Historical Figures in Engravings

A series of engravings featuring elegantly dressed historical figures, showcasing intricate clothing details and classical poses reminiscent of the Renaissance era.

Tuinierster, Matthäus Merian (I), After Jacques Bellange, 1613 - 1617 print Young woman with a basket on her arm, wears a decorated scale on her head. In the background a grain field with two walking couples. Under the show a two -line text in Latin. Germany paper etching the (nude) human figure; 'Corpo humano' (Ripa) (+ female (human being) (not to be used where -AA- is prescribed)). carrying something in basket, bag, rucksack, etc.

Feder drawing by Francesco Mazzola depicting Faunin, with traces of white highlights, emphasizing figure and composition.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. Troglodyte Arabia. Fiftieth number of a suite of 52 pieces. (A. de Vesme 560; Dutuit 117) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

unknown, Haarlem, Soutman, Pieter Claesz., Visscher, Cornelis (II), Dutch saints, St. Cunera van Rhenen, verso - stamped, Saint Cunera of Rhenen with a decorated hairnet on her head and a garrote around her neck, a reference to the murder weapon with which she was put to death. This print is part of a series of Dutch saints., print, prints, height 440 mm, width 310 mm, Northern Netherlands, 1629 - 1658-01-16, print maker, printmaker, 1650 - 1650, paper, engraving, engraving (printing process), Work conception, 1601 - 1657-08-16, after a design by, Publication (Event), Publication, publisher, granter of privilege

A brown, gray, and red ink drawing by Sébastien Le Clerc depicting a Turkish figure, glued on a leaf with a pierced decorative strip, circa 1650-1664.

Violant of Bar (c.1365-1431). Queen consort of Aragon by marriage to John I of Aragon, as the second wife of the king. Engraving by Capuz, Historia General de España by Father Mariana. Madrid, 1852. Author: Tomás Carlos Capuz (1834-1899). Spanish engraver and xylograph.

Woman in long hooded cape, lined with fur, her right hem tucked in. Print from a series of twelve prints with studies of human figures, Woman with cloak, Miss Kortrijk (title on object) 12 Study images (series title), print maker: Anthonie Willem Hendrik Nolthenius de Man, (mentioned on object), Nijmegen, 1828, paper, etching, h 115 mm × w 61 mm

Paris, Breton, Richard, Desprez, François, Recueil de la diversité des habits, Series of various costumes, La mosquovide, Woman from Moscow, verso - stamped, print, prints, height 146 mm, width 85 mm, French, print maker, printmaker, 1562 - 1562, paper, papier, woodcut, Publication (Event), Publication, 1524 - 1571, publisher

A couple in fashionable dress. Woodcut

Monime. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); Gilles Rousselet (French, Paris 1614-1686 Paris); After Claude Vignon (French, Tours 1593-1670 Paris). Dimensions: sheet: 13 7/16 x 8 7/16 in. (34.1 x 21.5 cm). Publisher: Published by Pierre Mariette (French, 1596-1657). Series/Portfolio: Galerie des Femmes fortes. Date: 1647. Museum: Metropolitan Museum of Art, New York, USA.

Cleobulus van Lindus, Jacques de Gheyn (III), 1616 print A man dressed in a long cloak, in full, seen on the left, the right hand out. For him an altar with a statue of Minerva. Behind him a half -closed curtain. Under the show a seven -line Latin poem. This print is part of a series of eight prints: a title print and seven numbered portraits of Greek sages. print maker: Netherlandspublisher: Delftpublisher: The Hague paper etching the seven wise men of Greece: Bias, Chilon, Cleobulus, Periander (alternatively Myson), Pittacus, Solon, Thales

Bust of a young woman. 1587. Marie de Médicis, Queen, consort of Henry IV, King of France, 1573-1642. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Male.

Feather drawing by Erzherzogin Marie Christine Habsburg-Lothringen of a montagnarde figure, executed in the second half of the 18th century.

Officer with a cape, draughtsman: Joannes Pieter Visser Bender, 1795 - 1813, paper, h 282 mm × w 173 mm

Foolish virgin as Personification of Spain; Hispani; Manner and foolish virgins as European countries and provinces.

The Several Habits of English Women, from the Nobility to the Country Women as they are in these times: The Woman with a Marble Sphere, 1640. Wenceslaus Hollar (Bohemian, 1607-1677). Etching;

Sibylle Lybique. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); Gilles Rousselet (French, Paris 1614-1686 Paris); After Claude Vignon (French, Tours 1593-1670 Paris). Dimensions: sheet: 14 1/8 x 8 3/8 in. (35.8 x 21.3 cm). Publisher: Published by Pierre Mariette (French, 1596-1657). Series/Portfolio: Douze Sibylles. Date: ca. 1635. Museum: Metropolitan Museum of Art, New York, USA.

Haarlem, Matham, Jacob, Buytewech, Willem Pietersz., Adriaen, Habitus et cultus Matronarum Nobilu et Rusticarum apud Batauos, Traditional costumes and surroundings of Dutch noblewomen and peasant women, Peasant woman from Hoorn with a cat, verso lower left - stamped, Peasant girl from Hoorn at a house. A cat at her feet. In the background a hay barge., costume print, prints, height 199 mm, width 141 mm, 1599 - 1660-11-23, print maker, printmaker, 1619 - 1623, first quarter 17th century, paper, engraving, engraving (printing process), Northern Netherlands, 1571-10-15 - 1631-01-20, 1592 - 1624, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Minerva Athene. Etching by F. Perrier.

Elisabeth of Wittelsbach.

A brown pen drawing with gray washes and traces of chalk by Sébastien Le Clerc depicting French nobility (Edeladrades), mounted on a leaf with a pierced decorative strip, dated between 1650 and 1664.

"Copper engraving by Marcantonio Raimondi around 1505-1515 depicting a Muse, showing the figure, attributes, and artistic context."

Costume Plate (Bourgeoise de Florentine). Jacques Grasset de Saint-Sauveur (France, 1757-1810). France, late 18th to early 19th century. Drawings. Hand-colored engraving

Saint Bartholomew. Dated: c. 1490/1500. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master FVB.

Attributed to Francesco Francia, Hope, c 1470 1480 Hope

Grammar: a young woman standing in a decorated interior holding an open book in her left hand and pointing to the alphabet inscribed on its pages with her right hand, from the series 'The liberal arts' (Les arts liberaux) 1633-35 Gilles Rousselet French. Grammar: a young woman standing in a decorated interior holding an open book in her left hand and pointing to the alphabet inscribed on its pages with her right hand, from the series 'The liberal arts' (Les arts liberaux) 399255

Young Man with Hat under Arm. Dated: 1784. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Daniel Nikolaus Chodowiecki.

Eduard Bitterlichs drawing depicts the figure Diligence, created in coal around 1870, showing posture, gesture, and detailed human anatomy.

St George Series, Study of the Princess for 'The Princess draws the fatal Lot', 1865-1866 Artist: Sir Edward Burne-Jones, Art Movement, Pre-Raphaelite, Drawing, Royal, Princess, Works on Paper

St. Kinga reproduction of a painting by Florian Cynk (1838-1912). Akropol (Kraków ; zakład graficzny ; ca 1920-?), printing house, Salon Malarzy Polskich (Kraków ; wydawnictwo ; 1885-1949), publishing house

Melpomene, from the Mattei sarcophagus, Rome 1540-45 Antonio Fantuzzi Italian. Melpomene, from the Mattei sarcophagus, Rome. Antonio Fantuzzi (Italian, active France, 1537-45). 1540-45. Etching. Prints

Irmengard, Pfalzgröfin near Rhine.

people ""Die Koenigin"" (The Queen) illustration from ""Muenchner Bilderbogen"" (Munich Sheet of Pictures) wood engraving 19th century,

Wenceslaus Hollar, Mulier Westphalica ex Archiep Monasteri, 1643 Mulier Westphalica ex Archiep Monasteri

Italy, Parmigianino, Zanetti, Anton Maria I, Walking woman with a vase, verso inset sheet - stamped, A walking woman, carrying a vase on her head., print, prints, height 277 mm, width 155 mm, Italian, 1680 - 1757, print maker, printmaker, 1724 - 1724, first quarter 18th century, paper, chiaroscuro woodcut, 1503-01-11 - 1540-08-24, intermediary draughtsman

Richelieu, Armand Jean du Plessis, Duke of.

Ancient Milanese; Ancient habits, modern et all over the world .....

Copper engraving and etching by Comte Anne Claude Philippe de Caylus, 1737, depicting a young laitière carrying milk in 18th-century attire.

Historia de España. Doña Berenguela de Castilla (1179-1246), esposa del rey Alfonso IX de León. Grabado de 1872.

Herberstein, Magdalena Freein.

Ekman, Robert Wilhelm, work, Selin standing moral woman, watercolor and pencil on paper, painting, 23 cm x 7.5 cm

Antique Figure. Dated: 1821. Dimensions: overall: 18.5 x 11.9 cm (7 5/16 x 4 11/16 in.). Medium: pen and black ink with brown watercolor and gray wash over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson.

Mulier Religiosa Antuerpiensis. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

Wenceslaus Hollar after Parmigianino (Bohemian, 1607 - 1677), Standing Figure, etching

Portrait of Philip de Goede, J. Leclerc, After Achille Devéria, 1838 - 1841 print Up to the top left: 238. print maker: Francepublisher: Paris paper etching / engraving historical persons. ruler, sovereign

State Dame (Demoiselle Quantin), Daniel Nikolaus Chodowiecki, 1758 print paper etching adolescent, young woman, maiden. gate, entrance

Reuk. De vijf zintuigen (series title). Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 127 mm × w 67 mm. Museum: Rijksmuseum, Amsterdam.

Arithmetic: a young woman standing at a table, holding a sheet with inscribed numbers in her right hand, in a decorated interior, from the series 'The liberal arts' (Les arts liberaux) 1633-35 Gilles Rousselet French. Arithmetic: a young woman standing at a table, holding a sheet with inscribed numbers in her right hand, in a decorated interior, from the series 'The liberal arts' (Les arts liberaux) 399260

Portret van H. Pudentiana met spons, Pierre Elle (attributed to), after Correggio, 1632 - 1665 print print maker: Franceprint maker: Francepublisher: Paris paper etching historical persons - BB - woman. female saints. coelenterata: sponge. frame of painting, etc.

Chancellor of England, United Kingdom, illustration from L'Illustration, Journal Universel, No 380, Volume XV, June 8, 1850.

Joseph Wintergerst in a Floor-Length Coat. Date/Period: Ca. 1811 - 1813. Drawing. Graphite. Height: 295 mm (11.61 in); Width: 220 mm (8.66 in). Author: Wilhelm von Schadow.

Martin Schongauer, Saint Catherine of Alexandria, c 1480 1490 Saint Catherine of Alexandria

Reading woman, Anonymous, After Frederick Bloemaert, After Abraham Bloemaert, c. 1670 - 1706 print A woman is reading a book on the ground. Print five from a series of prints to figures from the drawing book by Abraham Bloemaert. paper engraving adult woman. reading

Digitally restored, A Venetian prostitute, Liaisons, Italian woodcut, publication from the year 1882, Digitally improved:, A Venetian prostitute, Italian woodcut, publication from the year 1882

Drawing by Charles François Hutin of a girl spinning, executed in black and white chalk with reddish accents on blue natural paper.

Portrait of Humanist Gasparino Barzizza. .

Figure of an unknown Roman or Greek goddess. From an ancient statue. Handcoloured copperplate engraving from Robert Sayers The Artists Vade Mecum, Being the Whole Art of Drawing, London, 1766.

John Singer Sargent, Study for Dogma of the Redemption Frieze of Angels (recto), 1895 1903 Study for Dogma of the Redemption: Frieze of Angels recto

BODIN. "Ligier costume in the role of Marino Faliero (Porte Saint Martin, 1829)". Watercolor. Paris, Carnavalet museum. French actor, costume, Saint-Martin gate, watercolor

Mother of the Gods, daughter of Uranus and Gaea, sister/wife of Kronos, mother of Zeus, Hera, Hades, Poseidon, Demeter and Hestia

Portrait of Anna van Austria, Cornelis Anthonisz. (Possible), 1540 - Before 1547 print Anna van Austria (1503-1547), sister of Lodewijk II of Hungary, married Ferdinand I. Together they had 15 children together. Displayed in front with a little floral in the hand. Dressed in red, trimmed with orange, including a white undercarried, shadowed with blue. No weapon. Low Countriespublisher: Antwerp paper historical persons - BB - woman. queen, empress, etc. (wife of a ruler)

George Romney, 1734-1802, British, Duke of Dorset (So-called), undated. Brown ink over graphite on medium, slightly textured, cream laid paper.

Bust of an unknown woman. In a round table, the bust of an unknown mature woman. Bust to the left.

Sitting, peeling woman. Draughtsman: Abraham Delfos. Dating: 1741 - 1820. Measurements: h 86 mm × w 50 mm. Museum: Rijksmuseum, Amsterdam.

Hearing; The five senses ..

Statue of Childebert, 13th century (1849). Artist: Unknown

Etching and copper engraving by Hans Lautensack from 1553 depicting Felicitas from Eckh, showing figure and composition.

Julia Maesa, daughter of Gaius Julius Bassianus. Found near the Via Appia. Copperplate engraving from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

Woman in traditional costume from Campagna near Rome, late Middle Ages, Italy, illustration from 1870 / Frau in Tracht aus der Campagna bei Rom, spätes Mittelalter, Italien, Illustration aus 1870, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,.

Ancilla Argentinensis. Dated: 1643. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

The Young Soldier ca. 1738 Charles Nicolas Cochin I. The Young Soldier. after Jean Siméon Chardin (French, Paris 1699-1779 Paris). ca. 1738. Etching and engraving. Prints

Portrait of Anna van Austria. Anna van Austria (1503-1547), sister of Louis II of Hungary, married Ferdinand I in 1521. Together they got 15 children. Depicted for feet with a tuft of flowers in hand. Dressed in red dressed, trimmed with orange, including a white undernack, shaded with blue. No weapon.

Alice, la Belle Pèlerine. Artist: Sir Edward Burne-Jones (British, Birmingham 1833-1898 Fulham). Dimensions: Sheet: 10 in. × 5 11/16 in. (25.4 × 14.5 cm). Date: 1858-9.In 1856, while studying theology at Oxford, the twenty-three-year-old Burne-Jones toured Gothic cathedrals in France with his friend William Morris, consulted with Dante Gabriel Rossetti in London, and decided to leave college and pursue art. John Ruskin advised him to look closely at Albrecht Dürer, and the present drawing demonstrates the influence of that German master, combined with aspects of Rossetti's distinct draftsmanship and vision of female beauty. Thomas Malory's chivalric poem "La Morte D'Arthur" describes Alice la Belle Pèlerine (Alice the beautiful pilgrim) as "passing fair" and notes that her moniker came courtesy of her father, Duke Ansirus who "was a great pilgrim, for every third year he would be at Jerusalem." An emblematic shell hangs at Alice's neck, her own quest one of the heart, as she processe

The Desert Route - Girl of Beyrout, 1857. 'The young lady who is reclining against the wall of the fountain, her water-pot resting on a stone against which she herself leans, is the daughter of a shopkeeper at Beyrout...She is a fair specimen of the general run of Beyrout beauty; her features and hands are good, and so are her feet, though ensconced in those unseemly yellow shoes trimmed with red bows; she wears stockings, which is a certain indication at Beyrout of being well to do in the world; her dress is a chequered-pattern Damascus silk, and. the shawl round her waist is of Tripoli man

Statue of the Roman goddess Abbondanza or Abundantia with the cornucopia (horn of plenty). In the Belvedere Courtyard in the Vatican. Copperplate engraving by Gio. Petrini after an illustration by A. Tofanelli from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

Freedom Louis-Philibert Debucourt (1755-1832). Freedom. Engraving (Aquatint).

MONTAÑESA NAVARRA - 1529 - CODICE DE LOS TRAJES - TRACHTENBUCH - RENACIMIENTO ALEMAN. Author: CHRISTOPHE WEIDITZ (1500-1559).

Ebubekr ratib Effendi Muhasebitschi, Messenger of the Ottoman Empire in Vienna, Johann Hieronymus Delete Kohl -, publishing house

Winter. Artist: Gilles Rousselet (French, Paris 1614-1686 Paris); After Grégoire Huret (French, Lyon 1606-1670 Paris). Dimensions: Sheet: 11 11/16 × 8 1/16 in. (29.7 × 20.5 cm). Publisher: Pierre Mariette (French, 1596-1657). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

CICERON. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Statue of Hestia; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of the Greek goddess Hestia with her right hand in her side and with her left hand pointing up. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Bundled Firewood Seller 1746 Anne Claude Philippe de Tubières, comte de Caylus French. Bundled Firewood Seller 398220

Franz I of Austria , Engraving.1804

The figures represented here are all French people between 1550 and 1600. They are from left to right: Catherine de Medici (died 1589), a man of rank, two women of rank, a nobleman, a musketeer, a soldier, an officer, three people of the lower classes (a mariner and two women); Elizabeth (also Elizabeth of Valois - daughter of Henry II, third wife of Philip II of Spain), Henry II (died 1559); consort of Charles IX; Charles IX and Charles IX (died 1574). This illustration dates to 1882.

Bohemian Noblewoman. Wenceslaus Hollar; Czech, 1607-1677. Date: 1649. Dimensions: 92 × 58 mm (sheet, trimmed within plate mark). Etching on gray Asian paper. Origin: Bohemia. Museum: The Chicago Art Institute, USA.

Aleksander Jagiellończyk, a picture in the Dominican church in Vilnius; Januszewicz, Marceli (1806-Post 1862); 1837-1840 (1837-00-00-1840-00-00);

Mehpeyker Sultan with her court servants by Anonymous / Private Collection/ 1647/ Copper engraving/ Baroque/ 20,5x33/ Portrait,History

Male figure wearing a cap and coat, seen from behind, Gerard ter Borch (I), c. 1617 - 1619, A male figure wearing a fur cap and heavy, long coat trimmed with fur, seen from behind., draughtsman: Gerard ter Borch (I), (mentioned on object), Zwolle, c. 1617 - 1619, paper, brush, h 204 mm × w 127 mm

Print made by unknown artist, eighteenth century, December, 1767. Mezzotint on medium, slightly textured, cream laid paper.

Dealer in eggs. Engraving after a woodcut by Cesare Vecellio (ca. 1521-ca. 1601) from "De gli habiti antichi, et moderni di diverse parti del mondo", Venice, 1590. "Moeurs, usages et costumes au moyen-age et a l'epoque de la Renaissance", by Paul Lacroix. Paris, 1878.

Netherlands, Weissenbruch, Isaac, Allegorical female figure with a torch and a lantern above a city, print, prints, height 131 mm, width 109 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure

Picture photography: portrait of Bona Sforza in the collection of Izabela Czartoryska in Puławy; around 1870 1880 (1895-00-00-1905-00-00);

Tristan and Iseult. Medieval legend probably originated in Wales, which follows the adventures of two lovers. Representation of ISEULT. Engraving in "Germania", published in 1882.

Berengaria (1180-1246). Queen of Castile and Queen consort of Leon. Portrait. Engraving by Capuz. Later colouration. Historia General España by Father Mariana. Madrid, 1852. Author: Tomás Carlos Capuz (1834-1899). Spanish engraver and xylograph.

Mujer cosaca. Grabado en color de 1805.

Aaron .

Mrs. Siddons standing, frontal view with arms folded, John Flaxman, 1755-1826, British, 1783, Pen, ink and wash, Sheet: 10 1/2 x 7 3/8in. (26.7 x 18.7cm)

Picture of a beautiful and shapely woman, copper engraving by Paulus Fuerst, end of the 16th Century

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