Historical Fashion Illustrations

Elegant vintage fashion illustrations showcasing women's costumes from the early 20th century, emphasizing design and intricate details.

Journal of the ladies and fashions, 1912, Parisian costumes, no. 10: Promenad dress (...), Umberto Brunelleschi, 1912 Woman in hiking costume ..... straw hat decorated with a panache and a swan spring. paper engraving fashion plates

Art - Goût - Beauté, Feuillets de l 'Élégance Féminine, Juin 1929, No. 106, 9th Année, p.16. Text and illustration with two afternoon juke. Left: brown afternoon juke of crepe "Astrahad" a.g.b. from Joseph Paquin. Right: Blue afternoon juice from printed crepe, from Bernard et cie. Page from the fashion magazine Art-Goût-Beauté (1920-1933).

Always chic Dresses, winter 1921-1922: Marquise, 1921 - 1922 Print from catalog "Toujours Chic" in which an overview of winter fashion 1921-1922 in 80 prints in Pochoir Techniek. paper letterpress printing fashion plates

Very Parisian, February 1922: 9.- OUARDA, J. Dory, 1922 Serge dress with satin waistcoat. On the skirt and sleeves wide horizontal tires. Print from the fashion magazine Très Parisien (1920-1936). paper letterpress printing fashion plates. dress, gown (+ women's clothes). clothing for the upper part of the body (VEST) (+ women's clothes). skirt (+ women's clothes). border, ribbon, braid (+ women's clothes)

Woman in evening dress in yellow crepe de Chine embroidered and fringed in white. Jota. Manteau du soir de Beer. Le manteau du soir, de Beer, est en crêpe de Chine jaune brode et frange de blanc. Handcoloured pochoir lithograph by Edouardo Garcia Benito from Lucien Vogels Le Bon Genre: 100 Plates fromGazettedu Bon Ton, Brentanos, Paris, 1921.

Gazette du Bon Ton, 1920 - No. 9, pl. 68: The promenade in Montmartre / Ensemble, de Beer, Charles Martin, 1920 Two walking women, dressed in a bear ensemble, consisting of a purple satin dress and a black velvet cloak with a fur collar. Planche 68 from Gazette du Bon Ton 1920, No. 9. Explanation about the clothing on page "Explication des planches". paper letterpress printing / engraving fashion plates. dress, gown (+ women's clothes). coat (+ women's clothes). head-gear (+ women's clothes). street. flowers

Woman in fancy dress costume as a penitent, in hooded robe in white and crimson holding a tall candle. Lithograph by unknown artist with pochoir stencil handcolouring from "Nos Travestis" (Our Fancy Dress Costumes), Paris, 1928.

Art - Taste - Beauty, Female elegance sheets, November 1931, No. 135, 12th year, p. 37. Advertent Voor Stoffen van Wilmart. Pagina uit Het modetijdschrift Art-Taste-Beauty (1920-1933).

Journal of ladies and fashions, Parisian costumes, 1912, No. 34: Fillett coat (...), S. Sosboiie, 1912 Girl in a cloak of blue velvet decorated with Skunk. Slobbouses of white suede. There is a doll in the foreground; In the background a bucket and ball. Print from the fashion magazine Journal des Dames et des Modes (1912-1914). paper engraving fashion plates. coat (+ girls' clothes). head-gear (+ girls' clothes). (playing with) dolls. ornamental parts of clothing (+ fur used for clothes)

Gazette du Bon Ton, 1920 - No. 3, pl. 18: ET PUNE VOICI MON CEEUR (...) / ROBE D'Eté and Voile de Ceylan de Rodier. Standing woman in a hilly landscape with a bouquet of flowers in the hands. She is wearing a summer juice from Rodier, with a bodice and cuffs of blue checkered crepe. On the head a matching blue checkered hat. Planche 18 from Gazette du Bon Ton 1920, no. 3. Explanation about the clothing on page "Explication des planches".

Gazette du Bon Ton, 1914 - No. 6, pl. 54: Love in cage / afternoon dress, Jan Van Brock, 1914 Standing woman dressed in a checkered Tafzijde afternoon gown with strips. A scarf of Kashmier with fur around the shoulders. In the right hand a cage containing Amor. A black servant holds the cage. Planche 54 from Gazette du Bon Ton 1914, No. 6. Explanation about the clothing on page "Explication des planches". paper letterpress printing fashion plates. dress, gown: day dress (+ women's clothes). head-gear (+ women's clothes). fettered Cupid, 'Amor Cruciatus'. house personnel, servants. clothing for the upper part of the body (SHAWL) (+ women's clothes)

Très Parisien, 1923, No. 4: I Love You / Tailleur Élégant ..... Elegant tailor (Mantelpak), simple model, from blue 'piquelaine' topped with chinchilla. Accessories: Cap (), MOF, Pumps. Print from the fashion magazine Très Parisien (1920-1936).

Max Max Furs. "Model drawing". pencil, watercolor and gouache on paper. 1938. Galliera, fashion museum of the city of Paris. 146131-24 Fashion drawing, haute couture, feminine mode, feminine model female model mannequin

1910s FASHIONABLE WOMAN WEARING BLUE DRESS WITH LACE TRIM AND A BLACK HAT HOLDING A JARDINIERE OF POTTED SPRING DAFFODILS - kh13591 NAW001 HARS COVER FEMALES SUNDAY HOME LIFE NATURE COPY SPACE FRIENDSHIP FULL-LENGTH LADIES PERSONS CARING CONFIDENCE HAPPINESS POTTED STYLES AND EXCITEMENT CLOCHE TRIM SUNDAY MAGAZINE DAFFODILS STYLISH FASHIONS GROWTH HERALD SEASON SEASONAL SPRINGTIME YOUNG ADULT WOMAN CAUCASIAN ETHNICITY OLD FASHIONED

Gazette du bon ton, 1924, no. 9, PL. 51: EROS. Robe and Manteau Pour Le Soir, De Worth. Two women are at a column on which a bust of the God eros. The woman left wears an evening dress with trail from Worth; The woman turned right into an evening jacket with fur of worth. Planche 51 from Gazette du Bon Ton 1924, No. 9.

Art-Goût-Beauté, 1924: Gringallet.- Tailleur De Lainaag (...). Beige woolen suit of drécoll, with belt with bags. Maroon shell suit made of velvet with bags, cuffs and collar of fur. Creation Anna. Print from the fashion magazine Art-Goût-Beauté (1920-1933).

Gazette du bon tons. Art - Modes & Frivolités, 1924 - No. 8: La Promenade Extra-Muros / JAQUETTES AND FOURRURE, MAX - A. LEROY. Two standing women dressed in mantels of fur, from max-a. Leroy. The woman left wears a single-length checkered skirt and the woman on the right is wearing a single-length skirt with wrinkled strips. A cloche on the head (Pothoed). Planche 43 from Gazette du Bon Ton 1924, No. 8.

Art - Taste - Beauty, female elegance sheets, Christmas 1928, No. 100, 9th year, p. 38, Anonymous, 1928 magazine Text with an image of a woman in an evening dress from monochrome brown tulle, from Premet. Flower corsage on the skirt. Feathers fan in hand. Page from the fashion magazine Art-Goût-Beauté (1920-1933). paper brush fashion plates. dress, gown: evening dress (+ women's clothes). necklace (+ women's clothes). fan (+ feathers used for clothes). corsage (+ women's clothes). flowers

Gazette du Bon Ton, 1914 - No. 3, pl. 28: "Salomé" / evening dress by Paul Poiret, Simone A. Puget, 1914 Salomé dressed in an evening dress of pleated black tulle from Paul Poiret. Planche 28 from Gazette du Bon Ton 1914, No. 3. Explanation about the clothing on page "Explication des planches". paper letterpress printing fashion plates. dress, gown: evening dress (+ women's clothes). ear-rings (+ women's clothes). Salome (not in biblical context). stockings, socks (+ women's clothes).

Gazette du Bon Ton, 1921 - No. 4, pl. 25: In the black and white ball / evening coat, Fernand Siméon, 1921 A man and woman arrive at a ball. The woman wears a white satin evening mantle decorated with Chantilly. In the left hand a range of feathers. Planche 25 from Gazette du Bon Ton 1921, No. 4. Explanation about the clothing on page "Explication des planches hors-texe. Contenues Dans CE Numéro". paper letterpress printing fashion plates. coat (EVENING COAT) (+ women's clothes). head-gear (+ women's clothes). fan (+ women's clothes). ball, formal dance. ensembles of pieces of clothing (SUIT) (+ men's clothes). theatre (building)

Art - Goût - Beauté, Feuillets de l 'Élégance Féminine, MAI 1929, no. 105, 9th Année, p. 21. Two young women in Jenny and Premet. Shoes and handbag from Edith. Page from the Modelijdschrift Art-Goût-Beauté (1920-1933).

Très Parisien. La Mode, Le Chic, LElégance. Très Parisien promoted itself as chic and elegant. Between 1920 and 1936 it presented creations by such couturiers as Chéruit, Premet, Philip et Gaston, and Lanvin. The young, svelte models are all ultra-modern, shown talking on the phone, smoking and playing tennis. The illustrations also show that over the course of the 1920s, skirt lengths had risen to just below the knee, before dropping back down to calf length in the 1930s. The small plates were printed on transparent paper using a stencilling technique known as en pochoir and then hand coloured; many of them are unsigned. The signature ‘Joujou belonged to Germaine Paule Joumard, who was the director of Très Parisien, as well as one of the magazines illustrators.

Very Parisian. Fashion, chic, Elegance, Anonymous, 1922 Tailleur trilled with a border of white Vossebont. Print from the fashion magazine Très Parisien (1920-1936). paper letterpress printing fashion plates. neck-gear: collar (+ fur used for clothes). head-gear: hat (+ fur used for clothes). head-gear: hat (+ women's clothes). ensembles of pieces of clothing (TWO PIECE SUIT) (+ women's clothes). ensembles of pieces of clothing (TWO PIECE SUIT) (+ fur used for clothes)

Journal des Ladies et des Modes, Costumes Parisiens, 1914, No. 140: UN Lutin. Girl in Elfsuit: sleeveless dress, at the neck and waist decorated with flowers and leaves. On the head a hat ending in a point. In addition to her a rabbit. Print from the Mode magazine Journal des Laden et des Modes (1912-1914).

Gazette du bon ton 1914, no. 8, PL. 80: L'Arbre de Science / Robe du Soir de Dooillet. Evening juice from Dooillet. The woman stands in front of a tree with leaves in red tones; On a branch is a long tail feathers bird. Planche 80 from Gazette du Bon Ton AOût 1914, No. 8.

Art - Taste - Beauty, female elegance sheets, November 1928, No. 99, 9th year, p. 11, Anonymous, 1928 Text with an image of a woman dressed in an afternoon gown of 'Crêpe Marocain', by Jean Patou. Page from the fashion magazine Art-Goût-Beauté (1920-1933). paper. paint (coating) brush fashion plates. dress, gown: day dress (+ women's clothes). necklace (+ women's clothes)

Max Max Furs. "Model drawing". pencil, watercolor and gouache on paper. 1921-22. Galliera, fashion museum of the city of Paris. 146133-30 Fashion drawing, haute couture, feminine mode, feminine model female model mannequin

Art - Goût - Beauté, Feuillets de l 'élégance Féminine, Noël 1928, no. 100, 9th Année, p. 30. Text with an image of two women in evening dresses of Jeanne Lanvin. Left: Red evening dress from Moire and diamonds. Right: Pink evening dress by 'crepe satin dégradé'. Page from the Modelijdschrift Art-Goût-Beauté (1920-1933).

Gazette du Bon Ton, 1922 - No. 9: Small gray and Satin Paperback / Bianchini fabric, Anonymous, 1922 Avondcape puts Bont Van Bianchini. No vii uit gazette sketch of the good tone 1922, No. 9. Uitleg Over by Kleding Op Pagina "Recto of sketch pages. Contained in this booklet (Gazette models). paper letterpress printing fashion plates. diadem, tiara (+ women's clothes). coat (+ women's clothes). ear-rings (+ women's clothes). ring (+ women's clothes)

Journal of the ladies and fashions, 1912, Parisian costumes, no. 2: Habit of evening (...), Bernard Boutet de Monvel, 1912 magazine Man in evening clothing. paper engraving fashion plates. ensembles of pieces of clothing (EVENING DRESS) (+ men's clothes).

The twelve months of the year: Vendémiaire, Marthe Romme, 1919 September. Take a series the twelve months of the year. paper fashion plates

Woman in afternoon dress of black and white crepe, picking up a parasol and making an exit. Au revoir, mon amour. Robe daprès-midi, de Paul Poiret, en crèpe noir et crèpe blanc; ceinture cordonnet et soie; franges de soie. Plate 67, Vol. 2.9, 1922. Handcoloured pochoir lithograph by Edouardo Garcia Benito from Lucien Vogels Le Bon Genre: 100 Plates fromGazettedu Bon Ton, Brentanos, Paris, 1922.

Gazette du Bon Ton, 1920 - No. 5, Pl. 33: The dead bird / Czecho -Slovak dress, L'Ho, 1920 Standing woman with a dead bird in hand. She is wearing an afternoon gown or 'Robe Tchéco-Slovaque', with a black velvet body and red embroidery and brushes. Planche 33 from Gazette du Bon Ton 1920, No. 5. Explanation about the clothing on page "Explication des planches". paper letterpress printing fashion plates. dress, gown: day dress (+ women's clothes). domestic animals, kept in and outside the house (+ dying animal; death of animal; dead animal). clothing for the upper part of the body (+ women's clothes)

Gazette du Bon Ton, 1922 - No. 9: Hermine et Lamé Argent et or / tissu de Bianchini. Japon about an evening cape of ermine and gold and silver lam, from Bianchini. Diadem. Croquis No VIII from Gazette du Bon Ton 1922, No. 9. Explanation about the clothing on page "Recto des Pages de Croquis. CONTOES DANCE CE Fascicule (Modèles de la Gazette).

Cartoon, Their Theatre. The French make fun of what they conceive to be the German ideal of beauty, as portrayed by a stage actress being prepared for her entrance by her dresser. Date: 1917

Very Parisian. Fashion, chic, Elegance, 1923 Design by Madeleine & Madeleine. Costume (suit) of white 'crepe de chine' with a soutache in red, yellow and blue. Print from the fashion magazine Très Parisien (1920-1936). Paris paper letterpress printing Design by Madeleine & Madeleine. Costume (suit) of white 'crepe de chine' with a soutache in red, yellow and blue. Print from the fashion magazine Très Parisien (1920-1936). Paris paper letterpress printing

Shoes and footwear.. Giafferri, Paul Louis de, b. 1886. Illustrations. 1926 - 1927. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing and dress, Costume , History, Women, Shoes, Footwear, Women , Clothing & dress , Japan

Paul Iribe (1883-1935). Map at the header of Poiret house. At the top right: "Avenue d'Antin 26, and Faubourg St Honoré 107, in Paris". Signed at the bottom left. Engraved by devam. Engraving enhanced with stencil. 1910s. Galliera, fashion museum of the city of Paris. 54684-13 Arrondissement IIEME II 2nd 2, avenue d antin, balcony, map, in-head, faubourg Saint-Honore, stencil engraving, haute couture, female mode, female model, VIIIEM VIII 8th 8 arrondissement, balustrade, dress

Woman in red pant suit, holding closed fan, from French Advertisment Pieces, Iribe, Barbier and Lepape, USA, Illinois, Chicago, Newberry Library, 20th Century

Woman in tailored suit with riding crop and bowler hat, 1913. Une Amazone. Handcoloured pochoir (stencil) etching after an illustration by Bernard Boutet de Monvel from Tommaso Antonginis Journal des Dames et des Modes, Aux Bureaux du Journal des Dames, Paris, 1913.

Costume for Sir Olivier McText a; Descriptive Sheet of Accessories b. Artist: Charles Bianchini (French, Lyons 1860-1905 Paris). Dimensions: 12 3/8 x 9 5/16 in. (31.4 x 23.6 cm). Date: 1889. Museum: Metropolitan Museum of Art, New York, USA.

Falbalas et fanfreluches: Almanach des Modes Presentes, Passées & Futures Pour 1922: Le Jour et La Nuit / France XXE Siècle. Two women against a red background. The front is dressed in a black evening gown and depicts the night. The rear in a white evening gown, with turban on the head, depicts the day. Print from the Falbalas & Fanfreluches series (1922-1926).

Art - Taste - Beauty, leaflets of female elegance, March 1929, No. 103, 9th year, p. 28. "The Vogue de Tulle and Lace": Tekst Met Afbeeldingen van Twee Japonnen van Beschilderde in GeborDurde Tule Van V. Racine & Cie. Pagina uit Het modetijdschrift Art-Taste-Beauty (1920-1933).

Gazette of the good tone, 1915 - No. 8-9: p. 24: Simple attractions: Women's Hats. Gazette of the good tone 1915, no. 8-9, p. 24: Text and Illustrations: Above Right: Lewis Paquin's Dress; Bottom Left: Georgette's hat.

Art - Goût - Beauté, Feuillets de l 'élégance Féminine, Mars 1929, No. 103, 9th Année, p. 22. Text with illustration of evening dresses. Left: Evening dress from crepe Georgette embroidered with diamonds. Design of Jeanne Lanvin. Right: 'Réception': Lace evening dress with silver colored embroidery. Design of Douce-Dooillet. Page from the fashion magazine Art-Goût-Beauté (1920-1933).

Gazette du bon tons. Art - Modes & Frivolités, 1924 - No. 6: L'Hiver / Tailleur and Fourrure, the Max-Leroy. Standing woman in a landscape dressed in a blur suits of fur from Max-Leroy. On the head a hat. A car in the background. Planche 27 from Gazette du Bon Ton 1924, No. 6.

Carnative Fantasias by H. Demare / N ° 11 / Costume Project for Carnival of 1872. / Costume: The horrors of peace! ...

Gazette du Bon Ton, 1920 - No. 9, PL. 68: La Promenade A Montmartre / Ensemble, the bear. Two hiking women dressed in a bear's ensemble, consisting of a purple satin crotch and a black velvet cloak with a fur collar. Planche 68 from Gazette du Bon Ton 1920, No. 9. Explanation about the clothing on page "Explication des Planches".

Journal of the ladies and fashions, Parisian costumes, 1913, no. 109: Chass costume (...), 1913 Woman in a hunting costume of green and scottish checkered Serge. Jachtwear around the shoulder. High slobes. She follows a rabbit. Prent from the fashion magazine Journal des Dames et des Modes (1912-1914). paper engraving fashion plates. rodents: rabbit (+ man and animal). hunter - CC - female hunter, huntress. firearms. ensembles of pieces of clothing (HUNTING COSTUME) (+ women's clothes)

Art - Taste - Beauty, female elegance sheets, November 1928, No. 99, 9th year, p. 26, Anonymous, 1928 Text "La Mode Enfantine Pour le Saison Frimaire" with image of singing children. Design by "A l'Enseigne de Mignapouf". Page from the fashion magazine Art-Goût-Beauté (1920-1933). paper fashion plates. dress, gown (+ girls' clothes). notation of music. children singing

Gazette du Bon Ton, 1920 - No. 1, pl. 1: Le Madras Jaune / Coiffure Pour Le Soir. Women's hairstyle with a headscarf from yellow silk, suitable for the evening. A sailing ship in the background. Planche 1 from Gazette du Bon Ton 1920, No. 1. Explanation about the clothing on page "Explication des planches".

Woman with hat in an armchair, Pierre Georges Jeanniot, 1920 - 1928 print Young lady, sitting in the armchair, the left hand under kin, the right hand leaning on a walking stick with a button. She is dressed in fur mantle and short dress with low waist, shoes with heels and crossed straps at her feet. Pot hat with a wide edge. Clothing 1920-1930. France paper drypoint / etching / engraving clothes, costume (+ women's clothes). adult woman. sitting figure - AA - female human figure. walking-stick, staff

Art - Goût - Beauté, Feuillets de l 'élégance Féminine, MAI 1931, no. 129, 11th Année, p. 13. Text 'lesson tailleurs et leurs blouses' left: blouse of crepe "banjo" a.g.b., from Jenny. Middle: 'Tailleur' (mantle suit) of wool and silk with a vest of Organdi, from Jane Regny. Right: 'Tailleur' (mantle suit) of striped and dotted wool, from Jenny. Page from the Modelijdschrift Art-Goût-Beauté (1920-1933).

Gazette du Bon Ton, 1914 - No. 1, Pl. IV: Christmas preparations / afternoon dress from Redfern, Francisco Javier Gosé, 1914 A lady and a girl with a tray in hand at a Christmas tree. The woman is wearing a velvet afternoon gown from Redfern. Planche IV from Gazette du Bon Ton 1914, No. 1. Explanation about the clothing on page "Explication des planches". paper letterpress printing dress, gown: day dress (+ women's clothes). clothes, costume (+ girls' clothes). fashion plates. Christmas decorations

Art - Goût - Beauté, Feuillets de l 'élégance Féminine, Novembre 1928, No. 99, 9th Année, p. 29. Three different advertisements, among others for shoes, dresses and jackets. Page from the Modelijdschrift Art-Goût-Beauté (1920-1933).

Gazette du Bon Ton, 1914 - No. 7, pl. 71: What hat should you put / Doucet afternoon dress, J. Magnin, 1914 Woman in blue/white afternoon gown from Doucet with a high smoked collar, standing in a hall near a staircase. Planche 71 from Gazette du Bon Ton 1914, No. 7. Explanation about the clothing on page "Explication des planches". paper letterpress printing fashion plates. dress, gown: day dress (+ women's clothes). interior of the house

Art - Taste - Beauty, female elegance sheets, November 1928, No. 99, 9th year, p. 24, Anonymous, 1928 Text with image of a woman in a green dress from Martial & Armand. Racine side. Page from the fashion magazine Art-Goût-Beauté (1920-1933). paper. paint (coating) brush fashion plates. dress, gown (+ women's clothes). shoes, sandals (+ women's clothes). lace (+ women's clothes). bracelet, wristlet (+ women's clothes)

Art - Taste - Beauty, female elegance sheets, May 1931, No. 129, 11th year, p. 7, R. Drivon, 1931 magazine Text'l 'Harmonie des Lignes et des Left: mantle for the afternoon of black 'crepe du maroc' lined with white crepe. Right: dress, matching the mantle, from black 'crepe du maroc'. Page from the fashion magazine Art-Goût-Beauté (1920-1933). paper fashion plates. coat (+ women's clothes). dress, gown (+ women's clothes). bag (HANDBAG) (+ women's clothes). head-gear: hat (+ women's clothes)

Summer 1923, No. 53: Illustration by Marc-Luc, 1923 Man in Jacquet on striped pants without cover. High hat and walking stick. paper engraving fashion plates. coat (+ men's clothes). walking-stick, staff, cane (+ men's clothes). neck-gear ~ clothing (TIE) (+ men's clothes). trousers, breeches, etc. (PANTALON) (+ men's clothes)

Gazette du Bon Ton, 1921 - No. 1, pl. 1: La Partie de Cache-Cache / Robe and Ruban. A woman stands in a park for a fountain with water basin. She is wearing a pink afternoon juice, made from ribbons. Planche 1 from Gazette du Bon Ton 1921, No. 1. Explanation about the clothing on page "Explication des planches".

The twelve months of the year: Nivose, Marthe Romme, 1919 December. Take a series the twelve months of the year. paper fashion plates

Accessories. Fans, parasols, opera gloves, fashionable hats, small toques garnished with feathers, wristwatches, compact bracelets, and luxuriously crafted lighters: there was a dazzling variety of accessories in the 1920s. Small bags could be suspended from a belt, or a glove. Walking sticks and the shafts of umbrellas and parasols were often embellished with carving clearly inspired by African and Indian art. And Russian influence was evident when it came to combs made of mother-of-pearl and ivory.

Der Kellermeister , Operas & operettas, Costumes

Woman in historic costume, Huib van Hove BZ, 1841 Woman in historic costume, as a shepherd or farmer's wife. At the bottom of musical notes. Costume worn on the costumed ball held in The Hague on 17 and 19 February 1841 at the 25-year marriage of King Willem II and Anna Paulowna. print maker: Netherlandspublisher: The Hague paper historical costume The Hague

Art - Goût - Beauté, Feuillets de l 'élégance Féminine, Noël 1928, no. 100, 9th Année, p. 24. Text 'La Centiele Etape 1920-1928' with images of three women dressed according to fashion from 1926 to 1928. They wear clothing from Jean Patou (1926), Douce (1927) and Worth (1928). Page from the Modelijdschrift Art-Goût-Beauté (1920-1933).

EDITORIAL L'Empire du Monde. The Empire of the World. Robe du Soir, de Worth. Evening dress by Worth. Art-deco fashion illustration by French artist George Barbier, 1882-1932. The work was crea

Bride in honeymoon dress of terracotta Moroccan crepe and blue serge, with groom in front of a sailing ship. Offshore breeze. Brise du Large. Robe de voyages de noces de Doeuillet. Pour le voyage de noces, une robe de serge marine et de crepe marocain terracotta de D½uillet. Handcoloured pochoir lithograph by Andre-Edouard Marty from Lucien Vogels Le Bon Genre: 100 Plates.

Gazette of good tone. Art -Modes & Frivolités, 1924 - No. 7: March, Grangier, 1924 Portrait of a woman with hands by the ears and flowers in the hair. Planche 33 from Gazette du Bon Ton 1924, No. 7. paper letterpress printing fashion plates. head-gear (+ women's clothes). cut flowers; nosegay, bunch of flowers. clothing for the upper part of the body (+ women's clothes)

Gazette of good tone. Art-Modes & Frivolités, 1924- No. 6: Winter / Fur tailor, from Max-Leroy, Charles Martin, 1924 Standing woman in a landscape, dressed in a fierce suit, from Max-Leroy. A hat on the head. A car in the background. Planche 27 from Gazette du Bon Ton 1924, No. 6. paper letterpress printing fashion plates. head-gear: cap (+ fur used for clothes). head-gear: cap (+ women's clothes). clothing for the upper part of the body (+ fur used for clothes). skirt (+ fur used for clothes). automobile. necklace (+ women's clothes). ensembles of pieces of clothing (SUIT) (+ women's clothes)

Max Max Furs. "Model drawing". pencil, watercolor and gouache on paper. H 1922. Galliera, fashion museum of the city of Paris. 146134-24 Fashion drawing, haute couture, feminine mode, feminine model female model mannequin

Gazette du Bon Ton, 1920 - No. 4, p. XXIX: Ad Mappin & Webb. Man and woman at evening. The woman looks at her watch. Advertisement of the jeweler Mapin & Webb. p. XXIX in: Gazette du bon ton 1920, no. 4.

Miss blue stocking.. text. Advertising, Posters. 1896. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Publishing industry, Posters, American, Book & magazine posters

Falbalas et Fanfreluches: Almanach des Modes Présentes, Passées & Futures Pour 1922: Gentils Propos / Tchéco-Slovaque XIXE Siècle. A young man and girl in 19th-century tschachi traditional costume, standing on a mountain. The young man suggests the girl. Print from the Falbalas & Fanfreluches series (1922-1926).

Fashion design for an elegant wedding group. The bride's dress is made from white brocade and satin. Bridesmaid wears a grey trimmed dress as does a wedding guest. All the designs are by Brandt. Date: 1924

Accessories, 1914 Five ladies' hats. P. 252 from Gazette du Bon Ton 1914, No. 7. paper letterpress printing fashion plates. head-gear: hat (+ women's clothes)

Art - Taste - Beauty, female elegance sheets, November 1928, No. 99, 9th year, p. 28, Anonymous, 1928 Four different advertisements, including one for hair removal cream. Page from the fashion magazine Art-Goût-Beauté (1920-1933). paper fashion plates. ointments - AA - (for) women

Gazette du Bon Ton. Art - Modes & Frivolités: Advertising Material. The Gazette du Bon Ton also included advertisements: for shops selling fashions and fabrics, jewellers, hairdressers and beauticians. These ads were also well designed; many were drawn by the same artists who supplied the fashion plates. Even the smallest ads were presented with flair and in a style that was befitting of the whole.

A hat selection from Verlaine of Paris: a large beret reminiscent of those from 1820s - 1840s; a soft brimless hat & a hat with an angled crown & double brim. Date: 1920

Gazette du Bon Ton, 1920 - No. 4, Pl. 25: La Belle Torquatienne, Charles Martin, 1920 Sitting young woman on a beach with palm trees, with a dog on your lap. She wears a white dress and a flower wreath in her hair. Planche 25 from Gazette du Bon Ton 1920, No. 4. Explanation about the clothing on page "Explication des planches". paper letterpress printing fashion plates. dress, gown (+ women's clothes). head-gear (+ women's clothes). island (in tropical and sub-tropical regions). dog

Gazette du bon tons. Art - Modes & Frivolités, 1924 - No. 7: Le Belvédère / Robe-Manteau, De Worth. Standing woman dressed in a dress with a pleated skirt and a cloak trimmed with fur, from Worth. To head a cloth. A Belvédère in the background. Planche 36 from Gazette du Bon Ton 1924, No. 7.

Art - taste - beauty, leaflets of female elegance, christmas 1928, No. 100, 9th year, p. 8. Advertent Voor Stoffen Van de Stoffenfabrikant'S Fabrics A.G. '. Pagina uit Het modetijdschrift Art-Taste-Beauty (1920-1933).

France, Paris, Costume sketch for musician Schaunard in opera La boheme by Giacomo Puccini (1858-1924), performance at Paris Opera Comique, June 13, 1898

EDITORIAL Le Belvédère. The Belvedere. Robe-manteau, de Worth. Dress-coat by Worth. Art-deco fashion illustration by French artist George Barbier, 1882-1932. The work was created for the Gazette

Always chic Dresses, winter 1921-1922: Manola, 1921 - 1922 Print from catalog "Toujours Chic" in which an overview of winter fashion 1921-1922 in 80 prints in Pochoir Techniek. paper letterpress printing fashion plates

Max Max Furs. "Model drawing". pencil, watercolor and gouache on paper. H 1922. Galliera, fashion museum of the city of Paris. 146134-28 Fashion drawing, haute couture, feminine mode, feminine model female model mannequin

Always chic winter 1921-1922: Index, 1921 - 1922 Page Index from catalog "Toujours Chic" in which an overview of the winter fashion 1921-1922. paper letterpress printing fashion plates

Falbalas and fanfreluches: Almanac of present modes, past & future for 1922: nice comments / Czecho-Slovak 19th century, George Barbier, 1922 magazine A young man and girl in 19th-century Tschechian traditional costume, standing on a mountain. The young man makes the girl a proposal. Print from the Falbalas & Fanfreluches series (1922-1926). paper fashion plates. folk costume, regional costume (+ men's clothes). folk costume, regional costume (+ women's clothes). Europeans (CZECHS). proposal, declaration of love. fence, wall, paling

A fashionable young man Date: 1909

Art - Taste - Beauty, female elegance sheets, Christmas 1928, No. 100, 9th year, p. 64, Anonymous, 1928 magazine Four different advertisements. Page from the fashion magazine Art-Goût-Beauté (1920-1933). paper fashion plates

Women in sports dresses with pleated skirts and decorated tops. Handcolored pochoir (stencil) lithograph from the French luxury fashion magazine Art, Gout, Beaute, 1926.

Gazette du Bon Ton, 1914 - No. 7, pl. 68: The romantic landscape / Worth tailor costume, Bernard Boutet de Monvel, 1914 Woman in landscape, in a suit of Worth, consisting of a skirt of blue serge, a taf side tunic and a collar of white piqué. Planche 68 from Gazette du Bon Ton 1914, No. 7. Explanation about the clothing on page "Explication des planches". paper letterpress printing fashion plates. dress, gown (+ women's clothes). head-gear (+ women's clothes). clothing for the upper part of the body (+ women's clothes). ensembles of pieces of clothing (SUIT) (+ women's clothes)

Gazette du Bon Ton, 1921 - No. 2, pl. 10: Melancholy marriage / Modes and manners of torquate, Charles Martin, 1921 A wedding couple is hand in hand under a tree. The bride is wearing a short wedding gown, trimmed with a scalloped hem. A veil on the head. The groom is wearing a double-breasted jacket, trousers, a white shirt with upright collar and a bow tie. A top hat in the left hand. Planche 10 from Gazette du Bon Ton 1921, No. 2. Explanation about the clothing on page "Explication des planches". paper letterpress printing fashion plates. bride and groom in wedding-dress. trees. birds. ensembles of pieces of clothing (SUIT) (+ men's clothes)

La Guirlande, album Mensuel d'Art et de literature, 1919-1920: La Jolie Cueillette. A 'princess' and a page dressed according to fashion from the late Middle Ages (ca. 1450-1500). The woman wears a dress with a motif of French lilies, trimmed with ermine fur, including an orange inside. On the head a high 'atour' with veil. She is picking flowers while a page covers her slip. The page is wearing hosen and tooths. Print probably from the magazine La Guirlande, album Mensuel d'Art et de la Litterature (1919-1920).

Gazette du Bon Ton, 1914 - No. 1, Pl. III: The wonderful tree / Children's costumes for Christmas, Charles Martin, 1914 Four children, in festive clothing for Christmas Eve, standing for a huge Christmas tree in which candles and toys. Planche III from Gazette du Bon Ton 1914, No. 1. Explanation about the clothing on page "Explication des planches". paper letterpress printing fashion plates. clothes, costume (+ children's clothes). Christmas tree

La Nouvelle Mode, No. 1: 1 Janvier 1900: cover with a running lady with Pellerine, 1900 Cover of La Nouvelle Mode, No. 1, January 1, 1900: Young woman, walking in a park, dressed in cloak with Pellerine. Hat with spring on the head. In the background a man and a woman on a tandem; Rear right is a lady on a bench. paper fashion plates. ensembles of pieces of clothing (TWO PIECE SUIT) (+ women's clothes). dress, gown (+ women's clothes). neck-gear ~ clothing (CRAVAT) (+ women's clothes). head-gear: hat (+ women's clothes). dress, gown (+ girls' clothes). clothing for the upper part of the body (PELERINE) (+ women's clothes)

Woman on the coast at Palm Beach in a red three-piece suit with blue lace by Worth. A Palm Beach. Tailleur de Worth. Ce tailleur, ou robe trois-pièces, de Worth, est de popeline rouge. Corsage en mousseline recouvert de dentelle bleue. Veste en popeline brodee bleu marine. Handcoloured pochoir lithograph by from Lucien Vogels Le Bon Genre: 100 Plates fromGazettedu Bon Ton, Brentanos, Paris, 1922.

Studio portrait of an unknown woman in dress, Miell & Ridley, c. 1895 - in or before 1900 photomechanical print paper historical persons - BB - woman. dress, gown: evening dress

Art - Taste - Beauty, leaflets of female elegance, February 1926, No. 66, 6th year, p. 4. Advertent Voor Bontmantel van Brandt. Pagina uit Het modetijdschrift Art-Taste-Beauty (1920-1933).

Max Max Furs. "Model drawing". pencil, watercolor and gouache on paper. H 1922. Galliera, fashion museum of the city of Paris. 146134-27 Fashion drawing, haute couture, feminine mode, feminine model female model mannequin

La Nouvelle fashion, no. 1: 1 Janvier 1900: Folder with running lady with pellerine. Wrap of la nouvelle mode, no. 1, 1 January 1900: Young woman walking in a park dressed in cloak with pellerine. Hat with feather on the head. In the background a man and a woman on a tandem; Right rear is a lady on a bench.

Très Parisien (...) La Fashion Le Chic L'Élégance 1925, Numéro 6, 1925-6e Année. Très Parisien: Six pages text in letterpress over the summer collection of 1925, 18 prints with models in POCHOOM Technique, five pages with detailed sketches and descriptions of the designs shown and three pages ads. In cover in Pochoir Technique.

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