Historical Cityscapes

Engravings and prints illustrating city views and notable events, adorned with legends and historical context, showcasing urban heritage.

bekend, Hondius, Hendrick (I), Saen, Aegidius van, Den Haag, Tobias and the angel catch the fish in the Tigris, unknown, The Hague, verso - stamped, In a wide hilly landscape with trees and houses, Tobias catches the fish in the river Tigris, which he will cut open on the advice of the archangel Raphael and keep the heart, liver and bile to later cure Tobit and exorcise evil spirits. In the foreground on the left, Tobias and the angel sit, like small figures on the left bank of the river, while Tobias catches the fish. Right foreground, on the right bank, they continue their way in the company of the dog., print, prints, height 208 mm, width 286 mm, Noord-Nederlands, 1573-06-09 - 1650-10-25, print maker, printmaker, 1600 - 1600, paper, papier, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

Face of wismar; Wiismaria.

Panorama and map of the Antiquities in Finsta, Johannes Jacobsz van den Aveele, 1708 The print is part of an album. paper etching In finsta The print is part of an album. paper etching In finsta

View of Haarlem, 1726, 1726 print View of Haarlem, sheets are bleached in the foreground. Plate no. 310 in Part XIII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. At the bottom right, the letter H is scratched with the pen. print maker: Northern Netherlandspublisher: Leiden paper etching bleaching (laundering) Haarlem

View of the landscaped garden of Soestdijk Palace with strolling figures. The print is one of a series of sixteen views of Soestdijk Palace and its estate, Garden of Soestdijk Palace, Generale Afbeeldinge Vant Lust-Huijs en Hof van sijn Koninklijcke Majestijt van Groot Brittanie t Soest-Dijk (series title) Gesigt Van de Thuijn int Generaal , print maker: Hendrik de Leth, unknown, 1725 - 1747, paper, etching, h 133 mm × w 160 mm

BRAUN, George (1541-1622). Civitatis Orbis Terrarum (Theatrum orbis terrarum). 1572-1617. Bilbao (1575). Volume II. Etching. SPAIN. CATALONIA. Barcelona. Historical Archive of Barcelona.

Illustration for Basedow's 'Elementary Work'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1770. Prints; etchings. Etching

Morocco Sultan Palace (plate 5), 1640-1641; Palatium Magni Regis Maroci, in Barbaria. Face the palace of Morocco Sultan in Marrakech, at the time of the visit by the Judgment on a trade mission on behalf of the States General led by Antonius de Liedekercke, from November 1640 to April 1641. The Palace (probably the El- Palace Badi) from the Sultan Mohammed Esh Sheikh Es Seghir (indicated by the printed as Muley Hamet). Fifth plate in an unassembled ensemble consisting of five prints and 4 text sheets. At the top of a cartouche with the weapon of Liedekercke and the last part of the banderole with the title; In the foreground members of the local population and street musicians.

Amsterdam, Visscher, Claes Jansz. (II), Bast, Pieter, Landscapes with biblical scenes, Tobias and the angel; in the background the Old Church in Middelburg, verso middle - stamped, View of Middelburg with the Old Church visible behind the city walls. In the foreground Tobias and the angel by the fish., print, prints, height 126 mm, width 170 mm, 1570 - 1605-03-17, print maker, printmaker, 1598 - 1598, fourth quarter 16th century, paper, engraving, engraving (printing process), Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Cephalus discovers the dying procris ..

View of Haarlem (left leaf), Jan van de Velde (II), after Pieter de Molijn, 1726 - 1750 print Left leaf of a face on Haarlem, seen from the north. At the top left a cloud containing the weapon of Haarlem with weapon preach (Vicit Vim Virtus), worn by two tritons. To the right of that the weapon of the Graafschap Holland. Bottom left on a stone the legend 1-23. In the foreground a shepherd with a herd of cows at the ruin of Huis ter Kleef. print maker: Northern Netherlandsafter design by: Haarlempublisher: AmsterdamHaarlemHaarlemHaarlem paper etching prospect of city, town panorama, silhouette of city. triton(s). coat of arms (as symbol of the state, etc.) (+ city; municipal). landscape with ruins. ruin of a dwelling, house, castle, etc.. cattle driving, cattle driver Haarlem. House Ter Kleef

The Splendid Foundation of the Old White King, from Der Weisskunig. Artist: Hans Burgkmair (German, Augsburg 1473-1531 Augsburg). Author: Marx Treitz-Sauerwein von Ehrentreitz (died 1527). Dimensions: Sheet: 8 7/8 × 7 3/4 in. (22.5 × 19.7 cm). Engraver: Jost de Negker (1480-1546). Series/Portfolio: Der Weisskunig. Date: printed 18th century.Der Weisskunig (the white king) is a loosely biographical account of the life of Emperor Maximilian I. The text, composed by Maximilian's secretary Marx Treitz-Sauerwein, is accompanied by illustrations by Burgkmair, Leonhard Beck, Hans Schäufelein, and Hans Springinklee, with the proofs completed between 1514 and 1516. However, they remained unpublished until the blocks were rediscovered in 1775, at which point they were published as a book by Hoffstätter in Vienna. The first edition was published again in 1799 by S. Edward in London with the French title, "Tableaux des principaux evénemens de la vie et du regne de l'empereur Maximilien I." It inc

Giovanni Battista Piranesi, Veduta delle Terme di Tito, 1775 Veduta delle Terme di Tito

CUENCA - 1565 - DIBUJO - AGUADA - 355X1110 MM. Author: ANTON VAN DEN WYNGAERDE 1512 o. Location: BIBLIOTECA NACIONAL-COLECCION. WIEN. AUSTRIA.

Two faces on Dunkirk, Anonymous, 1652 print Above a face on Dunkirk from the sea, with a number of ships in the foreground. In the background the city, including the old Sint-Eligius church and the town hall. At the top left the Wapen van Vlaanderen and the top right the Wapen van Dunkirk. Under a face on Dunkirk from the country, with the voyage to Veurne in the foreground, walking figures and figures on small boats. With Dutch text on Verso. paper etching / engraving / letterpress printing prospect of city, town panorama, silhouette of city. coat of arms (as symbol of the state, etc.) (+ province; provincial). coat of arms (as symbol of the state, etc.) (+ city; municipal). sailing-ship, sailing-boat. rowing-boat, canoe, etc.. firearms: cannon. church (exterior) Dunkirk

Courtyard with a statue of a river god in a rectangular pond, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, 1601 print Inneration with a statue of a river god in a rectangular pond. This print is part of an album. Antwerp paper etching architectural representations in general. courtyard. garden pond. river-gods

Illustration for 'The Labor of Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672 print Floor plan for part of a fortress, fort or reinforcement. Below that a face on a city in a mountainous area (Rethel). In the corner at the top right, the number 46 (= the number of the page in the book on the other hand the illustration has been placed). Amsterdam paper etching fortifications, military engineering. mathematics. prospect of city, town panorama, silhouette of city. mountains Rethel

France, French Crown, Paris, Henriet, Israel, Bella, Stefano della, Views of ports de mer, Seaports, View of Amsterdam, verso - stamped, View of Amsterdam with ships in the harbour at the Montelbaanstoren., print, prints, height 89 mm, width 137 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1647 - 1647, paper, papier, etching, etchings, Publication (Event), Publication, French, 1590 - 1661, publisher, uitgever van privilege

Germany, Silber, Jonas, Bottoms of bowls: landscapes with biblical and mythological scenes, Silenus, verso lower left - stamped, riding a donkey and accompanied by satyrs. Two putti with a laurel wreath float in the air. From a series of 8 sheets, print, engraving, ornamental print, prints, engravings, ornamental prints, diameter 124 mm, German, print maker, printmaker, 1572 - 1582, third quarter 16th century, fourth quarter 16th century, paper, stipple engraving, Work conception, after a design by, Publication (Event), Publication, publisher

Hofentuin with a company at a table, Pieter van der Borcht (I), 1545 - 1608 print Hofentuin with Hofprieel in the foreground. Spread throughout the print are couples who walk together. In the foreground, a meal is consumed by a few pairs in an arbor. A statue of Fortuna is placed on top of the arbor. Servants encourage dishes. A dog (symbol for love) plays with a liberating couple left of the arbor. The series shows various aspects of courtship and some examples from the Old Testament. Antwerp (possibly) paper etching garden of Love, court of Love, 'fíªte galante'. midday meal, lunch. Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Fortuna aurea', 'Fortuna buona', 'Fortuna pacifica overo clemente', 'Sorte' (Ripa). labyrinth, maze ~ garden. French or architectonic garden; formal garden

View of the Hortus Botanicus of the University of Leiden, with several strolling figures in the garden, 1610. Below the scene a crocodile, turtle, hedgehog, bat and other animals. In the center, a plant in a pot. Part of a group of four faces of the University of Leiden, later used as an illustration in the supplement to Meursius' book on the University of Leiden., Hortus Botanicus of the University of Leiden Horti publici academiae Lugduno-Batavae cum areolis et pulvillis vera delineatio Four faces of the University of Leiden (series title), print maker: Willem Isaacsz. van Swanenburg, intermediary draughtsman: Jan Cornelisz. van 't Woudt, (mentioned on object), publisher: Claes Jansz. Visscher (II), (mentioned on object), Northern Netherlands, 1610 and/or 1644, paper, etching, engraving, h 328 mm × w 406 mm

Augustin Hirschvogel, Landscape with a Town at Left, 1549 Landscape with a Town at Left

Italy, Tempesta, Antonio, Famous military river crossings, Passaggio di Alessandro sul Istro, Alexander the Great crossing the river Ister, verso - stamped, Alexander the Great and his army crossing the river Ister (Danube)., print, prent, prints, height 164 mm, width 277 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings

Landscapes in Germany and Switzerland. Plate 16. Heidelberg., circa 1620-1622, Switzerland, by Matthäus Merian the Elder. Gift of Bishop Monrad, 1869.

Illustration for 'The Labor of Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672 print Floor plan of a fortress by the sea (Dunkirk). In the corner at the top right, the number 114 (= the number of the page in the book on the other hand the illustration has been placed). Amsterdam paper etching / engraving fortifications, military engineering. city-view in general; 'veduta'. sea (seascape). ships (in general) Dunkirk

View of the Louvre. Dated: 1629. Dimensions: sheet (trimmed to plate mark): 16.9 x 33.8 cm (6 5/8 x 13 5/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Covchin / Amadabatah / Cranganor / Masvlibata / Paliacatta of Goldia / Aden / Colvmbo / Canton, Anonymous, 1670 - print Leaf with two vertical strips, each with four faces on cities in Asia: Cochin, Ahmadabad, Cranganur, Masulipatnam, Pulicat (Fort Geldria), Aden, Colombo and Kanton. Uncuted leaf with eight edge figures intended to stick in strips as a frame to stick a map of a continent. Amsterdam paper etching maps of cities. prospect of city, town panorama, silhouette of city Kochi. Ahmadabad. Cranganur. Masulipatnam. Pulcate. Fort Geldria (India). Colombo. Kanton. Aden

Louis XIII, Anne d'Austria and their suite at the walk. View of St-Cloud (TI)

Václav Hollar (1607-1677). "Views of Germany, Cologne". Etching. Museum of Fine Arts of the City of Paris, Petit Palais. 112277-14 Eat, XVIIth XVIIth XVII 17th 17th 17th century, engraving

Arx Principis Guiljelmi, 1671., 1671., London. Publisher, Printed by the author, and are to be had at his house. America, West Indies, British, History

Avoidance of Pietro Strozzi during the Battle of Marciano, 1583 The battle at Marciano in 1554. The French army of Pietro Strozzi blows the retreat. In the background the city of Marciano. In the lower margin two lines of text in Latin. Numbered 5. The print is part of an album. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving Marciano della Chiana The battle at Marciano in 1554. The French army of Pietro Strozzi blows the retreat. In the background the city of Marciano. In the lower margin two lines of text in Latin. Numbered 5. The print is part of an album. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving Marciano della Chiana

View of Zutphen from the other side of the IJssel, Anonymous, 1616 print paper etching / letterpress printing city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage). river Zutphen

BRAUN, George (1541-1622). Civitatis Orbis Terrarum (Theatrum orbis terrarum). 1572-1617. Cuzco (1572). Detail. Volume I. Etching. SPAIN. CASTILE AND LEON. Salamanca. Salamanca University Library.

Naval engagement set inside a Roman arena, with the river Tiber and nymphs at lower left and right 1577-85 Etienne DuPérac. Naval engagement set inside a Roman arena, with the river Tiber and nymphs at lower left and right 416854

Woodcut by Albrecht Dürers workshop from 1515 depicting the family tree at the honorary gate of Emperor Maximilian I, showing genealogical details and symbolic figures.

Jakobs Ladder, Virgil, 1565 print In the foreground Jakobs dream of a ladder reaching to heaven along which angels climb and descend. Jakob on the left who after his awakening the stone used as a pillow with oil. In the background his meeting with Rachel with her father's sheep. print maker: Neurenbergprinter: Frankfurt am Main paper the dream of Jacob: while sleeping on the ground with a stone for pillow Jacob sees a ladder reaching from earth to heaven with angels going up and down; usually with God at the top of the ladder. Jacob sees Rachel coming to the well to water Laban's sheep. Jacob awakes, anoints the stone and names the place Bethel. landscape with ruins

Richard I (1157-1199). King of England. After conquering the castle of Chlus-Chabrol in the Limousin region of France, on 25 March 1199 he was hit by an arrow that wounded him in the left shoulder while he was checking the perimeter of the castle without wearing chain mail. He died of his wound on 6 April. Chlus is depicted in the centre of the Limousin plateau; the artist took the liberty of including a seaport there. Engraving from "Chroniques de Normandie", 14th century. "Vie Militaire et Religieuse au Moyen Age et à l'Epoque de la Renaissance". Paris, 1877.

Sheet with ten performances of the entry of the Cardinal Infant Ferdinand in Antwerp, 1635, 1691 print Leaf with ten performances of the entry of the Cardinal Infant Ferdinand of Austria as the new governor for the Spanish Netherlands, in Antwerp on April 17, 1635. Various famous buildings in Antwerp and the triumph gates specially established for this event. Southern Netherlands paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Antwerp. Scholarship. Town hall. Oostershuis. Emperor's gate

Ruins and fantasy landscapes. Album "Maarten de Vos Sketchbook", Leaf 10V (12)

Aztec, Incan Capitals 1528.

Procession on San Marcoplein in Venice, Anonymous, 1610 Three -lurely Italian text in the lower margin. The print is part of an album. print maker: Italypublisher: Venice paper engraving / etching San Marcoplein. Venice Three -lurely Italian text in the lower margin. The print is part of an album. print maker: Italypublisher: Venice paper engraving / etching San Marcoplein. Venice

The Palace Gardens at Nancy. Dated: 1625. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Nederland, Rotterdam, Masier, PJ, Den verdrukker straf The oppressor punished, Netherlands, verso - stamped, Sheet with 3 horizontal rows of images about Napoleon, such as Napoleon fleeing from Moscow with his army, a battle and Napoleon and his soldiers fighting going to the moon in a waterspout (spot). A caption under each image. Numbered top right: No. 9., print, popular print, prints, popular prints, height 330 mm, width 415 mm, Publication (Event), Publication, Dutch, publisher, 1827 - 1860, paper, woodcut, colours, letterpress printing, print maker, printmaker

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Attack of Fort Posto Di Longone (Dutuit Manuscript, Italian School, page 99. N ° 236) ( Main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

The Hague, Beeck, Anna, Amsterdam, Wit, Frederik de, Sivillia, View of the city of Seville, View of the city of Seville from the other side of the river Guadalquivir. In the foreground a carriage and various figures. Below the image an explanation in Dutch, French, German and English. The print is part of an album., print, prent, albumblad, prints, prenten, height 407 mm, width 515 mm, print maker, printmaker, 1695 - 1706, paper, papier, etching, etchings, engraving, engraving (printing process), hand colouring, Publication (Event), Publicatie, Noord-Nederlands, 1631 - 1706, publisher, uitgever, Nederlands, 1657 - 1717, inkleurder

Gezicht op de stad Amsterdam, genomen uit het Westen.View of the city of Amsterdam, taken from the west. On the left magazine is in the foreground: basts the city. In addition to him, his cloak and sword lies. More removed in a meadow in which several cows, a farmer's wife, with the milk yoke on the shoulders. Under the signer on the ground: P. Bast. F. et excudi. 1601. On the right blade, two lords are seen in the foreground, who are talking to a lady, while a blast nominates to them. More removed, a meadow, with cow bars, from which one is milked by a farmer's. In the middle of the air (partially on the left-part partially on the right) two angels that hold a lamb, on which: amstelodamvm. In den L.B: from the left and in the R.B: from the right a cartouche with the commission of the engraver to the Amsterdamschen magistrate and the admiralty. Under the cartooks, the weapons of Amsterdam and Van Holland.

Summer house of Cunibert van Wenzelsberg. View of the Quartermaker's summer house and art collector Cunibert van Wenzelsberg. There are two images in the bare garden in front of the house. On the right is a couple with deer. Two riders and a shepherd with his cows walk through a stream in front of the house. A little further, women do the was in the stream.

MALASPINA , ALEJANDRO. MARINO ITALIANO . 1754 - 1809. EXPEDICION CIENTIFICA 1789 - 1794. URUGUAY . " VISTA DE MONTEVIDEO DESDE LA AGUADA ". DIBUJO DE FERNANDO BAMBRILLA. MUSEO NAVAL . MADRID. Author: FERNANDO BRAMBILA.

September and October, Adriaen Collaert, Hans Bol, Hans van Luyck, 1578 - 1582

Prospect der Vestung Spalatro in Dalmatia an dem Adriatischen Meer. Küsel, Melchior I (1626-1683), graphic artist, Baur, Johann Wilhelm (1607-1642), graphic artist

Breakthrough of the Rhine and IJssel dikes, 1754. Draughtsman: Simon Fokke. Dating: 1754. Place: Northern Netherlands. Measurements: h 163 mm × w 106 mm. Museum: Rijksmuseum, Amsterdam.

Engelenbarkt; Castello di St. Angelo; Faces on Rome. The Angel castle on the Tiber in Rome, with the angel bridge on the left. In the foreground on the shore, three figures are in conversation with each other.

Landscape with Khoikhoi building an oval hut with sticks, mats and skins In the background a village, built in a circle, Khoikhoi Build a Hut How the Hottentots Build Their Houses , print maker: Jan Caspar Philips, Jan Caspar Philips, (mentioned on object), Amsterdam, 1727, paper, etching, engraving, h 288 mm × w 170 mm

SALAMANCA-1570-DIBUJO SEPIA-DET DE CAMINANTES. Author: ANTON VAN DEN WYNGAERDE 1512 o. Location: BIBLIOTECA NACIONAL-COLECCION. WIEN. AUSTRIA.

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Eichel, Emanuel, Ruins in rocaille cartouche, verso - stamped, Figures in landscape with buildings, ruins and obelisk. In rocaille frame. Publisher number 112., print, ornamental print, prints, ornamental prints, height 200 mm, width 300 mm, 1717 - 1782, print maker, 1731 - 1775, paper, etching, engraving, engraving (printing process), Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

View of the valley of Elaah, Gaspar Bouttats, After Jan Peeters (I), 1672 print View of the Elah valley with a few places associated with the fight between David and Goliat (1 Samuel 17). A caravan passes through the valley. The print has a Dutch caption with references to the places on the print. Antwerp paper etching dale, valley. the armies of the Israelites and the Philistines stand facing each other in the valley of Elah ~ story of David and Goliath Dal van elai

Fireworks display by Lorenz Müller as proof of his mastership, Nuremberg 1635. Artist: Anonymous. Dimensions: Sheet (trimmed): 13 1/16 × 10 15/16 in. (33.1 × 27.8 cm). Date: 1635.See 53.600.3615 for later impression with letters and additional figures. Museum: Metropolitan Museum of Art, New York, USA.

geography/travel Germany Munich total view from the Eastern side coloured etching by Georg Hoefnagel 1586 Stadtmuseum Munich,

Don Pedro, regent of Portugal, after his marriage to Maria, Duchess of Aumale, moves from Lisbon to Alcantara and is pursued by masked nobles, 1668, print maker: Jan Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 110 mm × w 157 mm

View of Wismar, Jan Luyken, 1682 print Amsterdam paper etching city-view, and landscape with man-made constructions Wismar

Woodcut by Jacopo de' Barbari showing a view of Venice, second state, created between 1497 and 1500.

Constantinople depicted in a woodcut from the Nuremberg chronicle 1493

Frontispiece, from Various Scenes Designed in Florence. François Collignon (French, c. 1609-1657); after Jacques Callot (French, 1592-1635). Date: 1630. Dimensions: 116 × 241 mm (image/plate/sheet). Etching with engraving on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Wanted at Nantes.

Walls of Babylon, Philips Galle, After Maarten van Heemskerck, 1646 print The walls of Babylon, built in circles. At the rear left a large building with tower. In the foreground Queen Semiramis as an Amazon on horseback. Armed with arrow and bow, she is in a fight with a lion. In the background the hanging gardens of Babylon: a botanical and architectural work of art. Under the show a verse in Latin. This print is part of an album. paper engraving hanging gardens of Semiramis at Babylon (Wonder of the World). Semiramis on the lion-hunt, sometimes with her husband Ninus Babylon

Escape from Hugo de Groot in the book box from Slot Loevestein, 1621; 't Huys in Lovensteyn. Close Loevestein face with the escape from Hugo de Groot in the bookshelf in the book box, March 22, 1621.

Glyphograph, Vignette; possibly France; glyphograph on paper; 4 × 5.1 cm (1 9/16 in. × 2 in.); 1945-200-428

View of a shipyard, Jean -François Daumont, 1745 - 1775 print Ships and boats lie on the water. On the left a ship on the land and a reinforced structure on the waterfront. In the title numbered: 30. publisher: Parisprint maker: France paper. watercolor (paint) etching / brush sea (seascape) (+ landscape with figures, staffage). shipyard, shipdock. shipyard-workers. rowing-boat, canoe, etc.. sailing-ship, sailing-boat. civic architecture; edifices; dwellings

Location view of Dresden, copper engraving, 1572

Geneva from Schedel Weltchronik (Schedel's World History), Plate 22 from Woodcuts from Books of the 15th Century. Michel Wolgemut (German, 1434/37-1519) and Wilhelm Pleydenwurff (German, c. 1460-1494); printed and published by Anton Koberger (German, c. 1440/45-1513); original text by Hartmann Schedel (German, 1440-1514); portfolio text by Wilhelm Ludwig Schreiber (German, 1855-1932). Date: 1493. Dimensions: 427 x 300 mm. Woodcut in black with hand-colored additions, and letterpress in black with rubrication (recto and verso), on buff laid paper, tipped onto cream wove paper mat. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA. Author: Michel Wolgemut.

Illustration for 'The Labor of Mars' by Allain Manesson Mallet. Mathematical figure. There and a face on a tower ('Tour de Marseil') and a church on a water. In the top right of the number 178 (= the number of the page in the book to which the illustration is placed).

Tuin met een parterre omgeven door loofgangen; Hortorum Viridariorumque elegantes et multiplicis formae; Tuinen (8-bladige reeks).Garden with a ground floor. In the middle a round basin in which a vase-shaped fountain is awarded a child on a sphere. Loof walks are around the perk. The print is part of an album.

Düsseldorf im Mittelalter, Nordrhein-Westfalen, Deutschland / Düsseldorf in the Middle Ages, North Rhine-Westphalia, Germany, historical, digital improved reproduction of an original from the 18th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, genaues Originaldatum nicht bekannt.

Loire landscape with the Saumur and Montsoreau castles. Draughtsman: anonymous. Dating: 1600 - 1650. Measurements: h 112 mm × w 175 mm. Museum: Rijksmuseum, Amsterdam.

Stralsund im Mittelalter, Mecklenburg-Vorpommern, Deutschland / Stralsund in the Middle Ages, Mecklenburg-Vorpommern, Germany, historical, digital improved reproduction of an original from the 18th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, genaues Originaldatum nicht bekannt.

St. Angelo from "Prospectus Locurum Urbis Romae Insignium, 1666. Lievin Cruyl (Flemish, c. 1640-c. 1720). Etching;

The 17 Provinces with adjacent countries: fireworks in The Hague, 1674, Isaac Sorious, 1674 print Freursing and fireworks set off in The Hague on March 14, 1674 in honor of the Peace of Westminster, closed on February 19, 1674. On the left the victory at Lauwerkransen with the portraits of Willem III and his commanders, on the right the fame with the portraits of the Admirals Tromp , De Ruyter, Banckert and Van Nes. In the middle allegorical figures that symbolize peace between the Netherlands and England. The lower half of the print consists of a map of the seventeen provinces and the area to the east (to Cologne) and south of it (to Paris). paper etching / engraving bonfire, fire-works - AA - festivities on the water. (map of) Europe The Hague

Conquest of Porto Calvo, 1637, 1645 - 1647 The conquest of Porto Calvo on the Portuguese, March 13, 1637. Above a flying banderol with the title. In the caption the explanation of the letters A-i in Latin. Plate no. 8 in a series of 55 performances from the trip to and the stay in Brazil by Count Johan Maurits van Nassau in the years 1636-1644. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving Calvo The conquest of Porto Calvo on the Portuguese, March 13, 1637. Above a flying banderol with the title. In the caption the explanation of the letters A-i in Latin. Plate no. 8 in a series of 55 performances from the trip to and the stay in Brazil by Count Johan Maurits van Nassau in the years 1636-1644. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving Calvo

georgraphy travel Italy Milan view woodcut of Michael Wolgemut or Wilhelm Pleydenwurff chronicle of Hartmann Schedel Nuremberg 1493,

Amoenissimæ aliquot locorum ... effigies. Plate 1. Title plate., 1635, Germany, by Wenceslaus Hollar. Gift of Bishop Monrad, 1869.

View of the Binnenhof of the prison gate Seen, 1700 - 1725 collage In the foreground a street with a few houses on the left, in the middle three riders, on the right a carriage with six horses, on the far right a tree on a square. Behind the street water, behind it buildings, coming to the right on the square, where two riders and a man stand in front of the bridge to the main building. Under large air. Reverse: damaged wax stamp. Marked: paint stamp (not identified). Netherlands paper. wood (plant material). glass. oil paint (paint) snipping prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage) Courtyard. The Hague. Hofvijver

Cartography, Spain, 16th century. Map of Alhama de Granada. From Civitates Orbis Terrarum by Georg Braun (1541-1622) and Franz Hogenberg (1540-1590), Cologne. Engraving

Germany: 'Emperor Leopold's Wedding with Claudia Felicitas of Austria, Graz, 15 October 1673', copper engraving by Cornelis Meyssens and Johann Martin Lerch (1643-1693), c. 1673. Leopold I (1640-1705) was the second son of Emperor Ferdinand III, and became heir apparent after the death of his older brother, Ferdinand IV. He was elected Holy Roman Emperor in 1658 after his father's death, and by then had also already become Archduke of Austria and claimed the crowns of Germany, Croatia, Bohemia and Hungary.

Roma / Sevillia / Praga / London / Amsterdam / Parys / Venetia / Dantzick, Anonymous, 1670 - 1672 print Leaf with two vertical strips, each with four faces on cities in Europe: Rome, Seville, Prague, London, Amsterdam, Paris, Venice and Danzig. Uncuted leaf with eight edge figures intended to stick in strips as a frame to stick a map of a continent. Amsterdam paper etching maps of cities. prospect of city, town panorama, silhouette of city Rome. Seville. Prague. London. Amsterdam. Paris. Venice. Danzig

Illustration depicting a view of 16th Century Seville in Spain. Dated 16th Century

Greifswald im Mittelalter, Mecklenburg-Vorpommern, Deutschland / Greifswald in the Middle Ages, Mecklenburg-Vorpommern, Germany, historical, digital improved reproduction of an original from the 18th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, genaues Originaldatum nicht bekannt.

CURTIUS, Rufus Quintus (1st century). Surrender of a village in Mesopotamia. Ilustration of the french ediciÑn of the original of the 1st century b.c. Gothic art. Miniature Painting. FRANCE. CHAMPAGNE-ARDENNE. MARNE. Reims. Bibliothque Municipale (Municipal Library).

Joris Hoefnagel / Vista de Barcelona. Grabado en color de 'Civitates orbis terrarum', 1582. Museo de Historia de Barcelona.

Plattegrond van Den Haag. Nieuwe platte grond van 's Gravenhage met de publicque gebouwen (title on object). Artist: J. Rousset. Artist: Staten van Holland en West-Friesland (mentioned on object). Artist: Anna Beeck (mentioned on object). Artist: Stadsbestuur Den Haag (mentioned on object). Draughtsman: anonymous. Dating: in or before 1717. Place: The Hague. Measurements: h 499 mm × w 622 mm. Museum: Rijksmuseum, Amsterdam.

West African bead, 1746 print France paper etching West-Africa

Illustration for 'The Labor of Mars' by Allain Manesson Mallet. Ground plan for a fortress, fortress or reinforcement (hexagon). Below a face on a city in a river landscape (Le Quesnoy), for which a skirmish takes place. In the top left the number 137 (= the number of the page in the book to which the illustration is placed).

June, Anonymous, 1694 - 1756 print A sheep shearer at work in a landscape with various animal and human figures. In the background a glimpse over the water to a walled city. In the lower margin twice a four -line text in Latin and German. Augsburg paper etching June and its 'labours' (+ with scenes showing human occupations ~ seasons and months). shearing (sheep)

PLANTA DE LA CIUDAD DE CORDOBA CON LA SIERRA EN EL TUCUMAN Y REINO DEL PERU - SIGLO XVIII. Author: SILVA F / HERRERA. Location: INSTITUTO DE COOPERACION IBEROAMERICANA. MADRID. SPAIN.

Die Thermen des Agrippa. Die Thermen des Agrippa waren die frühesten großen Bäder Roms, historisches Rom, Italien, 1625, Rom, Italien, digitale Reprod...

Amoenissimæ aliquot locorum ... Effigies. Plate 7. Zoll Schantz an der Straßburger Brucken. prints, etchings, landscapes, works on paper

Grimani Breviary. 16th c. Month of October. Representation of the sowing. Renaissance art. Miniature Painting. ITALY. VENETO. Venice. Biblioteca nazionale marciana (St. Mark's Library).

Fountain in the Vatican; Fontana Nel Palazzo Vaticano; Fontane di Roma; Fountains of Rome. Numbered at the bottom right: 5. The print is part of an album.

De slagordes van de vloten vóór de zeeslag bij Duins, 1639; Afbeeldinge In wat ordre de Spaensche en Nederlantsche Vlooten verdeelt lagen wanneer het Gevecht soude aengaen.Sheet with two representations of the states of the State and Spanish fleets in the month of September prior to the sea battle between the Spanish fleet under the command of Antonio de Oquendo and the State Fleet among Maarten Harpertsz. Tromp, October 21, 1639. On the left a map of the English coast, the canal and part of the French coast, with the movements and location of the Dutch and Spanish fleets. On the right a face on the fleets off the coast, a triton with four sea horses in the foreground. Both representations separated by an image of Minerva. Signature at the top right: No. B.

Detail of a face on Naples in a nutshell perspective, Alessandro Baratta, 1629 print Detail of a face on Naples with the Santa Maria della Sanità in the middle of the top. Naples paper engraving / etching city-view in general; 'veduta' Naples. Santa Maria della Sanità

L'Evesche de Blois, divise en Archidiaconez et Doyennez. Relief shown pictorially. Dedie a Monseigneur l'illustrissime et reverendissime, David Nicolas de Bertier, premier Eveque de Blois.... , France , Centre-Val de Loire ,region , Blois

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