Historical Battle Scenes

Dramatic depictions of historical battles featuring figures on horseback, carriages, and weapons, highlighting themes of conflict and adventure.

France, French Crown, Paris, Henriet, Israel, Bella, Stefano della, Diverses exercices de cavalerie, Diverse exercises of the cavalry, Rider on horseback leading the troops, verso - stamped, print, prints, height 86 mm, width 68 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1590 - 1661, publisher, uitgever van privilege

Anonymous (Copy Tempesta, Antonio) / 'Scene from a Cavalry Battle'. XVII century. Wash, White lead, Pencil, Pencil ground, Grey-brown ink on brown paper. Museum: Museo del Prado, Madrid, España.

Drawing by Fritz von Dardel dated 1839 with the text "How far have we been forward". Two men in a horse -drawn cart with clay up to the wheel hub. Nordic Museum Inv.nr. 67.481 Nordic

drawing by F. Barrias: Virgil scene from the Georg Icon, boy learns teams, Anonymous, 1858.

His Grace the Duke of Hamilton and Brandon etc., William Ward, 1766-1826, British, after George Garrard, 1760-1826, British, 1797, Mezzotint, Sheet: 18 1/2 x 23in. (47 x 58.4cm)

Sitting man at a wheelbarrow with hay, Anthonie Willem Hendrik Nolthenius de Man, 1828 print Nijmegen paper etching agricultural products and by-products: hay. wheelbarrow. sitting figure

Ninth Slede, Nicolaas van der Worm, After Abraham Delfos, 1776 print The ninth sledge in the parade. A sledge with the personification of justice, pulled by a horse. Part of a series of twelve plates (before the number and on other paper) of the Sleedevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude On the occasion of the second centenary of the Leiden Relief (October 3, 1574) and the establishment of The University of Leiden (8 February 1575). Northern Netherlands paper etching / engraving commemoration of the founding of a university. sledge, sleigh (winter sports). Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues Leiden

. .

Dordrecht, Steuerwald & Co., Koningh, Leendert de, Drawings after Animals, Two cows and a farmer's wife, The farmer's wife carries a yoke with a bucket and a barrel of milk attached to it. This print belongs to a series of six prints, bound together with a title page., print, prints, height 325 mm, width 460 mm, 1777-04-12 - 1849-06-08, print maker, printmaker, 1826 - 1826, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, publisher

Le Matin(Morning). Artist: Charles-Émile Jacque, French, 1813-1894

Excellent end of the Julymonarchy

Etching by Nicolaes Pietersz. Berchem depicting various scenes with shepherds, produced in the mid-17th to 18th century.

The Death, Samuel Howitt, 1756-1822, British, undated, Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, blued white, laid paper, Mount: 9 7/16 × 11 3/4 inches (24 × 29.8 cm) and Sheet: 7 × 9 7/16 inches (17.8 × 24 cm), dogs (animals), fox (animal), fox hunting, horn, hunting, horseback riders, horseback riding, horses (animals), hounds (dogs), hunt, hunters, hunting, men, sporting art

Chevaux de Ferme, 1823, Jean Louis André Théodore Géricault, French, 1791 - 1824, 7 1/2 x 8 1/2 in. (19.05 x 21.59 cm) (image), Lithograph, France, 19th century

The shepherd behind the tree (DuTUIT 23) Karel Dujardin (1622-78). The shepherd behind the tree (DuTUIT 23). Forte, 1655. Museum of Fine Arts in the city of Paris, small palace.

Rijn, Rembrandt van, The Good Samaritan, verso lower left - stamped, print, prints, Rembrandt. f. cum priv.l. 1633, middle bottom - pen in brown, height 251 mm, width 203 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1633 - 1633, second quarter 17th century, paper, papier, etching, etchings, drypoint, dry needle, burin, Work conception, after own design by

Russian nobles and travelers on sleds and sleighs on a frozen river, and men on a horse-driven carriage on the riverbank, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Florence, 1847.

The Good Samaritan. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet: 10 5/16 × 8 3/8 in. (26.2 × 21.3 cm)Plate: 10 3/16 × 8 1/16 in. (25.8 × 20.5 cm). Date: 1633.This etching depicts the final scene in the parable of the Good Samaritan (Luke 10:25-37) in which the Samaritan stopped to help a traveler who had been attacked by robbers. Here he has brought the wounded man on horseback to an inn and pays for the man's care and lodging. The is one of two etchings in which Rembrandt reproduced his own paintings; the other is Christ Before Pilate (see inv. No. 17.37.75). The Good Samaritan repeats with a number of variations the composition of his painting in the Wallace Collection, London. Among Rembrandt's additions here to the largely empty foreground that appeared in the painting is the defecating dog that adds a note of everyday reality to the biblical scene.The Met has four impressions of the Good Samaritan, one of the extremely rare first s

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), landscapes and ruins of Rome. The pyramid of Caius Cestius. Eleventh number of a suite of 13 pieces. (A. de Vesme 829; Dutuit 127) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Félix Hilaire Buhot, Feuilles d'Anes du Midi, 1873 Feuilles d'Anes du Midi

Netherlands, The Entry of Duke John of Bavaria into Leiden, On 18 August 1420, presented in a masquerade by HH Students of the Leiden University, on 8 February 1840, Masquerade of the entry of Duke John of Bavaria into Leiden on 18 August 1420 by the Leiden students on 8 February 1840, Procession nos. 52-54, Procession nos. 52-54: knight on horseback and squires of the duke. Part of the print series of the Masquerade of the entry of Duke John of Bavaria into Leiden on 18 August 1420 by the Leiden students on 8 February 1840., print, prints, Frederik Muller Historieplaten, height 230 mm, width 345 mm, print maker, printmaker, 1840 - 1840, second quarter 19th century, paper, lithography (technique)

Image reproduction: Jan Chełmiński (1851-1925), Return from the hunt; from: "Tygodnik Powszechny" 1879, No. 48 (November 30), p. 760; Chełmiński, Jan (1851-1925), unknown, Tygodnik Powszechny (Warsaw; magazine; 1877-1885); 1879 (1879-00-00- 1879-00-00); was downloaded from the Muse of the National Museum in Warsaw; graphic / convex printing / woodcut / stormy woodcut; fiber / paper products; Di 69997 MNW; all rights reserved.

A Livery Stable, Thomas Rowlandson, 1756-1827, British, undated, Watercolor and graphite with pen and red-brown ink, pen and gray ink, and pen and brown ink on medium, slightly textured, beige, wove paper with pen in gray ink line and gray wash borders, Mount: 8 15/16 x 12 3/8 inches (22.7 x 31.4 cm) and Sheet: 5 7/16 x 8 11/16 inches (13.8 x 22.1 cm), bucket (vessel), buildings, chickens, dog (animal), doorways, genre subject, horses (animals), men, stable (carriage house), windows

Where can we be better than within his family. (IT)

Au ChevalBlanc. Artist: Joseph Volmar, French, 1796-1865

Three on Sver Kov, Nikolaj Egorovi (1817-1898); 19th century (1801-00-00-1900-00-00);Russian painting, sleds, snow

Vatican City, Papal Court, Langlois, François, Italy, Tempesta, Antonio, Ordine che tiene il gran Turco quando cavalca, Cavalcade for the departure of a sultan, verso - stamped, Part of a parade with soldiers on horseback and artists, on the occasion of the departure of a sultan. Captions in Italian in bottom margin., print, prints, height 100 mm, width 460 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1599 - 1647, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilege

Francisco de Goya (1746-1828), Pepe Those deed (2. Composition), 1815-1816

Uniformen van de Hollandse Garde te Amsterdam. Twee Hollands Gardes 't Amsterdam in Garnisoen in het jaar 1787 (title on object). Draughtsman: S.G. Casten. Dating: 1795 - 1796. Place: Amsterdam. Measurements: h 197 mm × w 310 mm. Museum: Rijksmuseum, Amsterdam.

Spanish school. Pepe Illo distracting the bull's attention. Pepe Illo dando un quite al toro. Drawing. Madrid, Prado museum. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN. DELGADO JOSE. PEPE ILLO / PEPE-HILLO / PEPEILLO. DELGADO GUERRA JOSE.

Radża Lal Singh dokonujący przeglądu wojsk pod Lahaur. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

The Broken Cart-Rope 1835-1882 England. Watercolor, with touches of blue and pink gouache and red chalk, heightened with touches of white gouache, over traces of charcoal, on ivory wove paper . Hablot Knight Browne

James Ward, 1769-1859, British, A Farmhand Riding Side-saddle, Carrying an Urn, undated. Graphite on medium, smooth, cream, wove paper, mounted on, moderately thick, moderately textured, gray, laid paper.

Francisco de Goya y Lucientes / 'They play another with the cape in an enclosure'. 1814 - 1816. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.

Centaur with a Young Satyr. Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: 7 11/16 x 10 13/16in. (19.6 x 27.5cm). Date: 1727-1804. Museum: Metropolitan Museum of Art, New York, USA.

Jument Égyptienne (An EgyptianMare). Artist: Théodore Géricault, French, 1791-1824

Christ on Osio, and the 16th century at the "Oldness Exhibition" at the Museum of Industry and Agriculture; Masków, Stanis Aw (1853-1926); 1889 (1889-00-00-1889-00-00);Jesus Christ (iconogr.), Méyet, Leopold (1850-1912), Méyet, Leopold (1850-1912)-collection, Palm Sunday, palm donkey (iconogr.), Radziwiłł, Michał Kazimierz (1702-1762), Radziwiłł, Michał Piotr (1853-1903)-collections, Szydłowiec (Masovian Voivodeship), Wojciechowski, Konstanty (1841-1910), Wojciechowski, Konstanty (1841-1910)-collections, 16th century (sculpture), gift (provenance), church of St. . Zygmunta (Szydłowiec), donkeys, processions, sculptures, exhibitions

Sianocoses in Oberursel; Thoma, Hans (1839-1924); 1886 (1886-00-00-1886-00-00);

Reproduction of a painting: Kaczor-Batowski, Stanisław (1866-1946), `The Hill of Goodbye` Bohdan Zaleski; from: "Tygodnik Ilustrowany". Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Bas-relief, Ardeshirs I palace, Iranian city of Firuzabad. Fars Province, Persia, Iran. Persia, Chaldea and Susiana by Jane Dieulafoy 1881-1882. Old 19th century engraving from Le Tour du Monde 1906

Dr. Syntax Sketching the Lake. Date/Period: 1812. Genre subject. Watercolor with pen and red-brown ink over graphite, gold edge trimmed paper, with pen and maroon and brown ink lines on wove paper mount, on thick, matting board. Height: 137 mm (5.39 in); Width: 186 mm (7.32 in). Author: Thomas Rowlandson.

City square in rain with carriages. Draughtsman: Pieter de Josselin de Jong. Dating: 1871 - 1906. Measurements: h 293 mm × w 443 mm. Museum: Rijksmuseum, Amsterdam.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), three standing soldiers, their spike in hand. Third number of a series of 13 pieces (A. de Vesme 106. Dutuit 85) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Italy, Tempesta, Antonio, His ducibus princeps celebraberis ore viroru illa homines beat haec sideribusq locat, Horses from different countries, Horse running down a hill, seen from behind, verso sheet - stamped, Text in Latin in bottom margin., print, prints, height 141 mm, width 165 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1590 - 1590, paper, papier, etching, etchings, Work conception, after own design by

Two horses in harness, verso: Gothic window with tracery. Schadow, Albert Dietrich (1797-1869), draughtsman, cartoonist

Coaching: The Early Delivery, John Harris, 1811-1865, British, after William J. Shayer, 1811-c.1885, British, 1863, Aquatint, hand-colored, Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)

The Hague, Schermer, Cornelis Albertus Johannes, Horse getting horseshoes in a smithy, verso lower right - stamped, In the foreground a man is shoeing a horse's hoof. Behind him a blacksmith is working at an anvil in a smithy., print, prints, height 144 mm, width 114 mm, Dutch, 1824-06-12 - 1915-01-04, print maker, printmaker, 1839 - 1915, paper, papier, etching, etsen

The Plow (La charrue). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

The Milkmaid, Lucas van Leyden, 1510 print Low Countries paper engraving milkmaid. bovine cattle

A Side Street in the Grandes Carridres Quarter 1901 France. Color etching, aquatint and drypoint, printed la poupÈe, on ivory wove paper . Edgar Chahine

Fighting scene with riders, right Jael and Sisera, draughtsman: Hans Bock (der Jungere), draughtsman: Hans Bocksberger (der Jungere), draughtsman: Hans Vischer, 1500 - 1600, paper, brush, pen, h 92 mm × w 300 mm

Pieter Meulener / 'Carga de caballería', First half 17th century, Flemish School, Oil on copper, 25 cm x 32 cm, P02527. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

'Panton's Doctor': With Jockey Up, Walking to Left, James Seymour, 1702-1752, British, undated, Graphite on medium, slightly textured, cream, laid paper, Mount: 16 × 22 inches (40.6 × 55.9 cm), Contemporary drawn border: 9 1/4 × 12 1/16 inches (23.5 × 30.6 cm), and Sheet: 8 1/8 × 10 15/16 inches (20.6 × 27.8 cm), figure study, horse (animal), horse racing, jockey, man, sporting art

Le Maréchal Français. Léon Cogniet (France, Paris, 1794-1880). France, 1822. Prints; lithographs. Lithograph

French 18th Century after Jean-Baptiste Oudry, Arrival at an Inn, 18th century, pen and brown ink with watercolor on light blue-green laid paper

Arab Standing by aHorse. Artist: Unknown Artist, formerly attributed to: Théodore Géricault, French, 1791-1824

Victorious, with Jockey Up, James Seymour, 1702-1752, British, undated, Graphite on medium, moderately textured, beige, laid paper, Sheet: 5 7/16 × 7 1/2 inches (13.8 × 19.1 cm), figure study, horse (animal), horse racing, jockey, man, sporting art, whip

Riders resting at an inn, draughtsman: Hendrik Verschuring, 1637 - 1690, paper, pen, brush, h 266 mm × w 190 mm

La Reine Christine, L'Impératrice Eugénie, L'Empeur. "The French Emperor Napoleon III on horseback at Sartory, July 1853. Watercolor by Fritz von Dardel Nordic

Suerte X: A torero prepares to stab the bull. Artist: Anonymous, Spanish 19th century; After Antonio Carnicero (Spanish, 1748-1814). Dimensions: Sheet: 8 1/4 × 12 5/8 in. (21 × 32 cm). Date: ca. 1850-80.Copied from a print in Carnicero's series of etchings 'Colección de las principales suertes de una corrida de toros' (Collection of the main actions in a bullfight) published 1787-90. Museum: Metropolitan Museum of Art, New York, USA.

The Kill, Samuel Howitt, 1756-1822, British, 1792, Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 18 7/8 × 27 1/4 inches (47.9 × 69.2 cm)

Cartoon on the Minister of Colonies, 1863, 1863 print Cartoon on the French of the Putte, Minister of Colonies, who controls a chariot drawn by two wild horses 'free labor' and 'government culture'. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 10, 7 March 1863. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper chariot, triumphal car

Dessin original pour les "Maîtres de l'Affiche".. Crafty, 1840-1906. text. Prints, Posters. 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Marseille dinner in Champs-Elysees Jean-Louis Prieur (The Young) (1759-1795). "Dinner of Marseille to Champs-Elys�es, July 30, 1792".

Indians. Dated: c. 1940. Dimensions: overall: 26 x 42.1 cm (10 1/4 x 16 9/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Raymond Neumann.

Funeral in the Campagna, draughtsman: Johan Daniël Koelman, 1841 - 1857, paper, pen, brush, h 340 mm × w 495 mm

Currier & Ives Illustration 19th Century. 'Trotting cracks' at the Forge (original drawing by Thomas Worth, from which the print was made.)

Delfos, Abraham, Noordelijke Nederlanden, Worm, Nicolaas van der, Sleigh ride of the Leiden society Veniam Pro Laude in 1776, First sleigh, Northern Netherlands, verso - handwritten, The first sleigh in the procession. A Frisian sleigh with a groom preceded by two riders in armor with torches. Part of a series of twelve plates (before the number and on different paper) of the sleigh ride on January 24, 1776 organized by the Leiden society Veniam Pro Laude on the occasion of the Second Centenary of the Relief of Leiden (October 3, 1574) and the founding of Leiden University (February 8, 1575)., print, engraving, prints, engravings, Frederik Muller Historieplaten, verso - stamped, Finished proof, N vd worm, height 225 mm, width 436 mm, Noord-Nederlands, 1757-03-16 - 1828-05-12, print maker, printmaker, 1776 - 1776, paper, etching, etchings, engraving (printing process), 1731-03-08 - 1820-07-13, intermediary draughtsman

Amsterdam, Tresling & Comp., Binger, Gebroeders, Netherlands, Historical and Allegorical Procession in Amsterdam. May 12, 1874, Plate 17. - Association of Retailers, Manufacturers and Journeymen in the Trade of Gold, Silver and Diamond Works, Historical costumed procession in Amsterdam on the occasion of the 25th anniversary of the reign of King William III in 1874 (plate 17), Plate no. 17 with the part of the procession with members of the Association of Retailers, in historical costume. Part of a series of 24 plates of the costumed historical and allegorical procession held in Amsterdam on 12 May 1874, as part of the festivities celebrating the 25th anniversary of the reign of King William III., print, prent, prints, Frederik Muller Historieplaten, height 115 mm, width 365 mm, print maker, printmaker, 1874 - 1874, paper, papier, lithografie (techniek), Publication (Event), Publicatie, publisher, uitgever, Nederlands, printer, drukker

Design for a print, Design for illustration for The Colossus of the Nineteenth Century by P.J. Andriessen (Textill., p. 44), scene from the life of Napoleon., draughtsman: George Lodewijk de Wetstein Pfister, 1877 - 1942, paper, pen, brush, h 159 mm × w 219 mm

Textile, Jean-Baptiste Huët, (French, 1745-1811), Oberkampf & Cie., (Jouy-en-Josas, France, 1759-1815), Medium: cotton Technique: printed by engraved plate on plain weave, 'The miller, his son and the Ass' printed in red., Pastoral scenes., Jouy, France, late 18th-early 19th century, printed, dyed & painted textiles, Textile

TAUROMAQUIA 29 - PEPE ILLO HACIENDO EL RECORTE AL TORO 1815 - AGUAFUERTE, AGUATINTA, PUNTA SECA Y BURIL - 248 x 356 mm. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. DELGADO JOSE. PEPE ILLO / PEPE-HILLO / PEPEILLO. DELGADO GUERRA JOSE.

Dr Syntax outside the Halfway House. Date/Period: 1821. Painting. Watercolor. Height: 229 mm (9.01 in); Width: 243 mm (9.56 in). Author: Thomas Rowlandson.

Set of sixteen: Outlines of Figures and Landscapes, Thomas Rowlandson, 1756-1827, British, 1790-1792, Etching, colored by hand, Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)

A Village Bullfight, 1812-1814. Francisco Goya (1746-1828) Spanish painter and printmaker. Bullfighting, a traditional spectator sport of Spain, Portugal, Southern France and parts of Latin America has roots in prehistoric worship of the bull.

Cart Bearing a Large Tree Trunk, Paul Sandby RA, 1731-1809, British, undated, Gray wash with pen and gray ink over graphite on medium, moderately textured, cream laid paper mounted on moderately thick, smooth, cream wove paper, Mount: 6 7/8 × 10 1/2 inches (17.5 × 26.7 cm) and Sheet: 4 × 8 1/8 inches (10.2 × 20.6 cm), cart, driver, genre subject, horses (animals), lumber, trees, trunks, wagon

Hay-Makers, George Stubbs, 1724-1806, British, after George Stubbs, 1724-1806, British, 1791, Stipple engraving, second state, Sheet: 16 11/16 x 21 13/16in. (42.4 x 55.4cm)

Illustration of Paviours laying granite setts. Dated 19th Century

Four Test According to The Image of Józef Chełmoński. Chastate from the Weekly Illustrated 1889 (1) 36 Ciechomski, Walenty (N.N.), Chest Ski, Józef (1849 1914)

Black feder and gouache drawing by Oskar Laske depicting a Pietà on a wall with landscape in 1950, emphasizing figures and spatial composition.

'...the first thing they did find, Was a tatter't boggart, in a field...', 1880. Creator: Randolph Caldecott.

The Footbridge, before 1925. Auguste Brouet (French, 1872-1941). Etching;

This image shows a chariot race in the Circus Maximus by Ulpiano Fernández-Checa y Sanz(1860 -1916), known asUlpiano Checa, a Spanish painter, sculptor, poster designer and illustrator. He used bothimpressionisticandacademictechniques, and mainly painted historical subjects. The circus was a specific arena, shaped like a bullet, for the staging of chariot races, the largest of these was the Circus Maximus in Rome.

Times of Day/ Vesper, 1660, Netherlands, by Jan de Visscher, Nicolaes Berchem the Elder. Gift of Bishop Monrad, 1869.

Et ils veulent rattraper le train!!!. Honoré Daumier (1808-1879). Lithographs

Procession of the Veniam Pro Laude Society, Simon Fokke, After Johannes le Francq van Berkhey, 1776 print Solemn parade of the Veniam Pro Laude Society. Three numbered rows on one leaf. The figures in the parade are provided with further explanation under each row. print maker: Amsterdampublisher: Leiden paper etching periodic celebrations, popular feasts Leiden

'S is the Screw you can hire for the day - but as to his quality, I'm sure I can't say...' Date: 1929

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

Lazio Viterbo Bagnaia Villa Lante0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mock Joust of War with Flying and Exploding Shields, c.1512-1515, Freydal, The Book of Jousts and Tournaments of Emperor Maximilian I: Combats on Horseback (Volume I), pen and brown ink with watercolor over black chalk and leadpoint on laid paper, sheet: 34.3 × 26.3 cm (13 1/2 × 10 3/8 in.), German 16th Century (artist)

The Courtaud (B.11) Paulus Potter (1625-1654). The Courtaud (B.11). Engraving with faint water, 1652.

Carle Vernet (French, 1758-1836), A Mameluck Resting, lithograph

Utrecht, Dannenfelser, WF, Weijer, Pieter Wilhelmus van de, Hoevenaar, Willem Pieter, Netherlands, Our fatherland around the middle of the 17th century, presented by HH students, members of Mutua Fides, in celebration of the 220th anniversary of Utrecht University, on 25 June 1856, Colonies, Utrecht masquerade of 1856, plate 4, A procession of Dutch horsemen, Javanese princes, Bengali rajas and their envoys. Part of the group of seven plates with an explanation of the historical procession in masquerade performed by the students of the Mutua Fides association of the Utrecht University on 25 June 1856 on the occasion of the celebration of its 220th anniversary., print, prent, prints, Frederik Muller Historieplaten, height 498 mm, width 661 mm, print maker, printmaker, 1856 - 1856, paper, papier, lithografie (technique), met de handkleuren, Nederlands, 1808-03-07 - 1863-10-31, intermediary draughtsman, after a drawing by, 1816-04-05 - 1880-06-02, printer, drukker, Publication (Event), Pu

Depiction of Indian carts showing wooden structure, wheels, and pulled by oxen, drawn with pencil and watercolor.

Ludi equestres. Das Thurnieren (The Tournament). Artist: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Culture: German. Dimensions: 9 1/2 x 15 3/16 in. (241 x 385 mm). Date: ca. 1730.This print provides important visual evidence for the enduring favor shown by the German-speaking courts of eighteenth-century Europe for equestrian and martial activities originally developed during the Renaissance. Specifically, the print shows four horsemen practicing the course of the ring, a contest that required each of them to catch with the point of his lance a suspended ring while riding his horse at full speed.Although the course of the ring was immensely popular across sixteenth-century Europe, and gradually supplanted hazardous jousts and other forms of mock combats, over the late eighteenth century it quickly became outmoded, except in the German-speaking world. The Latin and German titles of this print aptly celebrate this remarkable continuity by equating the equestrian games (<i

Tiflis. From a painting by N. Chernetsov. 1839.

. Drawing from the album 'Travel in Italy, Sicily and Malta', 1778.

Bernini Fountain, Rome recto. Dated: c. 1867. Dimensions: overall: 21.3 x 13.8 cm (8 3/8 x 5 7/16 in.). Medium: gouache over graphite on two sheets of joined wove paper. Museum: National Gallery of Art, Washington DC. Author: Felix Octavius Carr Darley.

The Spottiswoode Ox, Print made by James Ward, 1769-1859, British, after Alexander Nasmyth, 1758-1840, British, Published by Anthony Cardon, 1772-1813, Flemish, 1804, Mezzotint and etching on medium, slightly textured, cream laid paper, Sheet: 20 1/4 × 25 1/2 inches (51.4 × 64.8 cm), Plate: 18 × 23 3/4 inches (45.7 × 60.3 cm), and Image: 17 7/8 × 23 3/4 inches (45.4 × 60.3 cm)

Print - ҁttack of the red skinӠfrom a drawing by Remington

Un chameau vu par la croupe. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

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