Historical Figure Drawings

Sketches depicting historical figures, gestures, and scenes from mythology, showcasing artistic styles in chalk, graphite, and ink.

God the Father with musician angels, Raffaellino da Reggio, 1560 - 1578 drawing paper. ink pen / brush

Rijn, Rembrandt van, The baptism of the chamberlain, verso lower right, print, prints, Rembrandt f. 1641, lower right, verso central, verso central (by the previous mark), verso lower left, height 178 mm, width 214 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1641 - 1641, second quarter 17th century, paper, papier, etching, etchings, Work conception, after own design by

Design for Spandral Decoration. Date/Period: Ca. 1825. Drawing. Brush and sepia wash, pen and brown ink, graphie, white gouache on paper; verso: pen and brown ink, black chalk on paper. Author: Ciro Ferri.

Time and De Waarheid, Gerard de Lairesse, 1650 - 1711 drawing Design for a ceiling painting. paper. graphite (mineral). ink. chalk pen / brush Time revealing Truth; Time carrying Truth aloft. Time revealing Truth; Time carrying Truth aloft

Design for a Pendentive: Youthful Musicians with Stringed Instruments 1505-88 Pomponio Amalteo Italian. Design for a Pendentive: Youthful Musicians with Stringed Instruments 338097

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Bound Print, Une naïade échevelée recule d'efroi à la vue d'un lion; Designed by Jean Baptiste-Marie Pierre (French, 1714 - 1789); Italy; etching on paper

'Pyramus and Thisbe'. Italy, late 16th - first half of 17th century. Dimensions: 26,3x17,7 cm. Museum: State Hermitage, St. Petersburg. Author: SISTO BADALOCCHIO.

Resting countrymen.

Study of Figures for 'A View of the Campagna', Richard Wilson RA, 1714-1782, British, active in Italy (1750-56), ca. 1755, Black chalk and white gouache on medium, rough, brown laid paper mounted on card, Sheet: 7 5/8 x 10 11/16 inches (19.4 x 27.1 cm) and Mount: 7 13/16 x 10 7/8 inches (19.8 x 27.6 cm), figure study, Campagna, Campania, Europe, Italy, Salerno

Spandrel with Two Prophets (recto); Outstretched Right Hand; Two Kneeling Figures (verso) Made 1600-1699 Italy. Pen and brown ink, with brush and brown wash, over black chalk (recto and verso), on ivory laid paper . Simone Pignoni

Black chalk drawing by Charles François Hutin depicting the mythological scene of the abduction of Europa, with white highlights.

Standing Nude Child Surrounded by Women and Children 1489-1534 School of Correggio (Antonio Allegri) Italian. Standing Nude Child Surrounded by Women and Children 341628

Italy, Billy, Nicolo, Testa, Pietro, Naked old man at altar, putti and children, verso - stamped, Sheet with three representations. On the left a naked old man at an altar. He is crowned by three angels. On the top right two putti. On the bottom right two tumbling children., print, prent, prints, prenten, height 237 mm, width 297 mm, Italian, 1612 - 1650, intermediary draughtsman, after a drawing by, 1650 - 1750, paper, papier, etching, etchings, print maker, prentmaker

Bliżej Kultury Matejko, Jan (1838 1893)

Disorderly Folly (from the series Los Disparates (Follies) by Goya, Francisco, de (1746-1828) / Museo Lazaro Galdiano, Madrid / 1815-1819 / Spain / Etching / Genre,Mythology, Allegory and Literature / 24,6x35,7

The souls of the fathers th illustration of the Messiade, Heinrich Friedrich Füger -, artist

Studies of Hands and Bending Figures verso. Dimensions: overall: 28.2 x 18.5 cm (11 1/8 x 7 5/16 in.). Medium: red chalk heightened with white. Museum: National Gallery of Art, Washington DC. Author: Abraham Bloemaert.

Charles Hamilton Smith, 1776-1859, Belgian, Porch with Statuary, Easton Neston, Northants, undated. Graphite, pen and black ink on medium, slightly textured, cream wove paper.

Italy, Raphael, Monogrammist NDB, Massacre of the Innocents at Bethlehem, verso - stamped, Desperate mothers try to protect their children from Herod's soldiers. In the foreground a woman grieving over the dead body of her child., print, prent, prints, prenten, height 292 mm, width 515 mm, Noord-Nederlands, Zuid-Nederlands, print maker, prentmaker, 1544 - 1544, second quarter 16th century, tweede kwart 16e eeuw, paper, papier, houtcut, counterproof, tegendruk, Work conception, 1483-04-07 - 1520-04-07

Study of Angels, Black and white chalk on blue paper, Five angels in clouds. At center, one clasps hands and looks heavenward., Italy, late 18th century, figures, Drawing, Drawing

Pencil and deck white drawing by Sergius Hruby from 1931 depicting the five senses, showing figures engaged in sight, hearing, taste, smell, and touch.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Daedalus and Icarus. Twenty-ninth issue of a series of 52 pieces. (A. de Vesme 510; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

A decorative draft by Nicolaes Pietersz. Berchem showing farmers paying homage to Ceres representing Earth, executed in black chalk and gray brush with geometric design, circa 1658.

Drawing by Filippo Lauri depicting Achilles among the daughters of Lycomedes, executed in pen with gray wash, with a large brown spot on the right.

Anonymous drawing of a weapon trophy arranged over an arch, using feather with brown and yellow lavished areas and white grown accents, with chased corners.

unknown artist, Illustration to Tonson's Ovid Metamorphis (four of four), ca. 1710. Pen, black ink, and gray wash on medium, slightly textured, cream laid paper.

Study of female head with hands, Jean-Antoine Watteau, (1684-1721/French)

Sketch sheet with man in different poses, Nude studies of a man, draughtsman: Battista Franco, 1520 - 1561, paper, h 328 mm × w 404 mm

Installing the Dead Christ, Federico Barocci, in or before c. 1600 drawing Paper .. Chalk. Linen (Material). List: Wood (Plant Material) lamentation over the dead Christ by his relatives and friends (Christ usually without crown of thorns)

A black chalk and brown brush drawing by Abraham Bloemaert depicting the young Tobias accompanied by an angel, with wash and white highlights.

Illustration to Tonson's Ovid Metamorphis (four of four), unknown artist, ca. 1710, Pen, black ink, and gray wash on medium, slightly textured, cream laid paper, Sheet: 14 × 8 3/8 inches (35.6 × 21.3 cm), buried, chaos, death, dishes, dog, dragon, Drum, fighting, goblet, leaders, lyres, maenad(s), men, Metamorphoses, monsters of the sea, music, religious and mythological subject, staffs, trumpets, violin, women, wreaths

Riviergod, Antoine Alexandre Joseph Cardon, After Guillaume Roefs, 1772 - 1773 Sculpture of a river god. Image made by Corneille van Dael, Guilleaume Roef and François Meulemeester on the Beestenmarkt. Numbered in the top left of the plate: 8. Part of the collection of figures and statues made of snow in the streets of Antwerp in January 1772. Southern Netherlands paper etching / engraving Antwerp Sculpture of a river god. Image made by Corneille van Dael, Guilleaume Roef and François Meulemeester on the Beestenmarkt. Numbered in the top left of the plate: 8. Part of the collection of figures and statues made of snow in the streets of Antwerp in January 1772. Southern Netherlands paper etching / engraving Antwerp

Decorative objects and a sketch of a group of damned people. Draughtsman: Federico Zuccaro. After Luca Signorelli. Dating: 1550 - 1609. Measurements: h 133 mm × w 101 mm × h 142 mm × w 104 mm. Museum: Rijksmuseum, Amsterdam.

Saint and Nudes, Raphael, Raffaello S.

Lazio Roma Frascati Villa Borghese4. Hutzel, Max 1960-1990 Exterior views of 17th c. villa, ninfeo and fountain. Interior views of salons, dining room, bedroom, and frescoes, paintings and busts decorating them. Antiquities: Villa houses an Antiquities gallery, which contains sarcophagi, busts, masks, friezes, and a series of statues of Roman kings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Paris, Le Père & Pierre-Michel Avaulez, Charles, Delafosse, Jean Charles, Janinet, Jean François, 3e Cahier, Trophies, La Peinture, Schilderkunst, verso - stamped, A trophy with attributes belonging to painting such as an easel, sketches, a bust, a palette and brushes., print, ornamental print, prints, ornamental prints, height 385 mm, width 192 mm, French, 1752 - 1814-11-01, print maker, printmaker, 1772 - 1779, paper, papier, crayonmanier, 1734 - 1791-10-11, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

France, Vauquer, Jacques, Goldsmith designs for watch cases: lids and sides, Watch case between two bouquets, Watch case with the Adoration of the Shepherds. First edition, second printing., print, ornamental print, prints, ornamental prints, height 137 mm, width 179 mm, Work conception, French, 1621-10-11 - 1686-08-31, after a design by, 1631 - 1676, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

Apollo Driving the Chariot of the Sun 1544-1545 Italy. As the heroic sun god Apollo drives his four-horse chariot (the semicircle of the sun directly behind him), Aurora, goddess of the dawn, strews flowers in his path, announcing hisóand the new dayísóarrival. Lelio Orsiís drawing is a final preparatory sketch for an illusionistic outdoor fresco (now lost) on the clock tower in the central square of the northern Italian city of Reggio Emilia.Orsi was so successful in suggesting the godís powerful forward thrust that Apollo looks as if he is about to leap from his chariot and out of the picture plane. Orsi derived his heroic, classicizing graphic style primarily from Michelangelo.. Pen and black ink, with brush and brown wash, heightened with white opaque watercolor, with incising, on cream laid paper prepared with a light brown wash, laid down on thick laid paper . Lelio Orsi

The Lion and Stag, Benjamin Green, ca. 1736-ca. 1800, British, after George Stubbs, 1724-1806, British, 1770, Mezzotint, second state, Sheet: 17 3/8 x 22 3/16in. (44.2 x 56.4cm) and Image: 16 15/16 x 22 3/16in. (43 x 56.3cm)

Roman wall-painting of a Bacchanalian dance from the Villa Doria Pamphili in Rome, c50. Artist: Unknown

Italy, Parmigianino, Saint Helena and the True Cross, recto lower right - stamped, Saint Helena seated in the foreground. Behind her a window with outside the angel who appeared to her in a vision with the True Cross on which Christ had hung., print, prints, verso - stamped, height 196 mm, width 125 mm, print maker, printmaker, 1513 - 1549, paper, papier, engraving, engraving (printing process), plate tone, Work conception, Italian, 1503-01-11 - 1540-08-24

Lamentation over the Dead Christ 1565-1608 Francesco Curia Italian Francesco Curia can be rightly considered the most relevant artist active in Southern Italy during the Sixteenth century. The present sheet is one of eight pen sketches (Metropolitan Museum of Art, inv. nos.1970.101.4-11) figured in an album containing "97 pezzi di Francesco Curia" (97 pieces by Francesco Curia:) once in the collection of Nicodemus Tessin the Younger (1654-1728), and then inherited by his son Carl Gustav Tessin (1695-1770), the greatest Swedish collector of drawings of the Eighteenth century. It seems to have been broken up in the latter's lifetime. Eighty-two of these sheets are now in the Nationalmuseum in Stockholm; those in the Metropolitan Museum came to New York by way of a Swedish collector who acquired them from a collateral descendant of Tessin. In their studies, Per Bjurström and Walter Vitzthum have pointed out the importance of this group of drawings, which forms a touchstone for our knowled

Le Porte-Étendard (The Standard Bearer), from Les Caprices Series B, The Nancy Set 1617-20 Jacques Callot French. Le Porte-Étendard (The Standard Bearer), from Les Caprices Series B, The Nancy Set. Les Caprices Series B. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617-20. Etching; first state of two (Lieure). Prints

Ballet scene, James Ensor, 1900, drawing, between circa 1905 and circa 1915, Belgian Art

Group of SixFigures. Artist: Unknown After: Raphael, Italian, 1483-1520

Richard Westall, 1765-1836, British, Joshua and the Angel (Joshua 5:13), before 1835. Graphite on medium, smooth, cream wove paper.

Evangelists in swallows. Draughtsman: anonymous. After Carlo Maratti. Dating: 1750 - 1800. Measurements: h 260 mm × w 185 mm. Museum: Rijksmuseum, Amsterdam.

Morning: Pope's Odyssey, Book 12 (recto); Study for the final drawing (verso). Artist: John Flaxman (British, York 1755-1826 London). Dimensions: Sheet: 8 5/16 x 10 13/16 in. (21.1 x 27.5 cm). Date: 1792. Museum: Metropolitan Museum of Art, New York, USA.

Saint Norbert. Etching by B. Del Vecchio after F. Bigioli after P. Bracci, 1767.

Venus Commanding Vulcan to Make Arms for Aeneas. François Boucher; French, 1703-1770. Date: 1767. Dimensions: 304 × 205 mm (primary support); 330 × 230 mm (secondary support). Various brown chalks, with touches of brush and brown chalk wash, heightened with white chalk, on cream laid paper, prepared with a light brown wash ground, laid down on heavy buff laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Francois Boucher.

Family piece.

Settlement of Saugus , Settlers, Boats. The Massachusetts WPA Federal Art Project Photograph Collection

Hablot Knight Browne, 1815-1882, British, One of eighteen designs for a series of plates illustrating Venus and Adonis, undated. Graphite, red chalk, watercolor and white gouache on medium, slighlty textured, gray wove paper.

Nymphs, Satyr and Putti 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Nymphs, Satyr and Putti 340527

Drawing for the decoration of the holiday gallery of the city hall, 1852, dance and music

Munich, Piloty & Löhle, Murillo, Bartolomé Esteban, Murillo Munich, Photographic reproduction of (presumably) a painting by Bartolomé Esteban Murillo, depicting children playing dice, Part of Travel album with photographs of Switzerland, Austria, Italy and Germany., photograph, photo, reproduction, photos, height 116 mm, width 94 mm, photographer, 1860 - 1890, third quarter 19th century, fourth quarter 19th century, paper, papier, photographic paper, fotopapier, albumen print, albuminedruk, Spanish, 1618-01-01 - 1682-04-03, after, after painting by, Publication (Event), Publication, German, publisher

Virgin and Child in Glory with Saints Sebastian, John the Evangelist, and Roch. Pasquale Ottino; Italian, 1578-1630. Date: 1605-1615. Dimensions: 657 x 388 mm. Oil with graphite (varnished) on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Christ and the adulterous woman, Brush and gray wash, red crayon, and pencil on light gray paper., Nude figures. At left, a group of four disciples. Christ extends his left hand toward the woman, who kneels ashamed and points with the right hand to the turbulent group of men. In the interval between Christ and the group at right, are, in the background, two women with a child. An arcade is in the background. ON the reverse a pencil sketch of one of the figures and in opposite directions, a red crayon sketch of a sitting figure under an arch., Italy, ca. 1800, figures, Drawing, Drawing

Italy, Campagnola, Domenico, Landscape with a couple playing a hurdy-gurdy, verso - stamped, A mountainous landscape with a woman and a man playing a hurdy-gurdy in the foreground., print, prent, prints, height 245 mm, width 379 mm, Italian, 1500 - 1564, print maker, printmaker, 1540 - 1540, second quarter 16th century, paper, papier, woodcut

Town and Country Magazine, Frontispiece for Vol. X for 1778, Isaac Taylor, 1730-1807, British, undated, Gray wash with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 5/8 × 4 1/4 inches (16.8 × 10.8 cm), books, laurel crowns, lyre, palm tree, religious and mythological subject, satyr

Two studies of two men fighting in the billiard room, Two studies of two men fighting, draughtsman: Barend Cornelis Koekkoek, 1813 - 1862, paper, h 138 mm × w 170 mm

Frieze with Eight Putti. After Polidoro Caldara, called Polidoro da Caravaggio; Italian, c. 1499-c. 1543. Date: 1519-1543. Dimensions: 106 × 329 mm. Pen and brown ink and brush and red chalk wash, on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Boreas Abducting Orithyia. Date/Period: 1640. Red chalk, reddish watercolour, heightened with white body-colour,squared in graphite,beige paper. Rötel, rötlich aquarelliert, mit Deckweißgehöht, mit Graphitstift quadriert, aufbeige eingefärbtem Papier. Height: 205 mm (8.07 in); Width: 246 mm (9.68 in). Author: GIOVANNI MARIA MORANDI.

The Roll of Fate, England, by Walter Crane. Gift of Archdeacon F.H.D. Smythe, 1957.

Two Studies of a Standing Man, His Arms Outstretched.

Vignette project; Carrier-Belleuse, Albert Ernst (1824-1887); before 1884 (1801-00-00-1900-00-00);Lubomirski (family) - residences, Lubomirski, Kazimierz (1869-1930), Vente Carrier Belleuse (auction - Paris - 1887), projects, vignette projects, French drawings, purchase (provenance)

Ornament Containing a Nude Male with Pipes Framed by Two Dogs. Artist: Anonymous, German, 19th century. Dimensions: sheet: 8 5/16 x 13 1/16 in. (21.1 x 33.2 cm). Date: ca. 1780-1820. Museum: Metropolitan Museum of Art, New York, USA.

Spandrel Study: Angels with the Symbols of St. Luke, 1747-1755, Joseph Wilton, British, 1722 - 1803, 8 9/16 x 6 1/4 in. (21.75 x 15.88 cm) (sheet), Pen and brown ink, over a black chalk sketch, England, 18th century

A pencil draft by Moritz von Schwind from around 1864 for the bezel image of 'The Queen of the Night' from Mozart's 'Magic Flute', designed for the loggia of the Vienna State Opera.

A Prospect of Vapourland, Richard Bentley, 1708-1782, British, 1759, Brown and black ink and wash over graphite on moderately thick, rough, beige laid paper, Sheet: 18 1/2 x 24 7/8 inches (47 x 63.2 cm), animals, bats (animals), birds, clouds, dead, hills, landscape, leaves, lion, men, rats, snakes, Surrealist, tent, trees, women

'The Alexander Sarcophagus', c1901, (1907). Artist: Unknown.

unknown, Augsburg, Bergmüller, Johann Georg, Sperling, Hieronymus, Das 12 Jahr, Young draughtsman and two views of the body of a twelve-year-old boy, verso - stamped, print, picture, book illustration, prints, etchings, height 317 mm, width 209 mm, German, 1695 - 1777, print maker, printmaker, 1723 - 1723, paper, papier, etching, Work conception, 1688 - 1762, after a design by, Publication (Event), Publication, publisher, granter of privilege

Ixion misled by Juno and Jupiter, Pieter van Sompel, after Peter Paul Rubens, 1670 - 1726 print The drunk Ixion embraces the image -made image of Juno. Jupiter, on a cloud with his eagle, and Juno, with her peacock, watch. A furie in the background. Under the print an assignment in Latin. Amsterdam paper engraving Ixion embraces a cloud (Nephele) in the shape of Juno

Sketch for the town hall of Asnières: Allegory of Arts (ceiling of the village hall) Henri Course-Dumont (born in 1856). Sketch for the town hall of Asnières: Allegory of the arts (ceiling of the village hall). Black pencil and oil on canvas. 1900-1903.

Drawing, Design for a Hemicycle, Villa Albani, Rome, Italy; Architect: Carlo Marchionni (Italian, 1702-1786); Italy; pen and brown, gray ink, brush and gray wash, graphite, on cream laid paper; 35.1 x 51 cm (13 13/16 x 20 1/16 in.)

Hermes according to the picture of William B. Richmond. A clip from a German magazine Roberts, Charles Jules (1843 1889), Richmond, William Blake (1842 1921)

Vestigia delle Terme di Tito. Preocession. Quadro from vault ornamentation in room 14. Carlone, Marco (1742-1796), graphic artist, Smuglewicz, Franciszek (1745-1807), draughtsman, cartoonist, Mirri, Ludovico (1738-1786), publisher

Design for a ceiling with the marriage of Jupiter and Juno. Design for a ceiling painting.

Theodor von Holst, 1810-1844, British, Ferdinand Riding the Waves, ca. 1830. Watercolor with gray wash and gouache over graphite on moderately thick, moderately textured, beige wove paper.

Sculptures from Bacchus, Amor and Mercury and Venus as loved ones, Anonymous, 1641 print Captions in Latin. Print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Cupid, Amor (Eros). (story of) Bacchus (Dionysus), Liber. Mercury and Venus as lovers

Copper engraving and etching by Johann Georg Wolfgang created between 1680 and 1744 titled The Return to Virtue, featuring an allegorical European composition of the late Baroque period.

School of Ferrara, Italy, Tarocchi, Misero, Beggar and two dogs, verso lower right - stamped, Beggar leaning on stick. He stands with two dogs in front of a half-broken wall near two trees. Below the image is the text MISERO I., print, prent, prints, prenten, height 175 mm, width 97 mm, print maker, prentmaker, 1463 - 1467, third quarter 15th century, derde kwart 15th century, paper, engraving, engraving (printing process), color printing, hand colouring

Lazio Viterbo Bagnaia Villa Lante05. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Vignette with Minerva Teaching, Anonymous, 1700 - 1800 drawing paper. oil paint (paint) brush Minerva as patroness. art

Study for The Young Volunteers, Thomas Webster (Pimlico, England, 1800 - 1886) 1871

Study for an equestrian monument (recto). Date/Period: Ca. 1485 - ca. 1490. Drawing. Recto: Metalpoint on blue prepared paper. Verso: Pen and ink on paper. Height: 152 mm (5.98 in); Width: 188 mm (7.40 in). Author: LEONARDO DA VINCI.

Design for a window with a sitting woman and putto in a frame, 1900 - 1903 The woman has lifted the arms. Above her a putto in a medallion. Design for a stained glass window for the Chamber of Commerce in the Beurs van Berlage in Amsterdam. Page 14 Recto from a sketchbook with 45 sheets. paper. pencil. chalk window. sitting figure - AA - female human figure. cupids: 'amores', 'amoretti', 'putti'

A Tour in a Cathedral. Drawing. Watercolor with pen and gray and red-brown ink over graphite on medium, slightly textured, blued white, laid paper. Height: 113 mm (4.44 in); Width: 178 mm (7 in). Author: Thomas Rowlandson.

Anderson, Domenico, 1175, Photo reproduction of fresco Venus goes to Olympos, by Raphael, Farnesina in Rome, photograph, photo, photos, Bottom right: D. Anderson, 1175 VENERE SUL CARRO TIRATA DA COLOMBE DI RAFFAELE, height mm, width mm, Italian, 1854 - 1939, photographer, 1857 - 1875, third quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print

The Flagellation. Artist: Lombardy () , late 15th century. Dimensions: 14 3/4 x 9 1/4 in. (37.5 x 23.5 cm). Date: late 15th century.sfumato technique of softly blended tones that highlights the solemnity of his pose and expression--in marked contrast to the more linear and less finished treatment of his lower body and of his assailants. The use of sfumato suggests the drawing was produced by a Lombard artist under the influence of Leonardo da Vinci. Museum: Metropolitan Museum of Art, New York, USA.

Bartolomeo Coriolano after Guido Reni, Thesis, 1640 Thesis

Antonia Lavauguyon, peasant meal scene, 1794, watercolor on cardboard, museum of the real academy of fine arts of San Fernando, Madrid

Two fête galante scenes, c. 1795 Oval back glass painting with three ladies and a gentleman in a landscape that together represent a scene from the play L'Aminta by Torquato Tasso: Aminte Dans Les Bras de Sivie. Painted after a print by Louis Simon Lempereur, after a painting by François Boucher. The cut and gilded frame is original. Canton glass. oil paint (paint). wood (plant material) painting / cutting / gilding Canton Oval back glass painting with three ladies and a gentleman in a landscape that together represent a scene from the play L'Aminta by Torquato Tasso: Aminte Dans Les Bras de Sivie. Painted after a print by Louis Simon Lempereur, after a painting by François Boucher. The cut and gilded frame is original. Canton glass. oil paint (paint). wood (plant material) painting / cutting / gilding Canton

Elgiva Seized by Order of Odo, Archbishop of Canterbury, 1843 John Everett Millais, Drawing, Ink, Pre-Raphaelite

Attributed to John Martin, 1789-1854, British, Daniel in the Den of Lions, undated. Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper.

Groups of Male Figures. Dated: c. 1514. Dimensions: overall: 21.3 × 29.7 cm (8 3/8 × 11 11/16 in.). Medium: red chalk with pen and brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: Vittore Carpaccio.

Launcelot at the Shrine of the Holy Grail, 1857 Study for Guenevere Artist: Dante Gabriel Rossetti (Artist) Pen And Brown Ink, Over Pencil, On Paper, Art Movement, Pre-Raphaelite, 19th Century, Sketch

Drawing, Sagittarius, Lunette for Ceiling, Sala Ottagonale, Palazzo Milzetti, Faenza; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and light brown wash over graphite on blue laid paper; 14.8 x 21 cm (5 13/16 x 8 1/4 in.) matted w/ -1192 Mat: 35.6 x 45.7 cm (14 x 18 in.)

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