Historical Battle Reliefs

Detailed relief sculptures depicting historical battles, soldiers, and figures from ancient to Renaissance periods, showcasing dynamic poses and intricate designs.

UK, England, London, British Museum, Preparation for battle, North Frieze

SARCOFAGO ROMANO - RELIEVE CON LA RECOGIDA DE LA ACEITUNA. Location: MUSEO ARQUEOLOGICO-COLECCION. CORDOBA. SPAIN.

Reliefs on the Church of St John the Baptist, Riomaggiore, Cinque Terre (UNESCO World Heritage List, 1997), Liguria, Italy, 14th century.

Bacchic Sarcophagus with Procession of Dionysus and his Followers. Unknown, Roman, early Severan period, circa 195-200. Furnishings; Accessories. Marble

Iraq, Nimrud, archaeological site

Sculpture1968P23. Martyrdom of St Emerenziana, 1660. Terracotta relief. Artist: Ercole Ferrata

Romanesque art in the National Art Museum of Catalonia,Barcrelona,capitals of Santa Maria de Besalú (XII century AC).

Entry of Alexander the Great into Babylon, or The Triumph of Alexander. Dated: 18th century. Dimensions: overall: 30.8 x 22.9 cm (12 1/8 x 9 in.) framed: 43.4 x 35.6 cm (17 1/16 x 14 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: After Charles Le Brun.

Musée National d'Athènes, 1783, relief d'Echélos, revers, divinités locales , Bas-reliefs, Antiquities, Gods, Goddesses, Votive offerings. Nicholas Catsimpoolas Collection

Relief depicting Pharaoh Menes and Babylonian Ruler Hammurabi. US Supreme Court, Washington DC. USA.

Delphi (archaeological site), Greece exposed in the open-air in front of the museum, the sarcophagus of Meleagre (face of griffons) , 1913 - Balkans, Italy - Jean Brunhes and Auguste Léon - (September - October 23) (French - Delphes ( site archéologique ) , Grèce Exposé en plein-air devant le musée , le sarcophage de Meleagre ( face des griffons )). Museum, represented animal , fantastic animal, tomb, archaeological vestige, funeral architecture, sculpture, bas-relief, legend , myth, Greco-Roman polytheism, Antiquity, religious architecture, Animal , Habitat , Architecture , Art , Religion, Greece, Delphi, museum, the other side of the sarcophagus of n ° 1396 in front of the museum

Marble sarcophagus, Delphi, Greece

Pergamon Altar. Built by order of Eumenes II Soter. 164-156 BC. Marble and limestone. Gigantomachy. South frieze. The three-faceted goddess Hecate fighting with a torch, a sword and a lance against the giant Klytios (he doesn't appear). Next to her is Artemis fighting with a bow and arrow against a Giant who is perhaps Otos. Her hunting dog kills another Giant with a bite to the neck. Pergamon Museum. Berlin. Germany.

Bronze door with the image of the life of St. Paul: The Beheading of St Paul, basilica of Saint Paul Outside the Walls, Rome, Italy

Sarcophagus with lid and 4 unjoined fragments; Unknown maker, made in an Attic workshop; Athens, Greece, Europe; about 180 - 220; Marble; Object (Sarcophagus Body): H: 134 x L: 211 x W: 147 cm (52 3/4 x 83 1/16 x 57 7/8 in.), Object (Sarcophagus Lid): H: 100 x W: 95 x L: 218 cm (39 3/8 x 37 3/8 x 85 13/16 in.)

Winter (one of a set of four). Artist: After a model by Edme Bouchardon (French, Chaumont 1698-1762 Paris). Culture: French. Dimensions: Overall (confirmed): 20 3/8 × 33 7/8 × 2 in., 60 lb. (51.8 × 86 × 5.1 cm, 27.2 kg). Date: probably mid-18th century.This set of four Seasons (35.104.1-.4) are copies at reduced scale of limestone reliefs on Bouchardon's fountain in the rue de Grenelle, Paris, commissioned in 1735 and finished in 1745. Museum: Metropolitan Museum of Art, New York, USA.

Teseo encuentra las armas de su padre en presencia de Etra, siglo I antes de Cristo, arcilla con restos de policromia, Italia, coleccion Campana.

Trajans Column is a Roman column commemorating the Roman Emperor Trajans victory in the Dacian Wars. Located in Trajans Forum, north of the Roman Forum. The spiral Bas Relief artistically describes the epic battles between the Romans and Dacians. Completed in 113 AD. Rome. Italy 2013

Detail of carvings on a wall at maritime station in the historic centre of Vigo, Galicia, Spain

Assurbanipal hunting lions. Relief discovered in Ninive, capital of the Assyrian empire, known today as Tell Kouyoundjik and Tell Nebi Younous in Irak. 650 B.C.. London, British Museum. Location: BRITISH MUSEUM. LONDON. ENGLAND.

Antoninus Pius (86-161). Roman Emperor (138-161). Also known as Antoninus. 2nd. century. Apotheosis of the emperor. Relief at the base of the column of Antoninus Pius. Vatican Museums. Vatican City.

Trajans Column is a Roman column commemorating the Roman Emperor Trajans victory in the Dacian Wars. Located in Trajans Forum, north of the Roman Forum. The spiral Bas Relief artistically describes the epic battles between the Romans and Dacians. Completed in 113 AD. Rome. Italy 2013

Funerary stele of Publius Longidienus. Lower register. Scene of shipbuilding. Limestone. 1st century AD. Ravenna. National Museum, Italy.

Ludovisi Battle sarcophagus. 3rd century. Roman era. Battle scene between Romans and Goths. National Museum of Rome. Latera relief. Roman standard. Altemps Palace. Rome. Italy. Italy.

Mithraic relief. Remains of the origianl colour and gilding, shows a tauroctonia, the slaughtering of the bull by Mithras. From Mithraeum of the Castra Peregrinorum. End 3rd century AD. The sun god (Helios) by charriot National Roman Museum. Rome. Italy.

Effigy depicting King Richard I of England (1157-1199) King of England, Duke of Normandy, Duke of Aquitaine, Duke of Gascony, Lord of Cyprus, Count of Poitiers, Count of Anjou, Count of Maine, Count of Nantes, and Overlord of Brittany. Dated 12th Century

Gravestone of Mynnia; Greece (Attica); about 370 B.C; Marble; 97.8 × 43.8 × 5.1 cm (38 1,2 × 17 1,4 × 2 in.)

Bas relief mural detail on wall, Orvieto Cathedral, Orvieto, Terni Province, Umbria, Italy

scene of the conquest of Majorca,Memorial Cross landing in Gran Via de la Creu. Santa Ponça, It was inaugurated in 1929, on the occasion of the commemoration of the seventh anniversary of the conquest, Calvia, Mallorca, Balearic Islands, Spain.

satyr statue Dresden An image of a satyr statue in Dresden Copyright: xZoonar.com/magannx 2789584

North Italian 16th Century, Mars and Victory, with Three Warriors, 16th century Mars and Victory, with Three Warriors

Detail of a Phoenician board for the Egyptian game of Tjan, 16th century BC. Artist: Unknown

Deatil of Trajans Column Rome 2013. Commenmorating Roman Emperor Trajans victory in the Dacian Wars.

Low angle view of statues carved on the wall of a castle, Castel Nuovo, Naples, Italy

Assyrians. Upper Mesopotamia. Palace of Ashurbanipal, Nineveh, Iraq. 7th century BC. War chariot and riders of the Assyrian army. Alabaster. Louvre Museum. Paris, France.

Detail of the entrance door, decorated with relief, Villingen Minster, Old Town, Villingen-Schwenningen, Baden-Wuerttemberg, Germany, Europe

Ancient relief of the Achaemenid, frieze, archaeological relic from the ancient Persian city of Persepolis, flowers and three lions, National Museum of Iran, Tehran, Iran, Asia

Marble sarcophagus with reliefs depicting Meleager's death, 180 a.d. circa

Campania Salerno Salerno-S. Matteo, Cathedral05. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

th, Karlskirche, relief on a triumphal column, Gerlach , Wiedling Buch- und Kunstverlag, publishing house

Greek warrior. Hellenistic. 1st century BC. From Rhodes. British Museum. London. England. United Kingdom.

Bas relief of men and dead boar. Unknown

Parthenon. Elgin Marbles. South Frieze. Cavalcade. Detail. Acropolis, Athens, Greece. 438-432 BC. British Museum. London. United Kingdom.

Campania Napoli Naples S. Lorenzo Maggiore55. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Medal of the French Section at the World and International Exhibition of Ghent, 1913 Ren� Gr�goire (1871-1945). Medal of the French section at the World and International Exhibition of Ghent. Bronze, 1913.

Hearing stone with the representation of Daniël, who subjects the two elders from the history of Suzanna individually to an interrogation, Anonymous, c. 1550 - c. 1600 Hearing stone with the representation of Daniël, who subjects the two elders from the history of Suzanna separately to an interrogation. Southern Netherlands (possibly) earthenware Hearing stone with the representation of Daniël, who subjects the two elders from the history of Suzanna separately to an interrogation. Southern Netherlands (possibly) earthenware

Italy. Milan. Cathedral. Gothic. 14th century. St. Jerome visited by an angel. Relief. West facade.

Roman art. Bas-relief. Boy with a horse, probably Castor taming his horse, acompanied by a dog. Found in the pantanella of Hadrian's Villa at Tivoli. 125 AD. British Museum. London. England. United Kingdom.

Plaster-cast from Trajan's Column, detail, Roman soldiers setting up camp

Column of Marcus Aurelius (Barbarian Embassy) circa 180-192 A.D.

Roman sarcopahgus of Titus Flavius Trophimas. Craftsmen at work, cobbler. 2nd century AD. From Ostia. Italy. National Roman Museum. Rome. Italy.

Early Christian. Roman sarcophagi. Rural scene. Hand milking. 3rd- 4th C. Vatican Museums.

Parthenon Marbles. Classical Greek. Ca. 447-438 BC. Acropolis, Athens. Metope from the Elgin marbles depicting a Centaur and a Lapith fighting. Supervision by Phidias. The British Museum. London. UK.

Imitation of a Relief of Asklepios and Hygieia. Unknown

Grave Stele of a Warrior, c. 390 BC. Greece, Boeotia, 4th Century BC. Marble; overall: 111.8 x 68.6 x 11.5 cm (44 x 27 x 4 1/2 in.).

Athens - sculptural fragment, Parthenon frieze. Dimitrios Constantin (Greek, active 1858 - 1860s)

Fireplace, time Louis XIV, Hotel owned by Mr Adolphe Jullien (1890), 10 rue Aubriot, 4th arrondissement, Paris. Marsh. Hotel owned by Mr Adolphe Jullien, chimney plate, Louis XIV period, 10 rue Aubriot, Paris (IVEM ARR.). Anonymous photography. Draw on albuminum, 1890.

Model of Trajan's Column in Rome, detail representing collecting of tree trunks for building ship

Sculpture on wall of Mahanavami (Dasara) Dhibba ; Hampi Vijaynagar ruins ; Karnataka ; India

Léopold Morice (1846-1920). "January 30, 1875, vote of the Republic". Patinated plaster. 1879. Museum of Fine Arts of the City of Paris, Petit Palais. 144755-25

Sculptures on the Arch of Triumph, Paris. Attributed to Frederick Langenheim (American, born Germany, 1809 - 1879)

Byzantine warriors. Byzantine ivory casket. 11th cent. TURKEY.

EL REY CAZANDO - RELIEVE DEL PALACIO DE NINIVE - SIGLO VII AC. Location: BRITISH MUSEUM. LONDON. ENGLAND. SARDANAPALO. ASURBANIPAL. ASSURBANIPAL.

The Triumph of Poverty. Dated: 16th century. Dimensions: overall: 6.5 x 12.4 cm (2 9/16 x 4 7/8 in.) gross weight: 162 gr. Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: Flemish 16th Century.

Frieze with decorative reliefs, by Alberto Bazzoni (1889-1973), central room, Royal Hall, Royal Pavilion, Milano Centrale railway station in 2007, Milan, Lombardy, Italy. Detail.

Jozef Pilsudski; Bohdanowicz, Jadwiga (1887-1943); 1934 (1934-00-00-1934-00-00);

Allegory of Music. Dated: c. 1500. Dimensions: overall: 11.5 x 7.1 cm (4 1/2 x 2 13/16 in.) gross weight: 158 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: Probably Venetian 16th Century.

Three reclining naked men (river gods), anonymous, after Domenico Beccafumi, 1540 - 1600, Domenico Beccafumi, draughtsman: anonymous, 1540 - 1600, paper, brush, brush, h 194 mm × w 313 mm

Agriculture, by Andrea Pisano, 1334-1336, original relief from the Campanile, Museo dell'Opera del Duomo, Florence, Tuscany, Italy, Europe

Henry Cros. "Centaur and Dryade, plaque". Terracotta. Museum of Fine Arts of the City of Paris, Petit Palais. 26987-16 Centaur, decoration, dryade, Greek, terracotta, mythology, plaque

Bas Reliof in the north wall of the Borobudur; Ditto 2nd Go. Youth stories of Siddhartha in Lalitavistara and Avadana.

Cambodia Angkor Angkor Wat Unpublished image 10. Swaan, Wim. 1966 or earlier Photographic production materials for Lost Cities of Asia: Ceylon, Pagan, Angkor Photographs of architecture were selected and digitized from these materials. Portraits, ethnographic images, and images of museum objects were excluded. Digital images are arranged geographically, first by country, then by city, then by site complex or monument, with all names in alphabetical order. Location names are derived from the Getty Thesaurus of Geographic Names (TGN)®, Library of Congress subject headings, and scholarly publications. Published images are followed by unpublished images. Versos of prints and slide mounts were not digitized. The information in any handwritten identifications found on these surfaces was incorporated into the metadata for individual images. All digital images are cropped to the edge of the frame and are not color-corrected. Photographic production materials for Lost Cities of Asia: Ceylon, Pa

Alexander's sarcophagus is a modern name for a well-preserved, magnificent marble sarcophagus made around 325 BC. It was found in 1887 by the Turkish archaeologist Osman Hamdi Bey, Historic, digitally restored reproduction of a 19th century original, exact date unknown

North Italian 15th or 16th Century, Martyrdom of Saint Sebastian, late 15th early 16th century Martyrdom of Saint Sebastian

Death of St. Mary of Egypt. (Giuseppe Mazzuoli; Volterra 1644-I725 Rom; about 1675 Gebrannter Ton )

Roman sarcophagus panel. Hades abducting Persephone. Third quarter of the 2nd century AD. Marble. The State Hermitage Museum. Saint Petersburg. Russia.

APOLLODORUS OF DAMASCUS (60-129). Column of Trajan. 110. ITALY. Rome. Forum of Trajan. First Dacian War. II Campaign. Roman boat over the Danube. Roman art. Early Empire. Relief on marble.

The Aeneid explains that Aeneas is one of the few Trojans who were not killed or enslaved when Troy fell. Aeneas, after being commanded by the gods to flee, gathered a group, collectively known as the Aeneads, who then travelled to Italy and became progenitors of Romans

Stone carving at Borobudur, UNESCO World Heritage site, Java, Indonesia (Large format sizes available)

'Vase "The Sacrifice of Iphigenia"'. Type "The Medici Vase", Italy, XVII century. Reconstruction. Ancient Rome, 2nd century A.D. Dimensions: h. 157 cm. Museum: State Hermitage, St. Petersburg.

Plaque; The Apotheosis of Virgil Jasperware; English, Staffordshire, Etruria, Wedgwood, designed by J. Flaxman jnr., 1787

Front of a Sarcophagus with the Myth of Endymion; Unknown; Roman Empire; about 210; Blue-gray Marble; Object: H: 54.3 x W: 10.2 x L: 214 cm (21 3/8 x 4 x 84 1/4 in.)

The reconstructed Balawat Gates which adorned the main doors of several buildings at Balawat (ancient Imgur-Enlil), dating to the reigns of Ashurnasirpal II (r. 883-859 BC) and Shalmaneser III (r. 859-824 BC). Their extensive use of narrative art depicting the exploits of Assyrian kings has cemented their position as some of the most important surviving works of art of the Neo-Assyrian Empire. When the Neo-Assyrian Empire fell in 614-612 BC, Balawat was destroyed.

Pergamon Altar. Yadegar Asisi (born 1955). Artistic attempt to restore the North Frieze using the part of the frieze not shown in the panorama in order to complete the figures and scenes. Gigantomachy. Goddess Keto with a lion attack the giants. Pergamon Museum. Berlin. Germany.

The Conversion of St. Paul; Christoph Daniel Schenck, German, 1633 - 1691; 1685; Limewood; Object: 36.6 x 26.2 cm (14 7/16 x 10 5/16 in.)

Stone plate, Dr-Karl-Lueger-Platz square, Vienna, Austria, Europe

Detail from the Francois Vase, c6th century BC. Artists: Ergotimos, Kleitias.

Amphitrite on sea monster, niche pediment from Anhas, Morocco

Etruscan urns in the Hypogeum of the Volumnus family, Perugia, Umbria, Italy, 2nd century BC.

Bulgaria, Central Mountains, Shumen, Partisan's Monument

The Niederwald Monument is a monument in the Niederwald Landscape Park near Ruedesheim am Rhein in Hesse, Germany. The relief The Return of the Victor, Historical, digitally restored reproduction of a 19th century original

Lazio Roma Rome Forum Romanum. Hutzel, Max 1960-1990 Antiquities: general and detail views of the Forum Romanum, views to Colosseum, Forum of Augustus German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Team of Helios, Metophen of the Tempesl Selinunte, Museo Archeologico Regionale Antonino Salinas, Collection of Etruscan, Roman, Egyptian and Greek Works, Palermo, Palermo, Sicily, Italy, Europe

12/31/1905. It was found in Rome, near the church of Minerva, on the site occupied by the Temples of Isis and Serapi. It represents the river in the figure of an old man leaning on a sphinx and six children surrounding him, symbolizing the sixteen cubits that reached its floods.

Amphitrite on a hippocampus with Hymenaeus and Tritons. Detail. Mosaic at the Baths of Neptune. 2nd century. Ostia Antica. Italy.

CARRO PERSA RELIEVE DE UNA ESTELA PERSA. Location: ARCHAEOLOGICAL MUSEUM. ISTANBUL. TURQUIA.

The Apotheosis of Michelangelo and Allegory of The Tiber and Arno. Bartolomeo Ammannati (Italian, 1511 - 1592) about 1564 The Apotheosis of Michelangelo brings together a lively gathering of forty-four figures all celebrating the great artist. Michelangelo Buonarroti (1475-1564) is seen just left of the center, with the left hand on his chest and the other holding the square of the architects. In the middle is an altar with a burning flame and a Latin inscription. This inscription reads NIL SINE MAGNO VITA LABORE (Nothing is gained in life without great effort) and is an abbreviated version of a motto by the Roman lyric poet Horace (65-8 BCE) in his Satires (I, 9, 59). Many of the figures are depicted with such distinctive features that they suggest portraits. In the group at left, the female figure standing behind the kneeling man, with the left hand on her chest represents Laura Battiferri (1523-1589), a famous poetess and also the wife of Ammannati. In the group at right, in front o

Roman Art. Roman marble relief from a commemorative monument to the Battle of Actium (31 BC). Detail of a processional scene. Museum of Fine Arts. Budapest, Hungary.

An engraving on the Wellington Monument shows The Duke of Wellington during the Battle of Waterloo in 1815. Picadilly, Manchester, England, United Kingdom, Europe

Nilo - M. Vat. , Antiquities, Sculpture, Gods. Nicholas Catsimpoolas Collection

The Florence Baptistry or Battistero di San Giovanni (Baptistry of St. John) in Florence, Italy. The octagonal Baptistry stands in the Piazza del Duomo and was built between 1059 and 1128. The architecture is in Florentine Romanesque style. The Baptistry is renowned for its three sets of artistically important bronze doors with relief sculptures.

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