Historical Religious Scenes

Etchings depicting significant biblical events, including interactions between God and key figures. The style is dramatic, with detailed figures and somber tones.

A Supplicant, c. 1630-1640s, Pieter Rodermondt; Artist: Formerly attributed to Pieter Cornelisz Verbeeck, Dutch, 1600 - 1654, 5 11/16 × 4 7/8 in. (14.45 × 12.38 cm) (sheet)13 13/16 × 10 5/16 in. (35.08 × 26.19 cm) (mount), Etching, Netherlands, 17th century, This etching apparently shows an unidentified literary or historical scene, possibly from the Bible. An old man kneels pleading his case, before a high official who sits on a throne. A young man in a feathered cap and a bent-over old women witness the action. It is the work of Pieter Rodermondt, an artist from The Hague who was keenly interested in the art of Rembrandt.

Plate 30 from 'The Disasters of War' (Los Desastres de la Guerra): 'Ravages of war.' (Estragos de la guerra.) Ca. 1810 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 30 from 'The Disasters of War' (Los Desastres de la Guerra): 'Ravages of war.' (Estragos de la guerra.) 381323

The three peacefulness: De Weelde, 1713, 1713 print De Weelde (Venus and Cupido), part of a series of three allegorical figures (the three peacefulness), in connection with the Peace of Utrecht, 1713. In the album verses in Dutch and French. Part of a group of 28 new and old records adapted to illustrate the Peace of Utrecht in 1713. Part of the print work published under the collection title 't Lust-Hof of Momus with the bundled series of cartoons during the years 1701-1713 of the Spanish Succession War. print maker: Northern Netherlandspublisher: Amsterdam paper engraving / etching specific aspects, allegorical aspects of Venus; Venus as patroness

La Mort dans le poirier , Death, Skeletons, Pear trees, Pears, Alphonse Legros (1837-1911)

Etching by Edouard Manet depicting Gitanos (Spanish Romani people), created with strong-water technique in 1861 and printed in 1905.

Flight to Egypt. .

Le secours national , War relief, Refugees, World War, 1914-1918, Secours national France. Théophile Alexandre Steinlen (1859-1923). Lithographs

The Thatch-Roofed Farmhouse, from Revue Fantaisiste. Rodolphe Bresdin; French, 1825-1885. Date: 1861. Dimensions: 108 × 90 mm (plate); 201 × 149 mm (sheet). Etching on cream China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Three putti and a child at a garland, master of the dice, after Giovanni Martini, after Rafaël, c. 1530 - c. 1560 print A putto lifts a child for a large garland. Behind the garland two putti with arrow-and-bow. Three birds in the air and a dog in the foreground. print maker: Italyafter design by: Italyafter design by: Italypublisher: Rome paper engraving Cupids: 'Amores', 'Amoretti', 'Putti'. dog

They Do Not Arrive in Time, plate 52 from The Disasters of War Made 1812-1815 Spain. Etching, lavis, drypoint and burin on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

Seated soldier on the back seen in a landscape, Adolphe Mouilleron, After Adrien Guignet, 1848 - 1862 print Paris paper. the soldier; the soldier's life. armour. landscapes

Rest on the Flight intoEgypt. Artist: Simone Cantarini, Italian, 1612-1648

LOr du Rhin. Scène 1re. Les Filles du Rhin , Composers, Wagner, Richard, 1813-1883. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Plate 23 from 'The Disasters of War' (Los Desastres de la Guerra): 'The Same Elsewhere.' (Lo mismo en otras partes.) 1810 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 23 from 'The Disasters of War' (Los Desastres de la Guerra): 'The Same Elsewhere.' (Lo mismo en otras partes.) 381369 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 23 from 'The Disasters of War' (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes), 1810 (published 1863), Etching, drypoint, lavis and burin, Plate: 6 5/16 9 7/16 in. (16 24 cm) Sheet: 9 15/16 13 9/16 in. (25.2 34.4 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(23))

VIGNON, Victor (n.1847 - D.1909), La Vache, engraving published in the original print - Third delivery (July -September 1893) (main title), 1893. Eau -tie and aquatin on laid paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Bliżej Kultury Hanfstaengl, Fr.

Music and Roem honor Hector Berlioz at his bust, Henri Fantin-Latour, 1895 print print maker: Franceprinter: Paris paper. Japanese paper (handmade paper) historical persons. monument, statue. garland, wreath. 'Musica', symbolic representations, allegories and emblems ~ music; 'Musica'(Ripa). Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa) (+ personification). commemoration of an artist

Marcus Curtius te paard, anonymous, after Hendrick Goltzius, 1586 - 1596 print The hero Marcus Curtius on horseback, a captain's staff in the right hand. In the background you can see how he jumps in a gorge with a horse and all, to satisfy the gods. Twice two verses in Latin under the performance. Copy to engraving by Hendrick Goltzius from 1586. Northern Netherlands paper engraving death, i.e. the self-sacrifice of Marcus (Manlius) Curtius: he leaps on horseback into a chasm with lethal fumes

December: Pigs slaughter (Capricorn), Antonio Tempesta, 1575 - 1613 print Landscape that depicts the month of December. Landscape with people who slaughter a pig. In the middle of the symbol for the constellation Capricorn. print maker: Italyafter own design by: Italypublisher: Rome paper etching landscape symbolizing December. Capricorn (zodiacal sign of December). butcher, slaughterman

Punchinello talking to the two magicians, from the series Scherzi diFantasia. Artist: Giovanni Battista Tiepolo, Italian, Venice, 1696-1770

Etching by Francisco Goya from 'The Disasters of War', titled 'Care and Then to Another', created 1810, first edition 1863, illustrating the treatment of wounded victims.

1893 Art Work - Paradise and the Peri: Finale - Henri Fantin-Latour.

And there's no help for it, plate 15 from The Disasters of War. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1810-1811. Dimensions: 129 x 155 mm (image); 140 x 169 mm (plate); 240 x 340 mm (sheet). Etching, drypoint, burin, and burnishing on ivory wove paper with gilt edges. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Various Caprices: The Young Man Seated, Leaning Against an Urn, 1735-50. Giovanni Battista Tiepolo (Italian, 1696-1770). Etching;

Three Female Bathers, Two in the Water, the Third Getting in by Herself Artist's working dates 1742-1789 Germany. Etching on ivory laid paper . Johann Heinrich Tischbein, I

Venus in Love, Anonymous, 1600 - 1699 print Venus sits at the foot of a tree and wraps her arm around Amor. In the foreground is the arrow case of Amor. Italy paper etching Venus and Cupid (Cupid not being mere attribute)

Vous permettez mademoiselle ”Three smoking men and a woman in a train car. Ink by Fritz von Dardel Nordic

Shepherd and murderers, Cornelis Bloemaert (II), After Abraham Bloemaert, after c. 1625 print A shepherd is on the ground. Two soldiers are leaving hastily in the background. One has pulled his sword. With two -way Latin caption. Utrecht paper engraving Pastoral, Arcadian Scenes

The Diggers. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Engraved by Eugène Froment (French, Sens 1844-1900 Paris). Dimensions: Image: 4 3/16 × 5 9/16 in. (10.7 × 14.1 cm)Sheet: 12 1/16 × 9 9/16 in. (30.6 × 24.3 cm). Date: 1830-99. Museum: Metropolitan Museum of Art, New York, USA.

Resting actress, Willem Linnig (II), 1852 - 1890 print Antwerp paper etching / drypoint portrait of actor, actress. fan

'Merry Folly' from the 'Disparates' (Follies / Irrationalities) ca. 1815-19 (published 1864) Goya (Francisco de Goya y Lucientes) Spanish From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'.. 'Merry Folly' from the 'Disparates' (Follies / Irrationalities). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). ca. 1815-19 (published 1864). Etching,burnished aquatint, drypoint. Prints

Dios los cria y ellos se juntan (God Creates Them and They Join Up Together), from the series Los disparates (Losproverbios). Artist: Francisco Goya, Spanish, 1746-1828

Two men contrary to each other, James Ensor, 1896 print paper etching fighting. old man

Little man on horseback, approached by a man and woman, Daniel Nikolaus Chodowiecki, 1794 print Berlin paper etching Littleness, Smallness. horse

20: The Horrors of War: It Will Be the Same. Francisco de Goya (Spanish, 1746-1828). Etching;

Calamity; Calamita; Emblematic figures. A woman dressed in rags is kneeling and mourning in a landscape under a shelter. At the bottom of a line Latin text.

Harvest. Léon Augustin Lhermitte; French, 1844-1925. Date: 1872. Dimensions: 221 × 238 mm (image); 268 × 278 mm (plate); 295 × 309 mm (sheet). Etching, aquatint, and scraping on tan wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Fortune Teller. Mariano José María Bernardo Fortuny y Carbó; Spanish, 1838-1874. Date: 1858-1874. Dimensions: 110 x 170 mm (plate). Etching on paper. Origin: Spain. Museum: The Chicago Art Institute, USA. Author: MARIANO FORTUNY Y MARSAL.

Dancers around a Meipaal, Gustave Mercier, After Nicolas Lancet, 1868 - 1898 print paper etching / drypoint dancing around the maypole

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Siegfried Act III, Evocation of Erda 1886 France. Lithograph in black with scraping on stone on cream Japanese tissue . Henri Fantin-Latour

Oriental Warrior. François Boucher; French, 1703-1770. Date: 1731. Dimensions: 236 × 177 mm (image/plate); 307 × 235 mm (sheet). Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Francois Boucher.

Schatmeester, anonymous, after Hendrick Goltzius, after Jacques de Gheyn (II), 1587 - 1596 print A man with a rolled piece of paper in the right hand (a treasurer), in full, seen on the left, a sword on his belt. In the background a army camp in which a treasurer from a large box at a table in the open air makes payments to soldiers. In the lower margin a two -line Latin text. Reconstructed from three fragments. Northern Netherlands paper engraving treasurer. pay-master ~ military service

Plate 72 from 'The Disasters of War' (Los Desastres de la Guerra): 'The Consequences.' (Las resultas.) 1814-15 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 72 from 'The Disasters of War' (Los Desastres de la Guerra): 'The Consequences.' (Las resultas.) 361850

Youth Playing Pipes of Pan. Carl Wilhelm Kolbe, the elder; German, 1759-1835. Date: 1800. Dimensions: 101 x 131 mm. Etching on paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Young shepherdess sitting near Boom, A. Dickhof, 1860 print paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Pllate 60 from 'Los Caprichos': Trials (Ensayos.) 1799 Goya (Francisco de Goya y Lucientes) Spanish. Pllate 60 from 'Los Caprichos': Trials (Ensayos.). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). 1799. Etching, aquatint, burin. Prints

Francisco de Goya y Lucientes, To the cemetery., 1810-1820, etching and aquatint.

Edmond Morin (1824-1882). "The gastronomic months. September. Lunch at Le Garde". Bois, 1877. Museum of Fine Arts of the city of Paris, Petit Palais. Hunter, dog hunting, lunch, rifle, guard, game, gastronomic month, September, engraving

Today!. Théophile-Alexandre Steinlen (French, born Switzerland, 1859-1923); printed by Edouard Kleinmann (French 1844-1927). Date: 1894. Dimensions: 309 × 308 mm (image); 450 × 417 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Drie Doden, Henri Charles Guérard, 1856 - 1897 print paper the corpse. (human) skeleton

Two seconds to romantic literature hunting in winter; Saved from a tiger Johannot, Tony (1803 1852)

Harvest Made 1872 France. Etching, aquatint, and scraping on tan wove paper . Léon Augustin Lhermitte

Pasted’Anguille. Etcher: Louis Monzies, French, 1849-after 1889 After: Jean-Honoré Fragonard, French, 1732-1806

The sword of God. (IT)

A Woman and a Horse, Let Someone Else Master Them, plate ten from Los Proverbios Made 1815-1824 Spain. This darkly satirical interpretation of a popular proverb demonstrates the equally unruly nature of equine and womankind. Twisting and rearing in a desolate landscape, the horse becomes both a violent abductor and a tender savior as he tries to catch the struggling womanís dress in his teeth before she plummets to the ground.. Etching with aquatint and drypoint in black on ivory wove paper . Francisco José de Goya y Lucientes

Untitled. Marcel Jean; French, 1900-1993. Date: 1940. Dimensions: 104 × 123 mm (plate); 176 × 245 mm (sheet). Etching and aquatint on tan wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Reinaert de Vos promises the lion gifts.

Drawing by Andrea di Leone depicting the Massacre of the Innocents, executed with pen and ink with wash, showing figures, gestures, and architectural elements.

Plate 36 from 'The Disasters of War' (Los Desastres de La Guerra): 'Not in this case either.' (Tampoco.) 1810 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 36 from 'The Disasters of War' (Los Desastres de La Guerra): 'Not in this case either.' (Tampoco.) 381364 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 1746?1828 Bordeaux, Plate 36 from 'The Disasters of War' (Los Desastres de La Guerra): 'Not in this case either' (Tampoco), 1810 (published 1863), Etching, burnished aquatint, drypoint, burin and burnisher, Plate: 6 1/8 ? 8 1/8 in. (15.6 ? 20.7 cm) Sheet: 9 7/8 ? 13 9/16 in. (25.1 ? 34.4 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(36))

Finale du Vaisseau-Fantôme (1re planche) , Fictitious characters, Wagner, Richard, 1813-1883. Fliegende Holländer. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

The Cid Campeador spearing another bull, plate eleven from The Art of Bullfighting Made 1814-1816 Spain. Etching, burnished aquatint and burin on ivory laid paper . Francisco José de Goya y Lucientes

Simson and Delila. Delila cuts the hair from Simson, slightly further to the Philestine soldiers. Modern print of an old plate.

Johann Gottfried Schadow with his family, Gottfried Schadow, c. 1792 - c. 1795 print The artist, with a top hat on the head, leans forward and looks over the shoulders of two sitting ladies, his sister Lotte and the family living with the family, respectively, Villaume. Behind them is the artist, his mother, his wife Marianne and the two sons Rudolf and Wilhelm. paper etching the artist and his family, relatives, etc.

Nimfen a Satyrs, Willem Linnig (II), After Peter Paul Rubens, 1876 - 1889 print paper etching / drypoint nymphs (in general); 'Ninfe in commune' (Ripa). satyr(s) (in general). 'Cornucopia', Horn of Plenty

Steinbruch; Schmoll von Eisenwerth, Carl (1879-1947); 1907 (1907-00-00-1907-00-00);

Knelted woman in a winch in a landscape, Philippus Velijn, after Jacob Smies, 1797 - 1836 print A kneeling woman in a landscape, with a winch in front of herself. Her head rests on her arm. Netherlands paper etching lyre, cithara, psaltery. kneeling on both knees - AA - female human figure. head held in the hand(s), with elbows leaning on an elevation or on the knees

Nissance de Vénus; Jasi Ski, Feliks Stanis AW (1862-1901), Botticelli, Sandro (1444 cars 1445-1510), Wittmann ch., Imprimérie (couples 1902); 1893 (1893-00-00-1893-00-00);Hory (mitol.), Musées et salons (Paris Series - Paris - Fl. Ca 1884-1893), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, Venus (iconogr.), Venus (mitol.) (Personification), Zefir (mitol.), French (culture), French graphics, Polish graphics, reproductive graphics, mythology, sea, shells, parchment, Polish (culture), mythological characters, remark

Triple foolishness; Disparate triple; Solve disparates (the follies); Los Proverbios (the proverbs). A group of strange people hand in hand. Two figures with multiple faces and one with a face on its elbow. From a series of eighteen prints.

Bedrog; Fraud; Emblematisch figuren.A man and woman in embrace. The woman grabs her hand in the man's money pouch. On the left a curtain and a herme. At the bottom of a line Latin text.

In a forest, a murderer makes his identity known to his victim, Reinier Vinkeles (I), 1779 print Amsterdam paper etching / engraving forest, wood. family, descendance. violent death, being killed; being mishandled and maltreated; seeking death - EE - death not certain; wounded person (+ death by murder). mask

Man and wife look under a pergola over the sea, Maurice Neumont, 1878 - 1929 print paper etching pergola. landscapes with waters, waterscapes, seascapes (in the temperate zone)

The Andalusian dance. Formerly attributed to Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1825-1826. Dimensions: 180 x 180 mm (image); 245 x 290 mm (sheet). Lithographic crayon on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Riders and Foothechts, 1537 print Five riders and two foot servants. Ninth and last album in the triumphal procession of Emperor Charles V, 1537. Germany paper chariot, triumphal car

I am so pressed ... / No. 1. (registered title) | The countermen. (title of all)

Ravages of war, plate 30 from The Disasters of War. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1810-1811. Dimensions: 128 x 157 mm (image); 140 x 170 mm (plate); 240 x 340 mm (sheet). Etching, drypoint, burin, and burnishing on ivory wove paper with gilt edges. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Uitvinding van de tekenkunst.A girl paints the circumference of the shadow of her lover on a cloth that is worn by three putti.

Pablo Picasso / 'En la taberna', 1934, Aguafuerte, 29,7 x 23,5 cm. Museum: PRIVATE COLLECTION.

Bacchus, Ceres and Venus. Night item with Bacchus, Ceres, Venus and Cupid. Posted in Oval, Latin text all around.

Battle of Jemmings, 1568. Battle of Jemmings, July 21, 1568. The army of Lodewijk van Nassau is defeated by Alva at the village of Jemmings. Some save themselves to jump into the water of the Eems river. With caption of 4 lines in Latin. Numbered: 19. Printed on the back with text in Latin.

Wounds Heal Quicker than Hasty Words, plate 16 from Los Proverbios Made 1815-1824 Spain. Etching and burnished aquatint on ivory wove paper . Francisco José de Goya y Lucientes

Figure photography:Rafael (1483-1520) - reproduction, Raimondi, Marcantonio (Ca 1470/1482 -Ca 1527/1534) - reproduction, bachats (mitol.), Faun (mitol.), Photography of a work of art (artist)

Contra el bien general. (Against the Common Good.), pl. 71 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Two monks overlooking the Gulf of Naples, Heinrich Karl Anton Mücke, 1840 print Two monks overlooking the Gulf of Naples to the bend of Bajae, Capo Miseno and Ischia. paper etching

Edmond Morin (1824-1882). "Heat wave". Bois, 1869. Museum of Fine Arts of the city of Paris, Petit Palais. Drizzle, heat wave, warmth, woman, female nude, nudite, engraving, putti

Manfred and Astarte, from Robert Schumann's Overture to Manfred (1848-49) Made 1879 France. Lithograph in black on off-white China paper laid down on white wove paper . Henri Fantin-Latour

The Children The Gall. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1927. Dimensions: 197 × 168 mm (image/ plate) 278 × 221 mm (sheet). Drypoint on paper. Origin: France. Museum: The Chicago Art Institute, USA.

Triomphe de la Mort: La Mort chez une famille de marins , Death, Sailors, Grief, Alphonse Legros (1837-1911)

Lithography by Otto Hettner titled 'Idyll', created in 1917 on Japanese paper, depicting a tranquil landscape scene.

Bracquemond, Félix (n.1833-05-22-D.1914-10-29), autumn or the flight of wild geese after Jean-François Millet (main title), 1887. Pure etching on Japan paper . Petit Palais, Museum of Fine Arts of the City of Paris.

Flight into Egypt. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1914. Dimensions: 141 × 178 mm (image/plate); 210 × 231 mm (sheet). Etching on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Interior of a mill, Léon Augustin Lhermitte, 1875 print paper etching / drypoint watermill. windmill. miller Finistère

Rest. Wąsowicz, Wacław (1891-1942), painter

Six beggars at a fountain, Jan van Ossenbeeck, 1647 - 1674 print unknown paper etching Begin

Man on prancing horse in water, two pointing angels above it, Richard de Saint-Non, after Jean Honoré Fragonard, After Giulio Romano, 1771 print paper etching the battle of the Milvian bridge (Saxa Rubra): St. Constantine on horseback confronts Maxentius; a cross appears in the sky with in fiery letters 'in hoc signo vinces' (the raised standards of the Roman soldiers carry a cross or the chi-rho monogram)

They Play Another with the Cape in an Enclosure, plate four from The Art of Bullfighting Made 1814-1816 Spain. Etching, burnished aquatint, drypoint and burin on ivory laid paper . Francisco José de Goya y Lucientes

The Carnivorous Vulture, plate 76 from The Disasters of War. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1815-1820. Dimensions: 155 x 200 mm (image); 175 x 215 mm (plate); 240 x 337 mm (sheet). Etching, drypoint, burin and burnishing on ivory wove paper with gilt edges. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

The Horrors of War: The Worst is to Beg. Francisco de Goya (Spanish, 1746-1828). Etching;

What is called having a nice fork. / 17.

The Rider Standing by His Horse, from Capricci 1740-1750 Italy. Etching on paper . Giambattista Tiepolo

Cards depicting various scenes from the opera Paul et Virginie.. Trade cards. 1876 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Oceans, Theatrical productions, Sleeping

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