Historical Sketches and Studies

Collection of sketches featuring historical figures, soldiers, and biblical scenes, with a study of varied techniques in drawing and expression.

Rome, Collignon, François, Italy, Billy, Nicolo, Testa, Pietro, Adoration of the Shepherds, verso - stamped, The Holy Family sits before a building and is surrounded by shepherds who are adoring the Christ Child. Putti float in the air. In the background on the right, the Annunciation to the shepherds by an angel., print, prints, height 203 mm, width 277 mm, Italian, 1612 - 1650, intermediary draughtsman, after a drawing by, 1650 - 1750, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, French, 1610 - 1687, publisher, uitgever

Study of composition for buchers Pierre Puvis de Chavannes (1824-1898). Composition study for Loggers. 1870-1874. Lead mine on glued paper in full.

Men's and women's head with grotesque hats and collars, Denis Boutemie, 1636 print This print is part of an album. paper engraving ornaments ~ art

Drawing, Sketchbook Page with Classical Scenes; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink over traces of graphite on cream laid paper; 21.4 x 15.1 cm (8 7/16 x 5 15/16 in.)

Study for India House, the Sale Room, from Microcosm of London 1807-1809 England. Graphite on cream wove paper . Augustus Charles Pugin

Lovis Corinth, Christ Bearing the Cross (Kreuztragung), 1916 Christ Bearing the Cross (Kreuztragung)

Paul Sandby, Ladies and Gentlemen in a Country Park Ladies and Gentlemen in a Country Park

Bliej Kultury Pruszcz Ski, Andrzej (1836 1895)

Two seated women near a memorial stone with the inscription 'Arti', Louis Royer, c. 1844, In the background a figure with a dog and a folder under the arm. Sheet 16 recto from a 32-sheet collector's album., draughtsman: Louis Royer, Amsterdam, c. 1844, paper, pen

Marcus Cassius Scaeva in the Battle of Dyrrhachium; L. Cassius Scaeva in Celebri Pugna Ad Dyrachium. Marcus Cassius Scaeva in the Battle of Dyrrhachium, 48 N.Chr. PRENT Nr. 40 On leaf 25 in the album 'Raccolta di Soggetti Pittorici', a print album with 42 numbered etchings on 28 pages of Luigi Sabatelli (i) itself and from students to his design.

A pencil sketch series by Alexander Rothaug from around 1928 depicting figure studies and compositional elements.

A pencil sketch sheet by Rudolf Weyr depicting studies of objects, figures, and spatial composition with emphasis on proportion and detail.

Dancing and visiting people, Leendert Springer (I) (Possibly), in or before 1844 print Four performances from a death dance, numbered 1 to 4. Death as an archer, dancing with religious with religious and death in skating men in a baptism. Leiden paper dance of Death; Death together with one or more human beings

Bliżej Kultury Normand, Charles (1765 1840), Salviati, Francesco (ca 1509/1510 1563)

Street scene, with under other man with range, draughtsman: Utagawa Kuniyoshi, 1808 - 1861, paper, brush, h 242 mm × w 171 mm

Paulus van Thebe looks at man with two oxen, Karl Palzow, 1830 print A recluse, presumably Paul of Thebes, looks towards a man who has difficulty holding his two -chained oxen. A dog barks to the oxen. Print is part of a cover with text and a series of eighteen lithographs to paintings by Dutch masters. paper Paul of Thebes, the first hermit; possible attributes: raven, two lions. ox

Charles I, after Van Dyke Dismounted Equestrian Portrait; Colonel George Kitts Coussmaker, after Reynolds (from Sketchbook) 1810-20 Thomas Sully American. Charles I, after Van Dyke Dismounted Equestrian Portrait; Colonel George Kitts Coussmaker, after Reynolds (from Sketchbook). Thomas Sully (American, Horncastle, Lincolnshire 1783-1872 Philadelphia, Pennsylvania). American. 1810-20. Ink, wash, on paper

Paintings in lists. Probably copies to Schmidt paintings. The paintings mainly represent interiors with figures. Leaf 50 recto from a sketchbook with 58 sheets.

Temujin - Study of Oriental Warriors, 1860. William Holman Hunt .

Musicerande putti ..

Slaughtering a pig. .

Sketches of Mounted Carabiniers and Heads of Horses. Jean Louis André Théodore Géricault; French, 1791-1824. Date: 1813-1814. Dimensions: 174 × 232 mm. Graphite on tan wove paper, perimeter mounted on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Footit etChocolat. Artist: Henri de Toulouse-Lautrec, French, 1864-1901

The Archery Match, from the Aeneid, Book V 1818-1828 France. Black crayon on blue-gray laid paper . Anne-Louis Girodet de Roussy-Trioson

Julius Caesar caught by pirates, Bartolomeo Pinelli, 1819 print Julius Caesar is imprisoned by pirates. However, he is haughty on the ship as if he was the captain. Rome paper etching (story of) C. Julius Caesar. pirate, corsair, buccaneer. ships (in general)

Bulls with a carriage with frightened figures. In a tolerance, figures are very frightened because two bulls are on either side of their carriage. One of the animals is on a lead and is held by a man.

History of Joanna d'Arc; Schule, Georg Christian (1764-1816), Goc.J. (Fl. Ca 1809); 1809 (1809-00-00-1809-00-00);

Study for "The Sultan of Morocco and His Entourage" ca. 1855-56 Eugène Delacroix French When Delacroix revisited the subject of the sultan in 1856, he further stripped away references to the 1832 diplomatic audience he had witnessed. In a drawing preparatory to a smaller painting, he shifted the leaders attention to the left and eliminated the ministers and advisers, replacing them with servants who attend to the rulers comfort, using long pieces of white cloth to swat away insects.. Study for "The Sultan of Morocco and His Entourage" 342994

Allegorical performances of European panels, Turkey, Armenia, Montenegrin and Meda after the 1908 Constitution; around 1908 (1903-00-00-1912-00-00);Semerau-Siemianowski, Władysław (1849-1938)-collection, Semerau-Siemianowski, Władysław (1849-1938), poster, gift (provenance), occasional prints, Islamic art, Turkish art

Bliżej Kultury Pruszyński, Andrzej (1836 1895)

Alexander the Great Taming Bucephalus, Felice Giani, Italian, 1758-1823, pen and brown ink over traces of graphite on cream laid paper, Young Alexander standing in center holds rearing horse. King Philip seated at right. Seated spectators and standing soldiers., Italy, ca. 1795, figures, Drawing, Drawing

Het offer van Iphigeneia The Sacrifice of Iphigenea. Date/Period: Ca. 1560. Drawing. Pen in brown ink. Height: 1,190 mm (46.85 in); Width: 2,600 mm (102.36 in). Author: PIETER AERTSEN.

Marylanders Crossing the Potomac to Join the Southern Army (from Confederate War Etchings). Artist: Adalbert John Volck (American (born Germany), Augsburg 1828-1912 Baltimore, Maryland). Dimensions: Image: 3 7/8 x 7 13/16 in. (9.9 x 19.9 cm)Sheet: 7 7/8 x 10 7/16 in. (20 x 26.5 cm). Date: 1861-63. Museum: Metropolitan Museum of Art, New York, USA.

Pastoral scene with two figures.

Pencil sketches by Alexander Rothaug around 1930 depicting figure studies and compositional elements on paper.

Mars a Venus, Hans Speckaert, 1577 drawing paper. ink pen / brush Mars and Venus as lovers

Etching by Orazio Farinato depicting the crossing of the Red Sea, created around 1583, showing figures, water, and biblical narrative elements.

Der Schweizerbund (The Oath of the Rütli) 1806 Franz Hegi. Der Schweizerbund (The Oath of the Rütli) 698593

Washington Irving's Illustrations of the Legend of Sleepy Hollow, Designed and Etched by F.O.C. Darley for the Members of the American Art Union, 1850 1850 Drawn and etched by Felix Octavius Carr Darley American. Washington Irving's Illustrations of the Legend of Sleepy Hollow, Designed and Etched by F.O.C. Darley for the Members of the American Art Union, 1850. Drawn and etched by Felix Octavius Carr Darley (American, Philadelphia, Pennsylvania 1822-1888 Claymont, Delaware). 1850. Illustrations: etching on stone. American Art Union (New York, NY) , by subscription. Books

The birth of Raphael (on Good Friday in 1483). Rist, Gottfried (1789-1824), graphic artist, Barth, Carl (1787-1853), graphic artist, Riepenhausen, Franz (1786-1831), draughtsman, cartoonist, Riepenhausen, Johannes (1787-1860), draughtsman, cartoonist, Wenner, Johann Friedrich (1772-1835), publisher, Rafael (1483-1520), painter

Drawing (Italy)

Antique masks (from the collection at the Paris museum) . Normand, Charles (1765 1840)

Dover Pier, Joshua Cristall, 1768-1847, British, 1807, Graphite on moderately thick, slightly textured, blued white wove paper, Sheet: 12 3/8 x 19 inches (31.4 x 48.3 cm), barrels, baskets, boats, bonnets, chains, children, coats, crowd, dock, genre subject, hats, men, pier, sailboats, sails, ships, talking, telescopes, trousers, wharf, women, Dover, England, English Channel, Kent, United Kingdom

Outlines of figures, landscape, & cattle, etched by T. Rowlandson, for the use of learners, no. 6 or 8 , Horses, Horseback riding, Donkeys, Soldiers, Carriages & coaches. Thomas Rowlandson (1756-1827). Prints and Drawings

Israel in Wuth caricature on Moritz Mohl, MP of the National Assembly in Frankfurt , Leo von Elliot -, Lithographer, Eduard Gustav May -, publisher

Fishing; History of Tobias. Tobias has caught a fish. The angel Rafael asks him to cut the fish into pieces and keep the guts. Tobias will use the bile of the fish later to heal his fathers blindness. In the undermaster a four-line Latin text.

Baccus and Arianna (Bacco e Arianna), by Guido Reni, engraving

Alexander Rothaug's pencil and ink sketches from around 1900 depicting various subjects with figures, objects, and spatial arrangements.

Richard Earlom (1743-1822). "The academicians of the Royal Academy", 1771-73, according to Johann Zoffany (1733-1810). Attractive engraving. 1773 Museum of Fine Arts of the City of Paris, Petit Palais. 74202-16 Academician, academy of fine arts, black manner, model, painter, sculptor, 18th 18th 18th 18th 18th 18th 18th century, engraving

Study for Herald's College, The Hall, from Microcosm of London 1807-1808 England. Pen and brown ink with brush and watercolor with graphite, on ivory wove paper, laid down on board . Augustus Charles Pugin

Key on the four prints of the last days of Louis XVI by Luigi Schiavonetti. Four representations of the last days of Louis XVI. Under every show an explanatory list of numbers.

Figures in seventeenth-century clothing. Figures in seventeenth-century clothing from different grades and positions. Leaf 56 from a sketchbook with 91 sheets.

Looting the Catholic Church in Woerden, 1813; Abuse of the R.C. Priest for the altar and harvesting of the Holy Barrels. Looting of the Catholic church and misuse of the priest by French soldiers. Part of a group of illustrations in circumference of the atrocities committed by the French troops during the overwhelming and looting of Woerden on 24 and 25 November 1813.

Pots and pans , Pots & pans, Street vendors. Joseph Pennell (1857-1926). Prints and Drawings

Brown feder drawing by Moritz von Schwind from 1823-1826 depicting emblems including tombs, showing figures, symbols, and composition.

The Feast of Herod (recto) Tomyris with the Head of Cyrus (verso), c. 1637-38. Peter Paul Rubens (Flemish, 1577-1640). Pen and brown ink, with black and red chalk, touched with white gouache; sheet: 27.2 x 47.2 cm (10 11/16 x 18 9/16 in.); secondary support: 27.6 x 47.3 cm (10 7/8 x 18 5/8 in.). Peter Paul Rubens had a large studio in Antwerp and used drawing to prepare for large paintings as well as to direct the many pupils who assisted him. Striking in its immediacy, the drawing on the recto of this sheet of paper is a preparatory study for the Feast of Herod painting now at the Scottish National Gallery in Edinburgh. Herod, wearing a large cap and wrapped in a mantle, shrinks back in horror as Salome uncovers a charger that holds the head of Saint John the Baptist. Smiling, Herodias grabs the platter with her left hand and, in a chilling detail, gestures toward the charger with a fork. Rubens wrote what is usually interpreted as Herodias somewhat higher” at the top of the sheet.

Sketches of figures in Spanish costume, draughtsman: Alexander Ver Huell, 1832 - 1897, paper, h 207 mm × w 260 mm

A drawing by Rudolf Weyr depicts an antique scene, showing figures, costumes, and setting typical of historical context in a preparatory sketch.

Bust portrait of three actors, two of them in the role of a woman, draughtsman: Utagawa Kuniyoshi, (possibly), 1808 - 1861, paper, brush, h 280 mm × w 237 mm

Pots and pans , Pots & pans, Street vendors. Joseph Pennell (1857-1926). Prints and Drawings

Leguay, Etienne-Charles, characters from the end of the 18th century. (Dummy title). Carnavalet museum, history of Paris.

Purgatorio III, Sandro Botticelli (Florence, Italy, 1445 - 1510) 1887

Leander swims to Hero over the Hellespont / Pan chases Syrinx, Carlo Cesio, After Annibale Carracci, 1656 print On the left a medallion with a presentation of Leander who swims to Hero on the Hellespont. Around the medallion sculptures of naked figures, putti and a mask. On the right a medallion with a representation of pan that pursues Syrinx among the reeds. Around the medallion sculptures of naked figures, putti and a mask. print maker: Romeafter drawing by: Romeafter design by: Italypublisher: RomeVaticaanstad paper etching (story of) Hero and Leander. Leander swims across the Hellespont at night, usually guided by a torch reared upon a tower by Hero. Syrinx changed into a reed: while fleeing from Pan, the nymph Syrinx is changed into reed by her sisters, the Naiads (Ovid, Metamorphoses I 705). the (nude) human figure; 'Corpo humano' (Ripa). cupids: 'amores', 'amoretti', 'putti'

Celestial Map of the Northern Sky (Imagines coeli septentrionalis). Albrecht Dürer; German, 1471-1528. Date: 1515. Dimensions: 432 x 430 mm (image); 584 x 463 mm (sheet). Woodcut in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

This color print by James Ensor illustrates the biblical scene 'Let the small children come to me.' Printed on Van Gelder paper in 1921, it emphasizes expressive lines and composition.

Design for a Box-Front 18th century Hubert François Gravelot French. Design for a Box-Front 335437

Woman Sketching; Two Women Reading; Portrait of a Man (after Van Dyke); Half-length Female Portrait; Two Equestrian Figures Leading a Horse (from Sketchbook) 1810-20 Thomas Sully American. Woman Sketching; Two Women Reading; Portrait of a Man (after Van Dyke); Half-length Female Portrait; Two Equestrian Figures Leading a Horse (from Sketchbook). Thomas Sully (American, Horncastle, Lincolnshire 1783-1872 Philadelphia, Pennsylvania). American. 1810-20. Ink, wash, on paper

(From Sketchbook) 1810-20 Thomas Sully American. (From Sketchbook). Thomas Sully (American, Horncastle, Lincolnshire 1783-1872 Philadelphia, Pennsylvania). American. 1810-20. Ink, wash, on paper

Putti met palmtak / Putti met toorts; Schilderingen in Palazzo Farnese te Rome; Galeria nel Palazzo Farnese in Roma.Sheet with two performances. Left: Two putti carrying a palm branch. Right: two putti with a torch.

Vanus toilet, Julien-Léopold Boilly, after Pierre Prud'hon, 1851 print Design for ornament for the laundry basin for Marie Louise of Austria. Paris paper Fantasy, Caprice; 'Capriccio' (Ripa). Cupids: 'Amores', 'Amoretti', 'Putti'. Toilet of Venus

Drawings for Dante's Divine Comedy (Purgatorio 17). Date/Period: 1480 - 1495. Drawing. Pen and brown ink over metalpoint on parchment Pen and brown ink over metalpoint on parchment. Height: 322 mm (12.67 in); Width: 470 mm (18.50 in). Author: SANDRO BOTTICELLI.

Design for illustration in De Amsterdammer: conductor for a concert hall (on the reverse a standing naked figure) (7 December 1918). Draughtsman: Johan Braakensiek. Dating: 1918 - before 7-Dec-1918. Measurements: h 263 mm × w 338/345 mm. Museum: Rijksmuseum, Amsterdam.

Edward Francis Burney, 1760-1848, British, Female Figures and Putti Playing Musical Instruments, undated. Pen and brown ink on medium, slightly textured, beige paper.

La Paix Conclue a Reichenbach, Allegorical sheet to the Reichenbach Congress on July , Unknown

Landscape with two farmers, who lead horses, Leo Gestel, 1891 - 1941 drawing paper. pencil. ink brush farm or solitary house in landscape. horse. farmers

Menu du diner de la Chronique. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1869. Prints; etchings. Etching

Darabgerd. Bas-relief, 1851 - 1854, by Eugène Flandin (1809-1876). Issued in Paris by Gide et J. Baudry. Focuses on Iranian antiquities through etchings

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

N ° 18. / And the day came to bring the guests in crowd ... (title registered (letter)) | The beautiful nick. (Title of all)

Studies of Algerijnen, Ferdinand Hart Nibbrig, 1876 - 1915 drawing paper. pencil Africans (with NAME)

Compositions from Shelley's Prometheus unbound, page. Paton, J. Noël (Joseph Noël), Sir, 1821-1901. Prints, Illustrations, Title pages. 1844. Carl H. Pforzheimer Collection of Shelley and His Circle. Shelley, Percy Bysshe, 1792-1822. Prometheus unbound. Selections

Standing Woman; Child Leaning by a Fishbowl; Weeping Putto; Mounted Soldier; Kicking Horse and Fallen Rider; Half-length Seated Figure; Rowboat (from Sketchbook) 1810-20 Thomas Sully American. Standing Woman; Child Leaning by a Fishbowl; Weeping Putto; Mounted Soldier; Kicking Horse and Fallen Rider; Half-length Seated Figure; Rowboat (from Sketchbook). Thomas Sully (American, Horncastle, Lincolnshire 1783-1872 Philadelphia, Pennsylvania). American. 1810-20. Ink, wash, on paper

Etching by Francesco la Marra depicting the baptism of Christ, created in circular manner using brown and red brush, 1792.

Twelve Heads Wenceslaus Hollar Bohemian after Leonardo da Vinci Italian ca. 1645 View more. Twelve Heads. Varie Figurae et Probae after Leonardo da Vinci, Antwerp, 1645 (New Hollstein 737-751). Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). ca. 1645. Etching; second state of two. Prints

The Prince's Progress - Compositional Sketch, 'Too late for love, too late for joy', 1865-66. Artist: Dante Gabriel Rossetti.. 'The Prince's Progress, and Other Poems' by Christina Rossetti .

Sketch sheet with on the left a farmer's wife with a jug on her head and on the right a falconer on horseback with on his side a woman, also on horseback, farmer's wife with a jug on her head and a falconer on horseback., draughtsman: Hendrik Abraham Klinkhamer, Philips Wouwerman, Andrea Mantegna, (possibly), 1820 - 1872, paper, h 206 mm × w 268 mm

Cold needle etching 'Cabarat at the Fair' by Rudolf Grossmann, created in 1920, depicting figures and activity at a fairground.

Tribute brought by allegorical figures to portrait bust van Vondel, Pieter Bartholomeusz. Barbiers, 1782 - 1837 drawing paper. graphite (mineral) Fame ~ writer, 'poeta laureatus'. historical persons

Scene from the Bayeux Tapestry. Josef Albert (German, 1825 - 1886)

st, Dr, -signaz -Seipel -Platz - Academy of Sciences - Aula of the Old University - Interior View - Festival - Ceiling Fresco, around , August Stauda -, Photographer

Black pen drawing by Moritz von Schwind depicting Cinderella being decorated by the fairy, created 1852-1853.

Parade at the celebration of the 450th anniversary of the Sacrament van Mirakel in Brussels, 1820, Guillaume Philidor van den Burggraaff, after Constantinus Fidelio Coene, 1820 print Festive parade depicted in three rows above each other at the celebration of the 450th anniversary of the Sacrament van Mirakel in Brussels, July 19, 1820. On the left a group of spectators. Left and right the legend with the numbers of the floats 1-14 in French. Brussels paper rejoicing on special occasions (+ decorated float, wagon ~ festive activities) Brussels

Neptunus in his chariot, Giulio Bonasone, After Giulio Romano, 1501 - 1580 print Neptunus stands on his chariot, in the form of a shell, which is drawn by four hippocampuses. paper engraving (story of) Neptune (Poseidon). bony fishes: hippocampus

Etching by Johann Adam von Bartsch from 1783 illustrating Nero standing before the body of his mother Agrippina, emphasizing figures and dramatic composition.

Egyptian support during the reign of the nineteenth dynasty. King's royal car; Busse, Michał (Poznań; Litographic Plant; Fl. 1838-Ca 1876), Czapski Hutten, Marian (1816-1875), Żupański, Jan Konstanty (Poznań; Ksiegarnia and Publisher; 1839-188.), Printing house of Józef Ignacy Kraszewski (Poznań ; Fl. 1871-Ca 1886); 1876 (1876-00-00-1876-00-00);

Draft by Edward Jakob von Steinle for the staircase decoration in the Frankfurt Opera, illustrating the theme of dramatic poetry between love and hatred, executed in pencil and gray tones around 1879.

Apostel en Verr Engelen, Giovanni Battista Vanni, After Correggio, 1609 - 1660 print An apostle for and four naked figures (possibly angels) on a wall. print maker: Italyafter painting by: Parmapublisher: Rome paper etching angels. (single) apostle, unspecified

House of the lush of lines; Adalbert (priests 1811-1873); 1842 (1842-00-00-1842-00-00);Adalbert (Prince Prussian - 1811-1873), Adalbert (Prince Prussian - 1811-1873) - collections, Hessen -Darmstadt (family), Spain, Karpniki (Dolnośląskie Voivodeship - museum depot - ante 1945), Karpniki (Lower Silesian Voivodeship) , Atlantic Ocean, Tenerife (Canary Islands), islands, palm trees, landscapes, travel, German drawings

A pencil sketch by Emerich Alexius Swoboda from 1892 showing a monument with architectural and decorative details, emphasizing structure and composition.

Wildlife Friends (Yasei no Tomo) Kawakami Ryoka (Japanese, 1887-1921). Wildlife Friends (Yasei no Tomo), ca. 1918. Ink, opaque watercolors and possibly lacquer on wove paper decorated with mica, 8 7/16 x 206 in. (21.4 x 523.2 cm). Asian Art ca. 1918

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