: 44 and 45. France paper etching / engraving scholar in his study. armorial bearing, heraldry

The Stage-Coach, or the Country Inn Yard. 1747. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Jean Baptiste Blaise Simonet after Pierre Antoine Baudouin, Rose et Colas Rose et Colas

Five Regentessen at a table, Reinier Vinkeles (I), 1809 print Children report to five older ladies at a table. There are two militia in the departure. The print is an illustration for a book about the four 'eras' of the woman, from the 'De Elderly Woman' era. Amsterdam paper etching / engraving picture, painting. old woman

The Duet, by F. Stone, A.R.A.. Caldesi & Montecchi (British, active 1850s)

Pierre-Louis de Surugue (1710-1772). Illustration for Scarron's "comic novel". "La Rappinière falls on the goat", according to Jean-Baptiste Pater (1710-17772). Book I, chapter 4. Engraving (etching and chisel). 1730. Museum of Fine Arts of the City of Paris, Petit Palais. 74201-1 Froz, chevre, comedy, etching, group, person, comic scene, 18th 18th 18th 18th 18th 18th 18th century, animal, engraving, nocturnal

Saints, Raphael.

Print made by William Bromley, 1769-1842, British, The Duke of Gloucester Accusing Jane Shore of Witchcraft, 1811. Etching and line engraving on thin, slightly textured, cream wove paper.

William Hogarth, A Harlot's Progress pl5, 1732 A Harlot's Progress: pl.5

Marie-Catherine Cadière surrenders to the Minnoic with Jean-Baptiste Girard, Jacques Gabriel Huquier (Attributed to), c. 1735 print After her miscarriage, Marie-Catherine Cadière entires entirely to the Minn chosen with Jean-Baptiste Girard. Part of the series of 32, often erotic tinted, prints dedicated to the scandal around Marie-Catherine Cadière and the Jesuit Jean-Baptiste Girard in 1730-1731. paper etching sexual abuses of monks. witch, sorcerer with the devil and/or demons. coitus, cohabiting, sexual intercourse

Cecilia in Defek Met Mrs. Benfield, Daniel Nikolaus Chodowiecki, 1787 print Berlin paper etching Literature. interior of the house. conversation, dialogue; conversation piece

Group picture.

Invitation to the fifth dinner Dentu, Henri Charles Guérard, 1883 print Henri Charles Guérard at his printing press, with a pug in the doorway. There are prints on the wall of his studio. paper etching historical persons. artist at work, in his workshop. graphic artist

The Reconciliation (Picturesque Beauties of Boswell, Part the Second) June 20, 1786 Thomas Rowlandson. The Reconciliation (Picturesque Beauties of Boswell, Part the Second). Picturesque Beauties of Boswell. Thomas Rowlandson (British, London 1757-1827 London). June 20, 1786. Etching. Elizabeth Jackson (British, active 1785-87). Prints

Five drunk men sitting, hanging and standing around a table, Five drunk men, print maker: Franciscus Bernardus Waanders, (mentioned on object), Willem Pieter Hoevenaar, (mentioned on object), printer: Hilmar Johannes Backer, (mentioned on object), Dordrecht, 1844 - 1845, paper, h 271 mm - w 355 mm

Illustration to the poem by Aleksander Pushkin "Fiance"; Illustration from the magazine: "Zorza polarna", vol. I; Unknown, Trutovsky, Konstantin Alexandrovi (1826-1893), F.A. Brockhaus (Amsterdam, Leipzig, Wiesbaden; Publisher; 1808-1953), Henkel, W. E. (St. Petersburg; Publisher; Ca 1860-1870); 1862 (1862-00-00-1862-00-00);

Deathbed of Prince Willem V, Jan Gerritsz. Visser, After Jacobus Wijsman, 1808 - 1810 print Bedroom with Prince William V on his deathbed, supported by his chamberlain (meat houwer), April 9, 1806. The doctor feels the left wrist while his wife holds his right hand with a desired face. In the sky an angel with palm branch in clouds. Hecper bed decorated with the weapons of the prince and princess, on the wall portraits of the two sons of the prince. In the caption an eight -line verse. paper etching / engraving deathbed Braunschweig

Page 39 / 5th song

Third wife of Peter Marks dies during a dinner, Daniel Nikolaus Chodowiecki, 1779 print Peter Marks' third wife suffocates in a parchment written on parchment that one of her worshipers has hidden in a piece of cake. paper etching deprivation of air, choking. evening meal, dinner, supper

Orlando Hart, William Jamieson, and Archibald McDowall with plans to level Edinburgh high street. Copperplate engraving by John Kay from A Series of Original Portraits and Caricature Etchings, Hugh Paton, Edinburgh, 1842.

Inner house with figures at candlelight, Reinier Craeyvanger, 1851 print In a living room, a man and woman are reading a letter at a table near candlelight. To the right of them two boo windows, in addition a painting hangs. In the back of the room, a woman with a baby sits in her lap and another woman enters the door. This print was published in the Kunstkronijk in 1851. print maker: Netherlandsprinter: The Hague paper communal rooms. reading. candle

Three performances from William Shakespeares Merry Wives of Windsor, Daniel Nikolaus Chodowiecki, 1786 print With caption and page reference in German. Berlin paper etching Falstaff. Literature. laundering. hiding, hiding oneself. teacher and pupil

Zygmunt III in the goldsmith's studio; Buchbinder, Szymon (1853-1922), Weekly Ilustrowany (Warsaw; Publisher; 1859-1939); 1883 (1883-00-00-1883-00-00);

Columbus Breaking the Egg 18th century William Hogarth. Columbus Breaking the Egg. William Hogarth (British, London 1697-1764 London). 18th century. Etching

Presentation from the history of Dutch Stadhouders, Christian Gottlieb Geyser, After Daniel Nikolaus Chodowiecki, 1796 print With caption in German and French. Numbered at the top right: 12. paper etching History. evening meal, dinner, supper

Adolph Kittendorff (1820-1902); F.c. Lund (1826-1901), Swissergarden in Pope's Forgemak, 1880's

Nostradamus(1503-1566), commanded by French queen Catherine de Medicis(1519 -1589) to foresee the destiny of the French royal house, shows her successors to her in a magic mirror. Date: circa 1555

Sea battle in a Roman Arena, 1774 - 1849 print From a covered part of a grandstand of an arena, spectators look at a after -side battle (Naumachia) by gladiators. paper etching auditorium ~ theatre, etc. - AA - open-air performances. fight of gladiators. the audience ~ art performance

A Paraleytic sic Woman. Artist: Théodore Géricault, French, 1791-1824Printer: Charles Hullmandel, British, 1789-1850 Publisher: Rodwell & Martin

Karel V in Defek Met Jakob Fugger, Friedrich Wilhelm Zimmermann, after Carl Becker, 1872 - 1873 print München paper engraving / etching banker. emperor

HOME VISIT Jean Ignace Isidore Gérard Grandville (1803-1847). Press cartoon. "Home visit". Board published in "caricature" of October 10, 1833. Lithography. Paris, House of Balzac.

China a feast at home Mandarin Thumling, Kunst Verlag Creuzbauer in Carlsruhe

The lost son wasted his money, Anonymous, After Cornelis de Wael, 1658 print The lost son wastes his money by leading a dissolute life. Men and women eat and drink around a table in a garden. A woman comes out of the house to serve even more food. paper etching / engraving the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn

Insane in an interior; The Elven. Female insane in an interior (from the foundation in Zutphen). In the middle a woman holding a canvas with a broom.

After Winslow Homer, "Any Thing for Me, If You Please"Post-Office of the Brooklyn Fair in Aid of the Sanitary Commission, 5 Mar. 1864, wood engraving on newsprint.

Company in a Boudoir, Jean Baptiste Madou, 1835 - 1837 print print maker: Brusselspublisher: Brusselspublisher: Parispublisher: Rotterdam paper. boudoir. making toilet. interior of the house. music

Joost van den Vondel stands opposite four mayors behind a table with books and papers. Vondel in the Mayor's Room , print maker: Smeeton Tilly, (mentioned on object), Johannes Stroebel, (mentioned on object), Paris, c. 1874 - 1888, paper, h 333 mm × w 504 mm

Pembury Mill, Kent, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Charles Turner, 1774-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1808, Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper, Sheet: 11 × 16 1/8 inches (27.9 × 41 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)

Third wife of Peter Marks dies during a dinner, Daniel Nikolaus Chodowiecki, 1779 print Peter Marks' third wife suffocates in a parchment written on parchment that one of her worshipers has hidden in a piece of cake. Numbered at the top right: III. paper. pencil etching deprivation of air, choking. evening meal, dinner, supper

Hot Spice Gingerbread, Smoking Hot, Giovanni Vendramini, 1769-1839, Italian, after Francis Wheatley, 1747-1801, British, 1796, Aquatnit, Sheet: 17 1/4 x 13 1/2 inches (43.8 x 34.3 cm), Plate: 16 3/4 x 13 inches (42.5 x 33 cm), and Image: 14 1/8 x 11 1/8 inches (35.9 x 28.3 cm)

Event of February 19, 1790. / Favras at the Town Hall dictating its will. (registered title) | Historical engravings of the main events since the opening of the general states of 1789. (Title of the whole)

A copper engraving and etching by Zachée Prévost, produced between 1817 and 1856, depicting Saint Vincent de Paul, known for his charitable works. The piece uses fine intaglio techniques typical of the 19th century.

. Four performances regarding the soul of man. Top left, labeled A. 1-7: five children in a living room. Top right, marked B. 8-10: a man who looks at a rainbow. At the bottom left, marked C. 11-14: Two children are investigating a wildeman with a club. By the right, marked D. 15-18: an old man with a walking stick is sitting on a chair and looks at three paintings.

The Family of Sir Thomas More, Lord Chancellor, 1478-1535. L-R: Elizabeth Dauncey, Margaret Clements, Sir John More, Ann More, Sir Thomas More, John More, Henry Patenson, Cecily Heron, Margaret Roper, and Alice More. From the scarce print by Hans Holbein, engraved by W. Parsons. Copperplate engraving from Samuel Woodburns Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martins Lane, London, 1816.

The governors of the Leper Asylum at Amsterdam admitting a boy. Engraving by R. Vinkeles after J. M. Cok after F. Bol, 1649.

The Industrious Prentice a Favourite William Hogarth (British, 1697-1764). The Industrious Prentice a Favourite, 1747. Engraving on laid paper, Other: 10 3/8 x 13 11/16 in. (26.4 x 34.7 cm). European Art 1747

Hals, Dirck, Netherlands, Steelink, Willem (II), Elegant company, verso - stamped, An elegant company gathered around a man with a violin. On the left a servant places a pie on the table. At the bottom left in the margin a coat of arms on a twig with leaves., print, prints, height 260 mm, width 316 mm, 1856-07-16 - 1928-11-27, print maker, printmaker, 1888 - 1891, paper, papier, etching, etsen, 1591-03-19 - 1656-05-17

Stalinterieur with a man surrounded by five children, Jean Jacques de Boissieu, 1780 print France paper. etching / drypoint barn. giving water, feeding (cattle). cow

Etching in punctuation manner by Henri Gerard between 1780 and 1837 based on Ovid's 'The Art of Loving'.

After Winslow Homer, Thanksgiving Day, 1860 The Two Great Classes of Society, published 1860 Thanksgiving Day, 1860 - The Two Great Classes of Society

Walstein and Caroline in close hug, Daniel Nikolaus Chodowiecki, 1786 print Up to the top left: 9. Berlin paper etching Literature. (lovers) embracing each other, 'symplegma'

In the first scene, the young man arrives in Paris, where his pockets are being picked. In the second scene, he walks through the Tuileries with two new acquaintances. The third scene shows a tete-a-tete with a young woman, his first conquest. The final scene shows the young man in an interior, while he has a hangover and imagines a future of abstinence, Four representations from the life of a young man Vie d'un joli garon, The life of fine fellow, print maker: Jules David (1808-1892), (mentioned on object), Jules David (1808-1892), (mentioned on object), publisher: Henri Jeannin, Paris, 1833, paper, h 280 mm × w 378 mm

Design for illustration for the colossus of the nineteenth century by P.J. Andriessen (Textill., P. 98); Scene from the life of Napoleon. Design for a print.

The Reconciliation, from Boswell's Tour of the Hebrides Published 1786 England. Etching on paper . Thomas Rowlandson

Gil Blas, Don Raphael and Ambrosio, disguised as Inquisiteurs, Samuel Simon, Daniel Nikolaus Chodowiecki, 1783 print paper etching Literature. city-view, and landscape with man-made constructions. disguise. robbery. lock ~ door

An etching and aquatint by Max Klinger from 1883 titled 'A Mother III' (Opus IX, sheet 5), showing a maternal figure with child in a narrative and symbolic composition.

Etched by Joseph Mallord William Turner, 1775-1851, British, Pembury Mill, Kent, 1808. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper.

William Hogarth, Night, 1738 Night

Daniël's dream of the four animals, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, 1646 print Daniël is sleeping in a bed under a canopy and dreams. At the top left his dream of the four animals: a winged lion, a bear, a four -member panther and an animal with ten horns. Above that the old way. In the landscape on the left are vision of the RAM and the goat buck. Under the show a reference in Latin to the Bible text then. 7: 1. This print is part of an album. paper engraving four great beasts rising from the sea ~ Daniel's visions. the Ancient of days, in white robes, on a fiery throne ~ Daniel's visions. the he-goat fights with the ram and slays it ~ Daniel's visions

Peter the Great meets his illegitimate child, Daniel Nikolaus Chodowiecki, 1789 print The prints are numbered at the top right. With caption and page reference in German. print maker: Berlinpublisher: Göttingen paper etching History. emperor. illegitimate child, bastard. shaking hands, 'dextrarum junctio'

GOYA Y LUCIENTES, Francisco de (1746-1828). Thanks to the millet. 1810-1820. Plate 51 of 'The Disasters of War'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

A Harlot's Progress, Plate 3 Apprehended by a Magistrate. 1732. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Six men in an interior viewing a table Richly Vaatwerk, Jos Ratinckx, 1889 print paper etching interior ~ representation of a building. mug, beaker, goblet. money-chest, treasure-chest, money-box

Allons bon!..... j'avais oublié de décharger mon fusil!...., from Émotions de Chasse, published in Le Charivari, February 21, 1858 February 21, 1858 Honoré Daumier French. Allons bon!..... j'avais oublié de décharger mon fusil!...., from Émotions de Chasse, published in Le Charivari, February 21, 1858. Émotions de Chasse. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). February 21, 1858. Lithograph on newsprint; second state of two (Delteil). Aaron Martinet (French, 1762-1841). Prints

Sickbed Scene 1777-1850 Italy. Pen and black ink, over traces of graphite, on cream laid paper . Saverio della Gatta

Comet. Bonus of the Society of Estate Fine Arts in the Kingdom of Poland for 1915; Walkiewicz, Feliks (1869-1926), Grottger, Artur (1837-1867), Cotty, Jan (Warsaw; Printing and Litographic Zak 1915 (1915-00-00-1915-00-00);

Butler Clowes, active 1768, died 1782, British, The Hen Peckt Husband, c. 1768. Mezzotint.

The evidence destroyed , Criminals, Lanterns, Dickens, Charles, 1812-1870. Oliver Twist. George Cruikshank (1792-1878). Prints and Drawings

Photo production of (presumably) a print to a painting by Edwin Henry Landseeer, Anonymous, After Edwin Henry Landseer, c. 1860 - c. 1870 photograph Part of English family album with photos of people, travel, cricket and artworks. paper. photographic support albumen print parents with their children. interior of the house. infant, baby. cradle, crib

Woman dies on a dung heap in the presence of her two children, Caspar Luyken, 1710 print Nuremberg paper etching dying. mourning the dead

Hendrik I van Guise in conversation with Karel van Lotharingen, Daniel Nikolaus Chodowiecki, 1790 print Numbered at the top right: 2. With caption and page reference in German. Berlin paper etching conversation, dialogue; conversation piece. cardinal Paris

Le Petit Predicateur. Artist: After Jean Honoré Fragonard (French, Grasse 1732-1806 Paris); Nicolas de Launay (French, Paris, 1739-1792). Dimensions: sheet: 11 15/16 x 13 3/8 in. (30.4 x 34 cm)image: 10 9/16 x 11 7/8 in. (26.8 x 30.2 cm). Publisher: Nicolas de Launay (French, Paris, 1739-1792). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Author: NICOLAS DE LAUNAY. After Jean Honoré Fragonard.

Lettergieterij van Johannes Enschedé in Haarlem, Cornelis van Noorde, 1788 print View in the letter foundry of Johannes Enschedé in Haarlem. Seen a man and a woman on the back in the middle. People are working under the windows left and right. Haarlem paper etching / engraving printing, printing office. publishing, publisher (+ in workshop, laboratory)

TheLacemakers. Artist: Victor-Louis Focillon, French, 1849-1918 After: Claude Joseph Bail, French, 1862-1921

Paris, Basan, Pierre François, Teniers, David, France, Les joueurs de cartes, Card players, verso - stamped, print, prints, height 334 mm, width 415 mm, French, 1723-10-23 - 1797-01-12, print maker, 1733 - 1797, paper, etching, engraving, engraving (printing process), after, after a painting by, Publication (Event), Publication, publisher

Hugo de Groot hides in the book box, 1621, Simon Fokke, 1754 print Hugo de Groot hides in the book box, 1621. Interior of his room at Slot Loevestein, next to him his wife Maria van Reigersberg. On the wall book a print, on the table and on the ground and manuscripts. paper etching law and jurisprudence (+ escape from prison) Slot Loevestein

Juvenile Opposition, Juan Alais, 1790-1848, after Francis Wheatley, 1747-1801, British, 1804, Mezzotint

Marriage A-La-Mode. Plate V. The Death of the Earl., 1745

Pembury Mill, Kent (Liber Studiorum, part III, plate 12) June 10, 1808 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe a rustic mill with bright sunlight drawing attention to a man inside filling sacks with flour. Outside, fellow workers load a cart while a dog sleeps in the foreground near a dripping waterwheel and dovecote. The letter "P" in the upper margin indicates Turner's category of Pastoral landscape.. Pembury Mill, Kent (Liber Studiorum, part III, plate 12) 382917

Father's visit. Bonus for subscribers of "Tygodnik Ilustrowany" for 1875; Regulski, Aleksander (1839-1884), Schübeler, Julian (Fl. Ca 1865-1890), Tegazzo, Franciszek (1829-1879), Löeffler, Leopold (1827-1898), Sieniawski, W Adys Aw (Flow. 187 .), Unger, Józef (Warszawa ; drukarnia, wydawnictwo, ksigarnia ; 1841-ca 1877), Tygodnik Ilustrowany (Warszawa ; wydawnictwo ; 1859-1939); 1875 (1875-00-00-1875-00-00);

De Muiderkring, Dirk Jurriaan Sluyter, After Moritz Calisch, 1866 print Image of the Muiderkring, the company artists who at home at P.C. Hooft, on the Muiderslot, met. His Hooft himself with his first wife Christina and their son, Vondel, Huygens, Roemer Visscher with his two daughters, Reael, Sweelinck, Samuel Coster and Hugo de Groot. They are making music in the garden of the lock, which can be seen in the background. A maid provides them with a bowl of fruit. In reality, this company may not have met in this composition. Amsterdam paper etching / engraving portrait of a writer. private festivities, merry company

Tea Party at the Prince de Conti's. Artist: Henry-Bonaventure Monnier (French, Paris 1799-1877 Paris). Dimensions: 11 x 24 9/16 in. (28 x 62.4 cm). Date: mid-19th century. Museum: Metropolitan Museum of Art, New York, USA.

A smoking club , Politicians, Nobility, Authors, Government officials, Great Britain. Parliament. House of Commons, Sidmouth, Henry Addington, Viscount, 1757-1844, Sheridan, Richard Brinsley, 1751-1816, Dundas, Henry, 1742-1811, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806. James Gillray (1756-1815). Prints and Drawings

Gramsalbus in competition with the knight, Daniel Nikolaus Chodowiecki, 1793 print Berlin paper etching / letterpress printing Literature. other forms of knights' contests. arms crossed. militant proselytizing: religious war, crusade, etc.

Copper engraving and etching by Jean Jacques Aliamet circa 1759 showing Place des Halles in Paris with market activity, buildings, and human figures.

Last moments of Bishop Le Duc d'Orleans (IT)

Drawing from Life at the Royal Academy, Somerset House (Microcosm of London, pl. 1). Artist: Designed and etched by Thomas Rowlandson (British, London 1757-1827 London); Designed and etched by Auguste Charles Pugin (British (born France), Paris 1768/69-1832 London); Aquatint by John Bluck (British, 1791-1832). Dimensions: Sheet: 10 11/16 × 13 3/8 in. (27.1 × 34 cm)Plate: 9 1/4 × 11 1/4 in. (23.5 × 28.5 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Series/Portfolio: Microcosm of London. Date: January 1, 1808. Museum: Metropolitan Museum of Art, New York, USA. Author: Designed and etched by Thomas Rowlandson. Designed and etched by Auguste Charles Pugin. Aquatint by John Bluck.

La bonne grand'mère. Honoré Daumier (1808-1879). Lithographs

Romeo in Julia, Simon François Ravenet (The Old), after Benjamin Wilson, 1753 print paper engraving / etching Romeo. Juliet

The Alpine King and the Meinschenfeind, by Raimund Gallerie Drolliger Scenen to the theater newspaper, rd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Casa di Saiustr, Pompeii, Photographic reproduction of a print of the interior of, Casa di Sallustio in Pompeii, This photograph is part of an album., photograph, photo, reproduction, album sheet, photos, height 103 mm, width 153 mm, photographer, 1860 - 1900, photographic paper, photo paper, albumen print, albumine print, Work conception

You who have made portraits of our fathers... would you make them of their children. Denis Auguste Marie Raffet (French, 1804-1860); printed by François le Villain (French, active 19th century); published by Éditeur Moyon (French, active 19th century). Date: 1827. Dimensions: 161 × 202 mm (image); 273 × 361 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Giovanni De Pian, after Francesco Galimberti, The Giardin Scuro, for Executions by Strangling, 1797 The Giardin Scuro, for Executions by Strangling

Interior of a Boekbinderij, 1800 - 1899 print paper etching bookbinding. handicrafts, craftsman at work

Esch Senior bumps into his sister Olympia and Nicht Charlotte, Daniel Nikolaus Chodowiecki, 1784 print paper etching Literature. index finger forwards, pointing, indicating. family, relationship, descent

Milkmaid after the painting of G.Dou in the Cabinet of Mr. Poullain. Artist: After Gerrit Dou (Dutch, Leiden 1613-1675 Leiden); Charles François Adrien Macret (French, Abbeville 1751-1789 Paris). Dimensions: Plate: 6 5/16 x 4 15/16 in. (16 x 12.5 cm). Date: mid-17th century.This modest print records Dou's painting (Musée du Louvre, Paris) shortly after 1780, when it was sold from the Poulain collection in Paris. As in similar scenes invented by Dou during the 1640s and 1650s, the pretty kitchen maid is surrounded by motifs that had for decades stood for male and female private parts. Lost in the engraving, however, is the original play between two forms of seduction: that of the young woman and her friendly gaze, on the one hand, and that of illusionism (which seduces sight), on the other. Museum: Metropolitan Museum of Art, New York, USA.

Family at table in tea cupola. Draughtsman: Jurriaan Andriessen. Dating: 1752 - 1819. Measurements: h 119 mm × w 150 mm. Museum: Rijksmuseum, Amsterdam.

Glaud and Symon, Print made by David Allan, 1744-1796, British, born in Scotland, after David Allan, 1744-1796, British, born in Scotland, Published by Watt & Baillie, active 1808, British, 1808, Etching and aquatint on moderately thick, moderately textured, cream wove paper, Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm), Plate: 10 5/16 x 7 15/16 inches (26.2 x 20.2 cm), and Image: 8 7/8 x 7 inches (22.6 x 17.8 cm), agriculture, basket, breeches, buckles, caps, cart, cattle, chickens, coats, collar, comedy, dog (animal), ducks, farmhouses, genre subject, gesture, grass, hay, haystacks, house, humor, illustration, ladder, laughing, livestock, men, necktie, pastoral, peasants, pipe, pocket, poem, puddle, shoes, smiling, staff (walking stick), stones, talking, thatched roofs, trees, Europe, Scotland, United Kingdom

of 3