Historical Landscapes and Figures

A series of etchings depicting serene landscapes with old men, divine figures, and biblical scenes, featuring intricate details and classic artistic techniques.

Batt Mercury turns into stone, Herman van Swanevelt, 1629 - 1641

Road Scene, Hethersett. Medium: etching on chine applique. Museum: National Gallery of Art, Washington DC. Author: John Crome.

Rembrandt van Rijn (1606-1669), the escape of Egypt. The plate originally by Hercules Segers with Tobias and angel, About 1652

Jacob van der Dues (1623-1673). Herd of goats, donkey loaded with lambs and three figures near a fountain. Bistre, ink of China. Museum of Fine Arts of the City of Paris, Petit Palais. Lamb, ane, cattle, broc, goat, drawing, woman, fountain, landscape, fill, herd

The Country Dance. Claude Lorrain; French, 1600-1682. Date: 1632-1642. Dimensions: 133 × 192 mm (image); 139 × 200 mm (sheet, cut within platemark). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Two Men on a Mountain Top Artist's working dates 1626-1680 Italy. Etching on paper . Giovanni Francesco Grimaldi

Landscape with couple, sitting on a staircase in the garden, Adriaen Frans Boudewyns, after Abraham Genoels, 1666 - 1715 print Paris paper etching landscapes in the temperate zone. garden vase. French or architectonic garden; formal garden

View of Onder de Linden (Nieuwe Gracht) in Utrecht, Herman Saftleven, 1619 - 1685, draughtsman: Herman Saftleven, 1619 - 1685, paper, brush, h 415 mm × w 592 mm

Italianate Landscape with Shepherds and their Flock, Abraham Jansz Begeyn, c. 1660 - c. 1685, draughtsman: Abraham Jansz Begeyn, c. 1660 - c. 1685, paper, brush, h 252 mm × w 367 mm

Moucheron, Isaac de, Amsterdam, Garden view, verso - stamped, View of a garden with a garden vase in the foreground on the left, crowned with Amor and dolphins. In the middle a fountain surrounded by nymphs holding up garlands. In the background on the right stairs and a palace. At the bottom wainscoting with ornaments. After the painted wall panel in the drawing room of the house of Mr. W. van Dam., print, prints, height 340 mm, width 462 mm, 1667-11-23 - 1744-07-20, print maker, printmaker, 1687 - 1744, paper, papier, etching, engraving, engraving (printing process)

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, c. 1780, Etching

Landscape with Ruins, from a series of4. Artist: Fabio Berardi, Italian, 1728-1788 After: Giuseppe Zais, Italian, 1709-1781

Waterloo, Antonie, work, Landscape - Three Peasants, line etching, graphics, 9.5 cm x 14 cm

The Flight intoEgypt. Artist: Nicolas De Son, French, active ca. 1628

Artist: Anthonie Waterloo, Dutch, 1610-1690, Landscape with the Circumcision of Moses Son [Landscape with Zipporah Circumcising Her Son, mid-17th century, Etching, platemark: 29.5 × 25.4 cm (11 5/8 × 10 in.), Made in The Netherlands, Dutch, 17th century, Works on Paper - Prints

The Country Dance (Small Plate) ca. 1637 Claude Lorrain (Claude Gellée) French. The Country Dance (Small Plate) 384191

View of castle in Noot in The Hague; The Huys Ter Noot. View of the gateway with the castle in Noot, built in 1596, in the vicinity of the current Bezuidenhout in The Hague. In the foreground, two resting people look in the direction of a group of talking men, different walkers and a carriage. The show is framed by a border with oak leaf motifs and a banderole with the title on it.

Travelers at a chapel on a river; Landscapes, small format.travelers at a chapel on a river on which a sailing ship. On the right in the Background a Village. Third Print from a Series of Six.

Berger a Berters Conversant Claude Gell�e (said Lorraine, around 1600-1682). Berger and conversant shepherd.

Berchem, Nicolaes Pietersz., Amsterdam, Gronsveld, Johannes, Landscapes with shepherds and cattle, Mountain landscape with shepherds and cattle, verso lower left - stamped, Mountain landscape with shepherds and cattle. In the foreground cows in a stream and a shepherd riding a donkey. Third print from a series of four with landscapes with shepherds and cattle., print, prent, prints, prenten, height 150 mm, width 197 mm, 1645 - 1728-03-17, print maker, printmaker, 1679 - 1728, paper, papier, etching, engraving, engraving (printing process), Noord-Nederlands, 1620 - 1683-02-18, intermediary draughtsman

Print made by Lydia Bates, active 1784, Landscape with Classical Ruins, 1784. Etching on moderately thick, moderately textured, cream laid paper.

Samuel zalft Saul, Moyses van Wtenbrouck, 1620 - in or before 1652 print In a landscape with a castle, Samuel Saul is king of Israel. On the floor the bottle with oil. Two shepherds with their herd in the background. Print Maker: The bepublisher: Amsterdam paper etching / engraving the anointment of Saul by Samuel

Paris, Jean, Auguste (uitgever), Basan, Pierre François, Basan et Poignant, Waterloo, Anthonie, Landscapes with figures, Farmers on a hill, verso bottom center - stamped, On the left two farmers are sitting on a hill in front of a gate. On the right lies a village between the trees. In the distance a church is depicted. At the top left the letter k can be seen., print, prent, prints, prenten, height 98 mm, width 141 mm, Noord-Nederlands, 1609-05-06 - 1690-10-23, print maker, prentmaker, 1630 - 1663, paper, papier, etching, etsen, Publication (Event), Publicatie, publisher, Publication, French, 1723-10-23 - 1797-01-12

Landscape with Weg, Jurriaan Cootwijck, 1724 - 1798 print Landscape with pedestrians in the foreground on the side of a road. In the background the contours of a city. The road follows a river towards the city. Amsterdam paper forest, wood (+ landscape with figures, staffage). outskirts of city - II - ideal city. river

Mill below a Waterfall. Dated: probably c. 1645/1656. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ALLART VAN EVERDINGEN.

Old Towers on a River Bank. Artist: Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). Dimensions: Sheet (trimmed): 6 1/16 × 8 1/16 in. (15.4 × 20.5 cm). Date: 1763. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with the Emmausgoers, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print In an Italian landscape, with two arched bridges over a river, the Emmausgoers walk. Christ walks between them. To the Bible story in Luc. 24: 13-27. Antwerp paper etching / engraving Cleopas and Peter meet Christ (sometimes they are dressed as pilgrims). landscapes in the temperate zone

Amsterdam, Danckerts, Cornelis (II), Justus, Waterloo, Anthonie, Landscapes with Biblical scenes, Elijah fed by the ravens, verso lower left - stamped, Elijah sits along the stream Cherith in a wooded area. He extends his arm to two ravens that fly towards him with bread in their beaks., print, prent, prints, prenten, height 294 mm, width 253 mm, Noord-Nederlands, 1609-05-06 - 1690-10-23, print maker, prentmaker, 1630 - 1663, paper, papier, etching, etsen, Work conception, after own design by, Publication (Event), Publication, Northern Netherlands, publisher, uitgever, Publicatie, 1635-11-11 - 1701-07-16, 1664-03-02 - 1717-07-22

Porcher Herman Saftleven (1609-1685). The porcher. Forte, 1649. Museum of Fine Arts in the city of Paris, small palace.

In a wooded landscape, Apollo haunts the Nymph Daphne after being affected by an arrow of Amor. The latter evokes her father to help and immediately turn into a laurel tree.

Salmacis and Hermaphroditus. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HERMAN VAN SWANEVELT.

Ponte Molle. prints, etchings, landscapes, works on paper

Bagelaar, Ernst Willem Jan, Netherlands, Landscape with two walkers, print, prints, height 73 mm, width 128 mm, Dutch, 1775-09-16 - 1837-02-08, print maker, printmaker, 1798 - 1837, fourth quarter 18th century, first quarter 19th century, second quarter 19th century, paper, papier, etching, etchings, drypoint, dry needle, intermediary draughtsman

Depicts a nymph, painted with brown brush and wash over pencil traces, emphasizing figure and posture, early 1790s.

Arcadian landscape with tomb. Mountainous landscape with a city in the background. Along a lake a man walks with a dog in the direction of two women and a resting man. A graftombe is a graftombe with a bust and a woman on either side.

Pastoral scene with a crying shepherdess comforted by a young man. In the background horsemen at a city gate, Couple at a classical monument and a city gate Anette and Lubin., print maker: Hendrik Hoogers, (mentioned on object), Nijmegen, 1787, paper, etching, h 155 mm × w 179 mm

Design: Landscape Study, from Encyclopédie. Benoît-Louis Prévost (French, c. 1735-1809); after Titian (Italian, c. 1488-1576); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 320 × 206 mm (image); 355 × 225 mm (plate); 400 × 260 mm (sheet). Etching, with engraving, on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Ruins Beside aRiver. Artist: Unknown After: Nicolaes Berchem, Dutch, 1620-1683

Aricia, pejzaż z tęczą. Reinhart, Johann Christian (1761-1847), graphic artist

Landscape with wife with jug on head, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print paper engraving meadow, pasture

Artist: Schelte Adams Bolswert, Flemish, 1586-1659, Shepherd and Sheep atSunset, Engraving, sheet: 30.7 × 45.9 cm (12 1/16 × 18 1/16in.), Made in Flanders, Flemish, 17thcentury, Works on Paper -Prints

Wonderful Visvangst, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print Peter wads to Christ, who stands on the edge of the water and reaches him. On the left the boat with a few disciples, one of whom brings in a fishing network. On the right a village on a rock. Print from a series of Italian landscapes. Antwerp paper etching Peter throws himself into the sea and swims or wades towards Christ. rock-formations. sailing-ship, sailing-boat

Allegory on medicine. Draughtsman: Jacques Kuyper. Dating: 1788. Measurements: h 109 mm × w 147 mm. Museum: Rijksmuseum, Amsterdam.

Landscape with a river; Italian landscapes. A hilly landscape is crossed by a river. About the river a stone bridge with five arches. Shore is a rowing boat with two men in it. A third man is working on a fisherman's net. On the right two hunters arrive, one with hunting dogs, the other on horseback with a falcon on the arm. On the left a citizen driver. Print from a series of Italian landscapes.

The man and the woman near the little bridge (Hollstein 59) Anthonie Waterloo (1609-1690). The man and the woman near the little bridge (Hollstein 59). Floor, mid-17th century.

Herman van Swanevelt, The House on the Rock The House on the Rock

The Neapolitan Fishermen ca. 1770 After Joseph Vernet. The Neapolitan Fishermen. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1770. Engraving. Anne Philiberte Coulet (French, born 1736). Prints

Landscape with wood slip catcher. Landscape with a bird catcher (or snapping funer) that has a standing net stretched between trees for the wood-slip catch (the net is a so-called lateflouw) which he holds with a rope. In the morning or evening dusk he waits for the air-approached wood slips that will soon fly in the net. A small audience looks. There is a mill in the landscape in the moon.

Girl, Boy, Cow at waterside. 1760 - 1800. Palmieri, Pietro Jacopo, the younger (Italian painter and engraver, died before 1819). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

River landscape with a stone bridge, Jan van de Velde (II), 1616 print River landscape with a stone bridge. Three walkers on the path. Different sloops on the water. Fifth print of part four of a series of a total of sixty prints with landscapes, spread over five parts of twelve prints each. Northern Netherlands paper etching landscape with bridge, viaduct or aqueduct. road, path

Annette a l'age de quinze ans (Annette at the Age of Fifteen Years). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean Godefroy after Jean-Honoré Fragonard.

La paysanne á cheval avec un enfant dans ses bras. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Little Hermitage. Artist: Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). Dimensions: Sheet: 10 7/8 x 16 5/16 in. (27.7 x 41.5 cm)Plate: 7 5/8 x 11 7/8 in. (19.3 x 30.1 cm). Date: 1793. Museum: Metropolitan Museum of Art, New York, USA. Author: Jean Jacques de Boissieu.

Man with rake at a barn, Carel Lodewijk Hansen, c. 1780 - 1840 print Netherlands paper etching barn. landscapes (+ landscape with figures, staffage). agricultural implements: rake Tall

Vue du Tombeau de Virgile from Differentes vues dessiné d'après nature... dans les environs de Rome et de Naples. Artist: After Jean Honoré Fragonard (French, Grasse 1732-1806 Paris); after Hubert Robert (French, Paris 1733-1808 Paris); Adélaide Allou (French). Dimensions: Plate: 6 11/16 × 9 1/4 in. (17 × 23.5 cm)Sheet: 9 11/16 × 12 15/16 in. (24.6 × 32.9 cm). Publisher: Pierre François Basan (French, Paris 1723-1797 Paris ()). Series/Portfolio: Differentes vues dessiné d'après nature... dans les environs de Rome et de Naples. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Stage Design: Landscape with Hut, for the Opera La Straniera; Designed by Romolo Achille Liverani (Italian, 1809 - 1872); Italy; graphite, pen and black ink, brush and watercolor on paper

Thatched Hut in Woods with Shepherd and Sheep. Attributed to Anthoni Waterlo; Dutch, 1609-1690. Date: 1629-1690. Dimensions: 450 x 526 mm. Black chalk and brush and gray wash on cream laid paper, tipped onto cream laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: Anthonie Waterloo.

Travelers on the Waterkant, Carel Lodewijk Hansen, c. 1780 - 1840 print Netherlands paper etching river bank. riding a horse, ass, or mule; rider, horseman Rolled

L'Ermitage (Hollstein 4) Anthonie Waterloo (1609-1690). Hermitage (Hollstein 4). Floor, mid-17th century.

Elie in the desert (Hollstein 136) Anthonie Waterloo (1609-1690). Elie in the desert (Hollstein 136). Floor, mid-17th century.

HEETS HAPPEN, ALERTUBS RAISH, 1648 - 1672 print Circular face on a landscape in which two horsemen on horseback and two dogs hunt on a deer. Paris paper etching stag-hunting

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, c. 1780, Etching

Gauguin, Paul, manufacturer: printer Pola Gauguin, Manao tupapau, woodcut, graphics, 20 cm x 35 .5 cm

In Buchberg 1817 Johann Christoph Erhard German. In Buchberg 368191

Cave of Nymph Egeria, Nicolas Perelle, After Jan Asselijn, 1627 - 1655 print Numbered in the bottom right: 1. publisher: ParisFrance paper etching / engraving landscape with ruins Rome

River view with fishermen, Jacob Esselens, 1636 - 1687, River view with fishermen pulling a boat to shore., draughtsman: Jacob Esselens, (mentioned on object), 1636 - 1687, paper, pen, brush, h 196 mm × w 316 mm

Face of elsen; Aliso Romanus, Vulgo Elsen. Face from the fields in the place Elsen in the former Prince's Paderborn. Two cows and three figures in the foreground.

The Fishermen by Jean - Baptiste Le Prince Etching and aquatint printed in brown ink; 1771

Dusk (Hollstein 86) Anthonie Waterloo (1609-1690). The twilight wood (Hollstein 86). Floor, mid-17th century.

Resting hunters at a tree group, Aegidius Sadeler (II), after Pieter Stevens (II), 1597 - 1629 print A few travelers and a few hunters rest on an island with trees, near a villa. The fifth print of an eight -part series with Bohemian landscapes. Prague paper etching / engraving island (+ landscape with figures, staffage). river. villa. 'en route', traveller under way Bohemia

Le Temps Orageux. Artist: After Jean Honoré Fragonard (French, Grasse 1732-1806 Paris); Engraved by Jean Mathieu (French, 1732-1806). Dimensions: image: 16 9/16 x 19 13/16 in. (42 x 50.3 cm), trimmed to image. Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Arcadian landscape, with on the right a fountain, draughtsman: Louis Fabritius Dubourg, 1743, paper, brush, pen, h 251 mm × w 337 mm

Stefano Della Bella, Shepherds and Flock with Woman and Camel, 1646 Shepherds and Flock with Woman and Camel

Landscape with women who get water, Anonymous, After Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1709 print paper engraving dale, valley

The Fair at Gondreville. Jacques Callot; French, 1592-1635. Date: 1624. Dimensions: 181 × 334 mm (plate); 190 × 333 mm (sheet). Etching in black on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A gray ink drawing by Hans Bol showing Abraham and Lot parting, depicting the two figures, servants, animals, and landscape background, executed in 1574.

. In an Italian landscape, Abraham stands next to Hagar and Ismaël. Hagar has a jug in her one hand and holds a cloth against her face with her other hand. In the background a bay with a rocky coast. There are shakes in the water. Print from a series of Italian landscapes.

Landscape with Zipphorah and her Son, from Six Landscape Subjects from the Old Testament. Anthoni Waterlo; Dutch, 1609-1690. Date: 1629-1690. Dimensions: 294 x 252 mm (image); 300 x 259 mm (sheet). Etching on laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: Anthonie Waterloo.

Drawing by Pieter Barbiers showing a landscape with a draftsman seated in the foreground, executed in black chalk.

Promenade du dimanche (Crècœur-le-Grand) (Sunday Walk[Crecoeur-le-Grand). Artist: Auguste Lepère, French, 1849-1918

Farmhouse with washing women in the foreground, draughtsman: Hendrik Meijer, 1771, paper, pen, brush, h 237 mm × w 323 mm

Tomb of the released and slaves of the August family; Veduta Degli Avanzi delle Camere Sepolcrali de 'Liberti, E Servi, EC. Della Famiglia Di Augusto; Archaeological finds in and around Rome; Le Antichità Romane. View of the remains of the tomb of the released and slaves of the Emperor family. Title in undermarge. Numbered above: Tom. III. / XXII.

Nocturnal scene with fishermen on a river, Aegidius Sadeler (II), after Pieter Stevens (II), 1624 - c. 1650 print Fishermen with boats sail a river at night. A bridge in the background. The fifth print of an eight -part series with landscapes in Bohemia Prague paper etching / engraving commercial fishery. night. bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage) Bohemia

Rijn, Rembrandt van, Segers, Hercules, The Flight into Egypt: on a plate by Seghers, verso lower left - stamped, print, prints, height 210 mm, width 281 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1651 - 1655, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, burin, 1590 - 1640, Work conception, after own design by

Architectural Fantasy 18th century Jean Laurent Legeay French. Architectural Fantasy 343379

Drinking bowl with water through wooden pipes from rock, Jacobus Cornelis Gaal, 1854.

Landscape, 18th century. Anonymous, copy after Jan Hackaert (Dutch, 1629-c. 1700). Pen and brown ink and brush and gray and brown wash over graphite; framing lines in brown ink (left edge and bottom) and graphite (upper edge); sheet: 24.1 x 18.2 cm (9 1/2 x 7 3/16 in.).

Bril, Paul, unknown, Sadeler, Aegidius, Mountain landscape with a hermit, verso bottom center - stamped, Mountain landscape with a hermit in the front right, reading a book. In the middle his hut., print, prints, height 201 mm, width 272 mm, South Netherlandish, 1570 - 1629, print maker, printmaker, 1580 - 1629, paper, papier, engraving, engraving (printing process), Work conception, 1554 - 1626-10-07

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A 1767 drawing by Johann Heinrich Tischbein depicting the figures Rinaldo and Armida, executed with gray ink and lead handle.

George Knapton, 1698-1778, British, Untitled: Landscape with seated man, 1740.

René Gaillard after François Boucher, Le moineau de lesbie Le moineau de lesbie

Garden Scene with Two Statues (Garden of the Villa Medici). Jan Frans van Bloemen (called Orizzonte) (Flanders (now Belgium), Antwerp, 1662-1749, active Italy, Rome). Flanders, circa 1710-1720. Prints; etchings. Etching

Liber Veritatis: No. 55, A Landscape with a Temple and a Nymph and Satyr Dancing, 1774. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682). Etching and mezzotint;

John Scott, 1774-1828, British, Aske Hall - from Whitaker's 'History of Richmondshire' 1818-1823, 1821. Line engraving and etching on medium, slightly textured, cream, wove paper, mounted on, thick, slightly textured, cream, wove paper.

Bazaar in Bielany. Norblin de la Gourdaine, Jean Pierre (1745-1830), draughtsman, cartoonist

Men carry baskets while people sit by a river; representing autumn. Etching by N. Perelle after himself, 17th century.

Tobias en de engel; Landschapppen, ongesigneerd.Tobias, with the fish on his back, and the angel walking on a country road along a water. On the left the zoom of a forest.

Landscape Drawing for a Wall-Decoration. Artist: Anonymous, Italian, first half of the 18th century. Dimensions: 7-1/2 x 10-11/16 in. (19 x 27.2 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Knotwilgen on the Waterkant, Augustinus Jacobus Bernardus Wouters, 1839 - 1885 print Face over a water with four pollard willows. In the foreground two figures in a sloop and a mill in the background. Netherlands paper etching trees: willow. windmill. rowing-boat, canoe, etc.

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