Historical Fashion Plates

Hand-colored engravings depicting women's fashion from past centuries, showcasing traditional clothing styles and historical details.

Italy, 19th century. Costumes of Rome and surroundings: woman from Nettuno.

Lady with fontange, open fan in hand, to the left, 1715 - 1720 print Lady to the left, fontangemuts on the head, opened folding range in the hands. She is dressed in a 'manteau' with tow. No. 3 From the Figures series à la Mode. paper etching dress, gown: manteau (+ women's clothes). head-gear: fontange (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). sleeves (+ women's clothes). skirt (+ women's clothes). skirt (UNDERSKIRT) (+ women's clothes)

Fashion Plate, 'Ball Dress' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, August 1, 1812. Prints; engravings. Hand-colored engraving on paper

Journal des Luxus und der Moden, 1796, T 1.Woman dressed in a key with long sleeves, transshipment and trail decorated with geometric motif. Accessories: Cap with ostrich, belt (), Impeller. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.

Spain, 16th century. Spanish woman. From Habitus praecipuorum popularum, engraving by Jost Amman, 1577.

Leslie Matthew 'Spy' Ward, 1851-1922, British, Vanity Fair - Clergy. 'A erudite Dean'.Dr. J. Armitage Robibson. Dean of Westminster. 14 December 1905, 1905. Chromolithograph.

Tipos españoles. Alcarreña de Guadalajara. Madrid, años 1880. Author: Manuel Moreno Rodríguez.

Woman with spider skirts and a reel in the hands, Israel Henriet (attributed to), after Jacques Callot, 1630 - 1661 Woman, in full, seen on the right, in French rural clothing as it was worn around 1625. She has a spider skirts and a reel in her hands. A fair, knife cooker and bunch of keys hang on her belt. Paris paper etching dress, gown (+ women's clothes). head-gear: cap (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). skirt (+ women's clothes). skirt (UNDERSKIRT) (+ women's clothes). belt, girdle, waistband (+ women's clothes). shoes, sandals (+ women's clothes). other clothing accessories (PURSE) (+ women's clothes). other clothing accessories (SCISSORS) (+ women's clothes). other clothing accessories (KNIFE) (+ women's clothes). purse, money-bag. key. spindle. distaff France

Tatar woman from Tomsk, Siberia, in headress with cape, over a fur-lined coat and long dress. Handcoloured woodcut after an illustration by H. Hendrickx from Auguste Wahlen's "Moeurs, Usages et Costumes de tous les Peuples du Monde," Librairie Historique-Artistique, Brussels, 1845. Wahlen was the pseudonym of Jean-Francois-Nicolas Loumyer (1801-1875), a writer and archivist with the Heraldic Department of Belgium.

Costume of Madame Raquet, merveilleuse in the martyr style. She wears a round English hat in beaver skin, decorated with a cavalier feather and deep red ribbon. She wears a spencer over a low-cut dress. Her chemise is cut out over the bust but tied at the neck like a cravat. Handcoloured etching by Auguste Etienne Guillaumot Jr. from "Costumes of the Directory," Rouquette, Paris, 1875. The etchings were made from designs by Eugene Lacoste and Draner after prints of the era 1795-99. The costumes are from theatre productions "Merveilleuses" and "Pres Saint-Gervais" by Victorien Sardou.

Max Max Furs. "Model drawing". pencil, watercolor and gouache on paper. 1921-22. Galliera, fashion museum of the city of Paris. 146133-14 Fashion drawing, haute couture, feminine mode, feminine model female model mannequin

Cardinal Wolsey, costume design for Shakespeare's play, Henry VIII, 19th century. Artist: Unknown

Costume of an Incroyable. Second costume of Lagorille, dressed for a gala. Tall claque hat (bicorn), perruque (wig) suit of striped silk, cravat, gilet (waistcoat) with flowers, garters. He carries a cudgel. Handcoloured etching by Auguste Etienne Guillaumot Jr. from "Costumes of the Directory," Rouquette, Paris, 1875. The etchings were made from designs by Eugene Lacoste and Draner after prints of the era 1795-99. The costumes are from theatre productions "Merveilleuses" and "Pres Saint-Gervais" by Victorien Sardou.

Costume of a Simiot woman, Island of Simia, Ottoman Empire (now Simi or Symi, Greece). She wears a turban, face veil, short jacket and long robe. Handcoloured copperplate engraving after Octavian Dalvimart from William Alexanders translation of Picturesque Representations of the Dress and Manners of the Turks, Thomas MLean, London, 1814.

A Maiden from Kaluga in Festive Dress by Georgi, Johann Gottlieb (1729-1802) / Private Collection / 1775 / Germany / Copper engraving, watercolour / Genre / 31,5x22,2 / Book design

Judge or doctor of law, Juge ou docteur en droit, 16th century France. Handcoloured lithograph after a miniature of the court of King Louis XII in Roger de Gaignieres' portfolio VII 144 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Gazette du Bon Ton, 1922 - No. 8: Croquis No 1. Japon with a high-locked neck and mid front and a row of a row. Croquis No 1 from Gazette du Bon Ton 1922, No. 8. Explanation about the clothing on page "Description et Explication des Planches Hors-Texte et pages de Croquis.

Young woman from Danzig, 16th century, wearing long green silk dress, black apron, and a gold crown. . Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessis's "Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard and Paul Mercu

Handkerchief merchants. / 67 (title registered (letter)) | The cries of Paris. (Title of all)

Chola Blanchisseuse, 1869, Peru

France, Paris, Costume sketch for Pong in oper Turandot by Giacomo Puccini (1858-1924), performance at Paris Opera Garnier, April 2, 1928

A white gown drawn close round the throat with a lace frill, short puffed sleeves and decorated with colour floral embroidery. She carries a long shawl with a patterned border. Date: 1805

Woman with veil, a basket on the arm; Woman in French national clothes ca. 1620-1625, basket on the arm; Four women in different costumes. Woman, full, seen on the left, a basket on the arm, dressed in French rural clothing as it was worn around 1625.

A highly decorative but thoroughly impractical bathing costume of fine red serge trimmed with silk, braid and fringed edging Date: 1899

Women's fashions, French Directoire era, Paris, 1801. She wears a straw hat made of esparto grass and a long embroidered cashmere shawl. Chapeau de Sparterie-paille. Schall de Cachemire. Le Journal des Dames et des Modes, An X, Costumes Parisiens 339. Handcoloured pochoir lithograph by Marcel Bry from Raymonde Sees Le Costume de la Revolution a nos Jours, Editions de la Gazette des Beaux-Arts, Paris, 1929.

Journal of ladies and fashions, Parisian costume, March 20, 1817 (1635), 1817 Laifel hat of 'Castor'. Japon of Merino wool trimmed with plush. Flat shoes with crossed tires and bows. Proef pressure of a print from the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. head-gear: hat (+ women's clothes). dress, gown (+ women's clothes). shoes, sandals (+ women's clothes). neck-gear ~ clothing (+ women's clothes)

Fancy dress costume of a Moor (Muslim) girl, in tunic and cap embroidered in gold, pearl necklace, sash belt, silk culottes, with her long hair in a pigtail. Handcoloured lithograph after a design by Leon Sault from "L'Art du Travestissement" (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

Isabella of Castile, Spain, 1487. She wears a crown over purple veil, gold cape lined with ermine, crimson jacket lined with ermine, green skirt. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Woman in national costume of Iceland, 19th century. Lace hat, green jacket, apron, skirts, gloves. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Journal des Ladies et des Modes, Costume Parisien, 27 Octobre 1798, AN 7 (70 a): Turban à longue point (...). Turban with a long dependent point. Jap with trail and a long scarf, both trimmed with striped mousseline tires and gold thread. Accessories: Earring in the right ear, bracelet to the right upper arm, stocking, flat shoe with pointed nose. According to the caption, this costume is drawn to life at 'Thétre Français de la Répub.'. The print is part of the fashion magazine Journal des Laden et des Modes, published by Sellèque, Paris, 1797-1839.

Fashion Plate, 'Mrs. Bell's Mantelet à la Capucine' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, Febuary 1, 1820. Prints; engravings. Hand-colored engraving on paper

Journal des Demoiselles, Supplement Au No. 20, 15 Octobre 1911, no. 5031: Perfumery Houbigant (...). Woman in a jacket with lapel and transshipment on a matching straight skirt (stuple japon). Rimless hat with feet peer. Around the arm a bracket bag. Print from the Mode magazine Journal des Demoiselles (1833 -1922).

Fashion image, Young, German lady in the morning suit, Unknown

COLECCION DE TRAJES DE ESPAÑA-1777ALDEANA DE BILBAO-GRABADO S XVIII-TIPOS POPULARES. Author: CRUZ CANO Y OLMEDILLA JUAN DE LA. Location: PRIVATE COLLECTION. France.

Costumes de Différents Pays, 'Villageoise de l'Isle de Tinne'. L. F. Labrousse (France, Bordeaux, active late 18th century)Jacques Grasset de Saint-Sauveur (France, 1757-1810). France, circa 1797. Prints; engravings. Hand-tinted engraving on paper

Costume of a woman at the country festival of St. Gorgon, near Rouen. She wears a tall bonnet that is sewed onto a velvet band. Hand-colored fashion plate illustration by Benoit Pecheux engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.

A hand-colored engraving depicting the habit of a young Turk in 1700, titled 'Enfant Turc.' The illustration was issued between 1757 and 1772, published in London by T. Jefferys. The image reflects costume history and clothing styles of children in Turkey during the 18th century

Costume for the ballet Les Papillions, 1912, Leon Bakst, (1866-1924/Russian)

GEORGE BERNARD SHAW British playwright and critic in a long check coat Date: 1856-1950

Fashion Plate, 'Promenade Dresses' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, August 1, 1809. Prints; engravings. Hand-colored engraving on paper

Costumes de Différents Pays, 'Femme Tattare de Kazan'. L. F. Labrousse (France, Bordeaux, active late 18th century)Jacques Grasset de Saint-Sauveur (France, 1757-1810). France, circa 1797. Prints; engravings. Hand-tinted engraving on paper

Costumes of French royalty, 10th century. Handcoloured steel engraving by Hippolyte Pauquet from a drawing by Wilmin from the Pauquet Brothers' "Modes et Costumes Historiques" (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Fancy dress costume of a Greek woman, in bachslik (sequined veil), riding coat, apron, gold brocade dress, and diagonal corsage. Handcoloured lithograph after a design by Leon Sault from "L'Art du Travestissement" (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

Una Lars Dottir. Pencil sign of woman in costume with a apron and woven ribbons. Pencil drawing ishs format by Otto Wallgren. Nordic

French lady of the court of King Charles V, 1390. In tall horned headdress, gold choker, blue gown with leaf pattern over white petticoat. Dame de la cour de Charles V. Handcoloured lithograph by Lorenzo Bianchi after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

Costume of Jean de Maillard from the tragedy Marcel, Martin Sylvestre Baptiste, after Henri Duponchel, after Jean Alaux, 1827 print Paris paper stage costume. actor (on the stage). tragedy

La Vie et l'Histoire du Maulvais Mauvais Riche -- a rich man's wife in a yellow brocade dress. Date: 15th century

Gazette du Bon Ton, 1921 - No. 10: Croquis No XV. Walking woman dressed in a dress, with the sleeves and neck trimmed with black ribbon and flowers. On the head a hat with great awning. Croquis No XV from a series of eight sketches: "Pour La Riviera Robes Garnies de Fleurs Naturelles, Dance La Mesure Où l'On and a et où l'on ne Préfère Pas d'Employer, Moins Cûteuses, Les Fleurs Artificialles." From Gazette du Bon Ton 1921, No. 10.

Regency woman reading a letter wearing a carriage dress. Morning dress in India muslin with needlework border a la Grecque, French wrapping coat of grey silk, trimmed with swansdown. Beehive hat with ostrich feathers on table. Plate 29, November 1 1811. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, London.

Fashion Plate, 'Promenade Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, January 1, 1814. Prints; engravings. Hand-colored engraving on paper

Standing woman. A woman in Italian traditional costume for full, held the left hand.

Traditional costumes in Germany in the 19th century, Wuerttemberg, farmer's woman from Schwenningen, historical, digitally restored reproduction from a collector's picture from ca 1910

Selim II, Sultan of the Ottoman Empire, after Abraham de Bruyn, 1573. Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' "Modes et Costumes Etrangers Anciens et Modernes" (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Egyptian Dancer, from the Dancing Women series (N186) issued by Wm. S. Kimball & Co. 1889 Issued by William S. Kimball & Company Trade cards from the "Dancing Women" series (N186), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.. Egyptian Dancer, from the Dancing Women series (N186) issued by Wm. S. Kimball & Co.. 1889. Commercial color lithograph. Issued by William S. Kimball & Company

Costume of Madame Besuchet, nouveau riche. She wears a bonnet "a la frivole" crowned with a knot of ribbons, loose hair, a "hypocrite" dress that hides the shoulders but shows most of the bust. The holds up her skirt to reveal striped stockings and sandals.

Margaret, Countess of Vertus and Etampes, 1406-1466. Daughter of Louis I, Duke of Orléans, and Valentina Visconti. Taken from a miniature in her own Livre d'heures. In headdress with long veil, embroidered armorial gown with ermine trim. Marguerite Comtesse d'Etampe, fille de Louis Duc d'Orleans et de Valentine de Milan, 1446. Handcoloured lithograph by Lorenzo Bianchi after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

German maid returning from market, 16th century.. She brings fresh pork and beer. Barefoot, in brown bodice with ruff collar, yellow skirt, and white apron. Allemagne, Servante. After a handcoloured woodcut. Handcolored lithograph by Armand Joseph Lallemand after an illustration by Edmond Lechevallier-Chevignard from Georges Duplessis's Costumes historiques des XVIe, XVIIe et XVIIIe siecles (Historical costumes of the 16th, 17th and 18th centuries), Paris, 1867. Edmond Lechevallier-Chevignard was an artist, book illustrator, and interior designer.

Young woman from Ingermanland (Ingria), turned to the right, Jean Baptist Leprince, 1764 print paper etching folk costume, regional costume. head-gear

Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (665) Demi-Parure.White dress, embroidered with leaf refints. Short puff sleeves, scarf embroidered with red flowers. Straw hat with pink ribbon and tuf flowers. White Alnge Scarf, Folded Range.

Young woman of the west coast of Friesland, the Netherlands, 19th century. She wears a distinctive weathercock shaped bonnet and wimple, cravat fichu, arm protectors, gloves and full petticoats. She can be seen tying ice skates to her shoes. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

Fashion, France, 19th century. Women's fashion plate depicting straw hat, shawls placed one on top of the other and fabric ankle boots (Chapeau de Paille. Schall sur Schall. Brodequins d'Estoffe). From Costume Parisien, Paris, 1809.

Drawing, Costume Design: A Page for a Ballet; Italy; lead pencil, pen and ink, brush and bistre on paper

French woman in casual outfit, reign of King Louis XVI, late 18th century. Large black bonnet and lace shawl over a hoopskirt with frills and ruches. Dame en neglige. Regne de Louis XVI. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

Woman in the costume of Coutances. The base of the bonnet is spread and the wings of the papillon (butterfly) are pulled far back behind the ears. The woman is knitting a woolen garment. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.

Woman wearing purple tunic with blue trim and pink cuffs.. Paintings, Prints. 1850. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting, Chinese, Costumes , Chinese

Woman in elegant finery of low-cut, gold sheath gown with cape holding a fan. Grande parure. Handcoloured pochoir (stencil) etching after an illustration by Armand Vallee from Tommaso Antonginis Journal des Dames et des Modes, Aux Bureaux du Journal des Dames, Paris, 1913.

Max Max Furs. "Model drawing". pencil, watercolor and gouache on paper. 1938. Galliera, fashion museum of the city of Paris. 146131-14 Fashion drawing, haute couture, feminine mode, feminine model female model mannequin

Paper Doll Costume with Floral and Blue Vertical Stripes, Lithograph on heavy white wove paper, Paper doll outfit with lace shawl with pink flowered trim, and dress with alternating stripes of blue and floral patterns., USA, 1876-80, toys & games, Print, Print

Belgian woman in a domestic wenceslaus Hollar, 1643 Woman from Flanders turned to the left, in Huisclear. The hair is combed tight back from the face and largely covered with a hat with a finely pleated bordered edge trimmed with lace. It looks like a forehead needle with a pendant is put forward. A pleated room towel with narrow upright board and all over with a scalloped strip, covers the body or jacket almost entirely. Only the lap, which consists of different buildings, is visible from the waist to the hip. A spacious, ankle -long skirt is decorated above the hem with a number of horizontal tires. Long folded apron, trimmed all around with a scalloped strip. Decorated mules with block heel. paper etching fibula, safety pin (+ women's clothes). apron (+ women's clothes). head-gear: cap (+ women's clothes). shoes, sandals (+ women's clothes). skirt (+ women's clothes). Europeans (DUTCH) (+ women). clothing for the upper part of the body (with NAME) (+ women's clothes) Low Countries

Woman in Arabic costume. Artist: Sergey Sudeykin (Russian, Smolensk 1882-1946 Nyack). Dimensions: sheet: 14 13/16 x 9 11/16 in. (37.7 x 24.6 cm). Date: first half 20th century.Design for a female red Arabic costume, one of 34 Costume designs for N. Evreinoff's play 'The Chief Thing', produced at the Theater Guild, New York City, 1926. Her costume consists of a black bodice with dotted borders and several long panels over a long, red skirt with black stripes and a purple border. A purple panel with vegetal motifs hangs from the front of her waist, and a blue scarf hangs from her neck. Another blue scarf, partially covering her head, is extended behind her back and held with her hands open to the sides. Flat, pointed-toe, black shoes peek out from the bottom of the skirt. Museum: Metropolitan Museum of Art, New York, USA.

Fancy dress costume of Anne Francoise Elisabeth Lange, actress and merveilleuse, in floral dress and straw hat decorated with ribbons. Handcoloured lithograph after a design by Leon Sault from "L'Art du Travestissement" (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

Habit of a lady of Constantinople in 1750. Dame de Constantinople.. Liotard, Jean-Etienne, 1702-1789. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Turkey , 1700-1799

Margaret of Lorraine, Duchess of Joyeuse and later Duchess of Piney, 1564-1625. Sister of Louise de Lorraine, queen of Henri VI of France. Marguerite de Lorraine, Duchesse de Joyeuse, Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

Native American woman of Lima, Peru. She wears the manto (cape), saya (dress), embroidered apron, silk stockings and satin shoes. Femme de Lima. Handcoloured woodcut by S from Auguste Wahlen's Moeurs, Usages et Costumes de tous les Peuples du Monde, (Manners, Customs and Costumes of all the People of the World) Librairie Historique-Artistique, Brussels, 1845. Wahlen was the pseudonym of Jean-Francois-Nicolas Loumyer (1801-1875), a writer and archivist with the Heraldic Department of Belgium.

Africain dans Aline, reine de Golconde. Prints. 1911. Jerome Robbins Dance Division. Aline, reine de Golconde (Choreographic work), Hommes (Choreographic work : Laval, A and M), 20th century, Ballet , France , 18th century, Costume design , 18th century

Lord chancellor, costume design for Shakespeare's play, Henry VIII, 19th century. Artist: Unknown

Knight of St. Patrick in ceremonial velvet mantle and collar. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

Noble woman of Ravenna, northern Italy, 16th century. She holds her blue silk gown up to reveal a currant-coloured gown. Noble Dame de Ravenne. Handcolored lithograph after an illustration by Edmond Lechevallier-Chevignard from Georges Duplessis's Costumes historiques des XVIe, XVIIe et XVIIIe siecles (Historical costumes of the 16th, 17th and 18th centuries), Paris, 1867. Edmond Lechevallier-Chevignard was an artist, book illustrator, and interior designer.

Habit of a young lady of Argentiera and island in the Archipelago in 1700. Fille de l'Argentiere Isle de l'Archipel.. Ferriol, Charles, marquis d'Argental, comte de, 1637-1722. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Greece , Kimolos Island , 1700-1799

Dress of the reign of King John, 1199~1216. She wears a green mantle fastened at the throat over a grey-blue dress, white embroidered veil with diadem and wimple. Based on an order by the king for a pelisson to be made for the queen, Du Cange, Matthew Paris, Sir Walter Scotts descriptions. Handcoloured lithograph from "Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria, London, Dickinson & Son, 1840. 48 mounted plates of women's fashion from 1066 to 1840 based on effigies, manuscripts, portraits, prints and literary descriptions.

Infant's Dress. Dated: c. 1938. Dimensions: overall: 45.8 x 35.5 cm (18 1/16 x 14 in.). Medium: watercolor, graphite, and colored pencil on paperboard. Museum: National Gallery of Art, Washington DC. Author: Marie Famularo.

Woman of Cervera, Kingdom of Naples, 1830. Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' "Modes et Costumes Etrangers Anciens et Modernes" (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

German woman's traditional costume in the 17th century, clothing of a bourgeois woman in Basel, today Switzerland, fashion, digital reproduction of an original from the 19th century, original date unknown

Merchant Norimbergensis, Wenceslaus Hollar, 1643 Koopmanswoman from Nuremberg, seeing diagonally on the back, with a hat with a straight sphere, hat band with flat bow and wide edge diagonally backwards on the head. A round, flat collar on top of a thick fur collar. Short, pleated shoulder mantle with a flat collar and trimmed with fur. Ankle -length, pleated skirt decorated with horizontal tires. Apron and open shoes with heel. paper etching Europeans: Germans (+ women). clothes, costume (+ women's clothes). head-gear: hat (+ women's clothes). neck-gear ~ clothing (with NAME) (+ women's clothes). clothing for the upper part of the body (CAPE) (+ women's clothes). skirt (+ women's clothes). apron (+ women's clothes) Nuremberg

La nuit. Dame de qualité au bal. Mariette, Jean, 1660-1742. Prints. 1690 - 1699. Jerome Robbins Dance Division. Ballet , 17th century, Costume design , 17th century, Ballet , France , 17th century

Costume Study for Pedrillo in the "Abduction from the Seraglio" by W.A. Mozart ca. 1830-50 Johann Georg Christoph Fries German. Costume Study for Pedrillo in the "Abduction from the Seraglio" by W.A. Mozart 424928

Woman from the Swedish province of Dalarnas Län, Félicien Rops, 1874 - 1875 print Brussels paper etching folk costume, regional costume Dalarna

This 1866 engraving shows a dress some Confederate sympathizer women in Washington, Baltimore, and other cities wore.

Young girl of Timbuktu, Mali. Although Muslim, she can go out without a veil, and wears a tall hat, Moorish costume of shawl, embroidered jacket, chemise and culottes. She wears earrings and necklace of amber, and silver anklets. Jeune fille de Timbouctou, Nigritie. Handcoloured woodcut by Henri Hendrickx and Edouard Vermocken from Auguste Wahlen's Moeurs, Usages et Costumes de tous les Peuples du Monde, (Manners, Customs and Costumes of all the People of the World) Librairie Historique-Artistique, Brussels, 1845. Wahlen was the pseudonym of Jean-Francois-Nicolas Loumyer (1801-1875), a writer and archivist with the Heraldic Department of Belgium.

Doll representing a girl Victorine with her hands in her pockets. Wooden doll dressed by the young Princess Victoria. Color plate after an illustration by Alan Wright from Frances H. Lows Queen Victorias Dolls, George Newness, London, 1894.

Apparel. Watercolor in large format by O. Wallgren Nordic

Women's fashions and hats, French Directoire era, Paris, 1801. She wears a velvet cap, low-cut dress, and embroidered cashmere shawl. Chapeau de Velours. Schall de casimir brode. Le Journal des Dames et des Modes, An X, Costumes Parisiens 350. Handcoloured pochoir lithograph by Marcel Bry from Raymonde Sees Le Costume de la Revolution a nos Jours, Editions de la Gazette des Beaux-Arts, Paris, 1929.

painting in Gouache depicting an Italian peasant in traditional costume. Circa 1850

Zurich female costume study Ren� Marjolin (1812-1895). Study of female costume Zurich. Graphite pencil, white and watercolor gouache rehaught on gray-bluish paper, 1833. Paris, museum of romantic life.

Italy, Milan, costume sketch for female character in Nabucco (Nebuchadnezzar)

Costume of a French city woman, 1390. In tall headdress, green gown with check trim, blue belt, white undergown. In front of a stone bridge. Costume de Femme a la ville. Handcoloured lithograph by Lorenzo Bianchi after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

Alain le Gregeois, bourgeois man of Cologne, 15th century. Handcoloured lithograph by Leopold Massard after a miniature in the manuscipt of Histoire du comte Gerard de Nevers in Roger de Gaignieres' portfolio VI 101 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Shown here is a French lady in 1790. This illustration dates to 1882.

Widow's costume, costume book by Weigel, 16th Century

German peasant costumes - Hanover the old country , Clothing & dress. Louis Prang & Company Collection

Dress. Dated: c. 1936. Dimensions: overall: 29.8 x 22.9 cm (11 3/4 x 9 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Marie Mitchell.

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