Historical Events and Caricatures

Illustrations capturing key historical events and political satire, providing commentary through caricature and dramatic scenes from the 18th and 19th centuries.

Law, als een tweede Don-Quchot, op Sanches Graauwtje zit ten spot Law, like another Don Quixote, sits on Sancho's ass, being every one's fool. 1720. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Interview of Hendrick Hudson with the Indians. 1640 - 1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (State) , History

Fable of the Master's eye, Johann Heinrich Meil (der ältere), after Jean-Baptiste Oudry, 1758 print paper etching fables of Lafontaine : Use 85(...). stag-hunting. cow

Julian Fałat, Sketches from Samogitia. Angerer, C. & Göschl (Wiedeń ; zakład graficzny i fotograficzny ; 1873-), reproduction atelier, Julian Fałat (1853-1929), draughtsman, cartoonist, Tygodnik Powszechny (Warszawa ; czasopismo ; 1877-1885), publisher

Copy of La Halte des Bohémiens: Les Diseuses de Bonne Aventure (The Gypsy Stopover: The Fortune Tellers), from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptians, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops) 17th century Anonymous. Copy of La Halte des Bohémiens: Les Diseuses de Bonne Aventure (The Gypsy Stopover: The Fortune Tellers), from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptians, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops). Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes. Anonymous. 17th century. Etching and engraving. Prints

Panorama de L'Algerie, 1846., 1846

The Modern Blue Beard | Library of Congress

The king of Brobdingnag and Gulliver. British Cartoon Prints Collection . Charlotte,Queen, consort of George III, King of Great Britain,1744-1818. , George,III,King of Great Britain,1738-1820. , Politics & government,Great Britain,1800-1810.

Untitled. Gustave Le Gray; French, 1820-1884. Date: 1857. Dimensions: 20.2 × 34.7 cm (image/paper); 52.7 × 63.8 cm (album page). Albumen print, from the album "Souvenirs du Camp de Chlons". Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Je n'tire pas! Si la cause était bonne, y n'faudrait pas d'argent pour la défendre 28 Juillet 1830 Made 1831 France. Lithograph on ivory wove paper . Denis Auguste Marie Raffet

Cieplice 1833; Fischer, Carl (Fl. 1830-1860), Königliche Lithographisches Institut ZU Berlin (Berlin; Society; 1823-1876); XIXW. (1801-00-00-1900-00-00), 1833 (1833-00-00-1833-00-00);

A scene for negotiators at the Naschmarkt, March , The end of the Naschmarkt king, Sempta, Lithographer, Franz Werner, publisher

Design for a title page or print, Street scene, draughtsman: Abraham Frena, c. 1700 - c. 1800, paper, pen, brush, h 159 mm × w 131 mm

PL. N ° 2 The return of the rooms. (IT)

Artist: D. Wiest, American, The Rescue of JohnWesley, Tinted lithograph, 48.5 × 65.1 cm (19 1/8 × 25 5/8 in.), Made in United States, American, 19thcentury, Works on Paper -Prints

You emigrate to Rome. (Ti)

Wateroo. (If)

Grand Fantastical Parade, New-York, December 2, 1833 1833 Attributed to David Claypoole Johnston American This light-hearted marine triumph casts George, Prince of Wales as a sea monster distracted by pleasure. In January 1812 the prince had officially become Regent and Cruikshank emphasizes his fleshly self-indulgence and weakness for mistresses and flatterers. When he became Regent, the prince surprised his former Whig friends by retaining the Tory Spencer Perceval as chief minister. Perceval, the fisherman of the title, stands in a small boat holding his prize fast on a golden chain while being showered by the "Dew of Favor." The disgruntled Whigs at left receive only "the Liquor of Oblivion." Clearly bored with politics, the Regent eyes a buxom mermaid, his most recent mistress Isabella, Marchioness of Hertford. He ignores both her scowling merman husband, and a second mermaid, his former mistress Maria Fitzherbert. The background colonnade represents Carlton House, the princes pa

Honoré Daumier (French, 1808-1879), Le Cid se mettant aussi en campagne, 1859, lithograph on newsprint

Ali-Pacha Meiden, Smyrna Made 1837 France. Lithograph in black on cream chine laid down on ivory wove paper . Denis Auguste Marie Raffet

Cartoon on the departure of the Duke of Brunswijk from the Netherlands, 1784, Anonymous, 1784 print Cartoon on the departure of the Duke of Brunswijk from the Netherlands, October 14, 1784. The Duke, brought to the border post on a wheelbarrow, is affected by the lightning of justice from heaven and kicked out of the land; On the right, the Prince William V is supported by his alleged mistress Freule Constance van Lynden and Prof. Petrus Hofstede and brought out of his foresming with English. On the leaf under the plate an explanation of the show in two columns in fresh form. Northern Netherlands paper etching / engraving wheelbarrow. kicking

Compositional Drawing for 'Entrance to the Jardin Turc'. Louis-Léopold Boilly (French, 1761 - 1845)

Reconnaisance, from Souvenirs d'Italie: Expédition de Rome. Denis Auguste Marie Raffet (French, 1804-1860); printed by Auguste Bry (French, 19th century); published by Chez Gihaut Frères (French, 19th century). Date: 1858. Dimensions: 164 × 296 mm (image); 248 × 354 mm (primary support); 402.5 × 572 mm (secondary support). Lithograph in black on warm ivory wove chine laid down on off-white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Various agricultural scenes of woodmen at work. Etching by W.H. Pyne after himself, 1802, with aquatint by J. Hill.

Spring festival in northern Germany according to the drawing of Leopold Loeffler. A clip from a German magazine. unknown, Loeffler, Leopold (1827 1898)

Dronkaard on a wheelbarrow pushed by a group of men on the street, Isaac Weissenbruch, after Jan Weissenbruch, 1838 - 1912 print Print from a series of twelve about abolishing spirits. A short poem among the image. Above the image the rule: 'Print warehouse for the Dutch people'. print maker: Netherlandsafter design by: Netherlandspublisher: Purmerend paper letterpress printing genever, gin. alcoholism. wheelbarrow

Company men and women on a hill, Frederic Charles Wentzel (Possible), c. 1870 - 1899 print In the middle of numbered: 38. Wissembourg paper lovers; courting, flirting. open-air recreation. coast (+ landscape with figures, staffage)

Sikhowie. Kretzschmer, Hermann (1811-1890), draughtsman, cartoonist, Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

N ° 15. Summary justice of the people for thieves. (IT)

Staff Bivouac Sven manages his riding years ". Watercolor by Fritz von Dardel, 1847 Nordic

Utrechtse Maskerade of 1856, plate 5, 1856 print Two floats with representations of Dutch milk production, textile production, fishing and woodworking. Part of the group of seven records with explanation of the historical procession in Maskerade performed by the students of the Mutua Fides Association of the Utrecht University of Applied Sciences on 25 June 1856 on the occasion of the celebration of its 220-year existence. print maker: Netherlandsafter drawing by: Utrechtprinter: Utrechtpublisher: Utrecht paper students' pageant. costumes used in pageants. Utrecht. Dutch East Indies, The

Man on Horseback Artist's working dates 1855-1885 France. Graphite on ivory wove paper (discolored to tan) . Alphonse Marie Adolphe Neuville

Pariser Revolution/28ton Julÿ 1830(TI)

Amsterdam, Es, Gebr. van, Greive, Johan Conrad, Netherlands, Weissenbruch, Isaac, The procession in Gorinchem, on 20 February 1864, Procession in Gorinchem on 20 February 1864 in memory of the liberation of Gorinchem on 20 February 1814, print, book illustration, prints, height 190 mm, width 306 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1864 - 1864, paper, wood engraving, letterpress printing, Work conception, 1837-04-02 - 1891-05-14, after a design by, Publication (Event), Publication, publisher

The miracle of the loaves and fishes, after O. Murill, Jules Gabriel Levasseur, Bartolomé Esteban Murillo, Goupil Cie, 1833 - 1933

Reproduction of drawing: Juliusz Kossak (1824-1899), Aleja Ujazdowska: Returning from horse races; excerpt from a magazine. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Holewiński, Józef (1848-1917), engraver, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher

A shell on the Saint-Michel boulevard (TI)

Thursday, July 29, 1830 / Attack of the Louvre (IT)

To Death for Liberty!. Denis Auguste Marie Raffet (French, 1804-1860); published by Chez Gihaut Frères (French, 19th century). Date: 1831. Dimensions: 181 × 260 mm (image); 284 × 398 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Circustent with lithographers, 1824 print A speaking master with a wise stick calls people to enter a tent, above him are a few prints and next to him are two musicians, one with a drum and basins, the other with a clarinet. According to the caption, the "Lithographantoccini" from Senegal could be seen here. In the tent a man turns on a wheel, a table with lithographers and figures who walk a staircase with a basket on their backs. paper. ink pen pleasure fair and circus. lithographer. drum (musical instrument). clarinet, bassoon, oboe, shawm - CC - out of doors

Reproduction of a painting: Juliusz Kossak (1824-1899), Reaping the Hay; excerpt from a magazine. Anczyc, Władysław Ludwik i Spółka (Kraków ; drukarnia ; 1875-1948), printing house, Löwy, Joseph (Wiedeń ; zakład graficzny ; 1835-1902), reproduction atelier, Gebethner i Wolff (Warszawa ; wydawnictwo ; 1857-1950), publishing house

The Scalp-Dance of the Sioux. Dated: c. 1842. Dimensions: image: 20.48 × 30.64 cm (8 1/16 × 12 1/16 in.) sheet: 35.4 × 45.56 cm (13 15/16 × 17 15/16 in.). Medium: brown ink wash and graphite with scratched highlights on wove paper. Museum: National Gallery of Art, Washington DC. Author: Felix Octavius Carr Darley.

Ice cream face with a Koek-en-Zopie, Jacques Aliamet, After Adriaen van de Velde, 1750 print print maker: Franceafter painting by: Netherlandspublisher: Paris paper etching / engraving 'kolf' on the ice. ice ~ freezing weather. winter landscape; landscape symbolizing winter (the four seasons of the year)

Landscape with rider among harvesting farmers, Gerardus Empaus de Micault, 1847 drawing Design for a print. paper. ink. chalk pen / brush binding ~ harvest

Exhibition of 1889. The view of Cairo. (Dummy title)

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: Thirty-fourth board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

The conversion of Paul. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 174 mm × w 127 mm. Museum: Rijksmuseum, Amsterdam.

an Attempt to Burn JohnHarris. After: Abner Reeder, 1766-1841

Wallachian Round, Performed by the Tsiganes and Danced by the Second Regiment Musicians at the Home of Prince Ghika, Ghospodar, Wallachia. Denis Auguste Marie Raffet (French, 1804-1860); printed by Auguste Bry (French, 19th century); published by Chez Gihaut Frères (French, 19th century). Date: 1839. Dimensions: 166 × 318 mm (image); 166 × 318 mm (primary support); 357 × 458 mm (secondary support). Lithograph in black on ivory chine laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Louvre on July 29, 1830 (IT)

Lithograph by Auguste Raffet from 1836 depicting a figure inquiring or gesturing, executed in lithographic technique on paper.

'Brutus Before Xanthus', 1890. Creator: Unknown.

Shrove Tuesday. Draughtsman: Cornelis Saftleven. Dating: 1617 - 1681. Measurements: h 95/100 mm × w 138 mm. Museum: Rijksmuseum, Amsterdam.

French Revolution: The execution of Louis XVI, Place de la Revolution, Current Place de la Concorde, current 8th arrondissement, 21 Janier 1793. (Title Title)

After Winslow Homer, The Bathe at Newport, 4 Sept. 1858, wood engraving on newsprint.

Arab Dancers from the series 'Voyage to the Levant' 1819. Drawn by Alexandre-Évariste Fragonard, son of Jean-Honoré Fragonard. Louis, comte de Forbin 1779 1841, was the French painter and antiquary who succeeded Vivant Denon as curator of the Musée du Louvre. He boarded the frigate Cleopatra for an expedition to the Levant to purchase Greek and Roman works of art.

Kleijn, Laurens Lodewijk, Wagner, L., Schwört den Eid als Statthalter, Photo reproduction of Legt den Oed af als Stadhouder-Generaal by Laurens Lodewijk Kleijn, This photo is part of a cover with eight photos on eight sheets and two text sheets., photograph, photo, reproduction, photos, photographically illustrated books, height 308 mm, width 168 mm, photographer, 1879 - 1884, photographic paper, photo paper, albumen print, albumine print, Dutch, 1826-01-12 - 1909-03-06

Young woman with hiding place for letters in Balustrade, Henry Emy, 1839 - 1851 print Paris paper letter, envelope. adolescent, young woman, maiden. balustrade

LIFE IN RUSSIA: REMOVING SNOW FROM THE STREETS OF ST. PETERSBURG, 1876

Thanks to the Hungarian lawyers , to the Vienna University of March , Winzenhörlein, Lithographer, Ludwig Christian Förster -, printer

Bliżej Kultury Salb, Marcin (Fl. 1862 1899)

nd, Prater - Restoration in the Krieau, postcard, After, Ottokar Walter -, Drawer, Löwy Court Art Stand State, Photographer

Bitwa pod Mollwitz, z cyklu "Denkwürdigkeiten aus der Brandenburgisch-Preussischen Geschichte". Menzel, Adolph (1815-1905), graphic artist, Sachse, Ludwig & Co (Berlin ; zakład litograficzny, wydawnictwo ; 1827-1949), publisher

LA REINA MARIA CRISTINA DE BORBON LLEVADA EN UNA CARROZA POR SUS SUBDITOS - GRABADO SIGLO XIX. Location: MUSEO DE HISTORIA-GRABADOS BLANCO Y NEGRO. MADRID. SPAIN. Maria Christina of the Two Sicilies. MARIA CRISTINA DE PARMA. PARMA MARIA CRISTINA DE. ESPOSA DE FERNANDO VII-REINA DE ESPAÑA.

"The lion is coming": crowds at a fair panicking at the rumour that a lion has escaped; representing panic among crowds. Lithograph after K.R. Reinhardt, ca. 1860.

Large marble mosaic discovered near the Casa del Fauno, House of the Faun, Pompeii, October 24 1801. It shows a battle scene between two armies on horseback in chariots armed with lances. Gran Mosaico scoperto in Pompei a di 24 Ottobre 1801. Handcoloured copperplate engraving after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1837.

Death of Henry II (1559) (IT)

Campaign Sketches: Coffee Call. Winslow Homer; American, 1836-1910. Date: 1863. Dimensions: 357 x 278 mm. Tint lithograph on heavy ivory wove paper, folded. Origin: United States. Museum: The Chicago Art Institute, USA.

Sioux or Dakota women playing the ball-game with sticks (similar to lacrosse or hockey), while the men watch and laugh. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

Miniatur auf Papier.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Corner of Winter, Washington and Summer Streets, Boston (Ballou's Pictorial Drawing Room Companion, Vol. XII). Designer: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 7 1/4 x 9 1/2 in. (18.4 x 24.1 cm)sheet: 15 1/2 x 10 11/16 in. (39.3 x 27.2 cm). Engraver: Charles F. Damoreau (American, active 1857). Date: June 13, 1857. Museum: Metropolitan Museum of Art, New York, USA.

Parisians entertain on King's Day with the festivities on the Champs-, print maker: Victor Adam, (mentioned on object), printer: Joseph Rose Lemercier, (mentioned on object), publisher: Giraldon-Bovinet & Cie., (mentioned on object), print maker: Paris, printer: Paris, publisher: Paris, publisher: London, 1829, paper, h 274 mm - w 357 mm

Tiens! moi qui croyais que nous venions de decouvrir une ile desertefrom Les Canotiers Parisiens. Artist: Honoré Daumier, French, 1808-1879

The return of swallows

Het scores.

Bliżej Kultury Salb, Marcin (Fl. 1862 1899)

Chieftans of the Namaqualand region, c. 1779 drawing Family of the little Namaquas, with tribal captein ñoébe, called Wildschut. Cape Province paper. deck paint. ink. chalk brush / pen

Eugène Charles François Guérard, Les Touristes #9: Le Van d'Enfer (Duché de Bade), 1853, published 1854, chromolithograph, partly hand-colored, on wove paper.

Hop! hop! hop!!!, La Caricature, No 191, Pl. 400 Roubaud, Benjamin (Pseud. Benjamin) (1811 1847), Lithography Delaunois, Imprimerie Aubert (Pary)

Family of little Namaquas, with chief Captein Ñoébe, named Wildschut, Chieftans of the Namaqualand region, draughtsman: Robert Jacob Gordon, Kaapprovincie, c. Jul-1779 - Aug-1779, paper, brush, pen, h 660 mm × w 480 mm, h 360 mm × w 524 mm, h 294 mm × w 515 mm

'Afternoon in the Park', 1872. From, "LONDON. A Pilgrimage" by Gustave Dore and Blanchard Jerrold. Grant and Co., 72-78, Turnmill Street, E.C., 1872.

Eugène Delacroix (French, 1798 - 1863). Faust and Wagner (Faust et Wagner), 1828. From Faust. Lithograph. Fourth of seven states.

Bliżej Kultury Salb, Marcin (Fl. 1862 1899)

Vulcan (Hephaestus) presents Venus (Aphrodite) with the arms made for Aeneas. Boucher, François (French, 1703-1770) (author of design) painter Oudry, Jean-Baptiste (French, 1686-1755) (workshop) weaver Charron, André-Charlemagne (French, fl.1754-1780) (workshop) weaver c. 1754-1756 Tapestry Dimensions: H 14'17" x W 17'10" Tapestry Materials/Techniques: wool & silk (warp: 8-9/cm) Culture: French Weaving Center: Beauvais Ownership History: Made for Baron Johann Hartvig Ernst Bernstorff for his palace in Copenhagen. Gift of Dr. Ernest Stilman to the Metropolitan Museum of Art. United States, New York, New York, The Metropolitan Museum of Art, accno. 22.16.1. Inscriptions: Woven signature in lower guard, left: OVDRY Inscriptions: Woven monogram in lower guard, right: fleur-de-lys A.C.C. BEAUVAIS Related Works: Panels in set: GCPA 0243648, & "Bacchus & Ariadne" compositionally similar tapestry (same cartoon): GCPA 0243647 (Los Angeles County Museum of Art); see also Standen, p. 534-35

Johan Aagaard (1818-1879); ; Fritz Westphal (1804-1844), "Erik Glippings killings in Finnerup Let", 1843

Portraits of fourteen people in Teplice, Carl Fischer, After W. von Hüllesheim, 1833 print Portretten van Frederik Willem IV van Pruisen, Hendrik van Anhalt-Köthen, Baron von Schröder, by Penz, Theodor Gottlieb von Hippel, by Jasmund, Sedlenitzky, from Safft, Timm, Johann Nepomuk Rust, by Mandderstjerna, Baron von Garnier, Dietrich von Miltitz en from Watzdorff. paper landscapes (+ landscape with figures, staffage). adult man (+ more than eight persons). adult woman (+ six persons). historical persons Teplice

Thanksgiving in Camp, 1862. Winslow Homer (American, 1836-1910). Wood engraving;

Composition reproduction: Aleksander Lesser (1818-1884), Trembowla defense against the Turks in 1675 Anna Chrzanowska in defense of the trembowla; Z: "K Osy" 1884, vol. XXXIX, No. 1007, p. 256; Lesser, Aleksander (1814-1884), Goradowski, Edward (1843-1901); 1884 (1884-00-00-1884-00-00);Kłosy (Warsaw - magazine - 1865-1890) - illustrations, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - reproduction, painting, Polish painting, trembo -defense (1675), Historical Scenes

Diploma exhibition Leipzig.

The suspicious house, Charles Rochussen, 1868 drawing paper. watercolor (paint) brush street. criminal investigation

On the ship (illustration for a literary work); GPF (woodcut; Fl. Ca 1870-1900); 1880-1900 (1880-00-00-1900-00-00);

Méjico. Estado de Sonora (desierto de Arizona); destrucción de un poblado de pieles rojas por las tropas mejicanas. Grabado de 1905.

Picture reproduction: Stanis, and Wojciech Bergman (1862-1930), Domoros Y artist; Z: "Tygodnik Illustrowany" 1884, No. 48 (November 30), p. 375; Zajkowski, Andrzej (1851-1914), Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1884 (1862-00-00-1887-00-00);

Burke & Wills monument in memory of the explorers, Melbourne, Australia.

Woodcut by Hans Burgkmair the Elder depicting individuals referred to as Indians in the triumphal procession of Emperor Maximilian I, created on wooden stick between 1516 and 1518.

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: Thirty-fifth board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Claude Régnier, Les Touristes #6: Halte dans un Chalet (Oberland Bernois), 1851, chromolithograph on paper.

ls ont peur de l'eau.... Honoré Daumier (1808-1879). Lithographs

Netherlands, 't Vriendschappelijk Farewell, Cartoon on the intended marriage of the ex-king Willem I, 1840, verso - stamped, Cartoon on the intended marriage of the ex-king Willem I with the imperial countess Henriëtte d'Oultremont de Wégimont, 1840. Conversation between two gentlemen Piet (a cheese shopkeeper) and Willem (former king Willem I) who is traveling to 'Moffrica' to marry a young girl. In the background two men with a muzzled bear. In the caption in two columns a conversation between Piet and Willem., print, cartoon, prints, Frederik Muller Historieplaten, height 347 mm, width 452 mm, print maker, printmaker, 1840 - 1840, paper, papier, lithografie (technique)

Oestreichs political situation, Caricature on the Revolution , Josef d, Lanzedelly Lanzedelli, Lancedelli -, Lithographer, Jakob Loder, Printer, Anton Paternos widow, publishing house

Evening in Frascati with a Fountain with the water of Cologne, 1842; View of the Cologne Water Fountain Dance The Frascati show, at the Fair of 1842 Dediée to the National Industry Protectors by Hiljé Hartzfeld & Co. patented manufacturers supplied from His Royal Highness Madame Princess of Orange. Soiree Held During The Fair From (September) 1842 in the Salon of Frascati in Amsterdam. Groups of People Sitting at Tables Between Trees. In The Background The Fountain with Eau de Cologne. Dedicated to 'The Protectors of the National Industry'.

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