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Historical French Fashion

Elegant, historical illustrations of men in 18th and early 19th-century French attire. Features tailcoats, breeches, top hats, and chic accessories reflecting the fashion of the time.

Journal of the ladies and modes 1825, Parisian costume (2358), 1825 Print from the journal Journal des Dames et des Modes, 1825. paper etching Print from the journal Journal des Dames et des Modes, 1825. paper etching
Journal of the ladies and modes 1825, Parisian costume (2358), 1825 Print from the journal Journal des Dames et des Modes, 1825. paper etching Print from the journal Journal des Dames et des Modes, 1825. paper etching
324 assets in this story
Habit de ballet. Mariette, Jean, 1660-1742. Prints. 1690 - 1699. Jerome Robbins Dance Division. Ballet , 17th century, Ballet , France , 17th centuryfashion 16th century France court costume Paul de Stuart de Caussade Count of Saint-Megrin favorite of King Henry III (regned 1574 - 1589) wood engraving 19th century,Een lakei. Costumes van het hof van Willem V (series title). Draughtsman: Isaac Lodewijk la Fargue van Nieuwland. Dating: 1766. Measurements: h 392 mm × w 266 mm. Museum: Rijksmuseum, Amsterdam.Square (board 17 in the publishing house: many ancient clothing); Raczyński, Karol (1799 cars 1801-Post 1860), Wyziębłowski, Józef (Vilnius; Litographic Plant; 1833-1863); 1838 (1838-00-00-1838-00-00);Julie C Brush, Boy's Suit, 1935 1942 Boy's SuitPetite Galerie Dramatique, 1796-1843, No. 282: Potter Rôle de Guilleret (...). Costume of the actor Potier in the role of Guilleret in De Klucht 'L'intrigue Hussarde', staged in the 'Thétre des Variétés'. Frak, cardigan and knee pants. Wrinkled jabot and cuffs. Striped stockings. Hat. Shoes with square buckles. Violin in the hands. Print from the magazine Petite Galerie Dramatique Ou Recueil de Différents Costumes d'Actors des Thétres de la Capitale (1796-1843).fashion 19th century ladies and mens fashion Great Britain 1801 wood engraving,John III, Count of Astarac, commander in chief to King Charles VII, Jean III comte d'Astarac, d. 1458. Golden coat lined with ermine, yellow jacket and white shirt. Handcoloured lithograph by Leopold Massard after a figure in a tapestry of the story of Esther and Mordecai in Roger de Gaignieres' portfolio VI 126 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.Horsewoman or Amazone riding side-saddle at Longchamp racetrack, 1801. She wears a tall military-style hat with feather, long-sleeved dress. Amazone de Lonchamp. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1801. The illustrations in volume 4 were by Carle Vernet, Bosio, Dutailly and Philibert Louis Debucourt.Ceremonial robes of the First President of the French Court of Cassation, Bourbon Restoration. In ermine-lined velvet robes. Established in 1790 during the French Revolution. Premier President de la Cour de Cassation, Costume des Grandes Ceremonies. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.Fishing, from the Pretty Athletes series (N196) issued by Wm. S. Kimball & Co. 1889 Issued by William S. Kimball & Company Trade cards from the "Pretty Athletes" series (N196), issued in an unnumbered set of 20 cards in 1889 by Wm. S. Kimball & Co. to promote Sweet Lavender, Old Gold, Black and Tan, and Hard Tack Tobacco.. Fishing, from the Pretty Athletes series (N196) issued by Wm. S. Kimball & Co.. 1889. Commercial color lithograph. Issued by William S. Kimball & CompanyDepiction of a citizen woman in Dresden wearing winter clothing by Samuel Gränicher, executed in watercolor over pencil traces in 1806-07, showing attire and posture.Sailor Boys dance, Lydia Thompson , Lydia Thompson, British dancer, dances the Sailor Boys Dance , Gustav Bartsch -, Artist, Sala , Co, Publishing HouseCostume design for the opera The Marriage of Figaro by W.A. Mozart by Ryndin, Vadim Fyodorovich (1902-1974)/ Bolshoi Theatre Museum, Moscow/ 1955/ Russia/ Watercolour and white colour on paper/ Theatrical scenic painting/ Opera, Ballet, TheatreCostume of a bourgeois man during the reign of King Henry IV of France. In plumed hat, ruff collar, cape, slashed doublet, hose, and sword. Habit Civil sous le Regne de Henry IV. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.MISE D'UN ELEGANT (Journal des Ladies et des Modes, Costume Parisien, 15 Janvier 1800, AN 8). A man pulls his overcoat with three shoulder collars (Carrick) about a jacket and pants. Accessories: Top hat with raised edge and small cooking on the back, small walking stick, boots with pointed noses. Boarding for Print No. 187 (RP-P-2009-1391) in Journal des Ladies et des Modes, Costume Parisien, 15 Janvier 1800, AN 8Odet cardinal de Coligny, Francois de Coligny. Gravure de 1579 (McDuval fecit,collection Hennin.) XVIe siecle, costumes civils, hommes, France.. Jacquemin, Raphaël, 1821-1881. Deltre, Auguste, 1822-1907. Prints, Illustrations. 1869. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing and dress , France, Costume , France, Men , Clothing & dress , France , 1500-1599Henry De Wolfe, Boy's Suit, c 1939 Boy's SuitCacciatori - Coristi , Operas & operettas, Costumes, Allen A. Brown CollectionNouveau Débardeur. - Chapeau de velours. Veste de velours, ganses et boutons d'argent. Bourgeron de mérinos. Pantalon de casimir. - Charivari de satin. Ceinture de foulard très-courte. Brodequins de gros de Naples ,. Paul Gavarni (1804-1866). Lithographs and Other WorksRunning Footman of Naples, leaf from 'A Collection of Dresses by David Allan Mostly from Nature', David Allan (Alloa, Scotland, 1744 - 1796) 1776There are some pants that suit me ”Carl Gustaf Ridderstolpe.Akvarna by Fritz von Dardel. NordicCeremonial costume of a Member of the Institute, Napoleonic era. In glasses, embroidered coat, waistcoat, breeches, hose and buckle shoes, with court sword and bicorne. Membre de l'Institut de France. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.Traditional costumes in Germany in the 19th century, North Sea area, fish master from Leer, historical, digitally restored reproduction from a collector's picture from ca 1910Vanity Fair - Businessmen and Empire Builders. 'Bradford goods'. Sir Henry Mitchell, F.P.- 5 July 1890, Leslie Matthew 'Spy' Ward, 1851-1922, British, 1890, ChromolithographCostume of a valet, 14th century. He wears a red hood with white border, tabard of the same fabric, lead-coloured stockings and silver spurs. He carries a dagger in a red scabbard. From a manuscript of "Lancelot of the Lake" in the Bibliotheque Imperiale, 6964. Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from "Historical Costumes from the 12th to 15th Centuries," Levy Fils, Paris, 1861.Dandy in black suit, breeches and stockings, holding a sprig of flowers and looking through a pocket telescope.. Francois-Claudius Compte-Calix (1813-1880) was a French painter and illustrator. A regular exhibitor at the Salons, he illustrated numerous books and several romantic books of poetry, and for many years contributed to the fashion magazine "Modes Parisiennes".. Handcolored lithograph of an illustration by Francois-Claudius Compte-Calix from "Les Modes Parisiennes sous le Directoire" (Paris Fashions under the Directory 1795-1799) 1865.FRENCH HABITS, N�12 James Gillray (1757-1815). "French clothes, n � 12". Water-strong color, 1798.Costume of a French farm labourer, 1375. In cap, pleated doublet, pantalons, bootlets, with shoulder bag. Standing next to an ox-driven plow. Laboureur. Handcoloured lithograph by Lorenzo Bianchi after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.Lord Chancellor, costume design for Shakespeare's play, Henry VIII, 19th century. Artist: UnknownJournal des Ladies et des Modes, Costumes Parisiens, 5 Aout 1834, (3199): Costumes De Campagn (...). Two men in costumes for the countryside and for hunting. Left: REDINGOTE OF 'DRAP MÉLANGÉ' with metal buttons. 'Pantalon à la bréole' (long pants). Top hat of straw. Checkered neckerchief. Further accessories: gloves, walking stick, shoes with square noses. Right: Hunting costume, consisting of a 'habit' of sheet, leather pants and slob stockings. On the head a 'casquette' of Moroccine leather. Rifle under the arm. The print is part of the Moldijdschrift Journal des Laden et des Modes, Paris, 1797-1839.Vanity Fair - Bankers and Financiers. 'Eastern Finance'. Sir Edgar Vincent. 20 April 1899, Leslie Matthew 'Spy' Ward, 1851-1922, British, 1899, ChromolithographFashion and Elegance: Fashionable Ladies and Gentlemen of the 1740s, 1744 According to Act of Parliament 1744 paper etching coat (+ men's clothes). fashion plates. head-gear: tricorn (+ men's clothes)Berndtson, Gunnar, work, Man in 18th century costume, pencil, drawing, FIGURE; man; full body; 18th century costume, 12 cm x 7.5 cmMan in historic costume, 1841, 1841 print Man in historic costume of a nobleman. Part of the album consisting of a cover and six records of costumes worn on the costumed ball held in The Hague on 17 and 19 February 1841 on the occasion of the 25-year marriage of King Willem II and Anna Paulowna. print maker: Netherlandspublisher: The Hague paper historical costume The HagueFashionable young man or Incroyable on horseback, 1801. He wears a short riding coat with high collar, cravat, breeches and boots. Costume dun Jeune Homme. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1801. The illustrations in volume 4 were by Carle Vernet, Bosio, Dutailly and Philibert Louis Debucourt.King Henry IV of France and Navarre. He wears the cross of the Order of the Holy Spirit on his chest. Drawn and lithographed by Alexandre Massard after a portrait in Roger de Gaignieres' gallery portfolio X 2 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.Vanity Fair - Businessmen and Empire Builders. 'West Marylebone'. Sir Frederick Seager Hunt, Bart. 18 May 1893, Leslie Matthew 'Spy' Ward, 1851-1922, British, 1893, ChromolithographSaxon Costumes published by H. Rittner.Chevalier de Malthe, Costume Allemand. Man in suit of a German knight of the Maltese order, 16th century. Presentation added to the sheet metal over the costumed ball held at the Palace of the Prince of Orange (the later king Willem III) in The Hague on 26 February 1845.Habit of the Tartarian prince, in 1700. Prince Tartare.. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Men , Clothing & dress , Tartary , 1700-1799, Princes , Tartary , 1700-1799Habit of a Russian midwife in 1764. Sage femme Russe.. Le Prince, Jean-Baptiste, 1734-1781. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Russia , 1700-1799, MidwivesHabit of and English woman in 1626. Dame Angloise.. Speed, John, 1552-1629. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , England , 1600-1699Small ladies mail, 1829 (697) .print from The Fashion Magazine Small Ladies Courier (1821-1868).Alma, from the Ballet Queens series (N182) issued by Wm. S. Kimball & Co. 1889 Issued by William S. Kimball & Company Trade cards from the "Ballet Queens" series (N182), issued in an unnumbered set of 50 cards in 1889 by Wm. S. Kimball & Co.. Alma, from the Ballet Queens series (N182) issued by Wm. S. Kimball & Co.. 1889. Commercial color lithograph. Issued by William S. Kimball & CompanyLa mode sous Louis Philippe. , Men, Clothing & dress, Staffs Sticks, 19th Century American Trade CardsCostume of the Count of Dunois from the drama Louis Xi à Péronne, Louis Boulanger, after Henri Duponchel, after Jean Alaux, 1826 print Paris paper tragedy. actor (on the stage). stage costume. historical personsFrancais sous le directoire. Mode dite des incroyables. D'après Chataignier, et Carle Vernet.. Jacquemin, Raphaël, 1821-1881. Deltre, Auguste, 1822-1907. Prints, Illustrations. 1869. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing and dress , France, Costume , France, Men , Clothing & dress , France , 1790-1799French peasant in the reign of King Francis I, 1540. In plumed cap, doublet with slashed front and cuffs, hose, bootlets, holding a staff. Paysan sous le regne de Francois I. Handcoloured lithograph by Lorenzo Bianchi after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.King Charles IX of France, 1550-1574. In plumed cap, short cape, embroidered doublet, slashed breeches, hose, shoes, with court sword. After a full-length portrait by Francois Clouet. Charles IX, Roi de France. Handcoloured lithograph by Lorenzo Bianchi after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.Jane Iverson, Knitted Doll, 1935 1942 Knitted DollCostume Design for "Touchstone" a; Descriptive Sheet of Costume and Accessories b 1889 Charles Bianchini French. Costume Design for "Touchstone" a; Descriptive Sheet of Costume and Accessories b 341310Published by Vincent Robert Alfred Brooks, 1814-1885, British, Jockeys of the Victorian and Edwardian Turf executed by Spy and others for the 'Vanity Fair' Series. Chromolithograph.Bilz (atto III) , Operas & operettas, Costumes, Allen A. Brown CollectionFashion and Elegance: Hooded Cloaks Mens Wigs, 1729 Three men with powdered tail wig in which a big bow. All dressed in a wide -rich rich Justaucorps, including a shirt with Jabot and Kniebroek. Accessories: Bow around the neck, hat under the arm, walking stick, (ornamental) es and shoes. The middle man has a snuff box in his hand. The print is part of a series of 12 costume prints, published by Antoine Hérisset Le Père, Paris, 1729. paper engraving fashion plates. coat (JUSTAUCORPS) (+ men's clothes). neck-gear ~ clothing (+ men's clothes). clothing for the upper part of the body (VEST) (+ men's clothes). shoes, sandals (+ men's clothes). walking-stick, staff, cane (+ men's clothes). snuff-box. trousers, breeches, etc. (BREECHES) (+ men's clothes). head-gear: tricorn (+ men's clothes). wig. hacking and thrusting weapons: swordCoriolan costume. (registered title) | Costumes and annals of the great theaters of Paris. (IFF 69) (set of all)Fashion and Elegance: French Fashions of the 1720s, François Octavien, 1725 print Edelman dressed according to the noble fashion of 1725, standing on landing, leaning against a balustrade, slightly to the left. His open jacket is longer than his vest. Short stitch on his head. Paris paper etching / engraving clothes, costume (+ men's clothes)Moskovian Dienstmeid, Jean Baptist Leprince, 1764 print paper etching folk costume, regional costume. cape (+ fur used for clothes). house personnel, servantsMan in historical costume. Man in historic costume of a singing (Prussian) Officer. Down musical notes. Costume worn on the costumed ball held in The Hague on 17 and 19 February 1841 by the 25th anniversary of King Willem II and Anna Paulowna.Male costume circa 1730, history of fashion, costume history, historical, digitally restored reproduction of a 19th century original, exact date unknownCostume of Joan of Arc, suit of armour of the period, with helmet and standard, 1431. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.Dandy in black suit, breeches and stockings, holding a sprig of flowers and looking through a pocket telescope or lorgnette. Era of Marie Antoinette. Handcolored engraving by Ap. Carrache after an illustration by Francois-Claudius Compte-Calix from Costume de lEpoque de Louis XVI. Paris, 1869.Costume of a doctor of medecine at the Faculty of Medicine, University of Paris, 1586. In black cap, ruff collar, mantle with fur capelet over the shoulders, scarlet tunic, with medical book. Docteur en Medecine de la Faculte de Paris. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.For the pages, I come for a change, and to keep something youthful in the costume, not to take coats, but rather / hanging over -sleeves. // The ornament on the sleeves and ... can be changed, it appears / from the originals, there is always a spacious / choice of ornaments take place -"pen in brown recto l.o. and r.o.Polish Mazurka, from National Dances (N225, Type 1) issued by Kinney Bros. 1889 Issued by Kinney Brothers Tobacco Company Trade cards from the series "National Dances" (N225), issued in 1889 to promote Kinney Brothers Cigarettes for Kinney Tobacco Company. There were two card variations issued within the series. Type 1 cards display a white border around the edges whereas Type 2 have no border.. Polish Mazurka, from National Dances (N225, Type 1) issued by Kinney Bros.. 1889. Commercial color lithograph. Issued by Kinney Brothers Tobacco CompanyTraditional costumes in Germany in the 19th century, Wuerttemberg, farmer from the area around Freudenstadt, historical, digitally restored reproduction from a collector's picture from around 1910Battista, costume design for a comedy by Carol Goldoni, by Leon Bakst, 1917. From the Evergreen House Foundation, Baltimore, Maryland, USA. fashion 19th century mens fashion wood engraving 1845,Ceremonial uniform of a Prefect of a Department during the First Empire under Emperor Napoleon I, 1810. Bicorne with silver cockade, embroidered blue coat, sash, breeches, buckle shoes, court sword. With document and quill pens on a desk. Grand Costume des Prefets. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.Man in historic costume, Huib van Hove BZ, 1841 Man in historic costume of a singing (Prussian) Officer. At the bottom of musical notes. Costume worn on the costumed ball held in The Hague on 17 and 19 February 1841 at the 25-year marriage of King Willem II and Anna Paulowna. print maker: Netherlandspublisher: The Hague paper historical costume The HagueCostume Model for Ruy Blas - Page In Blue Habit Louis Boulanger (1806-1867). "Costume model for Ruy Blas: page in blue clothes". Paris, Victor Hugo House.French nobleman with raised Karwats, dressed according to the fashion of approx. 1630, Abraham Bosse, After Jean de Saint-Ibsy, 1629 French nobleman, dressed in a medium -length shoulder mantle with a fested edge over a short Wambuis with wide raised collar. Hat with feathers on the curled hair that hangs over the left shoulder in a love drawer (Cadenette). He wears a knee pants with stocking tires and shoes with rosettes. In his lifted left hand a carwats. A castle in the background. Paris paper etching / engraving clothes, costume (+ men's clothes). cape (+ men's clothes). neck-gear: collar (+ men's clothes). clothing for the upper part of the body (DOUBLET) (+ men's clothes). head-gear: hat (+ men's clothes). head-gear: hat (+ feathers used for clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). stockings, socks (+ men's clothes). shoes, sandals (+ men's clothes). Europeans (with NAME). shoulder-belt, bandoleer (+ men's clothes). hacking and thrusting weapons (FOIL)Dress of the Gran Canaria island. Colored engraving by Juan de la Cruz. Canary Islands. Spain.Fashionable gentleman in front of the entrance to the Passage du Perron, Palais Royal. He wears a hat, cravat, coat, waistcoat breeches and boots. The Perron of the Palais Royal, Paris, 1802. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzannes Fashion in Paris, William Heinemann, London, 1898.Patrician of Nuremberg from the Stroemer family, 16th century. In suit of plate armour, with gauntlets, sword, spurs, gold swordbelt, and grand helm on the floor. From a series of Patriciens de Nuremberg, 1617, painted and finished in gold by G. Schneider. Patricien de Nuremberg. Handcolored lithograph after an illustration by Edmond Lechevallier-Chevignard from Georges Duplessis's Costumes historiques des XVIe, XVIIe et XVIIIe siecles (Historical costumes of the 16th, 17th and 18th centuries), Paris, 1867. Edmond Lechevallier-Chevignard was an artist, book illustrator, and interior designer.Young fashionable man holding a huge fur hat a l'Androsmane, 18th century, France. From le Magasin des modes nouvelles francaises et anglaises, 1787. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessis's "Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard and Paul Mercuri from 1830. Georges Duplessis (1834-1899) was curator of the Prints department at the Bibliotheque nationale. Edmond Lechevallier-Chevignard (1825-1902) was an artist, book illustrator, and interior designer for many public buildings and churches. He was named professor at the National School of Decorative Arts in 1874.Giacomo Portu , Operas & operettas, Costumes, Allen A. Brown CollectionTraditional traditional costume, clothing, an officer from Spain in 1700, copperplate engraving by Caspar Luyken from 1703, digitally restored reproduction from an 18th century modelHabits of English gentlemen in the years 1735 (a) 1745 (b) 1755 (c). Habillement des gentilshommes Anglois en 1735 etc.. Walker, Anthony, 1726-1765. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Men , Clothing & dress , England , 1700-1799Costume for the ballet Carnival, music by Robert Schumann., Leon Bakst, (1866-1924/Russian)This 1907 illustration shows an Englishman in the time of George III (1760-1820). There are no cuffs now onthe jacket and the sleeve is left unbuttoned at the wrist. The skirt is long and full-skirted, but not stiffened . The tie is loosely tied, and the frilled ends stick out. These frills were, in the end, made on the shirt, and were called chitterlings.The dwarf of the Duc de Guise, (19th century). 'Nain Du Duc De Guise'. Portrait of a court performer in 16th century dress, holding a bird. People of short stature were sometimes employed as 'court dwarfs' by royalty and the nobility. They were owned and traded, and delivered as gifts to fellow nobles.Knight of the Order of Santiago wearing ceremonial dress. Chromolithography. "Historia de las Ordenes de Caballería y de las Condecoraciones Españolas" (History of the Orders of Chivalry and the Spanish Decorations). Madrid, 1865. Spain.French boy in jumpsuit with Hussar buttons without cords, playing with a spinning top. Boutons a la Hussarde sans gances. Handcoloured copperplate engraving by Pierre-Charles Baquoy after a fashion plate by Horace Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, 1813.Evenks or Tungusic woman of Siberia. Hair in pigtails, wearing a long elegant coat, gown, breeches and boots of reindeer skin decorated with beads and fringes. Femme Tounguses. Handcoloured copperplate engraving by J. Laroque after a design by Jacques Grasset de Saint-Sauveur from his Encyclopedie des voyages, Encyclopedia of Voyages, Bordeaux, France, 1792.Miss Antonie Link, Antonie Link as Bavolet in Offenbachs Schönböschen title sheet of Humoristic Leaves , Karl Klic -, Caricaturist, Angerer , Göschl, RealizationGriffith, costume design for Shakespeare's play, Henry VIII, 19th century. Artist: UnknownLutz (atto IIIo) , Operas & operettas, Costumes, Allen A. Brown CollectionLutz (atto Io) , Operas & operettas, Costumes, Allen A. Brown CollectionCostume. "Lars Åke's son from Dahlby Torna Härad." Pullet drawing in large format by Otto Wallgren NordicA Page, 1766 drawing Costume study of a page. paper. ink pen / brushLa mode sous Charles X.. La mode sous Charles X.Light Summer Hat and Fashionable Walking Sticks for the Year 1801 July 10, 1801 Thomas Rowlandson British. Light Summer Hat and Fashionable Walking Sticks for the Year 1801. Thomas Rowlandson (British, London 1757-1827 London). July 10, 1801. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). PrintsBoyar of Moscow in attire from 2nd half 16th century. Lesser, Aleksander (1814-1884), draughtsman, cartoonistVanity Fair: Policemen; 'Scotland Yard', Sir Melville Macnaughton, August 19, 1908, Leslie Matthew 'Spy' Ward, 1851-1922, British, 1908, ChromolithographVanity Fair: Policemen; 'Metropolitan Police', Mr. James Monro, June 14, 1890, Leslie Matthew 'Spy' Ward, 1851-1922, British, 1890, ChromolithographSketch of a man - costume study for LaTosca(?). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897Venetian merchant, 15th century. He wears a black hat, sleeveless cape, black velvet doublet, red stockings and black shoes. From a painting by Gentile Bellini in the Academy of Fine Arts, Venice. Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from "Historical Costumes from the 12th to 15th Centuries," Levy Fils, Paris, 1861.Hat fashion and beard fashion of men in England in 1825 / Hutmode und Bartmode der Männer in England im Jahre 1825, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert. Costume design for the ballet Petrushka by I. Stravinsky, Benois, Alexander Nikolayevich (1870-1960)