Historical Scenes and Gatherings

A collection of prints depicting travelers, lively gatherings, and intimate scenes. The images feature figures in various settings, showcasing moments of leisure and merriment.

Cheerful company, Christiaan Lodewijk van Kesteren, After Jan Havicksz. Steen, 1861 print At the table on which a child stands, adults are smoked and drunk exuberantly. An old man and wife of a magazine are singing by the window. They are accompanied by a man with a flute. On the right at the fireplace is a few. There is a man with a cake in the doorway and a cat is sitting in the window behind the man. paper. steel engraving private festivities, merry company (+ variant). cat. pipe ~ tobacco. vine. vocal music, singing

Janosika IMI he will never disappear ...; Skoczylas, W Adys Aw (1883-1934); 1914 (1914-00-00-1914-00-00);

La Vierge, L'Enfant et Saint Jean. Wittmann Charles, Imprimérie, Paris (fl. ca 1886-1908), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Hautecoeur, Jules (fl. 1885-1902), publisher, Botticelli, Sandro (1444 aut 1445-1510), painter

Portrait of Quinten Massijs (I), Felix Bogaerts, After Johannes Wierix, 1840 print paper etching portrait, self-portrait of painter

S. Fokke (engraver), Picture of the pompous bed on which the corpse of H.K.H. Anna, seen from the side, print visual material, Anna from Hanover William IV stadholder dead

Mythological scene with an offering queen in a forest, possibly althaea, and three gorgons, Simon Henri Thomassin, After Charles Le Brun, After Bernard Picart, 1697 - 1741 print Amsterdam paper engraving / etching Gorgons. queen. Sacrifice

Etching and aquatint titled 'Rivals' by Richard Teschner, created in 1917 using brown ink, depicting competitive figures or scenes.

An etching by Théodule Ribot showing the epuachers, emphasizing human figures, gestures, and detailed line work, capturing the composition and scene.

Interior with reading man, Jan Chalon, 1802 Interior of a house. A man sits on a chair under a wall clock and reads. Two women talk to each other through an open window. A dog in the foreground. The print is part of an album. print maker: Amsterdampublisher: LondonLondonLondon paper etching / drypoint Interior of a house. A man sits on a chair under a wall clock and reads. Two women talk to each other through an open window. A dog in the foreground. The print is part of an album. print maker: Amsterdampublisher: LondonLondonLondon paper etching / drypoint

A Woman Churning Made 1855 France. Etching and drypoint on ivory laid paper . Jean François Millet

Nissance de Vénus; Jasi Ski, Feliks Stanis AW (1862-1901), Botticelli, Sandro (1444 cars 1445-1510), Wittmann ch., Imprimérie (couples 1902); 1893 (1893-00-00-1893-00-00);Musées et Salons (Paris Series - Paris - Fl. Ca 1884-1893), Studziński, Franciszek (1895-1967), Studziński, Franciszek (1895-1967) - collection, Venus (iconogr.), Zefir (mitol.), French (culture), French graphics, Polish graphics, reproductive graphics, mythology, sea, shells, Poland (culture), purchase (provenance)

Saint Weronika; Masieski, Jan (fl. Ca 1750-1800), Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1790-1820 (1790-00-00-1820-00-00);

Lot drunk led by his daughters, Etienne Delaune, After Luca Penni, 1569 print France paper engraving Lot's daughters make their father drunk

A Painter-Etcher (Self-Portrait) Made 1889 Sweden. Etching on ivory laid paper . Anders Zorn

The major's daughter. Whistler, James McNeill (1834-1903). 1862. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Monument Voor J.M. Baron von Kropff, 1793, Antoni Zürcher, 1793 print Allegorical monument for Joachim Maurits Baron van Kropff, killed in the defense of Klundert against the French army, February 25, 1793. Graf needle in a court with two mourning children on the right at a large urn. In the background, Kropff is transferred by Charon by boat the river. With four -line verse. Northern Netherlands paper etching / engraving grave-building, monumental tomb. Charon, the ferryman Klundert

Goethe Louwered by his muse, Rudolf Stang, After Wilhelm von Kaulbach, 1860 print paper steel engraving single Muses. honouring the artist with laurel wreath

The Honorable Mrs Graham, from Old English Masters Made 1897 United States. Wood engraving on chine paper . Timothy Cole

St. Simon of Trento. 1750 - 1900. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Painter. Jacques Gaston Duchamp Villon; French, 1875-1963. Date: 1931. Dimensions: 184 × 141 mm (plate); 279 × 224 mm (sheet). Etching and drypoint on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Four portraits of Schilders, F. Herinck, 1850 - 1899 print Two allegorical figures, one with painting palette, the other with a bay branch, stand in four medallions with portraits of painters. Anthony Van Dyck and Peter Paul Rubens, among others. paper etching historical persons

Gustave Doré (1832-1883), designer and Paul Riault (19th century), engraver. "Sick love." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101788-25 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Chinese parrot seller, Pieter Schenk (I) (Possibly), After Romeyn de Hooghe, 1682 - 1711 print A Chinese parrot seller with two parrots on a stick over his shoulder. Amsterdam paper etching Chinese. ornamental birds: parrot

"Die Botanognost". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist

Portrait of the Pałcza Szombathely; Gory, Wiktoria (1902-1945); 1932 (1932-00-00-1932-00-00);

Interior with reading man; The Compleat Work of Etchings by John Chalon / Oeuvre Complette des Eaux Fortes Par Jean Chalon. Interior of a house. A man sits on a chair under a wall clock and reads. Two women talk to each other through an open window. A dog in the foreground. The print is part of an album.

Une recontre au bal ,. Paul Gavarni (1804-1866). Lithographs and Other Works

. The Saint Sebastiaan, Maria with child and three figures. In the background a wide hilly landscape.

That is the worst of it!, plate 74 from The Disasters of War Made 1815-1820 Spain. In this etching Goya did not merely suggest the bestial behavior of the clergy, as in the other Disasters of War prints nearby. Going beyond masks and dramatic poses, here the artist depicted a fox or a wolf signing a document reading ìMiserable humanity, the fault is yours,î assigning the blame for the worldís sad state to the church by handing the sheet to the tonsured friar in front of him. Propaganda images visually equating priests with hungry wolves are known from as early as the 16th-century German Protestant Reformation, an approach Goya drew on here.. Etching and burnishing on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

Oude Man Met Baard, Johann Heinrich Schönfeld, 1686 - 1724 print Augsburg paper etching old man

Skeletten warms up at a stove, James Ensor, 1895 print paper etching (human) skeleton. heating stove

Woman on Ezel, Marinus van der Maarel, 1867 - 1913 print In the middle a woman drives a donkey through the surf. People with donkeys walk in front and behind her. paper etching riding a horse, ass, or mule; rider, horseman

The Lamentation Over the Dead Christ. Artist: After Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591-1652 Naples); Alphonse-Charles Masson (French, 1814-1898). Dimensions: Sheet: 15 11/16 × 21 9/16 in. (39.8 × 54.8 cm). Publisher: Chalcographie du Louvre. Date: 1875. Museum: Metropolitan Museum of Art, New York, USA.

An etching and aquatint by Francisco Goya from 1810, first published in 1863, titled 'Charlatan Entertainment,' showing scenes of mockery and performance amid wartime suffering.

Plate 22 from 'The Disasters of War' (Los Desastres de la Guerra): 'Even worse.' (Tanto y mas.) 1810 Goya (Francisco de Goya y Lucientes) Spanish. Plate 22 from 'The Disasters of War' (Los Desastres de la Guerra): 'Even worse.' (Tanto y mas.) 333971

Confirms learning credit.

Visvangst, Jacques de Gheyn (II) (attributed to workshop or), After Karel van Mander (I), 1580 - 1596 print Tobias has caught a fish. The angel Rafael asks him to cut the fish into pieces and to keep the intestines. Tobias will later use the bile of the fish to cure his father's blindness. In the lower margin a four -line Latin text. Amsterdam paper engraving the angel Raphael tells Tobias to cut the fish to pieces

Lord and nymphs; Schirmer, Johann Wilhelm (1807-1863), Gräf, Carl, Arnold, Ernst (Dresden, Leipzig; Publishing House, Gallery; 1843-1951); 1846 (1846-00-00-1846-00-00);

Etching and aquatint by Rudolf Jettmar titled 'The Poet', showing a leaf with a flower, using cold needle technique, 1899.

Soldier sits at the table with armor and reads book, Jan Bikkers, 1840 - 1876 print Rotterdam paper etching / drypoint private soldier. reading

The Famous Martincho Places the Banderillas, Playing the Bull with the Movement of his Body, plate 15 from The Art of Bullfighting. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1813-1816. Dimensions: 202 x 312 mm (image); 248 x 354 mm (plate); 324 x 446 mm (sheet). Etching, burnished aquatint, drypoint and burin on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, USA.

Frankfurt am Main, Prestel, Ferdinand August Christian, Hendschel, Albert, Huth, Theodor, From A. Hendschel's Skizzenbuch, Photographic reproduction of a sketch of two children reenacting a visit to the ophthalmologist, by Albert Hendschel, recto - embossed, This photograph is part of a cover with 50 photographs on 48 sheets, a list of illustrations and a title page., photograph, photo, reproduction, photographs, photographically illustrated books, 35, recto - handwritten, AH, height 88 mm, width 113 mm, photographer, 1865 - 1870, photographic paper, photo paper, albumen print, albumine print, Work conception, German, 1834-06-08 - 1883-10-22, after a design by, Publication (Event), Publication, 1826-03-14 - 1890-11-01, publisher

The Knifegrinder 1666-1676 Holland. Etching in black on ivory laid paper . Adriaen van Ostade

Print made by William Blake, 1757-1827, British, For the Sexes: The Gates of Paradise, Plate 4, "Water", 1826. Etching and line engraving on moderately thick, slightly textured, cream wove paper.

Complain to Time about it, Francisco de Goya, 1806 - 1812 drawing Sitting on the floor, moaning old woman. paper. ink. pencil pen / brush old woman

Woman reads at the window, Félicien Rops, 1879 print paper etching / drypoint adult woman. reading

Etching by Joseph Hauber created between 1785 and 1834 depicting mythological figures including a satyr with a nymph and Venus with Amor.

Jozef, anonymous, after Abraham Bloemaert, c. 1615 - c. 1623 print Netherlands paper

Algerian Jewess Made 1833 France. Etching on white laid paper . Eugène Delacroix

Death bed of a king, In a four-poster bed a king lies dying, a crucifix in the hands. Clergymen and other people involved, deathbed, cross as symbol of Christ, (human) skull stand and kneel around the bed, Christiaan Lodewijk van Kesteren (mentioned on object), 1842 - 1897, paper, steel engraving, h 258 mm × w 171 mm

Harmonie / peint par A. Weisz ; grave par Paul Girardet. | Library of Congress

Two Seated Men, from The Caprices 1617-1627 France. Etching on ivory laid paper . Jacques Callot

NIMF flight away for Sater, Henri Fantin-Latour, 1905 print Paris paper satyr(s) pursuing nymph(s)

Eight figures with an old woman with a walking stick in the middle, François Boucher, after Abraham Bloemaert, c. 1735 print publisher: ParisFrance paper etching standing figure - AA - female human figure. sitting figure. old woman. walking-stick, staff. old man

Small ranger, Anonymous, Pierre Langlumé, 1820 - 1830 print Paris paper clothed in rags. the poor. boy (child between toddler and youth)

Design for a Painted Porcelain Plate, Le Poisson (Pisces) from Le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown ink, brush and brown wash, pink, tan watercolor, white gouache, red crayon, graphite on cream laid paper mounted on cream laid paper, ruled border in pen and brown ink, Design for a painted porcelain plate, square format. Scene at a river bank. Figure of a man, center foreground, is seated at the river's edge holidng a fishing line in his left hand, while scratching his head with his right hand, apparently wondering why he is not catching any fish. A hat, bucket, and a plate of bait (worms) are on the ground to his left. A man and woman, center middleground, standing against a background of trees, admire a catch of three small fish. A fisherman in a small boat appears in the left background., France, 1824, ceramics, Drawing, Drawing

Zomer, Julien -Léopold Boilly, After Pierre Prud'Hon, 1811 - 1867 print Paris paper. summer, 'summer'; 'Estate' (Ripa)

Bliżej Kultury Kunstwerlag Anton Schroll & Co., Vienna, Pacher, Michael (Ca 1430/1435 1498)

My pillow have the taste of a fruit; Knife Baisers DEGI SE SE SE FONDRAIT DANS SON Coeur! ... tu me dédaignes! Adieu!; Tentation de Saint-Antoine (3); Temptation of Saint Antonius. Cup of a man with a headdress. Under the image the text: My pillow have the taste of a fruit that melt in your heart ..... you mock me! Adieu!. Fourth print of twenty-four, from the third series illustrations for Gustave Flauberts the temptation of Saint Antonius.

Fireplace, Wanda Gág, 1929 print paper open hearth, fire-place

. A young woman with a basket with fruits in hand hangs out of a window. She holds the curtain aside so that the interior behind her is visible. In the room a man and a woman are making music. In the windowsill a birdhouse depends on a dead rooster and is a vase with flowers.

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), Roger Bontems (title registered (letter)), 1828. Maison de Balzac.

At the Chat Noir. Louis Auguste Lepère; French, 1849-1918. Date: 1893. Dimensions: 113 × 80 mm (image); 163 × 113 mm (plate); 223 × 155 mm (sheet). Etching and aquatint on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

At the Chat Noir Made 1893 France. Etching and aquatint on cream laid paper . Louis Auguste Lepère

Interior with old woman who peels apples, Emile Frédéric Salmon, after Gerard Dou, 1850 - 1913 print paper etching / engraving old woman. cleaning fruit, e.g. peeling

Etching by Max Klinger from 1881, Fallen Riders, Opus IV, sheet 11, printed on French China, showing figurative composition of fallen figures in landscape.

Architecture fantasy, Page 22, Jean Laurent LEGEAY, 1767 - 1768 print paper etching

Siegfried. Acte III. Évocation d'Erda , Composers, Wagner, Richard, 1813-1883. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Mariano Fortuny y Carbó, Two Arabian Figures: a Sketch, Spanish, 1838-1874, c. 1865, etching on laid paper

Real in Middelburg and Plundering the House of Burgemeester Lansbergen, 1651. Real to Middelburg and Plundering the House of Burgemeester Jacobus Lansbergen, July 1651. Plunderers throw the household goods from the house of the mayor on the street, due to his orangist sympathies The young Prince Willem III.

El Greco: Vzkříšení.. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia

Portrait of Engel de Ruyter, Frederik Hendrik Weissenbruch, after Ferdinand Bol, 1858 - 1862 print Under the portrait the signature of the portrayed person. The Hague paper historical persons

Man and his job, The merchant, Peter Johann Nepomuk Geiger -, Drawer, Kunz, Lithograph

Front-line Soldier in Brussels, from War. Otto Dix (German, 1891-1969); published by Verlag Karl Nierendorf/Galerie Nierendorf (German). Date: 1924. Dimensions: 388 x 297 mm (plate); 475 x 353 mm (sheet). Etching and aquatint, with roulette, on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

At the piano; Zehl, Theodor Junior (Leipzig; Drukarnia; Fl. Ca 1870-1918), Weger, August (1823-1892), Scholtz, Julius (1825-1893); 1880 (1801-00-00-1900-00-00);

Sculptures with hunter and wife with child, Adolf Carel Nunnink (Possible), Adolf Carel Nunnink (Possible), 1855 - 1894 print Two sculptures, presumably shown on one of World Exhibitions in Paris. On the left a sculpture with hunter with spear, hunting dog and trapped deer. On the right a sculpture with clock and lying woman with child as Bacchus, next to the woman a thyrsus. Netherlands paper. piece of sculpture, reproduction of a piece of sculpture. hunter. (story of) Bacchus (Dionysus), Liber. thyrsus ~ attribute of Bacchus Paris

Man with a sash, Elchanon Verveer, 1836 - 1900 print The Hague paper

Man at Lessenaar is shocked by Owl who flies in, Johannes Christiaan Bendorp, 1824 print Netherlands paper etching owls. morphology of human expression (+ being frightened)

Hertog Garibald is stabbed in the forest, Reinier Vinkeles (I), After Jacobus Buys, 1773 print Amsterdam paper etching / engraving fighting. forest, wood

DOSOD VAN OPHELIA, EGENE DELACROXIIX, 1843 print Print is part of a cover with fourteen prints. Paris paper Hamlet, Prince of Denmark

SEIGNEUR. - Guerre desservantes.. Artist: Paul Gavarni, French, 1804-1866

Maria met Kind.

The Wijoogist, Lucien Pissarro, After Camille Jacob Pissarro, 1899 print Women are picking grapes, and a man is squeezing the grapes in a ton. Print from a series of three with scenes from the story of Daphnis and Cloë. print maker: Englandprinter: Hammersmith paper Daphnis (in Greek mythology a shepherd who invented pastoral poetry. treading grapes. picking fruit

Graftombe with portrait of Johannes Lublink de Jonge.

Bliżej Kultury Verlag of Ferdinand Schenk in Vienna

Diploma of the Polish Union of Wioan Societies for the Polish Championship Competition; Care, Ignacy (1865-1941); 1924 (1924-00-00-1924-00-00);White Eagle (coat of arms), Diplomas, Polish graphics, Poland (culture), rivers, sport, athletes, laurel wreath (attribute), rowing (Sport)

Man at desk is scared of owl that flies inside; Unexpected tomorrow visit at Dirk Rafaëls from Camphuyzen; Unexpected tomorrow visit.

CoreoPsInTacreakaKalia (title registered (letter)) | Flowers. (Title of all)

Pyrrhus van Epirus en Gaius Luscinus, Bartolomeo Pinelli, 1818 print Pyrrhus of Epirus negotiates with Gaius Fabricius Luscinus and shows him an elephant. Soldiers watch. Rome paper etching (story of) Pyrrhus, king of Epirus. (story of) Gaius Fabricius surnamed Luscinus. trunked animals: elephant

Afanassjeff or Afanassweff, Constantin Jakowlevitsch (N.1793 - D.1857), Saint Jérôme after Egoroff Alexei Yegorov) (main title). Chisel on applied China. Petit Palais, Museum of Fine Arts of the City of Paris.

Israelites healing toxic snake bits by looking at the bronze snake of Moses, Johannes Alexander Rudolf Best, 1807 - 1855 print Amsterdam paper etching Miriam is punished with leprosy; Moses prays to God, who promises to heal Miriam after seven days

2./L'Ennemi !

When Day Breaks We Will Be Off, plate 71 from Los Caprichos 1797-1799 Spain. Once again Goya features a malicious group of haggard women, usually interpreted as witches. They rest before daybreak to take flight, with or without broomsticks. Despite their caricatured expressions, their interactions can still be universally understood. The most prominent witch signals which direction they will head once the sun rises. She will presumably drag the group of children tied to her waist with her for evil purposes. Not unlike Goyaís earlier Caprichos plates, the figures of the witches rely heavily on using line, while the velvety night sky and bright stars are created using aquatint.. Etching and aquatint on ivory laid paper . Francisco José de Goya y Lucientes

This etching by Richard Teschner, titled 'Homunkula', executed in 1916, depicts figures and composition using detailed line work and tonal elements.

Two figures by a fireplace, Johann Heinrich Maria Hubert Rennefeld, after Jozef Israëls, 1845 - 1877 print In a room there are an older man and a child in front of a fireplace. The man has laid his hand on the child's shoulder. Amsterdam paper etching open hearth, fire-place

Confidences in the Garden 1894 James McNeill Whistler American. Confidences in the Garden 372836

Ecce Homo. Wittmann Ch., Imprimérie, Paris (fl. ca 1891-1907), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Gazette des Beaux-Arts (Paryż ; czasopismo, wydawnictwo ; 1859-2002), publishing house, Bosch, Hieronymus (ca 1450-1516), painter

No. 4. / One day, an old (more utter than all those we see above) ... (title registered (letter)) | The beautiful nick. (Title of all)

Vignette with two female allegorical figures, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching quill

Girl with Rabbit (from McGuire Scrapbook). Artist: Emanuel Leutze (American, Schwäbisch Gmünd 1816-1868 Washington, D.C.). Dimensions: 4 11/16 x 3 1/8 in. (11.9 x 7.9 cm). Museum: Metropolitan Museum of Art, New York, USA.

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